Janusz Korczak in Warsaw
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Intrinsic Value and Perceived Essentialism of Culture Heritage Sites As Tools for Planning Interventions
sustainability Article Intrinsic Value and Perceived Essentialism of Culture Heritage Sites as Tools for Planning Interventions Magdalena Roszczynska-Kurasinska 1,* , Anna Domaradzka 1 , Anna Wnuk 1 and Tomasz Oleksy 2 1 Robert Zajonc Institute for Social Studies, University of Warsaw, 00-183 Warszawa, Poland; [email protected] (A.D.); [email protected] (A.W.) 2 Faculty of Psychology, University of Warsaw, 00-183 Warszawa, Poland; [email protected] * Correspondence: [email protected] Abstract: In order to remain alive and relevant, cultural heritage sites have to react and adapt to changing context in a coherent manner, i.e., in a way that is in line with the memory and identity of the place. The incoherent changes, i.e., the transformations that according to the local community do not agree with a character of a place, can be destructive for the long-term vitality of urban cultural heritage. In this study, we test which factors influence social acceptance of different alternations within the context of urban historical gardens that might, in turn, ensure the resilience of the place. Our study focuses on the intangible qualities of the place measured by intrinsic value, perceived essentialism and anti-essentialism as important predictors shaping the response to change. The correlational study was conducted using an online questionnaire designed to empirically grasp intangible qualities of cultural heritage sites. Five hundred twenty-nine responses were included in the analysis. The study shows that perceived historic value, inherent value (uniqueness and importance of the place) and Citation: Roszczynska-Kurasinska, (anti-)essentialist character of a place capture the differences between parks well and enables the M.; Domaradzka, A.; Wnuk, A.; finding of interventions that are coherent with a site’s genius loci. -
Warsaw in Short
WarsaW TourisT informaTion ph. (+48 22) 94 31, 474 11 42 Tourist information offices: Museums royal route 39 Krakowskie PrzedmieÊcie Street Warsaw Central railway station Shops 54 Jerozolimskie Avenue – Main Hall Warsaw frederic Chopin airport Events 1 ˚wirki i Wigury Street – Arrival Hall Terminal 2 old Town market square Hotels 19, 21/21a Old Town Market Square (opening previewed for the second half of 2008) Praga District Restaurants 30 Okrzei Street Warsaw Editor: Tourist Routes Warsaw Tourist Office Translation: English Language Consultancy Zygmunt Nowak-Soliƒski Practical Information Cartographic Design: Tomasz Nowacki, Warsaw Uniwersity Cartographic Cathedral Photos: archives of Warsaw Tourist Office, Promotion Department of the City of Warsaw, Warsaw museums, W. Hansen, W. Kryƒski, A. Ksià˝ek, K. Naperty, W. Panów, Z. Panów, A. Witkowska, A. Czarnecka, P. Czernecki, P. Dudek, E. Gampel, P. Jab∏oƒski, K. Janiak, Warsaw A. Karpowicz, P. Multan, B. Skierkowski, P. Szaniawski Edition XVI, Warszawa, August 2008 Warsaw Frederic Chopin Airport Free copy 1. ˚wirki i Wigury St., 00-906 Warszawa Airport Information, ph. (+48 22) 650 42 20 isBn: 83-89403-03-X www.lotnisko-chopina.pl, www.chopin-airport.pl Contents TourisT informaTion 2 PraCTiCal informaTion 4 fall in love wiTh warsaw 18 warsaw’s hisTory 21 rouTe no 1: 24 The Royal Route: Krakowskie PrzedmieÊcie Street – Nowy Âwiat Street – Royal ¸azienki modern warsaw 65 Park-Palace Complex – Wilanów Park-Palace Complex warsaw neighborhood 66 rouTe no 2: 36 CulTural AttraCTions 74 The Old -
Polish Chicago and the Struggle for a Free and Independent Poland WORKS CITED Poland Disappeared from the Political Map of Europe in the Biskupski, M.B.B
