DOCSLIB.ORG

The State of Artistic Freedom 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The State of Artistic Freedom 2021 THE STATE OF ARTISTIC FREEDOM 2021 THE STATE OF ARTISTIC FREEDOM 2021 1 Freemuse (freemuse.org) is an independent international non-governmental organisation advocating for freedom of artistic expression and cultural diversity. Freemuse has United Nations Special Consultative Status to the Economic and Social Council (UN-ECOSOC) and Consultative Status with UNESCO. Freemuse operates within an international human rights and legal framework which upholds the principles of accountability, participation, equality, non-discrimination and cultural diversity. We document violations of artistic freedom and leverage evidence-based advocacy at international, regional and national levels for better protection of all people, including those at risk. We promote safe and enabling environments for artistic creativity and recognise the value that art and culture bring to society. Working with artists, art and cultural organisations, activists and partners in the global south and north, we campaign for and support individual artists with a focus on artists targeted for their gender, race or sexual orientation. We initiate, grow and support locally owned networks of artists and cultural workers so their voices can be heard and their capacity to monitor and defend artistic freedom is strengthened. ©2021 Freemuse. All rights reserved. Design and illustration: KOPA Graphic Design Studio Author: Freemuse Freemuse thanks those who spoke to us for this report, especially the artists who took risks to take part in this research. We also thank everyone who stands up for the human right to artistic freedom. Every effort has been made to verify the accuracy of the information contained in this report. All information was believed to be correct as of February 2021. Nevertheless, Freemuse cannot accept responsibility for the consequences of its use for other purposes or in other contexts. This report is kindly supported by the Swedish International Development Cooperation Agency (Sida), the Norwegian Ministry of Foreign Affairs and Fritt Ord Norway 2 FREEMUSE THE STATE OF ARTISTIC FREEDOM 2021 While we must be separated by physical distancing, arts and culture can still bring us together safely and allow us to maintain and even strengthen our connections with one another when we need them the most. I thank all the artists and cultural practitioners around the world who are making our lives better and strengthening us through their work during this challenging season. I pledge that we will stand with them now as their livelihoods are massively threatened and their abilities to express themselves are limited, and, we will stand with them going forward, to work together to preserve and protect and rebuild cultural life, and the institutions and spaces which enable their work, in accordance with the dictates of public health. Indeed, arts and culture are core components of public health and vital to human well-being. Karima Bennoune, UN Special Rapporteur in the field of cultural rights, Artistic Freedom Seminar at 2020 Oslo World Festival, 26 October 2020. Rafat (Jordan). Credit: Cartooning for Peace 4 FREEMUSE CONTENTS EXECUTIVE SUMMARY 6 CHAPTER 1: THE VISUAL STORY 9 INTRODUCTION 28 CHAPTER 2: GLOBAL TRENDS 29 Fighting the ‘disinfodemic’: Artistic expression during the COVID-19 pandemic 31 State-sponsored silencing of political dissent 41 Silencing artists on the grounds of fighting terrorism, blasphemy and indecency 49 Limitations to artistic expression in the digital space 57 Homophobic actions against artistic expression 65 Targeting women’s artistic expression and gender inequality in the cultural sector 73 Racial discrimination and artistic expression 81 CHAPTER 3: COUNTRIES OF CONCERN 88 BANGLADESH 89 BELARUS 91 BRAZIL 93 CHINA 96 CUBA 98 EGYPT 101 INDIA 104 IRAN 107 KENYA 110 KUWAIT 112 NIGERIA 115 RUSSIA 118 TURKEY 121 UGANDA 124 USA 127 RECOMMENDATIONS 130 ENDNOTES 135 THE STATE OF ARTISTIC FREEDOM 2021 5 EXECUTIVE SUMMARY In 2020, the world faced the COVID-19 pandemic, freedom. Aiming to illustrate varying problems an unprecedented health crisis described by the and obstacles artists face in different parts of the International Labour Organisation as “the worst world, Freemuse also provides analysis of the state global crisis since the World War II”.1 Among the first of artistic freedoms in 15 countries: Bangladesh, measures imposed by governments worldwide to Belarus, Brazil, China, Cuba, Egypt, India, Iran, Kenya, slow down the spread of COVID-19 were almost Kuwait, Nigeria, Russia, Turkey, Uganda, and the immediate restrictions on freedom of movement United States of America. which placed most of the world’s population under strict lockdown. These restrictions automatically The report demonstrates that although artistic resulted in a total shut down of arts and culture expression has been under attack by different spaces and stopped cultural activities organised in actors (including political and religious groups, physical spaces. social media platforms and private individuals), different government authorities instigated Deprived of the opportunity to fully enjoy their violations in 60 percent of documented cases. cultural rights, people all around the world found This data illustrates that governments and state- themselves locked in their homes, and often funded bodies remain the biggest threat to artistic reached to books, music, films and other art forms expression, as well as that nationalist and populist to organise their lives in accordance with the authorities stay determined to silence varying