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Library Friends News Stevens Memorial Library, North Andover, Mass
Library Friends News Stevens Memorial Library, North Andover, Mass. Spring 2003 Local Historian/Author at Spring 2003 Book Sale will Library for Book Signing be a Browser’s Delight The Friends will host Kathleen Dalton, Andover Thousands of excellent books of every kind to be resident and author of Theodore Roosevelt: A offered at unbelievably low prices. Strenuous Life, on May 7 at 7 p.m. at the library. The Friends of the Library Semi-Annual Booksale is Critics are lauding Kathleen Dalton’s Theodore the weekend of May 17th 9-5 & May 18th 2-5 with a Roosevelt: A Strenuous Life, published by Alfred A. special member’s preview on Friday, May 16th 5-7pm. Knopf in October. Lucky for us, Dalton is Cecil F. P. Bancroft Instructor of The Fall Book Sale 2002 raised more than $4,200! This history and social science at Phillips Academy and money will directly support the library. Our deepest lives in Andover with her husband, the historian E. thanks go to Star Market who provided us with plastic Anthony Rotundo and their two children. bags for purchases and the Buck a Bag Sunday. Issues Dalton deals with include homeland security during WWI; corporate greed in TR’s time and our own; Volunteers needed and the influence of the suffragist movement. The book sale’s success relies on volunteers. There are four ways you can help ensure this book sale is From the book jacket: “Both an updated political interpretation and an intimate personal story of a loving the most successful ever. but difficult man, his wife, his family, and his loyal First, give your personal library a thorough spring friends, [the book] will change persuasively the way we cleaning. -
Salt to the Sea : a Novel / Ruta Sepetys
ALSO BY RUTA SEPETYS Between Shades of Gray Out of the Easy PHILOMEL BOOKS an imprint of Penguin Random House LLC 375 Hudson Street, New York, NY 10014 Text copyright © 2016 by Ruta Sepetys. Map illustrations copyright © 2016 by Katrina Damkoehler. Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. Philomel Books is a registered trademark of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Sepetys, Ruta. Salt to the sea : a novel / Ruta Sepetys. pages cm Summary: “As World War II draws to a close, refugees try to escape the war’s final dangers, only to find themselves aboard a ship with a target on its hull”—Provided by publisher. 1. World War, 1939–1945—Juvenile fiction. [1. World War, 1939–1945—Fiction. 2. Refugees—Fiction.] I. Title. PZ7.S47957Sal 2016 [Fic]—dc23 2015009057 ISBN 978-0-698-17262-3 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. JACKET IMAGES: IMAGE DEPOT PRO, DOUG ARMAND PHOTO ILLUSTRATION: TRAVIS COMMEAU DESIGN -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
1-15 a SHORT HISTORY of JAINA LAW1 Peter Flügel the Nine
International Journal of Jaina Studies (Online) Vol. 3, No. 4 (2007) 1-15 A SHORT HISTORY OF JAINA LAW1 Peter Flügel The nineteenth century English neologism ‘Jaina law’ is a product of colonial legal intervention in India from 1772 onwards. 'Jaina law' suggests uniformity where in reality there is a plurality of scriptures, ethical and legal codes, and customs of sect, caste, family and region. The contested semantics of the term reflect alternative attempts by the agents of the modern Indian legal system and by Jain reformers to restate traditional Jain concepts. Four interpretations of the modern term 'Jaina law' can be distinguished: (i) 'Jaina law' in the widest sense signifies the doctrine and practice of jaina dharma, or Jaina ‘religion’. (ii) In a more specific sense it points to the totality of conventions (vyavahāra) and law codes (vyavasthā) in Jaina monastic and lay traditions.2 Sanskrit vyavasthā and its Arabic and Urdu equivalent qānūn both designate a specific code of law or legal opinion/decision, whereas Sanskrit dharma can mean religion, morality, custom and law. (iii) The modern Indian legal system is primarily concerned with the 'personal law' of the Jaina laity. In Anglo-Indian case law, the term 'Jaina law' was used both as a designation for 'Jain scriptures' (śāstra) on personal law, and for the unwritten 'customary laws' of the Jains, that is the social norms of Jain castes (jāti) and clans (gotra). (iv) In 1955/6 Jaina personal law was submerged under the statutory 'Hindu Code', and is now only indirectly recognised by the legal system in the form of residual Jain 'customs' to be proved in court. -
