Paul Rudolph, Architect 26 West 58 Street New York, New York 10019

Total Page:16

File Type:pdf, Size:1020Kb

Paul Rudolph, Architect 26 West 58 Street New York, New York 10019 r I The Museum of Modern Art ^°^ RELEASE: • 11 west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart A . T -, * ^ I fijPii I 7 I ARCHITECTURE FOR THE ARTS: THE STATE UNIVERSITY OF NEW YORK COLLEGE AT PURCHASE I ' Paul Rudolph, Architect 26 West 58 Street New York, New York 10019 PAUL RUDOLPH, A.I.A. 1918 - Born - Elkton, Kentucky Education Bachelor Architecture, Alabama Polytechnic Institute, 1940 Master Architecture, Harvard University, 1947 Doctor of Arts (Honorary), Colgate University, 1966. Experience Officer-in-Charge, Ship Construction, U. S. Naval Reserve, Brooklyn Navy Yard, 1943-1946 Wheelwright Traveling Fellowship in Architecture (Harvard) 1948-1949 Practice of residential, commercial and institutional architecture, Sarasota, Florida; Cambridge, Massachusetts; Boston, Massachusetts; New Haven, Connecticut; and New York, New York, 1947 to date. Chairman, Department of Architecture, Yale University, 1958-1965 Work Accomplished and in Progress Jewett Arts Center, Wellesley College, Wellesley, Massachusetts Parking Garage for 1500 Cars, New Haven, Connecticut Endo Pharmaceutical Laboratories, Garden City, New York Coordinating Architect for Boston Government Service Center,Boston,Mass. Design of New City Hall, Syracuse, New York New Campus including Master Plan, First Stage and Student Union, Southeastern Massachusetts Technological Institute, North Dartmouth, Mass Master Plan and University Buildings,»East Pakistan Agricultural University, Mymensingh, East Pakistan Orange County Government Center, Goslien, New York Master Plan and Three Office Buildings for Brookhollow Corporation, Dallas, Texas Master Plan, Town Houses, Apartments, Hotel, Boatel and Commercial Buildings for new town of Stafford Harbor, Virginia Master Plan for Northwest #1 Urban Renewal Area, Washington, D. C. Graphic Arts Center plus Apartment Units utilizing mobile house techniques. New York, New York Ford Foundation grant to study the Lower Manhattan Expressway in their project "New Forms of the Evolving City" Government Center including new City Hall, Library, Plaza and Police Station; and Coordinating Architect for new Bank, Federal Office Building and Garage, New Haven, Connecticut Fort Lincoln Housing utilizing mobile housing units, Washington, D.C. Corporate Headquarters, Research and other related facilities for Burroughs Wellcome £ Co., (USA), Inc., Research Triangle Park, North Carolina ^rt and Architecture Building, Yale University, New Haven, Connecticut Central Library, Niagara Falls, New York (over) -2- Honors and Awards "Outstanding. Young Architects Award", Sao Paulo (Brazil) International Competition, 1954 Arnold Brunner Prize in Architecture, American Academy of Arts and Letters, 195] Award of Merit, American Institute of Architects Honors Award Program, 1962 First Honors Award and Ax/ard of Merit, American Institute of Architects Honors Award Program, 1964 Honor Award for Design Excellence, United States Department of Housing and Urban Development, 1966 Medal of Honor, New York Chapter, American Institute of Architects, 1969 Additional information available from Elizabeth Shaw, Director, Department of Public Information, The Museum of Modern Art, 11 W. 53 St., New York, NY 10019. Phone: (212) 956-7501; 7298. •i" 1.: 'M. 4 .
