Finest Urtext Editions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rachmaninoff, Paganini, & the Piano; a Conversation
Rachmaninoff, Paganini, & the Piano; a Conversation Tracks and clips 1. Rachmaninoff in Paris 16:08 a. Niccolò Paganini, 24 Caprices for Solo Violin, Op. 1, Michael Rabin, EMI 724356799820, recorded 9/5/1958. b. Sergey Rachmaninoff (SR), Rapsodie sur un theme de Paganini, Op. 43, SR, Leopold Stokowski, Philadelphia Orchestra (PO), BMG Classics 09026-61658, recorded 12/24/1934 (PR). c. Fryderyk Franciszek Chopin (FC), Twelve Études, Op. 25, Alfred Cortot, Deutsche Grammophon Gesellschaft (DGG) 456751, recorded 7/1935. d. SR, Piano Concerto No. 3 in d, Op. 30, SR, Eugene Ormandy (EO), PO, Naxos 8.110601, recorded 12/4/1939.* e. Carl Maria von Weber, Rondo Brillante in E♭, J. 252, Julian Jabobson, Meridian CDE 84251, released 1993.† f. FC, Twelve Études, Op. 25, Ruth Slenczynska (RS), Musical Heritage Society MHS 3798, released 1978. g. SR, Preludes, Op. 32, RS, Ivory Classics 64405-70902, recorded 4/8/1984. h. Georges Enesco, Cello & Piano Sonata, Op. 26 No. 2, Alexandre Dmitriev, Alexandre Paley, Saphir Productions LVC1170, released 10/29/2012.† i. Claude Deubssy, Children’s Corner Suite, L. 113, Walter Gieseking, Dante 167, recorded 1937. j. Ibid., but SR, Victor B-24193, recorded 4/2/1921, TvJ35-zZa-I. ‡ k. SR, Piano Concerto No. 3 in d, Op. 30, Walter Gieseking, John Barbirolli, Philharmonic-Symphony Orchestra, Music & Arts MACD 1095, recorded 2/1939.† l. SR, Preludes, Op. 23, RS, Ivory Classics 64405-70902, recorded 4/8/1984. 2. Rachmaninoff & Paganini 6:08 a. Niccolò Paganini, op. cit. b. PR. c. Arcangelo Corelli, Violin Sonata in d, Op. 5 No. 12, Pavlo Beznosiuk, Linn CKD 412, recorded 1/11/2012.♢ d. -
Rachmaninoff's Rhapsody on a Theme By
RACHMANINOFF’S RHAPSODY ON A THEME BY PAGANINI, OP. 43: ANALYSIS AND DISCOURSE Heejung Kang, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2004 APPROVED: Pamela Mia Paul, Major Professor and Program Coordinator Stephen Slottow, Minor Professor Josef Banowetz, Committee Member Steven Harlos, Interim Chair of Piano Jessie Eschbach, Chair of Keyboard Studies James Scott, Dean of the College of Music Sandra L. Terrill, Interim Dean of the Robert B. Toulouse School of Graduate Studies Kang, Heejung, Rachmaninoff’s Rhapsody on a Theme by Paganini, Op.43: Analysis and Discourse. Doctor of Musical Arts (Performance), May 2004, 169 pp., 40 examples, 5 figures, bibliography, 39 titles. This dissertation on Rachmaninoff’s Rhapsody on a Theme by Paganini, Op.43 is divided into four parts: 1) historical background and the state of the sources, 2) analysis, 3) semantic issues related to analysis (discourse), and 4) performance and analysis. The analytical study, which constitutes the main body of this research, demonstrates how Rachmaninoff organically produces the variations in relation to the theme, designs the large-scale tonal and formal organization, and unifies the theme and variations as a whole. The selected analytical approach is linear in orientation - that is, Schenkerian. In the course of the analysis, close attention is paid to motivic detail; the analytical chapter carefully examines how the tonal structure and motivic elements in the theme are transformed, repeated, concealed, and expanded throughout the variations. As documented by a study of the manuscripts, the analysis also facilitates insight into the genesis and structure of the Rhapsody. -
Ravel & Rachmaninoff
NOTES ON THE PROGRAM BY LAURIE SHULMAN, ©2017 2018 Winter Festival America, Inspiring: Ravel & Rachmaninoff ONE-MINUTE NOTES Martinů: Thunderbolt P-47. A World War II American fighter jet was the inspiration for this orchestral scherzo. Martinů pays homage to technology, the machine age and the brave pilots who risked death, flying these bombers to win the war. Ravel: Piano Concerto in G Major. Ravel was enthralled by American jazz, whose influence is apparent in this jazzy concerto. The pristine slow movement concerto evokes Mozart’s spirit in its clarity and elegance. Ravel’s wit sparkles in the finale, proving that he often had a twinkle in his eye. Rachmaninoff: Symphonic Dances. Rachmaninoff’s final orchestral work, a commission from the Philadelphia Orchestra, brings together Russian dance and Eastern European mystery. Listen