ways ‘new normal’. Many artists and representatives of of voicing political dissent. cultural institutions almost instantly felt the urge to stage online concerts, make theatre plays and In 2020, Freemuse monitored a record number of films available online, and organised digital book cases where artists faced legal consequences readings or virtual museum and gallery exhibitions. because of their peaceful expressions—artistic They offered their work for massive consumption or otherwise. At least 322 artists were arbitrarily free of charge, despite being themselves detained, prosecuted or sentenced to prison terms, disproportionally affected by the pandemic. primarily on political grounds. Mainly, people were Countless artists and cultural workers lost their jobs, sanctioned for expressions deemed critical of public their projects were cancelled, and engagements authorities or insulting of state officials and national were postponed indefinitely, exposing them to symbols, as well as for staging and participating extraordinary economic uncertainty. in anti-government protests and criticising the authorities’ responses to the COVID-19 pandemic. However, oppressing artists’ voices has not ceased with restrictions on cultural events Apart from Belarus, where dozens of artists were imposed worldwide following the outbreak of the detained and sentenced to administrative prison COVID-19 pandemic. On the contrary, to some terms in the context of nationwide demonstrations extent, it intensified. Freemuse’s research shows following presidential elections held in August, that while in this limbo, artists are additionally artists who took part in anti-government protests subject to censorship, face criminal offences and in Nigeria and Thailand were also subject to imprisonment in overcrowded prisons exposed to arbitrary arrests. The elections in Uganda resulted in high risk of infections, and in other ways have their repeated human rights violations of the musician- voices stifled. turned-politician Bobi Wine, who was running as a key opponent to the long-standing President In the State of Artistic Freedom report—a research Yoweri Museveni. Repercussions were experienced publication produced annually—Freemuse provides also by artists perceived as Bobi Wine’s supporters. an analytical examination of violations to the right In Cuba, at least 21 artists were arrested, many on to freedom of artistic expression documented multiple occasions, on grounds of opposing the through 2020 and present some of the most government and its disproportional interference prevailing restrictions. This report is based on the in an independent cultural sector. In South Africa, analyses of 978 incidents where this right was 32 artists and cultural and entertainment industry violated, documented in 89 countries and online. In workers have been prosecuted for staging a protest addition to statistical data, Freemuse also utilises of COVID-19 restrictions on public gatherings, in qualitative interviews with 70 artists and relevant which they say severely crippled their livelihoods. experts, providing personal experiences, reflections and insights about the limitations put on artistic 6 FREEMUSE Artists around the world continue to face severe infringements on their human right to free expression also through censorship, attacks on their physical integrity, threats and harassment, administrative and legal fines, suspensions from cultural professional bodies, or damages and destruction of their works. Apart for political dissent, they are subject to undue repercussions for expressions characterised as ‘misinformation’ about the COVID-19 pandemic, ‘likely to cause panic’ during a health crisis. Through stifling malcontent conveyed by artists, authorities often weaponise the pandemic against freedom of expression, which results in a widespread deterioration of core democratic principles and the rise of authoritarianism. Freemuse’s findings also show that national prosecution and judiciary
Load more

Recommended publications
  • James Rowson Phd Thesis Politics and Putinism a Critical Examination
    Politics and Putinism: A Critical Examination of New Russian Drama James Rowson A thesis submitted for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Drama, Theatre & Dance September 2017 1 Declaration of Authorship I James Rowson hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis will contextualise and critically explore how New Drama (Novaya Drama) has been shaped by and adapted to the political, social, and cultural landscape under Putinism (from 2000). It draws on close analysis of a variety of plays written by a burgeoning collection of playwrights from across Russia, examining how this provocative and political artistic movement has emerged as one of the most vehement critics of the Putin regime. This study argues that the manifold New Drama repertoire addresses key facets of Putinism by performing suppressed and marginalised voices in public arenas. It contends that New Drama has challenged the established, normative discourses of Putinism presented in the Russian media and by Putin himself, and demonstrates how these productions have situated themselves in the context of the nascent opposition movement in Russia. By doing so, this thesis will offer a fresh perspective on how New Drama’s precarious engagement with Putinism provokes political debate in contemporary Russia, and challenges audience members to consider their own role in Putin’s autocracy. The first chapter surveys the theatrical and political landscape in Russia at the turn of the millennium, focusing on the political and historical contexts of New Drama in Russian theatre and culture.