Publishing Brochure 2021
Publishing with Lekha Ink An Informational Packet for Authors LEKHA INK, CORP. ABOUT LEKHA INK Lekha: A Brief History Jyoti Yelagalawadi, an avid storyteller and writer since her youth, has always believed that children and youth can accomplish anything by using their imaginations. One of her life long dreams has been to bring unique and good quality books written for or by chil- dren. She started Lekha Publishers in 2002 when she saw the poems written by one of her friends, a volunteer in her neighborhood school. After noticing that no traditional pub- lishing company would publish this extremely unique book of poems, she researched and found out the best way to publish Richard Makenzie’s Poems From The Playground. After that she published Laugh With Dinosaurs and a couple of other books, that she had written, under the company’s banner. Jyoti started a writing program as an experiment in the summer of 2006, when a friend of Jyoti asked her to guide her daughter and a few other children in the art of writing. Jyoti's wonderful experience that summer inspired her to continue the writing center as a inseparable part of her independent publishing company, which was later incorporated as Lekha Ink, Corp. Since then she and her staff have guided and published over 5000 young authors in anthologies. She has personally guided 45 authors, both young authors and adults, in creating their own books. How Publishing with Lekha Works Lekha is a small, independent publishing house, and simply cannot afford to operate in the way of a tradi- tional publishing house, which covers all the initial costs, then pays the author a percentage of the book sales. -
Penny C. Sansevieri
:gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`rhnk;hhd PENNY C. SANSEVIERI New York FROM BOOK TO BESTSELLER :gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`Rhnk;hhd by Penny C. Sansevieri © 2007. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying and record- ing, or by any information storage and retrieval system, without permission in writing from author or publisher (except by a reviewer, who may quote brief passages and/or show brief video clips in a review). ISBN: 1-60037-088-8 (Hardcover) ISBN: 1-60037-085-3 (Paperback) ISBN: 1-60037-086-1 (eBook) ISBN: 1-60037-087-X (Audio) Published by: Morgan James Publishing, LLC 1225 Franklin Ave. Ste 325 Garden City, NY 11530-1693 Toll Free 800-485-4943 www.MorganJamesPublishing.com Interior Design by: Bonnie Bushman [email protected] MORE BOOKS BY PENNY C. SANSEVIERI GhgÛ\mbhg Get Published Today (Morgan James Publishing 2006) From Book to Bestseller (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! ,QÀQLW\3XEOLVKLQJ Get Published! $QDXWKRU·VJXLGHWRWKH RQOLQHSXEOLVKLQJUHYROXWLRQ (1st Books, 2001) ?b\mbhg 7KH&OLIIKDQJHU (iUniverse, 2000) Candlewood Lake (iUniverse, 2006) To subscribe to our free newsletter send an e-mail to ln[l\kb[^9ZfZkd^mbg`^qi^km'\hf P^]eho^rhnk_^^][Z\d' A^k^lahpmh\hgmZ\mnl3 Author Marketing Experts, Inc. 3RVW2IÀFH%R[ San Diego, CA 92142 www.amarketingexpert.com [email protected] ?hk?kZgl The best dad a girl could ever have. -
Midnight's Children by Salman Rushdie Discussion Questions
Midnight's Children by Salman Rushdie Discussion Questions 1. Midnight's Children is clearly a work of fiction; yet, like many modern novels, it is presented as an autobiography. How can we tell it isn't? What literary devices are employed to make its fictional status clear? And, bearing in mind the background of very real historical events, can "truth" and "fiction" always be told apart? 2. To what extent has the legacy of the British Empire, as presented in this novel, contributed to the turbulent character of Indian life? 3. Saleem sees himself and his family as a microcosm of what is happening to India. His own life seems so bound up with the fate of the country that he seems to have no existence as an individual; yet, he is a distinct person. How would you characterise Saleem as a human being, set apart from the novel's grand scheme? Does he have a personality? 4. "To understand just one life, you have to swallow the world.... do you wonder, then, that I was a heavy child?" (p. 109). Is it possible, within the limits of a novel, to "understand" a life? 5. At the very heart of Midnight's Children is an act of deception: Mary Pereira switches the birth-tags of the infants Saleem and Shiva. The ancestors of whom Saleem tells us at length are not his biological relations; and yet he continues to speak of them as his forebears. What effect does this have on you, the reader? How easy is it to absorb such a paradox? 6. -
