{PDF EPUB} TWISTED ENDINGS 2 5 ACTS of VENGEANCE by Timothy D

Total Page:16

File Type:pdf, Size:1020Kb

{PDF EPUB} TWISTED ENDINGS 2 5 ACTS of VENGEANCE by Timothy D Read Ebook {PDF EPUB} TWISTED ENDINGS 2 5 ACTS OF VENGEANCE by Timothy D. McLendon TWISTED ENDINGS 2: 5 ACTS OF VENGEANCE by Timothy D. McLendon. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 658d1167e9bd8498 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Here Comes the Groom (20 page) Dan tossed the cell to the usher and grinned, his teeth very white against his tanned face. “You don’t get rid of me that easy…I’d have been here earlier but I missed a jump across a ditch and twisted my ankle. I had to hobble the last half mile. So—” he raised an eyebrow “—we getting married or what?” With a small cry, Jo flew down the aisle and hurled herself into his waiting arms, heedless of her dress. Only when she went to kiss him did he hold her away. “If you ever,” he said sternly, “ ever do anything as crazy as that again I’ll—” Jo closed the distance and pressed her mouth fervently to his. It was a kiss that tasted of river water and dust, a kiss that promised a future. “Shep, what the hell took you so long?” Ross said when they finally broke apart. “Incidentally, I couldn’t find Jo’s ring anywhere. I hope you have it.” She laughed. He hadn’t told her that. Maybe the Iceman had some cool in him after all. Draping an arm around her, Dan shook his head. “You’re fired, Coltrane. I need a best man I can trust. Lewis Davis, get up here.” In one of the front pews, Lewis stood up, shooting a nervous look at Ross, who winked at him. Lewis grinned. Beside him, Claire reached for a hanky. “Obviously we can’t get married now—not without a ring,” Jo said provocatively. Dan’s eyes narrowed. “Oh, ye of little faith. Your ring’s at the jewelers but I found this in the trash can outside. Thought it would be perfect, given our initial contract.” He reached in his pocket, then opened a dirty hand. A beer can tab glinted in the light streaming through the stained-glass window. Jo inspected it. “Perfect,” she agreed and turned toward the altar. Paused. “The chicken dance won’t really be playing at our reception, will it?” Dan grinned and offered his arm. “Let’s get married so you can find out.” HERE COMES THE GROOM. Copyright © 2011 by Karina Bliss. All rights reserved. Except for use in any review, the reproduction or utilization of this work in whole or in part in any form by any electronic, mechanical or other means, now known or hereafter invented, including xerography, photocopying and recording, or in any information storage or retrieval system, is forbidden without the written permission of the publisher, Harlequin Enterprises Limited, 225 Duncan Mill Road, Don Mills, Ontario, Canada M3B 3K9. This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental. This edition published by arrangement with Harlequin Books S.A. For questions and comments about the quality of this book please contact us at [email protected] ® and TM are trademarks of the publisher. Trademarks indicated with ® are registered in the United States Patent and Trademark Office, the Canadian Trade Marks Office and in other countries. 5 Terrifically Grim Gems Streaming on Shudder, and What's New for May 2020. Sometimes you want a horror film that's mean, heart-breaking, and devastating. Here are five great ones. The list of new arrivals to Shudder for April 2020 is below, but first, I’m going to celebrate five films currently available on the world’s best horror streaming service. I’ve previously highlighted some great horror/comedies there as well some some fun horror flicks from the 80s, but sometimes it’s not laughs and zaniness you want. Sometimes you want horror that’s actually gut-wrenching, and Shudder has you covered there too. To that end, I’ve looked through Shudder’s complete offerings and found five movies that are dark, devastating affairs guaranteed to satisfy those looking for grim thrills and confirmation that sometimes horror hits harder than nearly anything else. Even better? They’re also fantastic films… for those who can stomach the unrelenting bleakness. Angst (1983) Serial killer films, slashers, are an ubiquitous sub-genre in