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ISEA~.Il Th International Symposium On ISEA~.Ilth International Symposium on Electronic Art. NAGOYA [Oral] 0304~27 - 2 1,2002. NAGOYA, JAPAN JSEhaom NAGOYA [w] ISEA2002, 1 I th International Symposium on Electronic Art, Nagoya [Oral] Oaob~27 - 31,2002 NAGOYA, JAPAN Exhitibions Electronic Theater Performances Concerts Warehouses, Garden Pier in port of Nagoya Nagoya Port Building NAGOYA CITY HIGASHI PLAYHOUSE Aichi Arts Center Preface Welcome to ISEA2002 NAGOYA! and expression, new media art is expected to yield communication and merge science and art, some of which we have already glimpsed. Thank you for your paper presentation from various fields and for your participation in the panel discussions. We welcome you to this event Pythagoras, a backbone of Western culture, defined the music of the with much enthusiasm and excitement. We hope that the ISEA2002 spheres as follows. 'In the sole universe containing all things, an object Nagoya will produce fruitful discussion and broaden the way of think- moves in accordance with mathematical law, so that this movement ing for electronic art. brings about the harmony. Individual spheres form in line at the inter- val corresponding to the length of strings originating chords. From ISEA2002 NAGOYA with the theme of [Orai] has the following goals. the movement of spheres, the music, in other words, the harmony of To provide a forum where various opinions spheres will be born.' This is his principle. We already have the technol- "come and go (i.e. [Orai])" relating to electronic art and ogy and media which provide us with heavenly music. media art. To provide a chance for electronic art to mutually The Chinese have a word "XR""tian wen": Characters (Letters) in the stimulate and corroborate on a "street (i.e. [Orai])" with various heaven, which is an analogy to the principle of Pythagoras. fields and sciences in close relationship, such as cognitive science. How can we read and interpret the characters explaining the origin To provide a site to carry out experimentation within of the universe written on the heaven and the truth of the history from the increasing city "trafflc (i.e. [Orai])" between the real world and the ancient age carved on the earth, as shown in the phrase "WUIB- virtual world. BXR-, RU%=R&@-" "yang yi guan yu tian wen, fu yi cha yu di . To provide a place for "contact (i.e. [Orai])" where people of li": Look up in the sky and contemplate the characters (letters) in the Asian and Western cultures meet and realize their differences. heaven; and look down at the ground and meditate the laws of the To provide a place for "communication (i.e. [Orai])" where earth, in "BP-SlkE"" yi jing-ji ci shang zhuan": I Ching (The book the citizens and those relating to art, communicate and promote of changes) - interpretive comments, part I, and how can we convert mutual understanding. them into perceivable sound and color or the place and situation? Vari- ous sensors continuously catch new information about the heavens and Art, science and technology are more closely interrelated and strongly the earth, and the net provides a place to share it. This is the theme influenced by one another than commonly thought. of new media art. It is also the theme of ISEA2002 NAGOYA, which is [Orai] between the heavens and the earth. As seen in the history of photography progress, artists have continu- ously sought after new technology and realized it, and they have used it Everything that exists is beautiful. as new media for expression. Just as Leonardo da Vinci can simultane- ously possess scientific sense, engineering technique, and artistic eyes KOHMURA Masao ISEA2002 NAGOYA President of Steering Committee On behalf of the Inter-Society for the Electronic Arts (ISEA), we con- gratulate the ISEA2002 organkers for presenting ORAI, the htISEA symposium in Asia. The realization of this event contributes to expanding the cultural diversity of ISEA, which is an important aspect of the ISM mandate. Today, we see diversity emerging as a major trend in the international cultural landscape of media arts, as evident in the themes of many international festivals and conferences. ISEA, by its nomadic nature, is uniquely positioned to enlarge the discussions surrounding diversity by creating dynamic worldwide onsite exchanges. Japan is highly regarded as one of the focal points of electronic arts practice. Japanese artists often present their work within the global framework of exhibitions and festivals. While the many significant artistic projects produced in Japan are enjoyed by wide audiences throughout the world, Japan is still a distant place for many people. ISEAZOOB provides the oppomity to invert the practice of exporting Japanese art by bringing the work of artists from afar to Japan, as well as inviting