Do Real-Output and Real-Wage Measures Capture Reality? the History of Lighting Suggests Not
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Roman Lamps Amy Nicholas, ‘11
Roman Lamps Amy Nicholas, ‘11 The University of Richmond’s Ancient World Gallery contains six ancient Roman lamps. One was donated to the Richmond College Museum in 1885 by Colonel J. L. M. Curry, Confederate soldier and congressman, U.S. Minister to Spain, Trustee of Richmond College, and an ardent collector. Another was donated to the Ancient World Gallery in 1980 from the estate of Mae Keller, the first dean of Westhampton College. In 2008, Gertrude Howland donated a Late Roman lamp which she had acquired while traveling in Jordan in 1963. The others probably come from the original collection of the Richmond College Museum, but their donors are unknown. From various time periods and locations, these objects have come together to form a small, but diverse collection of ancient Roman lamps that exemplify a variety of shapes, sizes, and decorations. Oil lamps, some of the most common household items of the ancient world, were used as early as the Stone Age. Usually made of stone or clay, they were the main source of light in ancient times. Indoors, they provided general lighting throughout the household and also in workshops and enterprises. Lamps were also used outdoors at games or religious festivals and have even been found in mass quantities along streets and above doors, where they must have provided street lighting. Used in temples, they served as both sanctuary decoration and votive offerings to gods and goddesses. The main sources of lamps in modern collections, however, are from tombs. As early as the 3rd millennium BCE, lamps were placed in tombs along with other pottery and jewelry. -
6 Bull. Hist. Chem. 2
6 ll. t. Ch. 2 (88 di scienze naturali ed economiche. Palermo, 86 ( Aprl, , OLD CHEMISTRIES 4. Krnr thn rn n Stnl Cnnzzr lbrtr n lr. I h t thn rfr nll ln f th Mystery Editors of Early American Chemistry Texts Unvrt f lr fr ndn phtp f th Itln rtl. Wll . Wll, rdn Unvrt . G. Krnr, Ueber die Bestimmung des chemischen Ortes bei den aromatischen Substanzen, d. G. rn nd . nztt American chemistry, like its culture and commerce, was (Ostwalds Klassiker der exakten Wissenschaften, . 4, pz, dominated by European influence until the latter half of the 0, p. 19th century. More than half of the chemistry books published 4. r xpl, b A. r, Annalen der Chemie, 80, 155, in America prior to 1850 were American editions of European 282, 2 b C. Shrlr, J. Chem. Soc., 8, 24, 4n. b W. works (1). The most widely used European works included Kn, Ber. Deutsch. Chem. Ges., 8, /2, 4 nd b r, Chaptal's Elnt f Chtr (1796 to 1813), Henry's rl n 86 ( lttr pblhd hr. Svrl nr Ept f Chtr nd Elnt fExprntl Chtr ntprr r rt tht Krnr nt "rv ttthlnn" (1802 to 1831), Marcet's Cnvrtn n Chtr (1806 t frnd rfrn fr ttn. to 1850), Brande's Mnl f Chtr (1821 to 1839), . r, "On th Oxdtn rdt f ln,"r. Roy. Turner's Elnt f Chtr (1830 to 1874) and Fowne's Soc. Edinburgh, 82 (rd n 6 n 80, , 2 bd., Trans. Mnl f Elntr Chtr (1845 to 1878). Even so- Roy. -
Abstracts-Booklet-Lamp-Symposium-1
Dokuz Eylül University – DEU The Research Center for the Archaeology of Western Anatolia – EKVAM Colloquia Anatolica et Aegaea Congressus internationales Smyrnenses XI Ancient terracotta lamps from Anatolia and the eastern Mediterranean to Dacia, the Black Sea and beyond. Comparative lychnological studies in the eastern parts of the Roman Empire and peripheral areas. An international symposium May 16-17, 2019 / Izmir, Turkey ABSTRACTS Edited by Ergün Laflı Gülseren Kan Şahin Laurent Chrzanovski Last update: 20/05/2019. Izmir, 2019 Websites: https://independent.academia.edu/TheLydiaSymposium https://www.researchgate.net/profile/The_Lydia_Symposium Logo illustration: An early Byzantine terracotta lamp from Alata in Cilicia; museum of Mersin (B. Gürler, 2004). 1 This symposium is dedicated to Professor Hugo Thoen (Ghent / Deinze) who contributed to Anatolian archaeology with his excavations in Pessinus. 2 Table of contents Ergün Laflı, An introduction to the ancient lychnological studies in Anatolia, the eastern Mediterranean, Dacia, the Black Sea and beyond: Editorial remarks to the abstract booklet of the symposium...................................6-12. Program of the international symposium on ancient lamps in Anatolia, the eastern Mediterranean, Dacia, the Black Sea and beyond..........................................................................................................................................12-15. Abstracts……………………………………...................................................................................16-67. Constantin -
Seal Oil Lamp Coloring Sheet Activity