horror, and they come in an impressive variety of styles, effectiveness, locales, tones, and more. Most, though, are aiming to be fun and entertaining with some blend of plucky hero, cool killer, and fun set-pieces. Angst is something special as its primary goal — one it achieves — is to be as disturbing as possible. The killer is deranged and upsetting and never fun or cool. The set-pieces are unrelenting and suspenseful but never flashy. It’s beautifully shot, but it’s ugly as hell. It’s also unforgettable. In a Glass Cage (1986) Of the five movies on this short list, this ruthless tale from Spain is the hardest to love. It’s about a Nazi doctor prone to acts of evil and vileness who leaps to his death after violating yet another teenage boy. He survives, and years later a young man who witnessed his acts of barbarism returns in the guise of a nurse. Things get nasty, and not quite in the way most viewers will be expecting. It’s a film filled with misery, but it’s presented with an honesty and a surprising pathos that leaves it lingering in your head long after the credits end. Sympathy for Mr. Vengeance (2002) The best known entry in Park Chan-wook’s so-called “revenge trilogy” is Oldboy (2003), while arguably the best of the trilogy period is Sympathy for Lady Vengeance (2005). Both films portray revenge through an extremely stylish and memorable lens, but what their predecessor lacks in creative visuals it more than makes up for in raw power. The film focuses on a young man named Ryu who’s both deaf and recently unemployed who turns to crime in the hopes of helping his dying sister secure a much-needed kidney transplant. Things turn ugly quick leading to an escalating series of bloody consequences. The Horseman (2008) It’s not often that I find myself doing a near 180 degree turn with my opinion on a film, but it happens. This Australian revenge/thriller is one such example as its unrelentingly grim approach to one father’s mission of vengeance left me cold and angry on first viewing. A re-watch, though, confirms that the darkness is exactly what this particular tale needs. Not every revenge tale needs to be a cathartic success story — and that’s not to say he fails exactly either. Grab a hard drink, tune out the distractions, and give this blast of pain a spin. The Treatment (2014) Mo Hayder writes dark thrillers about dogged cops and twisted killers, but sadly only one of them has been adapted for the screen so far. Happily, though, the results are absolutely stellar. The film follows a cop investigating the disappearance of a boy, and while the detective’s own past winds through the tale as well it’s the present day case — and its jaw-dropping, gut-wrenching denouement — that makes this an all-timer. It’s a slow burn of sorts, but if you give it your time and attention you’ll be rewarded with some beautifully crafted misery. Here’s what’s new to Shudder for May 2020: May 1st ANGST (1983; Directed by Gerald Kargl) When a psychopath is released from prison, he hunts for fresh victims to torture and kill. Ahead-of-his-time-director Gerald Kargl’s little-known study of a sadist at work is unrelenting in its depiction of depravity, anticipating HENRY: PORTRAIT OF A SERIAL KILLER, MAN BITES DOG and — thanks to Zbigniew Rybczyński’s disorienting camerawork — Gaspar Noe’s twisted films. Starring Erwin Leder, Robert Hunger-Buhler, Silvia Rabenreither. (Also available on Shudder Canada) BEHIND THE MASK: THE RISE OF LESLIE VERNON (2006; Directed by Scott Glosserman) In this clever mockumentary, a camera crew follows an aspiring slasher movie killer as he prepares to slaughter a group of teens. Leslie Vernon always dreamed of joining the ranks of Jason Voorhees, Michael Myers and Freddy Krueger. But if he wants to become the next great psycho slasher, he’s got lots of preparation to do. Starring Robert Englund, Angela Goethals, Nathan Baesel, Kane Hodder. (Also available on Shudder Canada and Shudder UK) THE LAST DRIVE-IN WITH JOE BOB BRIGGS, ep. 202 Proving once again that “the drive-in will never die,” iconic horror host and exploitation movie aficionado Joe Bob Briggs is back with an all-new season of weekly Friday night double features streaming live exclusively on Shudder.
Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • Université De Montréal Peter Pan Contre Le Héros Victorien : La
    Université de Montréal Peter Pan contre le héros victorien : la poétique du recyclage dans le Cycle de Kraven de Xavier Mauméjean par Sabrina Riel Département des littératures de langue française Faculté des arts et des sciences Mémoire présenté au Département des littératures de langue française en vue de l’obtention du grade de Maître ès Arts (M. A.) en littératures de langue française Août 2015 © Sabrina Riel, 2015 Université de Montréal Faculté des études supérieures et postdoctorales Ce mémoire intitulé : Peter Pan contre le héros victorien : la poétique du recyclage dans le Cycle de Kraven de Xavier Mauméjean présenté par : Sabrina Riel a été évalué par un jury composé des personnes suivantes : Michel Pierssens _________________________ président-rapporteur Jean-Philippe Beaulieu _________________________ Directeur de recherche Marcello Vitali Rosati _________________________ Membre du jury Résumé Le Cycle de Kraven de Xavier Mauméjean met en place un réseau référentiel qui repose sur le recyclage systématique d’éléments historiques et littéraires. Afin de bien saisir le fonctionnement de ce cycle narratif, il importe de se pencher sur cette dynamique référentielle exacerbée relevant d’une poétique du recyclage (au sens de réutilisation) qui se manifeste par l’emprunt de nombreux référents historiques et littéraires, que le récit modifie à divers degrés. Au moyen de la notion de recyclage, des travaux sur la récupération de l’Histoire par l’uchronie et d’études sur le steampunk, esthétique dont relève le Cycle de Kraven, ce mémoire examine les effets de ce recyclage sur le fonctionnement du récit, mais aussi sur le lecteur. En effet, par un imposant mélange de références authentiques et fictives, le Cycle de Kraven cherche à mystifier le lecteur qui se trouve au centre d’un fourmillement intertextuel brouillant les frontières entre Histoire et fiction.
    [Show full text]
  • Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
    Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next.
    [Show full text]
  • {PDF EPUB} Boilerplate History's Mechanical Marvel by Paul Guinan Paul Guinan
    Read Ebook {PDF EPUB} Boilerplate History's Mechanical Marvel by Paul Guinan Paul Guinan. Multimedia artist Paul Guinan is a founding member of Helioscope Studio, the largest collective of comic book creators in North America. He started out at First Comics, retouching art on one of the first manga translations published in the U.S., Lone Wolf and Cub . While at First, he co- created Cargonauts , a precursor to Firefly . Paul later teamed up with writer John Francis Moore to create the time-traveling hero Chronos for DC Comics. With his wife, Anina Bennett, he created the groundbreaking science fiction series Heartbreakers , about a team of female clones, which debuted in Dark Horse Presents in 1989. Paul’s innovative art for their graphic novel Heartbreakers Meet Boilerplate was nominated for an Eisner Award. In 2000 he created online stories about Boilerplate, a mechanical soldier at the turn of the previous century, that garnered international media coverage. Most recently, Paul collaborated with Anina on the unique illustrated historical/science fiction books Boilerplate: History’s Mechanical Marvel (expanding on his earlier short stories) and Frank Reade: Adventures in the Age of Invention . His current project is an historical comic book series titled Aztec Empire , about the fall of the Aztec, with artist David Hahn. About Boilerplate. Boilerplate: History’s Mechanical Marvel , ostensibly the biography of a 19th-century robot soldier, is an illustrated hardcover book that deftly blends historical fiction with science fiction. It dramatizes formative events at the dawn of the 20th century through tales of the robot and its inventor, Archibald Campion, who thinks his machine can “prevent the deaths of men in the conflicts of nations.” Boilerplate charges into combat alongside Teddy Roosevelt and Lawrence of Arabia, builds railroads in Africa, makes silent movies, and more, all while hobnobbing with the likes of Mark Twain and Nikola Tesla.