for the “Dies irae” at the thrilling close. MARTINŮ: Thunderbolt P-47, Scherzo for Orchestra, H. 309 BOHUSLAV MARTINŮ Born: December 8, 1890, in Polička, Czechoslovakia Died: August 28, 1959, in Liestal, nr. Basel, Switzerland Composed: 1945 World Premiere: December 19, 1945, in Washington, DC. Hans Kindler conducted the National Symphony. NJSO Premiere: These are the NJSO premiere performances. Duration: 11 minutes Between 1941 and 1945, Republic Aviation built 15,636 P-47 Thunderbolt fighter planes. Introduced in November 1942, the aircraft was a bomber equipped with machine guns. British, French and American air forces used them for the last three years of the war. Early in 1945, the Dutch émigré conductor Hans Kindler commissioned Bohuslav Martinů—himself an émigré from Czechoslovakia who had resided in the United States since March 1941—to write a piece for the National Symphony Orchestra. -
Reading Comprehension Sergei Rachmaninoff
Sergei Rachmaninoff Comprehension Sergei Rachmaninoff was born April 1st 1873 and is classed as a composer from the Romantic period. He was one of the most important Russian composers of the early 20th century but was also a wonderful pianist. Throughout his school life, Rachmaninoff constantly impressed his teachers with his talents for composition and piano playing. At 18, he composed his First Piano Concerto, which really showcased his abilities. Despite excellent training and guidance from Tchaikovsky, Russia’s most famous composer at the time, Rachmaninoff’s career was slow to get started. When his first symphony was performed, people really didn’t like it, therefore he lost confidence and found himself unable to compose. To solve this problem he visited a hypnotist who repeated the phrase, “You will write your Concerto. You will write your Concerto….”, and he did! Rachmaninoff produced his most famous work, ‘Piano Concerto in C minor.’ His confidence grew and he went on to compose many other pieces. After the Russian Revolution in 1917, Rachmaninoff left Russia to move to Switzerland. He then travelled to America where he was offered many positions as a conductor. He toured regularly, both conducting and performing. Rachmaninoff had a phenomenal memory and could hear a piece of music and play it back without sheet music. In 2014, his original ‘Symphony No. 2 Manuscript’ was the highest priced item in an auction, selling for over one million pounds, and double the price of a signed score by Mozart. After a successful career, he died in California at the age of 69. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
Elizabeth Joy Roe, Piano
The John F. Kennedy Center for the Performing Arts STEPHEN A. SCHWARZMAN , Chairman MICHAEL M. KAISER , President TERRACE THEATER Saturday Evening, October 31, 2009, at 7:30 presents Elizabeth Joy Roe, Piano BACH/SILOTI Prelude in B minor CORIGLIANO Etude Fantasy (1976) For the Left Hand Alone Legato Fifths to Thirds Ornaments Melody CHOPIN Nocturne in C-sharp minor, Op. 27, No. 1 WAGNER/LISZT Isoldens Liebestod RAVEL La Valse Intermission MUSSORGSKY Pictures at an Exhibition Promenade The Gnome Promenade The Old Castle Promenade Tuileries The Ox-Cart Promenade Ballet of the Unhatched Chicks Samuel Goldenberg and Schmuyle Promenade The Market at Limoges (The Great News) The Catacombs With the Dead in a Dead Language Baba-Yaga’s Hut The Great Gate of Kiev Elizabeth Joy Roe is a Steinway Artist Patrons are requested to turn off pagers, cellular phones, and signal watches during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. Notes on the Program By Elizabeth Joy Roe Prelude in B minor Liszt and Debussy. Yet Corigliano’s etudes JOHANN SEBASTIAN BACH ( 1685 –1750) are distinctive in their effective synthesis of trans. ALEXANDER SILOTI (1863 –1945) stark dissonance and an expressive landscape grounded in Romanticism. Alexander Siloti, the legendary Russian pianist, The interval of a second—and its inversion composer, conductor, teacher, and impresario, and expansion to sevenths and ninths—is the was the bearer of an impressive musical lineage. connective thread between the etudes; its per - He studied with Franz Liszt and was the cousin mutations supply the foundation for the work’s and mentor of Sergei Rachmaninoff. -
Grigori Sokolov
