Business Plan Submitted in Completion of Graduate Thesis and Culminating Experience
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Global Independent Music Community
ANNEX C ICANN Re-Consideration Request filed by .MUSIC Global Independent Music Community Letters of Opposition to Applications with lack of Enhanced Safeguards for “open” music-themed strings and anti- competitive policies 1 March 6, 2013 Contact Information Redacted VIA EMAIL Contact Information Redacted Dr. Steve Crocker, Chairman of the ICANN Board Fadi Chehadé, ICANN President & CEO Cherine Chalaby, Chair of the New gTLD Committee Heather Dryden, Chair of Government Advisory Committee Dr. Olivier M.J. Crépin-Leblond, Chair, ICANN At Large Advisory Committee John Jeffrey, ICANN General Counsel Suzanne Sene, U.S. Representative to ICANN Government Advisory Committee Secretariat of the International Court of Arbitration of the International Chamber of Commerce Erik Wilbers, Director, WIPO Arbitration and Mediation Center Re: gTLD Applications for music-themed TLDs Dear Dr. Crocker, et al. I am writing on behalf of the American Association of Independent Music (‘A2IM”) and the Worldwide Independent Network (“WIN”). By separate e-mail I will be sending letters from all 14 A2IM board representatives (http://a2im.org), whose labels were elected by our membership to represent the U.S. Independent label community as well as additional letters from former A2IM board members and other A2IM members. Attached to this letter please find my letter and letters from the chair of WIN which represents label creators in over 20 countries (http://www.winformusic.org) and chair of AIM in the U.K. (http://musicindie.com), Alison Wenham, The Secretary General of Impala, which represents the European music label community (http://impalamusic.org), Helen Smith, and the President of Merlin, the rights licensing organization (http://www.merlinnetwork.org), Charles Caldas. -
REGISTERED COMPANIES at MIDEM 2012
REGISTERED COMPANIES at MIDEM 2012 ANTIGUA AND BARBUDA RED IGLOO MUSIC MISSIONCULTURE* RIOT ENTERTAINMENT PTY LTD OFFICER BUSINESS SOFTWARE SOLUTIONS GMBH* BRIGHTCHOICE ROWLEY MUSIC* ORDIS GBR DIGITAL DISTRIBUTION* ARGENTINA RUBBER MUSIC PTY. LTD.* ORF ENTREPRISE SELECT AUDIO-VISUAL DISTRIBUTION PTY LTD PATE RECORDS* AF MUSIC SRL* SHOCK ENTERTAINMENT* PHOENICS CREATIVE STUDIO OG* AKE MUSIC PRODUCTIONS* SONY MUSIC PREISER RECORDS* DBN DISCOS* SOUND ALLIANCE PROJEKT POP! / OEST MUSIKFONDS* DBN SRL.* SOUNDS AUSTRALIA* REAL NETWORKS GMBH DIRECCION GENERAL DE INDUSTRIAS CREATIVAS / GCBA* TEMPO INTERNATIONAL P/L REBEAT DIGITAL GMBH* DISTRIBUIDORA LEF SRL* THE AU REVIEW RED BULL MEDIA HOUSE GMBH LEADER MUSIC S.A.* THE PLANET COMPANY* RUDI SCHEDLER MUSIKVERLAG GMBH* MUSIC BROKERS ARGENTINA S.A.* THE WEST AUSTRALIAN MUSIC INDUSTRY ASSOCIATION SALZBURGER FESTSPIELE ORGANIZACION MUSICAL SUDAMERICANA (OMSA) SRL INC. SCHUBERT MUSIC PUBLISHING E.U.* THE FAINMUSIC* TIMELESS MUSIC COMPANY* SERVUS TV* THE ORCHARD - SOUTH AMERICA* TOPOLOGY SONY DADC AUSTRIA AG UK TRADE & INVESTMENT ARGENTINA UNIVERSAL MUSIC PUBLISHING GROUP AUSTRALIA SOUND AND MEDIA AUSTRALIA XELON ENTERTAINMENT LIMITED* SPECTRALMIND GMBH* SWAY GESBR 120 PUBLISHING* AUSTRIA VIDEOLAND MEDIENVERTRIEBS GESMBH* ALBERTS* AKM* WEINBERGER JOSEF WIEN GESMBH* AUSTRALIAN INDEPENDENT RECORD LABELS AKM / GFOEM* ZBONEK MARCUS HERR TISCHBEIN* ASSOCIATION ALFRED REITER DANUBIA SAXOPHONE QUARTET* BOX HILL INSTITUTE BARBADOS ALLROUND MUSIC, ROSITA S. ROMANO MUSIKVERLAG* CENTRAL STATION* A & O SOUND OG INVEST BARBADOS CHACONNE MUSIC* AUSTRIAN MUSIC COUNCIL CHELSEA J GIBSON BELARUS AUSTRO MECHANA GMBH* CPC MUSIC SERVICES* BERNHARD FLEISCHER MOVING IMAGES GMBH VIGMA GROUP DEEP PURPLE (OVERSEAS)* COL LEGNO PRODUKTIONS - UND VERTRIEBSGMBH* DIGIRASCAL BELGIUM DELADAP STANISLAV VANA* FILTER SQUAD ELIETTE UND HERBERT VON KARAJAN INSTITUT 2 BRAINS ENTERTAINMENT* HARVEST MEDIA FAMA - FACHVERBAND DER FILM- UND MUSIKINDUSTRIE ADASONG PRODUCTIONS* INERTIA PTY LTD* FILM+CO. -
Procesní Management Malých Hudebních Vydavatelství Diplomová Práce
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra hudebních a humanitních věd a hudební produkce Obor Hudební produkce Procesní management malých hudebních vydavatelství Diplomová práce Autor práce: BcA. Michaela Bóková, DiS. Vedoucí práce: doc. Ing. MgA. Lucie Šilerová, Ph.D Konzultant práce: PhDr. Vladimír Hřebíček Oponenti práce: Mgr. Vít Kouřil Brno 2018 Bibliografický záznam BÓKOVÁ, Michaela. Procesní management malých hudebních vydavatelství [Process Management of Small Record Labels]. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra hudebních a humanitních věd a hudební produkce, 2018. s [72] Vedoucí diplomové práce PhDr.Vladimír Hřebíček. Anotace Diplomová práce „Procesní management malých hudebních vydavatelství“ aplikuje procesní styl řízení na malé firmy, jejichţ hlavními produkty jsou fyzická a digitální hudební alba. Text se snaţí popsat současné prostředí a trendy ve vydavatelském průmyslu. Jednotlivé kapitoly jsou pojaty jako detailní vhled do procesů, jeţ jsou nezbytné k úspěšné výrobě, distribuci a marketingu hudební nahrávky. V závěru práce autorka zasazuje veškeré zmiňované aktivity do projektových analýz, jejichţ předmětem je fungování nově vzniklého vydavatelství Heartcore Records v Berlíně. Annotation Diploma thesis „Process Management of Small Record Labels” applies process management on small companies, whose main products are physical and digital music albums. The text attempts to describe the contemporary environment and current trends in the music publishing industry. Chapters provide a detailed description of each part of a process that is necessary for the successful production, distribution and marketing of music recordings. In conclusion to this thesis, the author uses project management methods in real-life situations in the functioning of newly-established Berlin-based record label, Heartcore Records. -
MATT ANNECHARICO MATIN FELLANI Gonçalo Charneca EXECUTIVE DIRECTOR CREATIVE DIRECTOR A&R DIRECTOR Founder Founder
D R E A M P L A N 2018 MATT ANNECHARICO MATIN FELLANI Gonçalo Charneca EXECUTIVE DIRECTOR CREATIVE DIRECTOR A&R DIRECTOR Founder Founder 71-75 Shelton Street Covent Garden London WC2H 9JQ Tel: 0208 068 0442 [email protected] DREAMSCOPEMEDIAGROUP.COM AFFILIATES CONFIDENTIAL - DO NOT DISSEMINATE. This business plan contains confidential, trade secret Information and is shared only with the understanding that you will not share its contents or ideas with third parties without the express written consent of Dreamscope Media Group Ltd. Company Number 10358292 registered in England and Wales. table of contents EXECUTIVE SUMMARY 1 FINANCES 2 BUSINESS PROFILE 4 Legal Structure 4 Objectives 4 Services 5 “I couldn’t have Done this without you! Thank you for believing in me!” S.W.O.T. Analysis 6 ALEX CAMBRIDGE, DMG Label Artist MARKETING 7 Services 7 Customer Profiles 11 Competitor Analysis 12 Advertising and Promotion 14 OPERATION PLAN 15 Our Team 16 RISK ASSESSMENT 19 executive summary BUSINESS PROFILE We believe that a modern record label should focus on delivering a quality service to a musical artist rather than focusing on exploiting the artist. That is the Dreamscope difference! Traditional record labels depend on the perpetual ownership of the material that the artist creates and the exploitation of artist’s other entertainment related (not just music related) income in order for the label to grow their bottom line. We believe that this is an outdated model and counter productive to the ‘modern’ music industry. Our model, which the UK Department for International Trade has said is the "model of the future for record labels", is to focus on developing the artist in their music writing and arrangement, live and studio performance, knowledge of the music business, and marketing strategies so that they can be stronger independent musicians all while recording and releasing their music on our label. -
Title of Thesis
Bachelor’s thesis Degree programme in International business 2018 Afzali Paiman ENTERING MUSIC MARKET THROUGH DIGITAL DISTRIBUTION CHANNELS – Independent artist BACHELOR’S THESIS | ABSTRACT TURKU UNIVERSITY OF APPLIED SCIENCES Degree programme of International Business 2018 | 57 + 9 Instructor Ajay Joshi Paiman Afzali ENTERING MUSIC MARKET THROUGH DIGITAL DISTRIBUTION CHANNELS • Independent artist Music industry is on ongoing changing phase and digitalization is large part of the business. The objective was to find how music distribution functions and to do research on where it stands. The thesis defines the steps of music production as well it presents the available digital music distribution channels for independent artist. The strengths and weaknesses of each digital music distributor are evaluated and viewed. Also, an action of cooperation has partaken with a distribution company to forecast an ability of independent artist on distributing digital music. A mixed method was chosen and applied to the empirical part of this thesis. Data was collected by a questionnaire about the digital streaming services and an interview was conducted with a signed artist to a record label. Also, an independent single was released with the cooperation of digital distribution channel and record label Amuse. Key findings were the various characteristic of digital distribution companies’ whit statistical result of mostly preferred digital streaming services. The important services offered by the recording label as their impact on the industry, which was collected by interviewing a signed artist to a recording label. Also, an outcome of independently produced and released digital music through a distribution company. KEYWORDS: Digital Music distribution, Independent artist, Digital Music, Distribution OPINNÄYTETYÖ (AMK) | TIIVISTELMÄ TURUN AMMATTIKORKEAKOULU Kansainvälinen liiketalous 2018 | 57 + 9 Paiman Afzali DIGITAALISEN MUSIIKIN JAKELU • Omatoiminen artisti Musiikkiala kehittyy ja muuttuu yhä useammin ja digitaalisointi on suurimpia osia liikealasta.