these artists to experience Japanese works within their own cultural context. We hope that ISEA2002 Symposium becomes a gateway to widening the horizons of the Electronic Arts communities in thougout the world. Nina Czegledy, Chair ISEA BOARD of DIRECTORS Committee ISWOO2 Steerlng Committee Executive Advisor Counselor IGATA Akihim [President, Nagoya University of Arts and Sciences] KANDA Masaaki [Governor of Aichi Prefecture] ISHIGURO Shoji [President, Nagoya Zokei University of Art & Design] OTA Himji [Chairman, Chubu Economic Federation] KIMURA Yoshihiro [President, Seian University of Art and Design] ISOMURA lwao [Chairman, Nagoya Chamber of Commerce & Industry] OCAWA Eiji [President, Chukyo University] Honorary President OSHIMA Shunzo [President, Nagoya University of Arts] MATSUBARATakehisa [Mayor, City of Nagoya] MATSUMOTO Toshio [Former President, - Honorary Vice-President JapanSociety of Image Arts and Sciences] HASECAWA Nobyoshi [Vice-Govemor of Aichi Prefecture] MATSUO Minow [President, Nagoya University] INDEN Yoshio [Deputy Mayor, City of Nagoya] MlNAMl Hiroaki [President, Japanese Society for Electronic Music] SOMEYA Akio [Executive Vice President, Nagoya Port Authority] NAlTO Akira [President, Aichi Sangyo University] Councilor SAKANE ltsuo [President, Institute of Advanced Media Arts and Sciences] FUKAYA Norihiko [Director-General, Department of Community and SHIMADA Shozo [President, Aichi Prefectural University of International Affairs, Aichi Prefectural Government] Fine Arb and Music] OKUMURA Himshi [Executive General Director, Aichi Arts Center] WADA Yoshio [President, Nagoya City University] SUWA Kazuo [Director-General, General Affairs Bureau, City of Nagoya] KIMURA Kazuo [Dean, School of Media and Design, OCHl Toshihiko [Director-General, Civic & Economy Affairs Bureau, Nagoya University of Arts and Sciences] City of Nagoya] BABA Shunkichi [Vice Board, Directors of Nagoya City OKADA Toshihim [Director-General, Housing & City Planning Bureau, Cultural Promotion Agency] City of Nagoya] MIYAMOTO Kenji [General Manager, Nagoya Port AuthoriM OKAMOTO Kosei [Managing Director & Secretary-General, Chubu Economic Federation] KANAZAWA Masaaki [Managing Director & Secretary General, Nagoya Chamber of Commerce & Industry] President MlSHlMA Satom [Senior General Manager, Planning Division, KOHMURA Macao [Professor, School of Computer and Chubu Economic Federation] Cognitive Sciences, Chukyo UniversiW mAKURA Takashi [Senior Manager, IT Promotion Center, Chairperson Nagoya Chamber of Commerce & lndust~y] MOTOYAMA Kiyofumi [Associate Professor, Graduate School of HAYASHI Masatoshi [Managing Director, Convention Promotion Human Informatics, Nagoya University] Department, Nagoya Convention & Visiton Bureau] Vice Chairperson YAMADA Tadao [Secretary-General, YAMAGUCHI Yoshiomi [Professor, Graduate School of Nagoya City Cultural Promotion Agency] Design & Architecture, Nagoya CiiUniversity] ODA Takeo [Executive Director, Director Nagoya Urban Industries Promotion Corporation] ARlMA Sumihisa [Lecturer, Inter Medium Institute] IKEDA Seiichi [Manager, Nagoya Urban Institute] FUSHlMl Kiyoka [Lecturer, Faculty of Design &Art, TSURUMI Katsuichi [Manager, Nagoya Port Cultural Center] Aichi Bunkyo Women's College] SHIBATA Michio [General Manager, Sakae Park Promotion Co., LTD] lSHll Ham0 [Associate Professor, School of Art, Auditor Aichi Prefectural University of Fine Arb and Music] HOSODA Hideo [Associate Director, Cultural Affairs Division, KOBAYASHI Ryosuke [Associate Pmfessor, khool of Art and Design, Department of Community and International Affairs, Nagoya Zokei University of Art & Design] Aichi Prefectural Government] OlZUMl Kazufumi [Lecturer, School of Computer and Cognitbe Sciences, SUMIDA Daiichi [Director, Planning & Accounting Division, ChubUniversity] Civic & Economic Affairs Bureau, City of Nagoya] SASAKI Hisataka [Associate Professor, Faculty of Design & Architecture, TAKABA Masaki [Director, Planning & Accounting Division, Aichi Sangyo University] Housing & City Planning Bureau, City of Nagoya] SHIKATA Yukiko [Professor-in-Special-Contract, Tokyo Zokei University] Advisor TAKAHASHI Ayako [Lecturer, khool of Art, Nagoya University of Arts] ABE Yoshiyuki [Director, ISEA Japan] TSUDA Yoshinori [Lecturer, School of Design, Nagoya University of Arts] KAWAGUCHI Yoichim [Professor, Graduate khool of YOSHIOKA Toshinao [Lecturer, School of Art and Design, Interdisciplinary Information Studies, University of Tokyo] Nagoya Zokei University of Art & Design] KUSAHARA Machiko vsiting Professor, Dept. of DesignlMedia Arts, TAKABA Akira [Chairperson, @porU002] UCLA I Associate Professor, Graduate School of Science and HlRANO Hiroshi [Director, Information Planning Division, Department of Techonology, Kobe University] Planning and Promotion,
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