Artistic Freedom of Expression in Azerbaijan
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Defending the Right to Freedom of Artistic Expression
Defending the Right to Freedom of Artistic Expression K. Bennoune, Special Rapporteur in the field of cultural rights Art-at-risk conference, Zürich, Switzerland 28 February 2020 Good evening. It is a real pleasure to be here with you at this important gathering with artists and defenders of artistic freedom from Switzerland and from all over the world. I’d like to thank the organizers for this very special convening, and also for inviting me. I realize that I stand between you and your Friday evening at the end of many rich discussions so I thank you sincerely for your attention. This evening, I am going to talk about defending the right to artistic freedom within the broader context of defending cultural rights as a whole, drawing from my report on Cultural Rights Defenders to be presented to the UN Human Rights Council on Tuesday March 3.1 I will share some of the ideas in this report. Let me express my sincere gratitude to those in this room from different regions who made contributions to the report which greatly enriched it. The main point I wish to make this evening is that if the international community values artistic freedom, it must find ways to better support and enable the work of those who defend that human right. It must also respect and ensure their human rights. I start with a personal anecdote. Last Sunday I was very stressed about getting ready for this trip. So I decided that I needed a culture cure. I spent the afternoon in the San Francisco area with cultural rights defenders. -
Azerbaijan Modifications to the Constitution Submitted
Strasbourg, 19 September 2016 CDL-REF(2016)054 Opinion No. 864/2016 Engl.Only EUROPEAN COMMISSION FOR DEMOCRACY THROUGH LAW (VENICE COMMISSION) AZERBAIJAN MODIFICATIONS TO THE CONSTITUTION SUBMITTED TO THE REFERENDUM OF 26 SEPTEMBER 2016 Unofficial translation This document will not be distributed at the meeting. Please bring this copy. www.venice.coe.int - 2 - CDL-REF(2016)054 MODIFICATIONS TO THE CONSTITUTION OF AZERBAIJAN PROPOSED FOR THE REFERENDUM OF 26 SEPTEMBER 2016 1 . 1. Article 9. The Armed Forces I. The Republic of Azerbaijan establishes its Armed Forces and other military troops to ensure its security and protection. The Armed Forces consist of Azerbaijani Army and other armed units. II. The Republic of Azerbaijan rejects war as a means of encroaching on the independence of other States and of settling international conflicts. III. The President of the Republic of Azerbaijan is the Commander in Chief of the Armed Forces. 2. Article 24 Main Principles Concerning Human Rights and Civil Liberties I. Human dignity is protected and respected. II. Every citizen from birth enjoys inviolable, undeniable and inalienable rights and freedoms. III. Rights and freedoms also include commitments to society and other individuals. Abuse of rights is not allowed. 3. Article 25: Right to Equality I. Everyone is equal before the law and the court. II. Men and women have equal rights and freedoms. • Equality regardless of gender III. Everyone has equal rights and freedoms irrespective of race, nationality ethnicity, religion, sex, origin, property status, social position, convictions, political party, trade union organization and social unity affiliation. Limitations or recognition of rights and freedoms because of race, nationality ethnicity, social status, language, origin, convictions and religion are prohibited IV. -
The State of Artistic Freedom 2021
THE STATE OF ARTISTIC FREEDOM 2021 THE STATE OF ARTISTIC FREEDOM 2021 1 Freemuse (freemuse.org) is an independent international non-governmental organisation advocating for freedom of artistic expression and cultural diversity. Freemuse has United Nations Special Consultative Status to the Economic and Social Council (UN-ECOSOC) and Consultative Status with UNESCO. Freemuse operates within an international human rights and legal framework which upholds the principles of accountability, participation, equality, non-discrimination and cultural diversity. We document violations of artistic freedom and leverage evidence-based advocacy at international, regional and national levels for better protection of all people, including those at risk. We promote safe and enabling environments for artistic creativity and recognise the value that art and culture bring to society. Working with artists, art and cultural organisations, activists