UAMN Virtual Early Explorers: Light Seal Oil Lamp Coloring Sheet Discover a historical way to light homes during Arctic winter nights! In the Arctic, people have used seal oil lamps to light their homes for thousands of years. These lamps are made in a variety of shapes. Color the inside of the lamp to “fill” it with oil. Then draw a wick and a bright flame! This lamp has a crack! When this happened, people would repair the lamp so they could keep using it. Drawings from Walter Hough, The Lamp of the Eskimo, Government Printing Office, Washington, 1898: Plates 12, 14, 15, 18. UAMN Virtual Early Explorers: Light Seal Oil Lamps Seal oil lamps are important in many Arctic cultures, including the Iñupiat, Yup’ik, Inuit, and Unangan (Aleut) peoples. They were essential for survival in the winter, as the lamps provided light, warmed the home, melted water, and even helped cook food. A seal oil lamp could be the most important object in the home! Right: Sophie Nothstine tends a lamp at the 2019 World Eskimo Indian Olympics. Photo from WEIO. Left: Siberian Yup'ik Lamp from St Lawrence Island, UA2001-005- 0019. Right: Lamp from King Salmon, UA2015-016- 0003. Seal oil lamps were usually made of soapstone, a stone that can be carved and is very resistant to heat. They were sometimes made of pottery or other kinds of stone. Seal oil lamps are made in different shapes and designs to help burn the wick and make the best light possible. The lamp was then filled with oil or fat. -
Technology Meets Art: the Wild & Wessel Lamp Factory in Berlin And
António Cota Fevereiro Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Citation: António Cota Fevereiro, “Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model,” Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020), https://doi.org/10.29411/ncaw.2020.19.2.2. Published by: Association of Historians of Nineteenth-Century Art Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. License: This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License Creative Commons License. Accessed: October 30 2020 Fevereiro: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model Nineteenth-Century Art Worldwide 19, no. 2 (Autumn 2020) Technology Meets Art: The Wild & Wessel Lamp Factory in Berlin and the Wedgwood Entrepreneurial Model by António Cota Fevereiro Few domestic conveniences in the long nineteenth century experienced such rapid and constant transformation as lights. By the end of the eighteenth century, candles and traditional oil lamps—which had been in use since antiquity—began to be superseded by a new class of oil-burning lamps that, thanks to a series of improvements, provided considerably more light than any previous form of indoor lighting. Plant oils (Europe) or whale oil (United States) fueled these lamps until, by the middle of the nineteenth century, they were gradually replaced by a petroleum derivative called kerosene. Though kerosene lamps remained popular until well into the twentieth century (and in some places until today), by the late nineteenth century they began to be supplanted by gas and electrical lights. -
GEOLOGY THEME STUDY Page 1
NATIONAL HISTORIC LANDMARKS Dr. Harry A. Butowsky GEOLOGY THEME STUDY Page 1 Geology National Historic Landmark Theme Study (Draft 1990) Introduction by Dr. Harry A. Butowsky Historian, History Division National Park Service, Washington, DC The Geology National Historic Landmark Theme Study represents the second phase of the National Park Service's thematic study of the history of American science. Phase one of this study, Astronomy and Astrophysics: A National Historic Landmark Theme Study was completed in l989. Subsequent phases of the science theme study will include the disciplines of biology, chemistry, mathematics, physics and other related sciences. The Science Theme Study is being completed by the National Historic Landmarks Survey of the National Park Service in compliance with the requirements of the Historic Sites Act of l935. The Historic Sites Act established "a national policy to preserve for public use historic sites, buildings and objects of national significance for the inspiration and benefit of the American people." Under the terms of the Act, the service is required to survey, study, protect, preserve, maintain, or operate nationally significant historic buildings, sites & objects. The National Historic Landmarks Survey of the National Park Service is charged with the responsibility of identifying America's nationally significant historic property. The survey meets this obligation through a comprehensive process involving thematic study of the facets of American History. In recent years, the survey has completed National Historic Landmark theme studies on topics as diverse as the American space program, World War II in the Pacific, the US Constitution, recreation in the United States and architecture in the National Parks. -
List of Swiss Cultural Goods: Archaeological Objects