Recommended publications
  • Boston Government Services Center: Lindemann-Hurley Preservation Report
    BOSTON GOVERNMENT SERVICES CENTER: LINDEMANN-HURLEY PRESERVATION REPORT JANUARY 2020 Produced for the Massachusetts Division of Capital Asset Management and Maintenance (DCAMM) by Bruner/Cott & Associates Henry Moss, AIA, LEED AP Lawrence Cheng, AIA, LEED AP with OverUnder: 2016 text review and Stantec January 2020 Unattributed photographs in this report are by Bruner/Cott & Associates or are in the public domain. Table of Contents 01 Introduction & Context 02 Site Description 03 History & Significance 04 Preservation Narrative 05 Recommendations 06 Development Alternatives Appendices A Massachusetts Cultural Resource Record BOS.1618 (2016) B BSGC DOCOMOMO Long Fiche Architectural Forum, Photos of New England INTRODUCTION & CONTEXT 5 BGSC LINDEMANN-HURLEY PRESERVATION REPORT | DCAMM | BRUNER/COTT & ASSOCIATES WITH STANTEC WITH ASSOCIATES & BRUNER/COTT | DCAMM | REPORT PRESERVATION LINDEMANN-HURLEY BGSC Introduction This report examines the Boston Government Services Center (BGSC), which was built between 1964 and 1970. The purpose of this report is to provide an overview of the site’s architecture, its existing uses, and the buildings’ relationships to surrounding streets. It is to help the Commonwealth’s Division of Capital Asset Management and Maintenance (DCAMM) assess the significance of the historic architecture of the site as a whole and as it may vary among different buildings and their specific components. The BGSC is a major work by Paul Rudolph, one of the nation’s foremost post- World War II architects, with John Paul Carlhian of Shepley Bulfinch Richardson and Abbot. The site’s development followed its clearance as part of the city’s Urban Renewal initiative associated with creation of Government Center. A series of prior planning studies by I.
    [Show full text]
  • Paul Rudolph
    PAUL RUD LPH Acknowledgments Program 13ll ' \ This booklet and the exhibi- Chicago architectural com- Exhibition Front cover: tion it accompanies are the munity to learn more about May 6-28, 1987, in the second- Overall perspective of a fourth in The Art Institute of his work through this exhibi- floor gallery of the Graham corporate office building for Wisma Dharmala Sakti. Chicago's Architecture in tion and his lecture at the Foundation for Advanced Jakarta , Indonesia, 1982 Context series, which is in- Graham Foundation. Studies in the Fine Arts, [no. 29). tended to highlight aspects We wish to thank Robert 4 West Burton Place, Chicago. of architecture that Bruegmann, Associate Pro- Graham Foundation hours: Back cover: Atrium perspective of a have not received sufficient fessor of Architecture and Monday through Thursday, corporate office building for critical attention. The current Art History at University of 9:00 a.m. to 4:00 p.m. Wisma Dharmala Sakti, exhibition broadens that Illinois at Chicago, for his Jakarta, Indonesia, 1982 focus by concentrating on insightful essay and for work- Lecture [no. 32) . the current work of New York ing with Paul Rudolph to Paul Rudolph, "The Archi- © 1987 Graham Foundation architect Paul Rudolph, who, select the drawings for inclu- tectural Space of Wright, for Advanced Studies in the admittedly, has been pro- sion in the exhibition. We Mies, and Le Corbusier," May Fine Arts and The Art Institute foundly influenced by Chica- also wish to thank Ronald 6, 1987, the Graham Founda- of Chicago. All rights reserved. go architects Frank Lloyd Chin, for coordinating the tion Auditorium, 8:00 p .m.
    [Show full text]
  • Re-Viewing and Reimagining Paul Rudolph's Brutalist Architecture In
    140 studies in History & Theory of Architecture Re-viewing and Reimagining Paul Rudolph’s Brutalist Architecture in the USA and Southeast Asia Anna Dempsey, Ben Youtz and Kelly Haigh University of Massachusetts Dartmouth | designLAB architects [email protected] | [email protected], [email protected] KEYWORDS: modern architecture, Paul Rudolph, Brutalism, campus architecture, place-making, concrete Introduction Theodore Dalrymple famously described late modern expressionist (Brutalist) buildings as “totalitarian,” “cold hearted moral deformit[ies]” that should be demolished.1 Even during the 1950s and 1960s, arguably the style’s halcyon days, British critic Reyner Banham noted that critics of the “new Brutalism” regarded “the movement” as “a cult of ugliness.”2 Though Banham concluded that Brutalism represented “a contribution to the architecture of today,” he stated that the buildings of Alison and Peter Smithson - who coined the term “new Brutalism” - exhibited both “ineloquence” and “bloody-mindedness.”3 Despite Banham’s and other critics’ reservations, this post-War modernist movement was a global one. Architects such as Germany’s Werner Düttmann (the Agnes Kirche in Berlin, 1964), Australia’s Peter Hall (the Residential Colleges at the University of New South Wales, 1962-1966), Argentina’s Clorindo Testa (Banco de Londres in Buenos Aires, 1966) were among those who embraced what Banham referred to as the “ruthless logic” of Brutalism’s functional style.4 In the United States, Louis Kahn, I.M Pei and several other architects also designed and built Brutalist structures. Nevertheless, Paul Rudolph (a student of Bauhaus founder Walter Gropius) is the American architect most closely associated with Dalrymple’s “cold-hearted” style.