GRIGORI SOKOLOV at the Théâtre des Champs- Elysées - Paris, 2002 A dim light picks out the outlines of the hall. Suddenly a massive shadow appears and moves swiftly over to the keyboard, the only brightly lit surface to stand out from the large coffin- like box in the center of the stage. There follows the vaguest of unsmiling acknowledgments in the general direction of the audience, and then the music begins. Throughout the next two hours this music will keep its listeners enthralled with its extraordinary intensity as the audience senses the formidable physical, pianistic, musical and emotional presence of this most secretive of present- day pianists, Grigory Sokolov. S ecretive, he certainly is. A man of vast culture, cheerful and even mischievous offstage, he seems to be cocooned within his own irrefutable logic. Only his musical thoughts are susceptible of being imparted to the public, thoughts embodied beneath his fingers with the utmost interiority and within the ephemeral and exclusive framework of the concert hall. All other considerations, including those of career and self- promotion, are rejected as external to the music. They are, strictly speaking, irrelevant. The phenomenon of the artist retiring behind his art is both intriguing and salutary. It no doubt accounts partly to the fact that Sokolov is still relatively unknown to the public at large. Yet there are many people who are convinced that, following the deaths of musicians like Arturo Benedetti Michelangeli, Glenn Gould and Sviatoslav Richter, he is now the greatest -
Zu Opus Klassik
Nominierte in der Kategorie Instrumentalist/in des Jahres Hinrich Alpers Piotr Anderszewski Nicholas Angelich Iveta Apkalna Martha Argerich Martha Argerich Bach: Well-tempered Beethoven / Liszt Clavier Prokofiev Widor & Vierne Beethoven / Grieg Beethoven Avi Avital Sergio Azzolini Sergei Babayan Daniel Barenboim Thomas Bartlett Lisa Batiashvili Art of the Mandolin Kozeluch: Concertos Rachmaninoff Complete Piano Sonatas Shelter City Lights and Symphony / Diabelli Variations Nominierte in der Kategorie Instrumentalist/in des Jahres Katharina Bäuml Nicola Benedetti Kristian Bezuidenhout Eva Bindere Claudio Bohórquez Gábor Boldoczki Earth Music Elgar: Violin Concerto Beethoven: 9. Sinfonie / Tālivaldis Ķeniņš Piazzolla Versailles Chorfantasie Luiza Borac Rudolf Buchbinder Khatia Buniatishvili Gautier Capuçon Renaud Capuçon Bertrand Chamayou Constantin Silvestri Beethoven: Piano Concerto 1 Labyrinth Emotions Elgar: Violin concerto Good Night! Nominierte in der Kategorie Instrumentalist/in des Jahres Seong-Jin Cho Zlata Chochieva Florian Christl Daniel Ciobanu Carlos Cipa Xavier de Maistre The Wanderer (re)creations Episodes Daniel Ciobanu Correlations (on 11 pianos) Serenata Latina Nikola Djoric Magne H. Draagen Friedemann Eichhorn Isang Enders Christian Euler Reinhold Friedrich Echoes of Leipzig in Bach & Piazzolla Say: Complete Violin Vox Humana Viola Solo Blumine Nidaros Cathedral Works Nominierte in der Kategorie Instrumentalist/in des Jahres Reinhold Friedrich Sebastian Fritsch Martin Fröst Thibaut Garcia Brandon Patrick George Alban -
The St. Louis Symphony Orchestra and Music Director Stéphane Denève Announce Fall Programming for the 2021/2022 Season
FOR IMMEDIATE RELEASE [June , ] Contacts: St. Louis Symphony Orchestra: Eric Dundon [email protected], C'D-*FG-D'CD National/International: NiKKi Scandalios [email protected], L(D-CD(-D(MD THE ST. LOUIS SYMPHONY ORCHESTRA AND MUSIC DIRECTOR STÉPHANE DENÈVE ANNOUNCE FALL PROGRAMMING FOR THE 2021/2022 SEASON Highlights of offerings from September 17-December 5, 2021, include: • The return of full orchestral performances led by Music Director Stéphane Denève at Powell Hall featuring repertoire spanning genre and time that celebrates the resilience of the human spirit. • Denève opens the classical season with two programs at Powell Hall. The season opener includes the first SLSO performances of Jessie Montgomery’s Banner and Anna Clyne’s Dance alongside Pyotr Ilyich Tchaikovsky’s Symphony No. 4. In his second weeK, Denève leads the SLSO in the string orchestra version of Caroline Shaw’s Entr’acte, Charles Ives’ The Unanswered Question, Christopher Rouse’s Rapture, and Sergei Rachmaninoff’s Piano Concerto No. 3 with pianist Yefim Bronfman. • The SLSO and Denève continue their deep commitment to music and composers of today, performing works by Thomas Adès, Karim Al-Zand, William Bolcom, Jake Heggie, James Lee III, Jessie Montgomery, Caroline Shaw, Carlos Simon, Outi Tarkiainen, Joan Tower, and the U.S. premiere of Anna Clyne’s PIVOT. • Other highlights of Denève’s fall programs include performances of Ludwig van Beethoven’s Symphony No. 5, Dmitri ShostaKovich’s Symphony No. 5, and collaborations with pianist VíKingur Ólafsson in his first SLSO appearance and violinist Nikolaj Szeps-Znaider. • The highly anticipated return of the free Forest Park concert, which welcomes thousands of St. -
