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R5505 DVD/CD/MP3 Player W/ TV Tuner R5506 DVD/CD/MP3 Player
ROSEN a anew new generation generation of of leadership leadership in mobile in mobilevideo video R5505 DVD/CD/MP3 Player w/ TV Tuner R5506 DVD/CD/MP3 Player Owner's Manual and Installation Guide R .mp3 R T Warning! Table of Contents THE R5505/R5506 DVD/CD/MP3 PLAYERS ARE DESIGNED TO Introduction ...................................................................... 2 ENABLE VIEWING OF DVD OR CD-VIDEO RECORDINGS ONLY FOR REAR-SEAT OCCUPANTS. Care and Maintenance ..................................................... 3 MOBILE VIDEO PRODUCTS ARE NOT INTENDED FOR VIEW- Discs Played by this unit ................................................... 4 ING BY THE DRIVER WHILE THE VEHICLE IS IN MOTION. SUCH USE MAY DISTRACT THE DRIVER OR INTERFERE WITH Using the DVD player ........................................................ 5 THE DRIVER’S SAFE OPERATION OF THE VEHICLE, AND THUS RESULT IN SERIOUS INJURY OR DEATH. SUCH USE MAY ALSO VIOLATE STATE LAW. The Remote Control .......................................................... 7 ROSEN ENTERTAINMENT SYSTEMS DISCLAIMS ANY LIABIL- DVD/VCD/CD-Audio Playback .......................................... 8 ITY FOR ANY BODILY INJURY OR PROPERTY DAMAGE THAT MAY RESULT FROM ANY IMPROPER OR UNINTENDED USE. Watching Broadcast Television (R5505 only)................. 10 MP3 Playback on CD-R discs .......................................... 11 About Installation Installation of mobile audio and video components requires Installation and Wiring .................................................... 12 experience -
DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
CD-ROM, CD-R, CD-RW, and DVD-ROM Drives) Are the Hardware Devices That Read Computer Data from Disks
A Brief History of CD/DVD The first disc that could be written and read by optical means (using light as a medium) was developed by James T. Russell. In the late 1960s, Russell created a system that recorded, stored, and played audio/video data using light rather than the traditional contact methods, which could easily damage the disks during playback. Russell developed a photosensitive disc that stored data as 1 micron-wide dots of light and dark. The dots were read by a laser, converted to an electrical signal, and then to audio or visual display for playback. Russell's own company manufactured the first disc player in 1980, although the technology never reached the marketplace until Philips and Sony developed the technology. In late 1982, Philips and Sony released the first of the compact disc (CD) formats, which they then called CD-DA (digital audio). In the years since, format has followed format as the original companies and other industry members developed more adaptations of the original specifications. Digital Versatile disc (DVD) had its beginning in 1994, when two formats, Super disc (SD) and Multimedia CD (MMCD) were introduced. Promoters of the competing technologies failed to reach an agreement on a single standard until 1996, when DVD was selected as a convergence format. DVD has, in the few years since, grown to include variations that do anything that CD does, and more efficiently. Standardization and compatibility issues aside, DVD is well-placed to supplant CD. Magnetic vs Optical Media Optical media are storage media that hold information in digital form and that are written and read by a laser; these media include all the various CD and DVD variations, as well as optical jukeboxes and autochangers. -
Digital Video Quality Handbook (May 2013