and partners in the global south and north, we campaign for and support individual artists with a focus on artists targeted for their gender, race or sexual orientation. We initiate, grow and support locally owned networks of artists and cultural workers so their voices can be heard and their capacity to monitor and defend artistic freedom is strengthened. ©2021 Freemuse. All rights reserved. Design and illustration: KOPA Graphic Design Studio Author: Freemuse Freemuse thanks those who spoke to us for this report, especially the artists who took risks to take part in this research. We also thank everyone who stands up for the human right to artistic freedom. Every effort has been made to verify the accuracy of the information contained in this report. All information was believed to be correct as of February 2021. -
Nationalist Rhetoric and Public Legitimacy in Ilham Aliyev’S Azerbaijan
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository NATIONALIST RHETORIC AND PUBLIC LEGITIMACY IN ILHAM ALIYEV’S AZERBAIJAN Benjamin Midas A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of the Arts in the Global Studies department in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Erica Johnson Michael Morgan Chad Bryant © 2016 Benjamin Midas ALL RIGHTS RESERVED ii ABSTRACT Benjamin Midas: Nationalist Rhetoric and Public Legitimacy in Ilham Aliyev’s Azerbaijan (Under the Direction of Erica Johnson) This thesis explores the question of why nondemocratic leaders use nationalist rhetoric in ways very similar to democratic leaders through a case study of Azerbaijan. I argue that Azerbaijan’s president Ilham Aliyev uses nationalist rhetoric in order to build public legitimacy for his regime. Despite not needing to build a base of support for legitimate elections, Aliyev needs to legitimate his regime in the eyes of his citizens. To do so he uses nationalist themes in his speeches that resonate with Azerbaijani population to develop popular support. These themes come from applying theories of nationalism to the context of Azerbaijan. I will show the nationalist themes Aliyev utilizes in his speeches and how the use of those themes changes in response to events in Azerbaijan. Aliyev modulates his nationalist rhetoric in response to events in predictable ways, which shows how he manipulates nationalist themes to generate support. iii TABLE OF CONTENTS CHAPTER 1: INTRODUCTION…………………………………………………………………1 CHAPTER 2: LITERATURE REVIEW………………………………………………………...11 CHAPTER 3: CASE STUDY……………………………………………………………………28 CHAPTER 4: CONCLUSION…………………………………………………………………..47 REFERENCES……………………………………………………………………......................50 iv INTRODUCTION Azerbaijan is a small country in the southern Caucasus ruled by President Ilham Aliyev. -
Azerbaijan | Freedom House
Azerbaijan | Freedom House http://freedomhouse.org/report/nations-transit/2014/azerbaijan About Us DONATE Blog Mobile App Contact Us Mexico Website (in Spanish) REGIONS ISSUES Reports Programs Initiatives News Experts Events Subscribe Donate NATIONS IN TRANSIT - View another year - ShareShareShareShareShareMore 7 Azerbaijan Azerbaijan Nations in Transit 2014 DRAFT REPORT 2014 SCORES PDF version Capital: Baku 6.68 Population: 9.3 million REGIME CLASSIFICATION GNI/capita, PPP: US$9,410 Consolidated Source: The data above are drawn from The World Bank, Authoritarian World Development Indicators 2014. Regime 6.75 7.00 6.50 6.75 6.50 6.50 6.75 NOTE: The ratings reflect the consensus of Freedom House, its academic advisers, and the author(s) of this report. The opinions expressed in this report are those of the author(s). The ratings are based on a scale of 1 to 7, with 1 representing the highest level of democratic progress and 7 the lowest. The Democracy Score is an average of ratings for the categories tracked in a given year. EXECUTIVE SUMMARY: 1 of 23 6/25/2014 11:26 AM Azerbaijan | Freedom House http://freedomhouse.org/report/nations-transit/2014/azerbaijan Azerbaijan is ruled by an authoritarian regime characterized by intolerance for dissent and disregard for civil liberties and political rights. When President Heydar Aliyev came to power in 1993, he secured a ceasefire in Azerbaijan’s war with Armenia and established relative domestic stability, but he also instituted a Soviet-style, vertical power system, based on patronage and the suppression of political dissent. Ilham Aliyev succeeded his father in 2003, continuing and intensifying the most repressive aspects of his father’s rule. -
Celebrating the World Day for Cultural Diversity