    [Show full text]
  • Transcripts of William Grindereng Interview
    Claire T. Carney Library, University of Massachusetts Dartmouth North Dartmouth, MA Interview with William Grindereng: Longtime Architectural Associate of Architect Paul Rudolph. Interviewed by Bruce Barnes. Recorded in Boston Massachusetts June 28, 2006. Transcript of a video recorded interview with architect William Grindereng, in which he recounts the portion of his career (1955-1972) he was associated with architect Paul Rudolph. Among the many major projects discussed is the Government Service Center in Boston, the Bangladesh (Formerly East Pakistan) Agricultural University and SMTI / University of Massachusetts Dartmouth. Also in attendance, Grattan Gill, also a former architectural associate of Rudolph as well as job captain or project manager for SMTI / UMass Dartmouth during the construction of the campus in the 1960s. Transcript Preparation and Additional Research by Joanne Garfield, Technical Services Department, Claire T. Carney Library, UMass Dartmouth Library Bruce Barnes: If you could, give me a brief biography of yourself, how you came to be an architect, and your connections to Paul Rudolph. William Grindereng: I first graduated from Ohio University with a degree in architectural engineering. Following that, I worked four years full-time for architects in South Dakota and Ohio. I decided that I needed to fill in some gaps in my education so I applied to Yale. I went there with advanced standing and graduated after two years with a Master of Architecture degree. While at Yale, I was fortunate to have had Paul Rudolph as a visiting critic. It was actually his first two visits to Yale. The first project that he gave us [1955] was a weekend sketch project was for a Tastee Freez stand which he had done in Sarasota.
    [Show full text]
  • PDF Download the Architecture of Paul Rudolph
    THE ARCHITECTURE OF PAUL RUDOLPH PDF, EPUB, EBOOK Timothy M. Rohan | 304 pages | 10 Jul 2014 | Yale University Press | 9780300149395 | English | United States The Architecture of Paul Rudolph PDF Book Even in his prime, as he received commissions for large public projects—including a megastructure that stamped out a large part of Boston's West End and one for New York that would have destroyed a slice of lower Manhattan—Rudolph was still most often depicted as a maverick, a rogue. Google Scholar. In developing and refining his design priorities to accommodate his large commissions, Rudolph was not pandering to any new fashionable trend or fickle change in style; he was still convinced by his early convictions, but it was the acceptance of these later adjustments in his design philosophy that classified him as a Late-Modernist. There was no established theory expounded, other than a liberal education that encouraged a healthy examination of the relevant current issues. Form, Heft, Material. Daniel Ledford Daniel Ledford. It was necessary to fit in with the historical character of the surrounding and adjacent buildings. Wikimedia Commons. Andrew Foyle and Nikolaus Pevsner. In spite of his reservations about the limitations of two-dimensional drawings or that any form of presentation can ever convey the ultimate nature of a building, Rudolph still achieved a far greater standard of graphic communication through his presentation techniques than any other modern architect. At the time, Rudolph was working independently and would later become an icon in European Modernism. The Lindemann was composed of several general activity spaces—child guidance, a nursery, family therapy, individual therapy, group therapy, occupational therapy, inpatient care, as well as administrative and research facilities.
    [Show full text]
  • Regionality and Regionalism in Architectural Views
    J. Basic. Appl. Sci. Res., 2(7)7147-7152, 2012 ISSN 2090-4304 Journal of Basic and Applied © 2012, TextRoad Publication Scientific Research www.textroad.com Regionality and Regionalism in Architectural Views Maria Immaculata Hidayatun1, Josef Prijotomo2*, Murni Rachmawati 2 1 Doctorate Program in Department of architecture, Institut Teknologi Sepuluh Nopember, Surabaya, 2Doctor, in Theory and History of Architecture, Department of architecture, Institut Teknologi Sepuluh Nopember, Surabaya ABSTRACT Regionality, and regionalism in the view of architecture has become a frequently discussed, but the essence of regionality, and regionalism has not been widely studied. This study trying to find the essence of regionality and regionalism in several cases design of the architectural design in Indonesia. Using qualitative method and had the documents and secondary data to conduct a descriptive analysis, and the end of the study explained that regionality is a character or characters in the architectural design resulting from the use of the approach or method of regionalism. Key word: Regionality, regionalism, architecture INTRODUCTION Architectural development in Indonesia is currently in general following the development of a global architecture, or who said a step of universality, so that the works produced by the Indonesian architects almost be said to be a poor reflection of the work to Indonesia's identity [1]. A lot of things behind this situation, where one of them is the lack of provision of the discourse and direction of the curriculum in architectural education in Indonesia apparently less emphasis on the values and potential that belongs to the local natural and cultural richness of Indonesia [2].