Digital Video Quality Handbook May 2013 This page intentionally left blank. Executive Summary Under the direction of the Department of Homeland Security (DHS) Science and Technology Directorate (S&T), First Responders Group (FRG), Office for Interoperability and Compatibility (OIC), the Johns Hopkins University Applied Physics Laboratory (JHU/APL), worked with the Security Industry Association (including Steve Surfaro) and members of the Video Quality in Public Safety (VQiPS) Working Group to develop the May 2013 Video Quality Handbook. This document provides voluntary guidance for providing levels of video quality in public safety applications for network video surveillance. Several video surveillance use cases are presented to help illustrate how to relate video component and system performance to the intended application of video surveillance, while meeting the basic requirements of federal, state, tribal and local government authorities. Characteristics of video surveillance equipment are described in terms of how they may influence the design of video surveillance systems. In order for the video surveillance system to meet the needs of the user, the technology provider must consider the following factors that impact video quality: 1) Device categories; 2) Component and system performance level; 3) Verification of intended use; 4) Component and system performance specification; and 5) Best fit and link to use case(s). An appendix is also provided that presents content related to topics not covered in the original document (especially information related to video standards) and to update the material as needed to reflect innovation and changes in the video environment. The emphasis is on the implications of digital video data being exchanged across networks with large numbers of components or participants. -
CD-Rewriter - Plexwriter S88TUCD-Rewriter S88TU
CD-ReWriter - PleXWriter S88TUCD-ReWriter S88TU available in Europe Leading Edge Performance Plextor, one of the leading companies for the development and production of CD-ROM drives, CD-Recorders and CD-ReWriters is expanding its range with the PlexWriter S88TU, one of the fastest portable CD-ReWriters on market today, which writes CD's at 8-speed, rewrites at 8-speed and reads at 24-speed. It has stylish silver and blue casing and measures only 141 x 22 x 171 mm (W x H x D) The PlexWriter S88TU is the ideal instrument for both professional and private users who want to copy CD's, archive large files, or create multimedia productions. The Retail package contains: PlexWriter S88TU ,1 blank CD-R disk, 1 blank CD-R/W disk, CD-Recording software Nero + InCD, Plextor Utility software (PlexTools), manual in 16 languages, 1 USB cable, 1 AC poweradapter. The firmware is stored in FlashROM which makes it possible to quickly and easily upgrade to the latest version. CD-Text is also completely supported. With the PlexWriter S88TU, the user has a perfect all-in-one product for backup, duplication and all multimedia applications. CD's can be written, rewritten and read on a single unit, and at the highest possible speed. PlexWriter S88TU Benefits l 8X write (when connected to USB 2.0 host) l 8X rewrite (when connected to USB 2.0 host) l 24X read (when connected to USB 2.0 host) l USB 2.0 Interface (USB 1.1 supports 4x Write, 4x Rewrite, 6x Read) l BURN-Proof Technology (Buffer Under Run Proof) l Two year full-warranty (parts, labor, and replacement) * l Writes CD-ROM Modes 1 and 2, CD-XA Form 1 and 2, CD-DA, CD-I, Video CD & Photo CD. -
Paramount Theatre Sherry Lansing Theatre Screening Room #5 Marathon Theatre Gower Theatre
PARAMOUNT THEATRE SHERRY LANSING THEATRE SCREENING ROOM #5 MARATHON THEATRE GOWER THEATRE ith rooms that seat from 33 to 516 people, The Studios at Paramount has a screening room to accommodate an intimate screening with your production team, a full premiere gala, or anything in between. We also offer a complete range of projection and audio equipment to handle any feature, including 2K, 4K DLP projection in 2D and 3D, as well as 35mm and 70mm film projection. On top of that, all our theaters are staffed with skilled projectionists and exceptional engineering teams, to give you a perfect presentation every time. 2 PARAMOUNT THEATRE CUTTING-EDGE FEATURES, LAVISH DESIGN, PERFECT FOR PREMIERES FEATURES • VIP Green Room • Multimedia Capabilities • Huge Rotunda Lobby • Performance Stage in front of Screen • Reception Area • Ample Parking and Valet Service SPECIFICATIONS • 4K – Barco DP4K-60L • 2K – Christie CP2230 • 35mm and 70mm Norelco AA II Film Projection • Dolby Surround 7.1 • 16-Channel Mackie Mixer 1604-VLZ4 • Screen: 51’ x 24’ - Stewart White Ultra Matt 150-SP CAPACITY • Seats 516 DIGITAL CINEMA PROJECTION • DCP - Barco Alchemy ICMP • DCP – Doremi DCP-2K4 • XpanD Active 3D System • Barco Passive 3D System • Avid Media Composer • HDCAM SR and D5 • Blu-ray and DVD • 8 Sennheiser Wireless Microphones – Hand-held and Lavalier • 10 Clear-Com Tempest 2400 RF PL • PIX ADDITIONAL SERVICES AVAILABLE • Catering • Event Planning POST PRODUCTION SERVICES 10 • SecurityScreening Rooms 3 SCREENING ROOMS SHERRY LANSING THEATRE THE ULTIMATE REFERENCE -