List of Swiss cultural goods: archaeological objects A selection compiled by the Conference of Swiss Canton Archaeologists by order of the Federal Office of Culture FOC Konferenz schweizerischer Kantonsarchäologinnen und Kantonsarchäologen KSKA Conférence Suisse des Archéologues Cantonaux CSAC Conferenza Svizzera degli Archeologi Cantonali CSAC Categories of Swiss cultural goods I. Stone A. Architectural elements: made of granite, sandstone, marble and other types of stone. Capitals, window embrasures, mosaics etc. Approximate date: 50 BC – AD 1500. B. Inscriptions: on various types of stone. Altars, tombstones, honorary inscriptions etc. Approximate date: 50 BC – AD 800. C. Reliefs: on limestone and other types of stone. Stone reliefs, tomb- stone reliefs, decorative elements etc. Approximate date: mainly 50 BC – AD 800. D. Sculptures/statues: made of limestone, marble and other types of stone. Busts, statuettes, burial ornaments etc. Approximate date: mainly 50 BC – AD 800. E. Tools/implements: made of flint and other types of stone. Various tools such as knife and dagger blades, axes and implements for crafts etc. Approximate date: 130 000 BC – AD 800. F. Weapons: made of shale, flint, limestone, sandstone and other types of stone. Arrowheads, armguards, cannonballs etc. Approxi- mate date: 10 000 BC – AD 1500. G. Jewellery/accessories: made of various types of stone. Pendants, beads, finger ring inlays etc. Approximate date: mainly 2800 BC – AD 800. II. Metal A. Statues /statuettes / made of non-ferrous metal, rarely from precious metal. busts: Depictions of animals, humans and deities, portrait busts etc. Approximate date: 50 BC – AD 800. B. Vessels: made of non-ferrous metal, rarely from precious metal and iron. -
Analysis of Roman Lamps and a Decorative Lamp Holder 1
The Refined Roman Society: Analysis of Roman Lamps and a Decorative Lamp Holder 1 The Refined Roman Society: Analysis of Roman Lamps and a Decorative Lamp Holder Submission for the Kelsey Experience Jackier Prize Cameron Barnes Student ID: 20155739 AAPTIS 277: The Land of Israel/Palestine Through the Ages Section: Spunaugle - 004 11 April 2014 The Refined Roman Society: Analysis of Roman Lamps and a Decorative Lamp Holder 2 In the words of John R. Clarke (2003), “the Romans were not at all like us” (p. 159). Illuminating the rift between modern customs and those of ancient Rome are the characteristics of two ancient discoveries, which even today convey the nuances of their respective cultural and historical contexts: a terracotta lamp and a bronze lamp holder accompanied by two bronze lamps. In the former artifact, the inscription of a lurid sex scene shocks the modern voyeur, unsuspecting of such a display on an object appearing to be of primarily utilitarian and domestic purposes. Upon the latter objects, intricate bronze craftsmanship speaks of innovative manufacturing techniques while the symbolic presence of owl, dormice, and frog figurines hint at the rich cultural exchange that occurred during the Roman Period. In this essay, I will analyze the manufacturing process, use, and artistry evinced by the aesthetic of selected Roman lamps and a Roman lamp holder in order to compare and contrast the objects while shedding light on the broader cultural context they attest to. The incorporation of artistic detail into the fabrication of these ostensibly functional appliances illustrates the sophistication of Roman society as well as the socioeconomic and cultural motifs of the Roman Period. -
The Publication Program of the Maryland Historical Society1
The Publication Program of the 1 Maryland Historical Society Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/15/4/309/2743272/aarc_15_4_7866080k981t6714.pdf by guest on 01 October 2021 By FRED SHELLEY Maryland Historical Society ROM its founding in 1844 the Maryland Historical Society has taken the position that the publication of learned papers Fand source materials is one of its major responsibilities.2 In that year most of the leading citizens of Baltimore joined and sup- ported the new society. Corresponding members — living in Mary- land but more than 15 miles from Baltimore — and honorary mem- bers increased the total. The membership remained numerically small, however, seldom exceeding 500, until a decade ago when Sen. George L. Radcliffe, the president, and James W. Foster, the director, set about the task of making the society's purpose and service known to all in Maryland. Though small in numbers, the early membership was distinguished. Brantz Mayer and John H. B. Latrobe, both subsequently presidents of the society, were guid- ing spirits in the formative days.3 The first president, John Spear Smith, was the son of the patriot and senator, Samuel Smith. He had both the leisure and interest to be present at the society quarters from 10 to 3 each day. Other early members include John P. Ken- nedy, the author, whose place in American letters is still to be de- 1 Shortened version of a paper read at the annual meeting of the Society of Ameri- can Archivists, Annapolis, Maryland, Oct. 16, 1951, and at the annual meeting of the Maryland Library Association, Baltimore, Oct. -
The Origins of Fruits, Fruit Growing, and Fruit Breeding