    [Show full text]
  • Belarus Free Theatre Opens up Its Digital Archive to Share 24 Theatrical Productions from the Past 15 Years
    FOR IMMEDIATE RELEASE: Thursday 2 April 2020 BELARUS FREE THEATRE OPENS UP ITS DIGITAL ARCHIVE TO SHARE 24 THEATRICAL PRODUCTIONS FROM THE PAST 15 YEARS WILL ATTENBOROUGH, STEPHEN FRY, ANDREI KHLYVNIUK, DAVID LAN, JULIET STEVENSON & SAM WEST JOIN NEW FAIRY-TALE-INSPIRED CAMPAIGN #LOVEOVERVIRUS 2020 marks the 15th anniversary of Belarus Free Theatre (BFT), the foremost refugee-led theatre company in the UK and the only theatre in Europe banned by its government on political grounds. Ahead of the announcement of the full programme of BFT’s 15th anniversary celebrations, and in response to the coronavirus pandemic, the company will open up its digital archive to make 24 acclaimed stage productions free to watch online, alongside the launch of a new fairy-tale-inspired campaign: #LoveOverVirus 15 YEARS OF THEATRICAL HIGHLIGHTS FREE TO WATCH ONLINE Belarus Free Theatre began 15 years ago this week – on 30 March 2005 – in Minsk under Europe's last surviving dictatorship. Since 2011, the company has been based between Minsk and London where its co-founding Artistic Directors, Natalia Kaliada and Nicolai Khalezin, are political refugees in the UK. New productions are created and rehearsed over Skype before premiering in continually changing underground locations in and around Minsk. Over the past decade, BFT has - through necessity - pioneered creating award-winning theatre at distance and will now share a raft of its theatrical highlights with audiences online at a time when more than a third of the world’s population is adapting to daily life under lockdown. Beginning this Saturday (4 April), and continuing each weekend for the next three months, 24 productions will be made available to watch online on BFT’s YouTube channel: https://www.youtube.com/c/BelarusFreeTheatre Each production listed below will air on the date indicated at 8pm GMT and will be available to watch for the following 24 hours.