Two Freedoms, Two Independences 35 Dominic A. Pacyga Columbia College, Chicago Polish Chicago Several questions troubled Polish society in the second half of the 19th century. The Polish Question and the Struggle haunted Europe, but it posed a particularly vexing problem for those who continued to consider them- for a Free and selves Polish after the upheavals that ended with the Congress of Vienna in 1815. The French Revolution Independent had unleashed changes across the continent. The ideas of citizenship and national identity transformed Poland European society. The continued spread of capitalism and industrialization altered the economic landscape. Poland, dismembered and under foreign occupation, did not at first fully participate in these developments. In the nineteenth century, the nation struggled to regain its independence from the three partitioning powers – Germany, Russia, and Austria-Hungary – that occupied Poland. While the three empires might have been competing with each other, they all agreed that a Polish state should not reemerge on the map of Europe. Major uprisings, led largely by Poland’s upper classes, broke out in all three partitions throughout the nineteenth century, and each ended in disastrous defeat. Peasants, for the most part, either ignored or opposed these rebellions, often seeing the occupying empires as their protectors or benefactors against the Polish nobility. Polish aristocrats and the lower gentry, looked down on the peasantry, whom they exploited and often did not consider to be true Poles. After the tragic defeat of the 1863 insurrection against the Czarist Empire, however, both Polish noblemen and intellectuals looked to the ‘folk’ to help bring about the resurrection of the Polish state. -
Discover Warsaw
DISCOVER WARSAW #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw #discoverwarsaw WELCOME TO WARSAW! If you are looking for open people, fascinating history, great fun and unique flavours, you've come to the right place. Our city offers you everything that will make your trip unforgettable. We have created this guide so that you can choose the best places that are most interesting for you. The beautiful Old Town and interactive museums? The wild river bank in the heart of the city? Cultural events? Or maybe pulsating nightlife and Michelin-star restaurants? Whatever your passions and interests, you'll find hundreds of great suggestions for a perfect stay. IT'S TIME TO DISCOVER WARSAW! CONTENTS: 1. Warsaw in 1 day 5 2. Warsaw in 2 days 7 3. Warsaw in 3 days 11 4. Royal Warsaw 19 5. Warsaw fights! 23 6. Warsaw Judaica 27 7. Fryderyk Chopin’s Warsaw 31 8. The Vistula ‘District’ 35 9. Warsaw Praga 39 10. In the footsteps of socialist-realist Warsaw 43 11. What to eat? 46 12. Where to eat? 49 13. Nightlife 53 14. Shopping 55 15. Cultural events 57 16. Practical information 60 1 WARSAW 1, 2, 3... 5 2 3 5 5 1 3 4 3 4 WARSAW IN 1 DAY Here are the top attractions that you can’t miss during a one-day trip to Warsaw! Start with a walk in the centre, see the UNESCO-listed Old Town and the enchanting Royal Łazienki Park, and at the end of the day relax by the Vistula River. -
Download a Brochure
CHOPIN'S WARSAW EN ŁAZIENKI KRÓLEWSKIE TAMKA ŁAZIENKI ROYAL GARDENS STARE MIASTO AL. UJAZDOWSKIE NOWY ŚWIAT OLD TOWN KRAKOWSKIE PRZEDMIEŚCIE SENATORSKA ŚWIĘTOKRZYSKA MIODOWA DŁUGA OGRÓD SASKI SAXON GARDEN CHOPIN'S WARSAW Be it in Poland, France, Japan, Brazil, or Australia, Fryderyk Chopin is Walking the streets of Warsaw, known the world over. Warsaw held a special place in the composer’s many is the place where you heart: it was in the capital city that the Chopin family settled shortly can find traces of Fryderyk after Fryderyk’s birth; it was also here that the artist spent the first Chopin’s presence. Use our half of his thirty-nine years. free mobile applications and Fryderyk’s magnificent musical career began in Warsaw: here he website to find out how inter- learned to play the piano, charmed aristocrats with concert perfor- esting Warsaw was and is! mances, and piqued the interest of the capital city’s press. At the same time, he led the life of a typical Warsaw boy: he walked such streets as Krakowskie Przedmieście and Miodowa, learned foreign languages, dated girls, and spent time with his friends at fashionable cafes. ŁAZIENKI KRÓLEWSKIE TAMKA ŁAZIENKI ROYAL GARDENS STARE MIASTO AL. UJAZDOWSKIE NOWY ŚWIAT OLD TOWN KRAKOWSKIE PRZEDMIEŚCIE SENATORSKA SELFIE WITH CHOPIN ŚWIĘTOKRZYSKA MIODOWA As incredible as it may sound, you can now take a snapshot with Download our free DŁUGA Fryderyk! Among the places where the virtual composer awaits you SELFIE WITH CHOPIN are the Saxon Garden (Ogród Saski), the vicinity of Warsaw’s Fryderyk app (check out the QR code Chopin Museum, and the Łazienki Royal Park. -