BOOK REVIEWS Michael R. Reder, Ed. Conversations with Salman
258 BOOK REVIEWS Michael R. Reder, ed. Conversations with Salman Rushdie. Jackson: U of Mississippi P, 2000. Pp. xvi, 238. $18.00 pb. The apparently inexorable obsession of journalist and literary critic with the life of Salman Rushdie means it is easy to find studies of this prolific, larger-than-life figure. While this interview collection, part of the Literary Conversations Series, indicates that Rushdie has in fact spo• ken extensively both before, during, and after, his period in hiding, "giving over 100 interviews" (vii), it also substantiates a general aware• ness that despite Rushdie's position at the forefront of contemporary postcolonial literatures, "his writing, like the author himself, is often terribly misjudged by people who, although familiar with his name and situation, have never read a word he has written" (vii). The oppor• tunity to experience Rushdie's unedited voice, interviews re-printed in their entirety as is the series's mandate, is therefore of interest to student, academic and reader alike. Editor Michael Reder has selected twenty interviews, he claims, as the "most in-depth, literate and wide-ranging" (xii). The scope is cer• tainly broad: the interviews, arranged in strict chronological order, cover 1982-99, encompass every geography, and range from those tak• en from published studies to those conducted with the popular me• dia. There is stylistic variation: question-response format, narrative accounts, and extensive, and often poetic, prose introductions along• side traditional transcripts. However, it is a little misleading to infer that this is a collection comprised of hidden gems. There is much here that is commonly known, and interviews taken from existing books or re-published from publications such as Kunapipi and Granta are likely to be available to anybody bar the most casual of enthusiasts. -
Midnight's Children
Midnight’s Children by SALMAN RUSHDIE SYNOPSIS Born at the stroke of midnight at the exact moment of India’s independence, Saleem Sinai is a special child. However, this coincidence of birth has consequences he is not prepared for: telepathic powers connect him with 1,000 other ‘midnight’s children’ all of whom are endowed with unusual gifts. Inextricably linked to his nation, Saleem’s story is a whirlwind of disasters and triumphs that mirrors the course of modern India at its most impossible and glorious. ‘Huge, vital, engrossing... in all senses a fantastic book’ Sunday Times STARTING POINTS FOR YOUR DISCUSSION Consider the role of marriage in Midnight’s Children. Do you think marriage is portrayed as a positive institution? Do you think Midnight’s Children is a novel of big ideas? How well do you think it carries its themes? If you were to make a film of Midnight’s Children, who would you cast in the principle roles? What do you think of the novel’s ending? Do you think it is affirmative or negative? Is there anything you would change about it? What do you think of the portrayal of women in Midnight’s Children? What is the significance of smell in the novel? Midnight’s Children is narrated in the first person by Saleem, a selfconfessed ‘lover of stories’, who openly admits to getting some facts wrong. Why do you think Rushdie deliberately introduces mistakes into Saleem’s narration? How else does the author explore the theme of the nature of truth? What do you think about the relationship between Padma and Saleem? Consider the way that Padma’s voice differs from Saleem’s. -
Author and Illustrator Marketing Guidance from Publisher Lee German
Author and Illustrator Marketing Guidance from Publisher Lee German Contents: General introduction - promotional kit - resources What you can do - friends, family and associates - online presence - introduce yourself to the community Support the bookstores—they support you! Scheduling Events - book launch (includes minimum book launch requirements) - book signings - libraries - school visits - emails/phone calls Arbordale General Marketing and Promotional Plan - outline of production schedule We welcome, appreciate and need your help in making the book a success. When I talk to Baker & Taylor and Ingram buyers, they always ask about book signings and the media coverage surrounding new releases. They specifically want to know what author/illustrator events are planned (i.e., how serious is our marketing commitment) and