    [Show full text]
  • The Historical Journal of Massachusetts
    The Historical Journal of Massachusetts “Yankee Brutalism: Concrete Architecture in New England, 1957-1977.” Author: Brian M. Sirman Source: Historical Journal of Massachusetts, Volume 44, No. 2, Summer 2016, pp. 2-21. Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/number/date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/historical-journal/. 2 Historical Journal of Massachusetts • Summer 2016 Boston University Law Tower (Sert, Jackson & Gourley, 1963) Sert, Jackson & Gourley also designed the Mugar Library and George Sherman Union on campus, all in the Brutalist style. Photo by the author. 3 PHOTO ESSAY Yankee Brutalism: Concrete Architecture in New England, 1957–1977 BRIAN M. SIRMAN Abstract: During the 1960s and early 1970s, New England departed from architectural traditions and was in the vanguard of the most current (and controversial) style of these decades: Brutalism. While on its surface this style seems inimical to New England architecture, a confluence of economic, political, and social forces rendered it aptly suited to the region at this pivotal time. Concrete buildings served not only functional purposes but also as monuments that both reflected and shaped public perceptions of New England.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Code Manipulation: Architecture In-Between Universal and Specific Urban Space Permalink https://escholarship.org/uc/item/7660x051 Author Dahl, Per-Johan Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Code Manipulation: Architecture In-Between Universal and Specific Urban Space A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Per-Johan Dahl 2012 © Copyright by Per-Johan Dahl 2012 ABSTRACT OF THE DISSERTATION Code Manipulation: Architecture In-Between Universal and Specific Urban Space By Per-Johan Dahl Doctor of Philosophy in Architecture University of California, Los Angeles, 2012 Professor Dana Cuff, Chair Experiences from both academia and practice demonstrate that the legal instruments that comprise the primary tool for carrying out city planning in the U.S. have grown increasingly complex and abstract. Processing the universal rather than the specific aspects of urbanism, these zoning codes have a limited capacity to adapt to local significance and site-specific characteristics, to which architecture is much more responsive, and thus often constrain design innovation. Although various attempts have been made to improve the interconnection between the universal and the specific, we need a wider array of analytic frameworks within the discipline of architecture for evaluating the broader implications of the codes that regulate the form and use of buildings within the context of contemporary city planning. Taking architecture as an intermediary instrument, this study develops the notion of code manipulation as an analytical framework to be used for stimulating and evaluating designs beyond the constraints of code.
    [Show full text]
  • Corporate Presentation September 2017 PT Intiland Development
    Public Expose PT Intiland Development Tbk Jakarta, 28 August 2018 Surabaya, 19 September 2018 Intiland. Developing Your World. 57 Promenade, Central Jakarta 2 Disclaimer We caution readers that all statements other than statements of historical fact included in this document, including without limitation, those regarding our financial position, business strategy, plans and objectives of management for future operations (including development plans and objectives relating to our existing and future products), are forward-looking statements. Such forward-looking statements involve known and unknown risks, uncertainties and other facts, which may cause our actual results, performance or achievements or industry results, to be materially different from any future results, performance or achievements expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding our present and future business strategies and the environment in which we expect to operate in the future. We expressly disclaim any obligation or undertaking to release any update of or revision to any forward-looking statements contained herein to reflect any change in our expectations with regards hereto or any change in events, conditions or circumstances on which any such statements is based. This document is the property of PT Intiland Development Tbk. It is for intended recipients only and for intended use only. This document only serves as a reference and it does not constitute an offer solicitation or invitation
    [Show full text]
  • What Makes Preserving Brutalist Architecture in Buffalo So Hard?