CELEBRATING THE WORLD DAY FOR CULTURAL DIVERSITY INVESTING IN CREATIVITY The UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions Reiko Yoshida UNESCO Cultural and Creative Industries (CCIs) 2005 Convention The UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions a legally-binding international agreement establishes the right to adopt policies and measures to support the emergence of dynamic and strong cultural and creative 149 industries Parties to the ensures artists, cultural professionals, Convention practitioners and citizens worldwide can create, produce, disseminate and enjoy a broad range of cultural goods, services and activities, including their own a tool to reinforce organizational structures that have a direct impact on the different stages of the cultural value 2005 Convention Monitoring Framework THE 2005 CONVENTION AT WORK Goal 1 The 2005 Convention assists governments in the design and implementation of policies that support creation, production, distribution and access to diverse cultural goods and services, These policies must be: transparent in their decision making processes participatory by engaging civil society in policy design and implementation informed through the regular collection of evidence and data to support future policy decisions SUPPORTING CREATIVITY Digital Age IN THE DIGITAL AGE Goal 2 The 2005 Convention orients governments in designing policies and measure that ensure equitable access, openness and balance. These policies and measures must ensure that: Creative professionals and artists can travel freely Balance in the flow of cultural goods and services is achieved Preferential treatment measures, such as new trade frameworks and agreements, recognize the specificity of cultural goods and services Global Marketplace PUTTING PREFERENTIAL TREATMENT INTO PRACTICE Goal 3 The 2005 Convention supports governments in the integration of culture in their sustainable development policies, plans and programmes. -
Interviews of the President of the Republic of Azerbaijan, Supreme Commander-In-Chief of the Armed Forces, Mr
Interviews of the President of the Republic of Azerbaijan, Supreme Commander-in-Chief of the Armed Forces, Mr. Ilham Aliyev, to foreign media (since 27.09.2020) On November 6, President of the Republic of Azerbaijan Ilham Aliyev was interviewed by BBC News. ........................................................................................ 3 President of the Republic of Azerbaijan Ilham Aliyev was interviewed by the Spanish EFE news agency. ......................................................................................19 On November 2, President of the Republic of Azerbaijan Ilham Aliyev was interviewed by the Italian La Repubblica newspaper. .............................................25 President of the Republic of Azerbaijan Ilham Aliyev has been interviewed by German ARD TV channel. ......................................................................................29 President of the Republic of Azerbaijan Ilham Aliyev has been interviewed by Russian Interfax agency. ..........................................................................................38 On 26 October, President of the Republic of Azerbaijan Ilham Aliyev was interviewed by the Italian Rai 1 TV channel. ..........................................................54 President of the Republic of Azerbaijan Ilham Aliyev has given an interview to the French Le Figaro newspaper. ...................................................................................57 On October 21, President of the Republic of Azerbaijan Ilham Aliyev was interviewed by Japan’s -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Razorcake Issue
RIP THIS PAGE OUT Curious about how to realistically help Razorcake? If you wish to donate through the mail, please rip this page out and send it to: Razorcake/Gorsky Press, Inc. PO Box 42129 Los Angeles, CA 90042 Just NAME: turn ADDRESS: the EMAIL: page. DONATION AMOUNT: 5D]RUFDNH*RUVN\3UHVV,QFD&DOLIRUQLDQRWIRUSUR¿WFRUSRUDWLRQLVUHJLVWHUHG DVDFKDULWDEOHRUJDQL]DWLRQZLWKWKH6WDWHRI&DOLIRUQLD¶V6HFUHWDU\RI6WDWHDQGKDV EHHQJUDQWHGRI¿FLDOWD[H[HPSWVWDWXV VHFWLRQ F RIWKH,QWHUQDO5HYHQXH &RGH IURPWKH8QLWHG6WDWHV,562XUWD[,'QXPEHULV <RXUJLIWLVWD[GHGXFWLEOHWRWKHIXOOH[WHQWSURYLGHGE\ODZ SUBSCRIBE AND HELP KEEP RAZORCAKE IN BUSINESS Subscription rates for a one year, six-issue subscription: U.S. – bulk: $16.50 • U.S. – 1st class, in envelope: $22.50 Prisoners: $22.50 • Canada: $25.00 • Mexico: $33.00 Anywhere