    [Show full text]
  • 2018 Spring-Summer New Releases
    Spring/Summer Catalog 2018 1-800-890-9494 Best Picture Winner www.criterionpicusa.com Criterion pictures USa - Coming Soon/Recent Releases DeaDpool 2 2018 • Color MPAA Rating: R • 20th Century Fox Director: David Leitch Cast: Morena Baccarin, Ryan Reynolds, Josh Brolin, Brianna Hildebrand, T.J. Miller, Zazie Beetz, Karan Soni, Stefan Kapicic, Leslie Uggams After surviving a near fatal bovine attack, a disfigured cafeteria chef (Wade Wilson) struggles to fulfill his dream of becoming Mayberry's hottest bartender while also learning to cope with his lost sense of taste. Searching to regain his spice for life, as well as a flux capacitor, Wade must battle ninjas, the yakuza, and a pack of sexually aggressive canines, as he journeys around the world to discover the importance of family, friendship, and flavor - finding a new taste for adventure and earning the coveted coffee mug title of World's Best Lover. The DaRkeST MInDS 2018 • Color MPAA Rating: N/A • 20th Century Fox Director: Jennifer Yuh Nelson Cast: Mandy Moore, Gwendoline Christie, Amandla Stenberg, Harris Dickinson, Wallace Langham, Mark O'Brien, Patrick Gibson After a disease kills 98% of America's children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of other teens on the run from the government. 1 Criterion pictures USa • 1050 oak Creek Drive • lombard, Illinois • 60148 Criterion pictures USa - Coming Soon/Recent Releases love, SIMon 2018 • 110 minutes • Color MPAA Rating: PG-13 • 20th Century Fox Director: Greg Berlanti Cast: Katherine Langford, Nick Robinson, Miles Heizer, Jennifer Garner, Colton Haynes, Josh Duhamel, Logan Miller, Alexandra Shipp, Tony Hale Everyone deserves a great love story.
    [Show full text]
  • X-MEN $ Featuring Their First- 8.95 Decade Definers: in the USA LEE • KIRBY • ROTH No.120 THOMAS • ADAMS • HECK Sept
    Roy Thomas’ X-uberant Comics Fanzine A HALF-CENTURY SALUTE TO THE TM X-MEN $ Featuring Their First- 8.95 Decade Definers: In the USA LEE • KIRBY • ROTH No.120 THOMAS • ADAMS • HECK Sept. TUSKA • FRIEDRICH 2013 DRAKE • BUSCEMA KANE • COLAN COCKRUM NOSTALGICNOTE: KA-ZAR’S PROBABLY IN THIS ISSUE, TOO––BUT DON’T BLINK, OR YOU’LL MISS HIM! PLUS: X-MEN TM & ©Marvel Characters, Inc. 0 8 ED 1 82658 27763 5 Vol. 3, No. 120 / September 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor If you’re viewing a Digital P.C. Hamerlinck Edition of this publication, Comic Crypt Editor PLEASE READ THIS: This is copyrighted material, NOT intended Michael T. Gilbert for downloading anywhere except our Editorial Honor Roll website. If you downloaded it from another website or torrent, go ahead and read it, and if you decide to keep it, DO THE Jerry G. Bails (founder) RIGHT THING and buy a legal download, or a printed copy (which entitles you to the Ronn Foss, Biljo White free Digital Edition) at our website or your local comic book shop. Otherwise, DELETE Mike Friedrich IT FROM YOUR COMPUTER and DO Proofreaders NOT SHARE IT WITH FRIENDS OR POST IT ANYWHERE. If you enjoy our publications enough to download them, Rob Smentek please pay for them so we can keep producing ones like this. Our digital William J. Dowlding editions should ONLY be downloaded at Cover Artists www.twomorrows.com Jack Kirby & Chic Stone Contents Cover Colorist Writer/Editorial: Not X-actly X-static, But..
    [Show full text]
  • Zines and Minicomics Collection
    http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access.
    [Show full text]
  • Quick Guide Is Online
    SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5.
    [Show full text]
  • Working the Margins: Women in the Comic Book Industry Wesley Chenault
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-5-2007 Working the Margins: Women in the Comic Book Industry Wesley Chenault Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Chenault, Wesley, "Working the Margins: Women in the Comic Book Industry." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/wsi_theses/10 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WORKING THE MARGINS: WOMEN IN THE COMIC BOOK INDUSTRY by WESLEY CHENAULT Under the Direction of Marian Meyers ABSTRACT Women have been involved in the writing, illustrating, and production of comic books at almost every step of the genre’s development. The years between the late 1960s and the late 1990s were tumultuous for the comic book industry. At the societal level, these years were saturated with changes that challenged normative ideas of sex roles and gender. The goal of this study is two-fold: it documents the specific contributions to the comic book industry made by the women interviewed, and it addresses research questions that focus on gender, change, and comic books.