    Material, Building Type or Beauty – What Makes Preserving Brutalist Architecture in Buffalo So Hard? Barbara A. Campagna, FAIA LEED AP BD+C Sustainable Interior Environments FIT, State University of New York 27th Street and 7th Avenue Room E-313 New York, NY 10001 Barbara A. Campagna Assistant Professor, Acting Chair [email protected] 212-217-4305 ABSTRACT Why is Brutalism one of the most difficult eras to preserve? Questions of authenticity, the use of materials such as concrete panels and concrete block, the construction of new building types like public housing that do not have inherent supporters, and maintaining some of the most energy inefficient buildings ever built are some of the aspects that impact its preservation. This paper will look at Brutalist icons in Buffalo, New York, which demonstrate the pros and cons of saving these buildings. Buffalo Modernism Buffalo has a rich modernist heritage, which is now under siege. Not surprisingly, it is concrete Brutalist style buildings at the forefront of this battle. As a way to counteract misconceptions about modernism, this author taught a seminar last spring in the University at Buffalo School of Architecture & Planning. The semester long project was to document a Buffalo modern for the DOCOMOMO US Registry. Four buildings represent the Brutalist era and their appreciation or lack thereof seems to be related to ownership, building type, site plan, maintenance of material and perception of beauty. Those buildings remaining in the ownership of the original owners have fared much better than those that have not. The Buffalo Evening News Building, Edward Durell Stone The Buffalo Evening News Building was designed in 1973 by Edward Durell Stone using both site-cast and precast concrete.
    [Show full text]
  • Rudolph, Paul (1918-1997) by Ira Tattelman
    Rudolph, Paul (1918-1997) by Ira Tattelman Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Paul Rudolph designed Reprinted from http://www.glbtq.com the Lippo Center, a Hong Kong landmark. Modernist architect Paul Rudolph was one of the most esteemed American architects Image appears under the GNU Free of the 1960s, when he was the influential chair of the School of Architecture at Yale Documentation License University. version 1.2 or later. Rudolph was born on October 23, 1918 in Elkton, Kentucky. He graduated from the Alabama Polytechnic Institute in 1940. After serving in the U.S. Navy from 1943 to 1946, he entered Harvard's Graduate School of Design, where he graduated in 1947 with a Master's degree in Architecture. Although he studied with Walter Gropius, Rudolph moved away from the clean lines of modernist glass and steel to the more monolithic forms of Brutalism. He practiced architecture and graphic design in Florida, Boston, and New York, and lived in New Haven while serving as Chair of the Architecture Department at Yale University from the late 1950s to the mid-1960s. During his lifetime, he designed private homes, multiple family housing, and public buildings in North America, Europe, Africa, the Middle East, and Asia. Rudolph's most famous work is the Art and Architecture Building at Yale, completed in 1963. This concrete building just outside Yale's urban campus is bold and complex. Hollow vertical towers contain stairs, elevators, or mechanical systems. The changing character of natural light through large skylights illuminate the dramatic main interior space, overlooked by mezzanines and bridges.
    [Show full text]
  • Historic Resources Inventory
    HISTORIC RESOURCES INVENTORY - BUILDING AND STRUCTURES Please send completed form to: National Register and State Register Coordinator, Connecticut CommissionState Historicon Culture Preservation & Tourism, Office, OneDepartment Constitution of Economic Plaza, and 2nd Community Floor, Hartford,Development, CT 06103 One Constitution Plaza, 2nd Floor, Hartford CT 06103 * Note: Please attach any additional* Note: Please or expanded attach any informationadditional or onexpanded a separate information sheet. on a separate sheet. GENERAL INFORMATION Building Name (Common) ______________________________________________________________________ Temple Street Garage Building Name (Historic) _______________________________________________________________________ Temple Street Garage Street Address or Location ______________________________________________________________________21 Temple Street Town/City __________________________New Haven Village ________________________ County ___________________ New Haven Owner(s) _______________________________________________________________City of New Haven Parking Authority Public Private PROPERTY INFORMATION Present Use: _________________________________________________________________________________COMMERCE/TRADE: Parking garage Historic Use: _________________________________________________________________________________COMMERCE/TRADE: Parking garage Accessibility to public: Exterior visible from public road? Yes No Interior accessible? Yes No If yes, explain __________________________________________________
    [Show full text]