    [Show full text]
  • Statiscal Data Collection Project on Film and Audiovisual Markets in 9 Mediterranean Countries
    Projet de collecte de données sur le cinéma et l‘audiovisuel EU funded Programme FILM AND AUDIOVISUAL DATA COLLECTION PROJECT PROJET DE COLLECTE DE DONNÉES SUR LE CINÉMA ET L‘AUDIOVISUEL STATISCAL DATA COLLECTION PROJECT ON FILM AND AUDIOVISUAL MARKETS IN 9 MEDITERRANEAN COUNTRIES Country Profile: 1. EGYPT EUROMED AUDIOVISUAL III / CDSU in collaboration with the EUROPEAN AUDIOVISUAL OBSERVATORY Dr. Sahar Ali, Media Expert, CDSU Euromed Audiovisual III Under the supervision of Dr. André Lange, Head of the Department for Information on Markets and Financing, European Audiovisual Observatory (Council of Europe) Strasbourg, 29 March 2012 1 Film and audiovisual data collection project Disclaimer “The present publication was produced with the assistance of the European Union. The capacity development support unit of Euromed Audiovisual III programme is alone responsible for the content of this publication which can in no way be taken to reflect the views of the European Union, or of the European Audiovisual Observatory or of the Council of Europe of which it is part.” The report is available on the programme website: www.euromedaudiovisual.net Euromed Audiovisual III 2 Film and audiovisual data collection project NATIONAL AUDIOVISUAL ENVIRONMENTS IN THE NINE PARTNER COUNTRIES EGYPT ....................................................................................................................... 5 1. BASIC DATA....................................................................................................6 1.1. Population .............................................................................................6
    [Show full text]
  • 2016 Case List
    FRONT COVER 1 3 PEN INTERNATIONAL CHARTER The PEN Charter is based on resolutions passed at its International Congresses and may be summarised as follows: PEN affirms that: 1. Literature knows no frontiers and must remain common currency among people in spite of political or international upheavals. 2. In all circumstances, and particularly in time of war, works of art, the patrimony of humanity at large, should be left untouched by national or political passion. 3. Members of PEN should at all times use what influence they have in favour of good understanding and mutual respect between nations; they pledge themselves to do their utmost to dispel race, class and national hatreds, and to champion the ideal of one humanity living in peace in one world. 4. PEN stands for the principle of unhampered transmission of thought within each nation and between all nations, and members pledge themselves to oppose any form of suppression of freedom of expression in the country and community to which they belong, as well as throughout the world wherever this is possible. PEN declares for a free press and opposes arbitrary censorship in time of peace. It believes that the necessary advance of the world towards a more highly organised political and economic order renders a free criticism of governments, administrations and institutions imperative. And since freedom implies voluntary restraint, members pledge themselves to oppose such evils of a free press as mendacious publication, deliberate falsehood and distortion of facts for political and personal ends. Membership of PEN is open to all qualified writers, editors and translators who subscribe to these aims, without regard to nationality, ethnic origin, language, colour or religion.
    [Show full text]
  • Abuses by the Supreme State Security Prosecution
    PERMANENT STATE OF EXCEPTION ABUSES BY THE SUPREME STATE SECURITY PROSECUTION Amnesty International is a global movement of more than 7 million people who campaign for a world where human rights are enjoyed by all. Our vision is for every person to enjoy all the rights enshrined in the Universal Declaration of Human Rights and other international human rights standards. We are independent of any government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2019 Cover photo: Illustration depicting, based on testimonies provided to Amnesty International, the inside Except where otherwise noted, content in this document is licensed under a Creative Commons of an office of a prosecutor at the Supreme State Security Prosecution. (attribution, non-commercial, no derivatives, international 4.0) licence. © Inkyfada https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. First published in 2019 by Amnesty International Ltd Peter Benenson House, 1 Easton Street London WC1X 0DW, UK Index: MDE 12/1399/2019 Original language: English amnesty.org CONTENTS GLOSSARY 5 EXECUTIVE SUMMARY 7 METHODOLOGY 11 BACKGROUND 13 SUPREME STATE SECURITY PROSECUTION 16 JURISDICTION 16 HISTORY 17 VIOLATIONS OF FAIR TRIAL GUARANTEES 20 ARBITRARY DETENTION
    [Show full text]
  • Is Time Running out for Democracy in Belarus?
    Is Time Running Out for Democracy in Belarus? Thursday, 17th December 2020 at 5pm Following a flawed election in August 2020, which was neither free nor fair, Belarusians have protested the denial of democracy. Thousands of protesters have been arrested. Detention is widespread. Hundreds have been subjected to torture and other prohibited ill treatment. Police use of force is routine. Ten protesters have been killed. The authorities act with impunity. The pioneers of democracy in Belarus are either in prison or forced into exile. The acknowledged leader of the democratic Belarus movement, Sviatlana Tsikhanouskaya, continues to call for free and fair elections and to galvanise democracies across the globe in support of democracy in Belarus. Alexander Lukashenko, the last dictator in Europe, reasserts his grip on power. After four months of protests, what options are there for democracy in Belarus? This webinar will bring together the key international actors and we will grapple with the issues facing democratic Belarus. How do we make sanctions meaningful? Will there be accountability for the serious human rights violations taking place in Belarus? Is the potential of the Council of Europe as a broker for peace being overlooked? What can the OSCE achieve? Can Russia’s influence be used to support democracy in Belarus? Can the UN system hold Belarus to account? Will the EU be able to insist that Belarus complies with democratic values? Is there a role for the UK? All these questions and more will be discussed in depth. There will be plenty of opportunities for questions from all those attending.