Pgpg OOFSP!8FSP ! 8 DE!BOE!EWE!CVSOJOH!NBEF!FBTZ
UIF!CPPL!UIF!CPPL!pgpg OOFSP!8FSP ! 8 DE!BOE!EWE!CVSOJOH!NBEF!FBTZ XBMMBDF!XBOH 3 USING NERO BURNING ROM Nero Burning ROM gives you the max- imum amount of flexibility and options for burning data to create different types of CDs and DVDs, such as bootable CDs or Super Video CDs. Until you’re familiar with burning CDs and DVDs, you should probably stick to using Nero Express (see Chapter 2), which guides you through the process of creating different types of discs. After you’re familiar with CD/DVD burning and want more control over creating different types of discs, then you should use Nero Burning ROM. NOTE If you switch the StartSmart window to Expert mode (where the cartoon characters wear glasses), you can use the StartSmart window to load Nero Burning ROM to perform most CD/DVD tasks, such as Copy CD or Burn Image To Disc. From The Book of Nero 7 No Starch Press, Copyright © 2006 by Wallace Wang Copying Discs Nero Burning ROM can copy entire CD or DVD discs in two ways: Saving a disc as an image file to burn on another disc later. Copying a disc in memory and then writing the data to a blank disc in the same drive (known as “copying on the fly”). This can be useful when you just need to make a quick copy of a single disc. NOTE Nero Burning ROM will not copy copy-protected discs. Copying Discs to an Image File If you copy a disc to an image file, you can make multiple copies of that disc later without need for the original disc. -
Use External Storage Devices Like Pen Drives, Cds, and Dvds
External Intel® Learn Easy Steps Activity Card Storage Devices Using external storage devices like Pen Drives, CDs, and DVDs loading Videos Since the advent of computers, there has been a need to transfer data between devices and/or store them permanently. You may want to look at a file that you have created or an image that you have taken today one year later. For this it has to be stored somewhere securely. Similarly, you may want to give a document you have created or a digital picture you have taken to someone you know. There are many ways of doing this – online and offline. While online data transfer or storage requires the use of Internet, offline storage can be managed with minimum resources. The only requirement in this case would be a storage device. Earlier data storage devices used to mainly be Floppy drives which had a small storage space. However, with the development of computer technology, we today have pen drives, CD/DVD devices and other removable media to store and transfer data. With these, you store/save/copy files and folders containing data, pictures, videos, audio, etc. from your computer and even transfer them to another computer. They are called secondary storage devices. To access the data stored in these devices, you have to attach them to a computer and access the stored data. Some of the examples of external storage devices are- Pen drives, CDs, and DVDs. Introduction to Pen Drive/CD/DVD A pen drive is a small self-powered drive that connects to a computer directly through a USB port. -
Signature Universal Media Transport Plus
Signature Universal Media Transport plus VIDEO OUTPUTS: 2 HDMI DIGITAL AUDIO OUTPUTS: OPTICAL, COAXIAL RCA X 3, BALANCED XLR, MSB PROI2S CLOCK INTERFACE: INTERNAL CLOCK HEADER, EXTERNAL 512 CLOCK IN OR OUT ANALOG AUDIO OUTPUTS: NONE BIT STREAM SURROUND OUTPUTS: OPTICAL AND COAXIAL EXTERNAL MEDIA CONNECTIONS: 3 USB PORTS, COMPUTER NETWORK STREAMING MAXIMUM OUTPUT RESOLUTION: 24 BIT, 192 KHZ PCM, 32 BIT, 192 KHZ MSB PROI2S FILE TYPES: WAV, FLAC, DSD 64X, MP3, DOLBY DIGITAL HD, DTS HD AND MORE DISC TYPES: CD, SACD, BLURAY (3D, BD-LIVE, BD-R/RE), HRX, DVD, DVD AUDIO AND MORE 1 Signature Universal Media Transport Plus Quick start guide Setup and Connections: 1. Display - If you plan to play music from DVD, BluRay, USB or Network, attach any display to HDMI 1. 