The Origins of Fruits, Fruit Growing, and Fruit Breeding Jules Janick Department of Horticulture and Landscape Architecture Purdue University 625 Agriculture Mall Drive West Lafayette, Indiana 47907-2010 I. INTRODUCTION A. The Origins of Agriculture B. Origins of Fruit Culture in the Fertile Crescent II. THE HORTICULTURAL ARTS A. Species Selection B. Vegetative Propagation C. Pollination and Fruit Set D. Irrigation E. Pruning and Training F. Processing and Storage III. ORIGIN, DOMESTICATION, AND EARLY CULTURE OF FRUIT CROPS A. Mediterranean Fruits 1. Date Palm 2. Olive 3. Grape 4. Fig 5. Sycomore Fig 6. Pomegranate B. Central Asian Fruits 1. Pome Fruits 2. Stone fruits C. Chinese and Southeastern Asian Fruits 1. Peach 1 2. Citrus 3. Banana and Plantain 4. Mango 5. Persimmon 6. Kiwifruit D. American Fruits 1. Strawberry 2. Brambles 3. Vacciniums 4. Pineapple 5. Avocado 6. Papaya IV. GENETIC CHANGES AND CULTURAL FACTORS IN DOMESTICATION A. Mutations as an Agent of Domestication B. Interspecific Hybridization and Polyploidization C. Hybridization and Selection D. Champions E. Lost Fruits F. Fruit Breeding G. Predicting Future Changes I. INTRODUCTION Crop plants are our greatest heritage from prehistory (Harlan 1992; Diamond 2002). How, where, and when the domestication of crops plants occurred is slowly becoming revealed although not completely understood (Camp et al. 1957; Smartt and Simmonds 1995; Gepts 2003). In some cases, the genetic distance between wild and domestic plants is so great, maize and crucifers, for example, that their origins are obscure. The origins of the ancient grains (wheat, maize, rice, and sorghum) and pulses (sesame and lentil) domesticated in Neolithic times have been the subject of intense interest and the puzzle is being solved with the new evidence based on molecular biology (Gepts 2003). -
Gold Finger Ring in the Shape of an Oil Lamp
FRANCK GODDIO UNDERWATER ARCHAEOLOGIST GOLD FINGER RING IN THE SHAPE OF AN OIL LAMP This finger ring from Canopus is of an extraordinarily high quality. It has a pierced-worked hoop and a bezel in the shape of an oil lamp. The pierced work shows an undulating tendril. No general parallels for the ring are known, but its pierced-worked hoop finds remote parallels in contemporary pierced-worked finger rings from Pantalica in Sicily and Senise in Italy. In addition, similar pierced- worked tendrils reappear on pieces of jewellery from, for example, Kalaat el- Merkab in Syria, the Assiût hoard from Egypt and Lambousa in Cyprus. Interregional style of Late Antique world The pointed, triangular leaves on the Canopus ring find a close parallel on the sides of the settings on a pendant cross from Guarrazar in Spain. This wide geo- graphical distribution of parallels shows that the ring represents the interregional style. It could, therefore, have been made in a workshop in Constantinople or anywhere else in the Late Antique world. A regional attribution would appear impossible. Detail ties ring to Egypt However, there is one detail that ties the ring to Egypt: the bezel in the shape of an oil lamp. Oil lamps played important roles at Christian pilgrimage shrines all over the Byzantine world. Literary sources refer, for example, to oil from the graves of St Andreas, St Menas, St Demetrius, St Martin and from the holy sites in Jerusalem. As stated, the site in Canopus where this ring was found probably belonged to the pilgrimage shrine of SS Cyrus and John. -
Oil Lamp, 60W Incandescent Lamp and Fluorescent Tube
COVER SHEET This is the author version of article published as: Hughes, Stephen W. and Gale, Andrew (2007) A candle in the lab. Physics Education 42(3):pp. 271-274. Copyright 2007 IOP Publishing Accessed from http://eprints.qut.edu.au Candle in the lab 1 A candle in the lab Stephen Hughes and Andrew Gale Department of Physical and Chemical Sciences, Queensland University of Technology, Gardens Point, Brisbane, Queensland, Australia. E-mail: [email protected] Abstract This article describes some experiments performed to obtain a spectrum of a candle, oil lamp, 60W incandescent lamp and fluorescent tube. A professional spectrometer was used of a type unlikely to be available to schools so the spectral data is provided as a service to the teaching profession. The brightness and rate of fuel consumption of a candle and oil lamp were also measured. The data obtained could provide the starting point for a discussion on green house gas emissions etc. Introduction An interesting question is how the emission spectra of historic forms of lighting such as the candle and olive oil lamp compare with those of modern forms of lighting such as the incandescent lamp and fluorescent tube. Olive oil lamps have been around for thousands of years. Candles in various forms have also been used over the millennia, initially made from animal fat (tallow) and then beeswax and also paraffin wax in more recent times (Newman 2000). Method A pack of six paraffin candles and a bottle of olive oil were obtained from a local supermarket and a replica oil lamp with a wick obtained from Historic Connections, Shoal Bay, NSW, Australia.