Chopin's Warsaw
WARSAW CHOPIN‘S THE FRYDERYK CHOPIN MONUMENT, THE CHURCH OF THE HOLY CROSS KAZIMIERZOWSKI PALACE CHOPIN BENCHES 1 ROYAL ŁAZIENKI PARK 3 (KOŚCIÓŁ ŚWIĘTEGO KRZYŻA) 5 (PAŁAC KAZIMIERZOWSKI) WARSAW (POMNIK FRYDERYKA CHOPINA, ŁAZIENKI KRÓLEWSKIE) ul. Krakowskie Przedmieście 3 ul. Krakowskie Przedmieście 26/28 www.swkrzyz.pl In a dozen or so places in Warsaw you will fi nd multi- Al. Ujazdowskie, www.lazienki-krolewskie.pl media benches that bring you closer to Fryderyk Chopin The monument was erected in Royal Łazienki Park to commemorate the Enter the church, which in the early 19th century was the largest Catho- Take a look at the 17th-century palace, whose architecture contains Ba- You have certainly heard about Fryderyk Chopin and and his music. Press the button and listen to one of his virtuoso and is the only example of Art Nouveau monument architecture lic church in Warsaw. Many important moments from the history of the roque and Classical elements. The Chopin family lived on the second fl oor his timeless music! The composer and virtuoso spent most famous compositions: a mazurka, waltz, ballad or in Warsaw. Take part in free outdoor Chopin concerts performed by out- Chopin family are connected with it: the baptisms of Fryderyk’s sisters in the left wing of the building. Fryderyk often played and sat with a book his childhood and early youth in Warsaw. Discover plac- nocturne. standing pianists from around the world. They take place at the monu- Izabella and Emilia were held there. According to Chopin’s last will, his in the botanical garden adjacent to the palace. -
Garden Design - Wikipedia Page 1 of 10
Garden design - Wikipedia Page 1 of 10 Garden design From Wikipedia, the free encyclopedia Garden design is the art and process of designing and creating plans for layout and planting of gardens and landscapes. Garden design may be done by the garden owner themselves, or by professionals of varying levels of experience and expertise. Most professional garden designers have some training in horticulture and the principles of design, and some are also landscape architects, a more formal level of training that usually requires an advanced degree and often a state license. Amateur gardeners may also attain a high level of experience from extensive hours working in their own gardens, through casual study, serious study in Master Gardener Programs, or by joining gardening clubs. The White Garden at Sissinghurst Castle Garden, designed by Vita Sackville-West Contents ◾ 1 Elements of garden design ◾ 1.1 Location ◾ 1.2 Soil ◾ 1.3 Boundaries ◾ 1.4 Surfaces ◾ 1.5 Planting design ◾ 1.6 Garden furniture ◾ 1.7 Sunlight ◾ 1.8 Lighting ◾ 2 Types of gardens ◾ 2.1 Islamic gardens ◾ 2.2 Mediterranean gardens ◾ 2.3 Renaissance and Formal gardens ◾ 2.4 English Landscape and Naturalistic gardens ◾ 2.5 Cottage gardens ◾ 2.6 Kitchen garden or potager ◾ 2.7 Shakespeare garden ◾ 2.8 Rock garden ◾ 2.9 East Asian gardens ◾ 2.10 Contemporary garden ◾ 2.11 Residential gardens ◾ 3See also ◾ 4 References ◾ 5 Further reading Elements of garden design Whether a garden is designed by a professional or an amateur, certain principles form the basis of effective garden design, resulting in the creation of gardens to meet the needs, goals and desires of the users or owners of the gardens. -
Tripomatic-Free-City-Guide-Warsaw.Pdf
WARSAW GUIDE ACTIVITIES ACTIVITIES Warsaw Old Town / Stare Miasto Old Town Market Place / Rynek Starego Miasta A E UNESCO World Heritage Site. Historical core of the city with bustling UNESCO World Heritage Site. Picturesque square with historic merchants' streets, backstreet alleys, historical houses and cafés. houses. Heart of the city, full of shops and cafés. GPS: N52.25019, E21.01230 Rynek Starego Miasta, Warsaw, Poland GPS: N52.24980, E21.01218 Royal Castle / Zamek Krolewski Barbican / Barbakan B F Royal seat of the king and government was completely destroyed during Monumental fortification built in 16th century was