then they stock their nearest warehouses to support anticipated demand from these events. I mention this because your involvement in the process is a critical marketing component. As publisher, we can push great books all day long, but the industry “scuttlebutt” is “no author involvement, no future.” We can see that in the sales of books—straight down the line. Our objective is to sell our books nationwide and soon, internationally, but to get started we absolutely depend on the local interest around author, illustrator, and publisher. The term is local buzz, and without that, it is very difficult to get momentum for a new release. Think of any classic children’s book—association with the author and illustrator is tight because they were engaged with their publisher and committed to helping the book sell. I know that this is children’s book promotion, and we all need to have fun! I find it personally rewarding to get involved in the publicity effort, and I hope that you will too. -
The Political and Historical Background of Rushdie's Shame
Quest Journals Journal of Research in Humanities and Social Science Volume 7 ~ Issue 3 (2019)pp.:06-09 ISSN(Online):2321-9467 www.questjournals.org Research Paper The Political and Historical background of Rushdie’s Shame B. Praksh Babu, Dr. B. Krishnaiah Research Scholar Kakatiya UniversityWarangal Asst. Professor, Dept. of English & Coordinator, Entry into Services School of Humanities, University of Hyderabad, Hyderabad - 500 046 TELANGANA STATE, INDIA Corresponding Author: B. Praksh Babu ABSTRACT: The paper discusses the political and historical background portrayed in the novel Shame. Rushdie narrates the history of Pakistan since its partition from India in 1947 to the publication of the novel Shame in1983.Almost thirty six years of Pakistani history is clearly deployed in the novel. Rushdie beautifully knits the story of a newly born state from historical happenings and characters involved in a fictional manner with his literary genius. The style of using language and literary genres is significantly good. He beautifully depicts the contemporary political history and human drama exists in the postcolonial nations by the use of literary genres such as Magical realism, fantasy and symbolism. KEY WORDS: Political, Historical, Shame, Shamelessness, Magical Realism etc., Received 28 March, 2019; Accepted 08 April, 2019 © the Author(S) 2019. Published With Open Access At www.Questjournals.Org I. INTRODUCTION: The story line of Shame alludes to the sub-continental history of post-partition period through complex systems of trans-social connections between the individual and the recorded powers. The text focuses on three related families - the Shakils, the Hyders and the Harappas. The story opens in the fanciful town 'Q' - Quetta in Pakistan with the extraordinary birth of Omar Khayyam, the hero of the novel. -
Right to Religious Die in India's Jain Concept Sallekhana
Vol-5 Issue-3 2019 IJARIIE-ISSN(O)-2395-4396 Right to religious Die in India’s Jain concept sallekhana Dr. Kumari Bharti Jamshedpur Women’s College, Jamshedpur,India Department of Philosophy Abstract The article examines salekhana. The Jain religious ritual of fasting to death from the Indian legal and ethical perspectives. The concept of sallekhana is an important contribution of the Jains to biosocial ethics Jainism is the world’s most ancient religious and jain monks lead a life of extreme austerity and renunciation. Santhara also known as sallekhana is a controversial practice in which a jain gives up food and water with intention of preparing for death. Sallekhana is facing death by an ascetic or a layman voluntarily when he is nearing his end and when normal life is not possible due to old age incurable disease etc. In 2015, Rajasthan High court banned the practice calling it suicide on 24 August 2015, members of the Jain community held a peaceful natiouid protest against the ban on santhara. Protest were held in various state like Rajasthan Gujrat, Madhya Pradesh, Maharasthra, Delhi etc. Silent marches were carried out in various cities. On 31 August 2015 Supreme Court of India stayed the decision of Rajasthan High Court and lifted the ban on sallekhana. The object of the present. Paper is to give a brief outline of the Jaina concept of sallekhana and evaluate it in the light of contemporary discussion. Some has criticized this vow. Externally critics might identity it with suicide or euthanasia. But one must not be misguided by external procedure of its observance.