Rachmaninoff's Vespers (All-Night Vigil)”-- Robert Shaw Festival Singers (1990) Added to the National Registry: 2016 Essay by Joseph Swain (Guest Post)*
“Rachmaninoff's Vespers (All-Night Vigil)”-- Robert Shaw Festival Singers (1990) Added to the National Registry: 2016 Essay by Joseph Swain (guest post)* Robert Shaw Sergei Rachmaninoff “In Robert Shaw I have at last found the maestro I have been looking for,” said Arturo Toscanini, and so nominated the most influential American choral conductor of the latter half of the 20th century. Shaw, who lived from April 30, 1916 to January 25, 1999, first made his mark by founding an interracial chorus called the Collegiate Chorale in 1941, which joined with Toscanini to perform Beethoven’s Ninth Symphony in 1948. That same year, he founded the Robert Shaw Chorale, chosen by the US State Department in 1964 for a good will tour of 15 countries. Best known in recent times is his leadership of the Atlanta Symphony Orchestra from 1967 to 1988 and his founding of the Atlanta Symphony Orchestra Chorus in 1970. Together, the two ensembles made Shaw’s most signal recordings of great works in the choral repertory. Upon his retirement in 1988, Shaw wished to continue to advance choral singing in America, and so founded the Robert Shaw Choral Institute. Although home was in Columbus, Ohio, the Institute sponsored a three-week summer festival in Quercy, France, for experienced American choral singers, teachers, and directors. The competition for admission was severe, not only because the Institute provided all expenses for participants, but because participation meant an intense choral tutorial with Robert Shaw. Great churches in southwestern France provided concert venues, and this recording of the Rachmaninoff “Vespers (All-Night Vigil)” is the fruit of the 1989 festival. -
Symphony Shopping
Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. -
20180118 Communiqué Groupe CANAL+ Lancement Deutsche Grammophon
LE PLUS BEAU CATALOGUE MONDIAL DE MUSIQUE CLASSIQUE ENFIN SUR VOTRE TV AVEC CANAL+ Paris, 18 janvier 2018 Le Groupe CANAL+ et Universal Music Group s’associent pour lancer une nouvelle chaîne basée sur le célèbre catalogue de Deutsche Grammophon. Cette chaîne digitale premium permettra notamment aux abonnés équipés du nouveau décodeur CANAL de profiter de l’incroyable richesse du catalogue du « label jaune », avec des enregistrements audios proposés en haute résolution et, pour la première fois, en DOLBY ATMOS. Cette chaîne interactive, disponible pour les abonnés en France au cours du deuxième trimestre 2018, leur permettra de découvrir le catalogue Deutsche Grammophon à travers différentes catégories - compositeurs, interprètes, genres musicaux, instruments - ainsi qu’à travers des playlists thématiques. Des contenus vidéo de musique classique viendront ensuite enrichir cette offre. A propos de Deutsche Grammophon : Deutsche Grammophon, l’un des plus prestigieux noms dans l’univers mondial de la musique classique depuis sa création en 1898, a toujours défendu les plus hauts standards de l’art et de la qualité sonore. Maison des plus grands artistes de l’histoire de la musique, le célèbre « label jaune » est une référence pour tous les amoureux de la musique à travers le monde, amateurs des plus remarquables enregistrements et interprétations. Deutsche Grammophon compte aujourd’hui à son répertoire parmi les plus grands artistes de la musique classique : Anne-Sophie Mutter, Anna Netrebko, Martha Argerich, Daniel Barenboim, Hélène Grimaud, Evgeny Kissin, Lang Lang, Murray Perahia, Maurizio Pollini, Grigory Sokolov, Daniil Trifonov, Krystian Zimerman, Gustavo Dudamel, Andris Nelsons, Yannick Nézet-Séguin, El īna Garan ča, Bryn Terfel, Rolando Villazón et Max Richter.