else: $50.00 (U.S. funds: checks, cash, or money order) We Do Our Part www.razorcake.org Name Email Address City State Zip U.S. subscribers (sorry world, int’l postage sucks) will receive either Grabass Charlestons, Dale and the Careeners CD (No Idea) or the Awesome Fest 666 Compilation (courtesy of Awesome Fest). Although it never hurts to circle one, we can’t promise what you’ll get. Return this with your payment to: Razorcake, PO Box 42129, LA, CA 90042 If you want your subscription to start with an issue other than #72, please indicate what number. TEN NEW REASONS TO DONATE TO RAZORCAKE VPDQ\RI\RXSUREDEO\DOUHDG\NQRZRazorcake ALVDERQDILGHQRQSURILWPXVLFPDJD]LQHGHGLFDWHG WRVXSSRUWLQJLQGHSHQGHQWPXVLFFXOWXUH$OOGRQDWLRQV The Donation Incentives are… -
UNITED NATIONS General Assembly Security Council
UNITED NATIONS AS General Assembly Distr. Security Council GENERAL A/53/94 S/1998/309 8 April 1998 ORIGINAL: ENGLISH GENERAL ASSEMBLY SECURITY COUNCIL Fifty-third session Fifty-third year Items 46 and 113 of the preliminary list* FIFTIETH ANNIVERSARY OF THE UNIVERSAL DECLARATION OF HUMAN RIGHTS HUMAN RIGHTS QUESTIONS Letter dated 8 April 1998 from the Permanent Representative of Azerbaijan to the United Nations addressed to the Secretary-General On instructions from my Government, I have the honour to transmit herewith the text of the Decree on the genocide of Azerbaijanis by Mr. Heydar Aliyev, President of the Azerbaijan Republic, issued on 26 March 1998 (see annex). I should be grateful if you would have the text of this letter and its annex circulated as a document of the General Assembly, under items 46 and 113 of the preliminary list, and of the Security Council. (Signed) Eldar G. KOULIEV Permanent Representative * A/53/50. 98-09940 (E) 090498 090498 /... A/53/94 S/1998/309 English Page 2 Annex [Original: Russian] Decree of the President of Azerbaijan on the genocide of the Azerbaijanis, issued on 26 March 1998 Azerbaijan’s attainment of independence made it possible to recreate an objective picture of our people’s historical past. Long years of secrecy about which the truth could not be told are being revealed, and the true nature of facts that were falsified at the time is coming to light. The genocide that has been repeatedly committed against the Azerbaijani people, which for a long time was not subjected to proper political and legal assessment, is one of these unopened pages of history. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Implementing Culture in Sustainable Development Goals
IMPLEMENTING CULTURE WITHIN THE SUSTAINABLE DEVELOPMENT GOALS The role of culture in Agenda 2030 The United Nations Sustainable Development Goals (SDGs), adopted in 2015, provide a common global set of objectives, considering social, economic, environmental and governance needs and challenges, based on a foundation of human rights. While included in a limited number of the targets of some of the SDGs (4.7, 8.3, 8.9, 11.4, 12.B, 16.4, 16.10), culture’s full capacity to contribute to their achievement is not explicitly laid out in the UN text. The fundamental right to participation in cultural life (Article 27.1, Universal Declaration of Human Rights, 1948), which is interrelated and interdependent with several of the SDGs is also lacking. Neither is culture fully embraced in the EU strategy (2016) for achieving the UN 2030 Agenda for Sustainable Development. Culture must be integrated in the SDG framework transversally as it contributes to all 17 Goals The SDG framework is highly ambitious and requires a truly bold approach to bringing it into life. Now is the time for the EU institutions to build on the abundant evidence of culture’s relevance to diverse policy areas by mainstreaming culture in all 17 SDGs. Evidence on the transversal role of culture for achieving the SDGs have been collected in the present document, building upon the impact review The Value and Values of Culture by Culture Action Europe and inputs from CAE membership and partners. The European Parliament in its Report on EU action for Sustainability (2017) stresses that culture is a transversal and cross-cutting concern and constitutes an essential resource for development, that the use of cultural resources is a fundamental way to achieve other future development goals, and that the integration of cultural factors in sustainable development policies and strategies should be done in full compliance with other international commitments, acknowledging the universality and interdependence of human rights.