    [Show full text]
  • CPL USA 2008-2009 Winter Releases
    Winter/Spring Catalog 2018 1-800-890-9494 www.criterionpicusa.com Criterion Pictures usa - Coming soon/recent releases The greaTesT showMan The PosT 2017 • 96 minutes • Color 2018 • 115 minutes • Color MPAA Rating: PG • 20th Century Fox MPAA Rating: PG-13 • 20th Century Fox Director: Michael Gracey Director: Steven Spielberg Cast: Rebecca Ferguson, Hugh Jackman, Zac Efron, Michelle Williams, Zen- Cast: Alison Brie, Tom Hanks, Sarah Paulson, Meryl Streep, Carrie Coon, daya, Yahya Abdul-Mateen II Bruce Greenwood, Jesse Plemons, David Cross, Bob Odenkirk THE GREATEST SHOWMAN is an original musical inspired by the life of P.T. A cover-up that spanned four U.S. Presidents pushed the country's first female Barnum, starring Hugh Jackman. Barnum was a visionary who rose from nothing newspaper publisher and a hard-driving editor to join an unprecedented battle to create the "Greatest Show on Earth," a spectacle and celebration of his larger- between journalist and government. Inspired by true events. than-life imagination that captivated audiences around the globe. Three BillBoards ouTside eBBing, Missouri Ferdinand 2017 • 115 minutes • Color 2017 • 106 minutes • Color MPAA Rating: R • Fox Searchlight MPAA Rating: PG • 20th Century Fox Director: Martin McDonagh Director: Carlos Saldanha, Cathy Malkasian Cast: Frances McDormand, Abbie Cornish, Woody Harrelson, Kathryn Newton, Cast: Kate McKinnon, David Tennant, John Cena, Gina Rodriguez, Bobby Can- Sam Rockwell, Caleb Landry Jones, Peter Dinklage, Kerry Condon navale, Anthony Anderson, Daveed Diggs, Sally Phillips THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama After Ferdinand, a bull with a big heart, is mistaken for a dangerous beast, he is from Academy Award winner Martin McDonagh (In Bruges).
    [Show full text]
  • Women in the Comic Book Industry
    Georgia State University ScholarWorks @ Georgia State University Institute for Women's, Gender, and Sexuality Women's, Gender, and Sexuality Studies Theses Studies 6-5-2007 Working the Margins: Women in the Comic Book Industry Wesley Chenault Follow this and additional works at: https://scholarworks.gsu.edu/wsi_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Chenault, Wesley, "Working the Margins: Women in the Comic Book Industry." Thesis, Georgia State University, 2007. https://scholarworks.gsu.edu/wsi_theses/10 This Thesis is brought to you for free and open access by the Institute for Women's, Gender, and Sexuality Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Women's, Gender, and Sexuality Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WORKING THE MARGINS: WOMEN IN THE COMIC BOOK INDUSTRY by WESLEY CHENAULT Under the Direction of Marian Meyers ABSTRACT Women have been involved in the writing, illustrating, and production of comic books at almost every step of the genre’s development. The years between the late 1960s and the late 1990s were tumultuous for the comic book industry. At the societal level, these years were saturated with changes that challenged normative ideas of sex roles and gender. The goal of this study is two-fold: it documents the specific contributions to the comic book industry made by the women interviewed, and it addresses research questions that focus on gender, change, and comic books. This project asks: What was the role and status of women in the comic book industry between the early 1970s and late 1990s? By utilizing moderately scheduled, in- depth interviews with women working in the comic book industry during this period, this study explores their experiences and treatment while working in an insular, male- dominated field.
    [Show full text]
  • Technofantasies in a Neo-Victorian Retrofuture
    University of Alberta The Steampunk Aesthetic: Technofantasies in a Neo-Victorian Retrofuture by Mike Dieter Perschon A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature © Mike Dieter Perschon Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Dedicated to Jenica, Gunnar, and Dacy Abstract Despite its growing popularity in books, film, games, fashion, and décor, a suitable definition for steampunk remains elusive. Debates in online forums seek to arrive at a cogent definition, ranging from narrowly restricting and exclusionary definitions, to uselessly inclusive indefinitions. The difficulty in defining steampunk stems from the evolution of the term as a literary sub-genre of science fiction (SF) to a sub-culture of Goth fashion, Do-It-Yourself (DIY) arts and crafts movements, and more recently, as ideological counter-culture. Accordingly, defining steampunk unilaterally is challenged by what aspect of steampunk culture is being defined.
    [Show full text]