unfortunately almost World War II and then rebuilt. Most important palace in Warsaw. destroyed during World War II and had to be restored. Castle Square 4, Warsaw, Poland Źródłowa, Warsaw, Poland GPS: N52.24775, E21.01422 GPS: N52.24661, E21.01413 Phone: +48 22 35 55 170 Mermaid Statue / Pomnik Syrenki G This statue located in the middle of the Old Town Square is the symbol of Palace of Culture and Science / Pałac Kultury i Nauki C the city. Another statue of the legendary mermaid is at the riverbank. The highest building in Poland attracts the visitors mostly for its lookout terrace. Gift to the Polish by Stalin himself. Rynek Starego Miasta 5/7, Warsaw, Poland GPS: N52.24952, E21.01265 Parade Square 1, Warsaw, Poland GPS: N52.23157, E21.00624 Phone: Fragment of Ghetto Wall / Fragment muru getta H +48 22 656 76 00 Remnants of 3 metres high ghetto wall. The fragment is one of the memo- rials of heritage and fate of Warsaw Jews. -
Ma Lgorzata Perkowska-Waszek the Letters of Ignacy Jan Paderewski As a Source of Knowledge Concerning Cultural Relationships of Europe∗
Ma lgorzata Perkowska-Waszek The letters of Ignacy Jan Paderewski as a source of knowledge concerning cultural relationships of Europe∗ The issue of the cultural relationships that have existed without doubt over the centuries between Central Europe, Eastern Eu- rope and Western Europe also finds its reflection in, among other places, the correspondence of Ignacy Jan Paderewski, distin- guished Polish pianist, composer and politician. Today, further- more { after a lengthy break during the post-war years (caused in large measure by conditions of political nature) { his person is again an object of interest for both researchers and music lovers, as well as performers of music. Likewise, his letters { treated as a source of knowledge essential in research on history (including music history) { are presently the object of increased interest, separate studies and analysis, of which an example is the subject matter of the present conference. In the area of historical methodology in Poland, it has been ob- served that the letter, known in various forms and contents from time immemorial, until recently was neither defined, nor quali- fied from a categorization viewpoint in the literature on source research. It is, however, useful to researchers in the history both of ancient and of more modern times; the Polish historian Stefan Krakowski wrote on the subject1, proposing at the same time { only in 1986 { his own definition of the letter, based on the ∗To receive the editions of letters, please contact [email protected] 1Krakowski, Stefan: List jako ´zr´odlo historyczne, uwagi w sprawie definicji i kategoryzacji [The letter as a historical source, notes on the subject of definition and categorization], in: Sprawozdania z Czynno´sci i Posiedzen´ Naukowych L´ odzkiego Towarzystwa Naukowego [Reports on the Activities and Academic Sessions of the L´ od´z Academic Society], 1986, no. -
A Selection of About BEA's Guest of Honor
BEA 2016 A Selection of BOOKS IN ENGLISH About BEA’s Guest of Honor POLAND CONTENTS BIOGRAPHY, AUTOBIOGRAPHY & MEMOIR 2 COMMUNISM 3 CULTURE & LANGUAGE 4 FICTION, LITERATURE & POETRY 5 HISTORY – MISC. 8 MUSIC 11 RELIGION & ETHNICITY 13 THEATER & ARCHITECTURE 14 WORLD WAR II 15 This exhibit of Books in English was conceived and organized by Aquila Polonica Publishing, in cooperation with the Polish Book Institute. AQUILA ® This catalogue available online at www.polww2.com/BEA2016Books POLONICA Copyright © 2016 Aquila Polonica (U.S.) Ltd. www.AquilaPolonica.com BEA 2016 BOOKS IN ENGLISH BIOGRAPHY, AUTOBIOGRAPHY & MEMOIR (Works of biography, autobiography and memoir focused entirely on “Music” or on “World War II” are found under those categories.) Across the Atlantic: The Adamowicz Brothers, Polish My Sister’s Mother: A Memoir of War, Exile, and Aviation Pioneers Stalin’s Siberia by Zofia Reklewska-Braun and Kazimierz Braun by Donna Solecka Urbikas During the summer of 1934, two Polish amateur-pilots, Joe Donna Solecka Urbikas grew up in the Midwest in the 1950s, (Józef) and Ben (Bolesław) Adamowicz crossed the Atlantic but her Polish-born mother and half-sister had endured from New York to Warsaw in a single-engine Bellanca plane. harrowing conditions as slave laborers in Siberia. In 1940, They became instant celebrities, favorites of the public on Janina Slarzynska and her five-year-old daughter Mira were both sides of the Atlantic. Alas, their triumph was short- taken by Soviet secret police from their farm in eastern lived, followed by a fall from grace, to imprisonment and Poland and sent to Siberia with hundreds of thousands of bankruptcy. -