    [Show full text]
  • Defending the Right to Freedom of Artistic Expression
    Defending the Right to Freedom of Artistic Expression K. Bennoune, Special Rapporteur in the field of cultural rights Art-at-risk conference, Zürich, Switzerland 28 February 2020 Good evening. It is a real pleasure to be here with you at this important gathering with artists and defenders of artistic freedom from Switzerland and from all over the world. I’d like to thank the organizers for this very special convening, and also for inviting me. I realize that I stand between you and your Friday evening at the end of many rich discussions so I thank you sincerely for your attention. This evening, I am going to talk about defending the right to artistic freedom within the broader context of defending cultural rights as a whole, drawing from my report on Cultural Rights Defenders to be presented to the UN Human Rights Council on Tuesday March 3.1 I will share some of the ideas in this report. Let me express my sincere gratitude to those in this room from different regions who made contributions to the report which greatly enriched it. The main point I wish to make this evening is that if the international community values artistic freedom, it must find ways to better support and enable the work of those who defend that human right. It must also respect and ensure their human rights. I start with a personal anecdote. Last Sunday I was very stressed about getting ready for this trip. So I decided that I needed a culture cure. I spent the afternoon in the San Francisco area with cultural rights defenders.
    [Show full text]
  • Maria a Riposte
    54 Maria Alyokhina COAT STYLIST’S OWN, TIGHTS BY GIPSY TIGHTS, SHOES BY MELISSA. BY SHOES TIGHTS, GIPSY STYLIST’S BY TIGHTS OWN, COAT 56 MARIA ALYOKHINA 57 MEETINGS In 2012 Maria Alyokhina, Yekaterina Samutsevich and Nadya Tolokonnikova of Pussy Riot frst drew global attention with their now notorious Punk Prayer performance in the Moscow’s main cathedral; their ensuing incarceration and relentless battle for truth has assured their place in public consciousness. Prison, enforced separation from her child and violent censorship hasn’t quashed Maria’s anarchist spirit, it’s just made her more determined and given her an appreciation of more creative forms of protest. Words by Suze Olbrich, Photography by Francesca Allen Styled by Charlotte Roberts Maria Alyokhina’s well-documented refusal to give up, herself were seemingly essential to surviving the dark- give in, to concede even an inch to make life more est hours in a Siberian prison. bearable during two years spent in abysmal penal Within a few sentences it’s apparent Alyokhina’s conditions makes her appear superhuman. But while never let a ‘system’ pollute her thinking, even as a child her strength is formidable, on reading Riot Days, her growing up in post-Soviet Moscow. “I changed schools honest, wry and inspiring account of the Punk Prayer five times. The Russian system wants you to follow the action and its grim repercussions, it’s clear that hero- rules, but when you ask questions, they cannot explain worship does her and her cause a grave disservice. them,” she says. “Because of the tragedy of the Soviet Still, it’s an honour to meet Alyokhina, a notion only Union—when all the intellectuals were shot, or forced fortified by our coffee and cigarette-fuelled conversa- to leave—there is a lack of humanities classes so they tion.