2. Internet - If you plan to stream from the internet or want a firmware update online, plug COMPUTER LAN into any computer network (wireless is not recommended). 3. Connect Audio - For use with an MSB DAC, use the MSB CAT-6 cable to connect MSB ProI2S OUTPUT to the MSB ProI2S INPUT on the DAC. For other DACs, connect any of the DIGITAL AUDIO OUTPUTS (1 to 5) to the DAC. Disc Operations: Normally for disc operations you just put the disc in and it will start playing. Volume up/down buttons on the remote actually control the volume of the DAC IV plus. Basic File Operations: Get to know the HOME MENU button, navigation arrows and RETURN buttons on the remote. They get you around the operation of the transport. -
DVR-A03 Product Brochure
DVD-R/RW,CD-R/RWDVD-R/RW writer Writer DVR-A03 *1 The World’s First! One drive... One complete recording solution Writes: DVD-R*2, DVD-RW, CD-R, CD-RW Reads: DVD-ROM, DVD-Video, DVD-R, DVD-RW, CD-ROM, CD-R, CD-RW, CD-TEXT, Photo CD, Audio CD *1As of March 2001 *2DVD-R For General media DVR-A03 Appearance DVR-A03 Specifications Write Support DVD-R (4.7 GB For General disc only*), DVD-RW, CD-R, CD-RW* Front Panel 1 2 Read Support DVD-ROM single layer/dual layer, DVD-R (all types), DVD-RW, CD-ROM Mode1, CD-ROM XA Mode2 (form 1, form 2), CD-TEXT, Photo CD (single and multiple session), CD-DA (Audio CD), CD-Extra, CD-R, CD-RW (Supports AM2) Write Speed DVD-R 2X-CLV (2.76 MB/s), 1X-CLV (1.38 MB/s) DVD-RW 1X-CLV (1.38MB/s) CD-R 8X-CLV (1.41 MB/s), 4X-CLV (0.70 MB/s) CD-RW 4X-CLV (0.70MB/s) Read Speed DVD-ROM (Single) Max. 4X-CAV (5.52 MB/s) DVD-ROM (Dual) 2X-CLV (2.76MB/s) DVD-R, DVD-RW 2X-CLV (2.76 MB/s) 3 4 5 6 7 8 CD-ROM Max. 24X-CAV (4.23MB/s) CD-R,CD-RW Max. 16X-CAV (2.82MB/s) CD-Audio Max. 10X-CAV (1.76MB/s) Rear Panel 9 Video-CD 4X-CLV (0.70MB/s) Access Time DVD 200 Msec (Randam Average) CD 180 Msec *When DVD-ROM Single Layer Disc and CD-ROM Mode1 Disc are used Interface ATAPI (ATA/ATAPI-5 & SFFC INF8090 Ver.5) Data Buffer 512 kBytes (Read) 2Mbytes (Write) Mounting Orientation Horizontal only Power Requirement +5V +12V 1.2A 0.9A Power Consumption Maximum 23.8W 10 11 12 13 Regulatory Approval UL,CSA,TÜV, CB Report, FIMKO, SEMKO, FCC Class B, FDA, CE Marking, C-Tick, CISPR-22B, Korean EMC, Taiwan EMC Front Panel: 1.Disc Loading Tray 5.Ventilation Holes Dimensions (W x H x D) 148 x 42.3 x 207.5 mm 5-13/16" x 1-11/16" x 8-2/16" 2.Forced Eject Hole 6.Disc Indicator Net Weight 1.1 kg 2 lbs. -
Digital Video Recording
Digital Video Recording Five general principles for better video: Always use a tripod — always. Use good microphones and check your audio levels. Be aware of lighting and seek more light. Use the “rule of thirds” to frame your subject. Make pan/tilt movements slowly and deliberately. Don’t shoot directly against a wall. Label your recordings. Tripods An inexpensive tripod is markedly better than shooting by hand. Use a tripod that is easy to level (look for ones with a leveling bubble) and use it for every shot. Audio Remember that this is an audiovisual medium! Use an external microphone when you are recording, not the built-in video recorder microphone. Studies have shown that viewers who watch video with poor audio quality will actually perceive the image as more inferior than it actually is, so good sound is crucial. The camera will automatically disable built-in microphones when you plug in an external. There are several choices for microphones. Microphones There are several types of microphones to choose from: Omnidirectional Unidirectional Lavalier Shotgun Handheld In choosing microphones you will need to make a decision to use a wired or a wireless system. Hardwired systems are inexpensive and dependable. Just plug one end of the cord into the microphone and the other into the recording device. Limitations of wired systems: . Dragging the cord around on the floor causes it to accumulate dirt, which could result in equipment damage or signal distortion. Hiding the wiring when recording can be problematic. You may pick up a low hum if you inadvertently run audio wiring in a parallel path with electrical wiring.