Rococo Gardens and Their Reception in Polish Garden Art of the 18Th Century
ROCZNIKI HUMANISTYCZNE Tom LXVII, zeszyt 4 – 2019 DOi: http://dx.doi.org/10.18290/rh.2019.67.4-3 SeWeRyN Malawski THE STYLE Of ‘REGULAR IRREGULARITIES’ – rOCOCO GARDENS AND THEIR RECEPTION IN POLISH GARDEN ART OF THE 18TH CENTURY For many researchers distinguishing the Rococo as an independent style which appears in various fields of art is not an unambiguous matter. The stylish distinction of the Rococo was evidenced in the nineteenth century by the German writer and art historian Anton Springer (1825-1891). Although many researchers accepted this thesis, after the First World War there was a retreat from this view. Many art historians have considered Rococo as the late phase of the Baroque or its variant. Nowadays, most researchers agree that Rococo was not a continuation of Baroque, but it instead took an opposite position. However, one can find many formal elements of the Baroque in the Rococo art1. Discussion on the topic, though on a much smaller scale, was also under ta ken by researchers of garden art. Rococo gardens appeared and vanished from the works devoted to historic gardens. The Marguerite Charageat (1962) has m entioned SEWERYN MALAWSKI, PhD, Department of Landscape Architecture, Faculty of Horticulture and Landscape Architecture, University of Life Sciences in Lublin, address for corespondence: ul. Głęboka 28, PL 20-612 Lublin; e-mail: [email protected] Dr inż. SEWERYN MALAWSKI, Katedra Architektury Krajobrazu, Wydział Ogrodnictwa i Ar chitektury Krajobrazu, Uniwersytet Przyrodniczy w Lublinie, adres do korespondencji: ul. Głębo- ka 28, 20-612 Lublin; e-mail: [email protected] 1 Similar like Baroque art, used elements of Renaissance or Mannerism, though it held an antagonistic position towards them, v. -
ROCZNIK PRZEMYSKI Dr Ewa Grin-Piszczek, Dr Lucjan Fac, Dr Grzegorz Klebowicz, Dr Hab
ROCZNIK PPRZEMYSKIRZEMYSKI Vol. 55 HISTORY Issue 3 (23) 2019 “For Your Freedom and Ours”: Polonia and the Struggle for Polish Independence edited by Tomasz Pudłocki and Andrew Kier Wise EDITORIAL BOARD OF ROCZNIK PRZEMYSKI dr Ewa Grin-Piszczek, dr Lucjan Fac, dr Grzegorz Klebowicz, dr hab. Tomasz Pudłocki, prof. UJ (editor in chief), mgr inż. Grzegorz Poznański, dr Tomasz Zając Editorial Board of Rocznik Przemyski. Historia dr Ewa Grin-Piszczek (State Archives in Przemyśl, the Middle Ages), dr hab. Monika Kulesza (The John Paul II Catholic University of Lublin – language editor), dr hab. Tomasz Pudłocki. prof. UJ (Jag- iellonian University, history of culture, 19th-20th c. – editor in chief)), dr hab. Maria Stinia, prof. UJ (Jagiellonian University, history of science and education, 19th-20th c. – editor in chief)), dr hab. Wik- tor Szymborski (Jagiellonian University, history of culture, 12th-16th c. – editor in chief), dr Izabela Wodzińska (the Folk Museum in Kolbuszowa, history of culture, 19th-20th c.), dr Mateusz Wyżga (the Pedagogical University of Krakow, historical demography, 16th-18th c. – statistical editor) Editorial Committee of Rocznik Przemyski. Historia prof. dr Damir Agicič (Zagreb University, Croatia), prof. dr hab. Zdzisław Budzyński (Rzeszów Uni- versity, Poland), prof. dr hab. Andrzej Chwalba (Jagiellonian University, Kraków, Poland), dr hab. Józef Dobosz, prof. UAM (Adam Mickiewicz University, Poznań, Poland), em. prof. dr John Hartman (Uni- versity of Michigan, USA), prof. dr hab. Jadwiga Hoff (Rzeszów University, Poland), doc. dr Pavel Krafl (Masaryk University, Brno, Czech Republic), prof. dr hab. Krzysztof Stopka (Jagiellonian University, Kraków, Poland), prof. dr Andrew Wise (Daemen College, Buffalo, USA – chair) Reviewers prof.