    [Show full text]
  • En En Motion for a Resolution
    EUROPEAN PARLIAMENT 2009 - 2014 Plenary sitting 11.3.2014 B7-0248/2014 MOTION FOR A RESOLUTION with request for inclusion in the agenda for a debate on cases of breaches of human rights, democracy and the rule of law pursuant to Rule 122 of the Rules of Procedure on Russia: sentencing of demonstrators involved in Bolotnaya Square events (2014/2628(RSP)) Charles Tannock, Marek Henryk Migalski, Geoffrey Van Orden, Adam Bielan, Ryszard Antoni Legutko, Tomasz Piotr Poręba, Ryszard Czarnecki on behalf of the ECR Group RE\P7_B(2014)0248EN.doc PE529648v01-00 EN United in diversityEN B7-0248/2014 European Parliament resolution on Russia: sentencing of demonstrators involved in Bolotnaya Square events (2014/2628(RSP)) The European Parliament, – having regard to the existing Partnership and Cooperation Agreement (PCA) between the European Communities and their Member States, on the one part, and the Russian Federation, on the other part1, and the negotiations initiated in 2008 on a new EU- Russia agreement, – having regard to the statement by EU High Representative Catherine Ashton of 11 May 2012, on the arrests of opposition leaders in Moscow and of 12 June 2012 on the new law on public rallies, – having regard to statement by the Spokesperson of EU High Representative Catherine Ashton on the sentencing of demonstrators involved in the Bolotnaya Square events, 24 February 2014, – having regard to the EU-Russia human rights consultations, – having regard to the European Parliament resolution of 13 June 2013 on the rule of law in Russia, as well as to its other reports and resolutions on EU-Russia relations, situation in Russia and last Duma and presidential elections in Russia, – having regard to Russia’s international obligations under the International Covenant on Civil and Political Rights, the Helsinki Final Act and membership of the OSCE, and membership of the Council of Europe and being a signatory to European Convention on Human Rights, – having regard to Rule 122 of its Rules of Procedure, A.
    [Show full text]
  • How to Play in a Band with 2 Chordal Instruments
    FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Joogsquad Twitter Hack Joogsquad Twitter Hack
    joogsquad twitter hack Joogsquad twitter hack. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 664d7bfe3d831695 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Dylan O’Brien Real Phone Number. All Dylan O’Brien fans would love to know his real phone number . For all Dylan O’Brien fans, we have some excellent information. His actual phone number was leaked, and we got it. Dylan O’Brien 2021. Who is Dylan O’Brien? Dylan O’Brien is a 29 years old famous TV actor. He was born in New York City, NY on August 26, 1991. Actor best known for his role as Stiles on MTV’s Teen Wolf. He also starred as Thomas in the Maze Runner films and as the character Caleb in the 2016 film Deepwater Horizon. Additionally, he was cast as the lead in the 2017 film American Assassin. He has one older sister named Julia and his parents are named Lisa and Patrick.
    [Show full text]
  • Celebrating the World Day for Cultural Diversity
    CELEBRATING THE WORLD DAY FOR CULTURAL DIVERSITY INVESTING IN CREATIVITY The UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions Reiko Yoshida UNESCO Cultural and Creative Industries (CCIs) 2005 Convention The UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions a legally-binding international agreement establishes the right to adopt policies and measures to support the emergence of dynamic and strong cultural and creative 149 industries Parties to the ensures artists, cultural professionals, Convention practitioners and citizens worldwide can create, produce, disseminate and enjoy a broad range of cultural goods, services and activities, including their own a tool to reinforce organizational structures that have a direct impact on the different stages of the cultural value 2005 Convention Monitoring Framework THE 2005 CONVENTION AT WORK Goal 1 The 2005 Convention assists governments in the design and implementation of policies that support creation, production, distribution and access to diverse cultural goods and services, These policies must be: transparent in their decision making processes participatory by engaging civil society in policy design and implementation informed through the regular collection of evidence and data to support future policy decisions SUPPORTING CREATIVITY Digital Age IN THE DIGITAL AGE Goal 2 The 2005 Convention orients governments in designing policies and measure that ensure equitable access, openness and balance. These policies and measures must ensure that: Creative professionals and artists can travel freely Balance in the flow of cultural goods and services is achieved Preferential treatment measures, such as new trade frameworks and agreements, recognize the specificity of cultural goods and services Global Marketplace PUTTING PREFERENTIAL TREATMENT INTO PRACTICE Goal 3 The 2005 Convention supports governments in the integration of culture in their sustainable development policies, plans and programmes.
    [Show full text]