Ramesh Srinivasan Twitter: @Rameshmedia Associate Professor, UCLA - Dept
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Fourth Annual Grand Park + the Music Center's 4Th of July Block Party To
Contact: Bonnie Goodman/The Music Center 213-308-9539 direct [email protected] FOR IMMEDIATE RELEASE Fourth Annual Grand Park + The Music Center’s 4th of July Block Party to Salute the Cultural Melting Pot of Los Angeles with Downtown L.A.’s Largest July 4th Celebration – All-New Fireworks Show to Create a Stunning Backdrop for L.A.’s Iconic City Hall – LOS ANGELES (June 2, 2016) – Angelenos will celebrate America L.A.-style with music, dancing, fireworks, food and more at the fourth annual Grand Park + The Music Center’s 4th of July Block Party on Monday, July 4, 2016, from 2:00 p.m. – 9:30 p.m. For the first time, the family-friendly event will include The Music Center Plaza as a site for entertainment and the best viewing location for an all-new fireworks show set to patriotic and contemporary music that will put L.A.’s iconic City Hall in the spotlight. The block party will cover five city blocks from Spring Street to Hope Street and from Temple Street to 1st Street. Two high-profile stages –The Fireworks Stage on The Music Center Plaza between Hope Street and Grand Avenue and The Backyard on Grand Park’s Performance Lawn between Grand Avenue and Hill Street – will honor Los Angeles County’s unique cultural identity with L.A.-based artists who represent diverse musical styles. Families will appreciate a dedicated play area on Grand Park’s Event Lawn between Broadway and Spring Street, where children age 4-14 can enjoy free games, such as themed tag, soccer and parachute play. -
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (Guest Post)*
“Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (guest post)* Allen Ginsberg, c. 1959 The Poem That Changed America It is hard nowadays to imagine a poem having the sort of impact that Allen Ginsberg’s “Howl” had after its publication in 1956. It was a seismic event on the landscape of Western culture, shaping the counterculture and influencing artists for generations to come. Even now, more than 60 years later, its opening line is perhaps the most recognizable in American literature: “I saw the best minds of my generation destroyed by madness…” Certainly, in the 20h century, only T.S. Eliot’s “The Waste Land” can rival Ginsberg’s masterpiece in terms of literary significance, and even then, it is less frequently imitated. If imitation is the highest form of flattery, then Allen Ginsberg must be the most revered writer since Hemingway. He was certainly the most recognizable poet on the planet until his death in 1997. His bushy black beard and shining bald head were frequently seen at protests, on posters, in newspapers, and on television, as he told anyone who would listen his views on poetry and politics. Alongside Jack Kerouac’s 1957 novel, “On the Road,” “Howl” helped launch the Beat Generation into the public consciousness. It was the first major post-WWII cultural movement in the United States and it later spawned the hippies of the 1960s, and influenced everyone from Bob Dylan to John Lennon. Later, Ginsberg and his Beat friends remained an influence on the punk and grunge movements, along with most other musical genres. -
Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies At
Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies at 101 An unapologetic proponent of “poetry as insurgent art,” he was also a publisher and the owner of the celebrated San Francisco bookstore City Lights. By Jesse McKinley Feb. 23, 2021 Lawrence Ferlinghetti, a poet, publisher and political iconoclast who inspired and nurtured generations of San Francisco artists and writers from City Lights, his famed bookstore, died on Monday at his home in San Francisco. He was 101. The cause was interstitial lung disease, his daughter, Julie Sasser, said. The spiritual godfather of the Beat movement, Mr. Ferlinghetti made his home base in the modest independent book haven now formally known as City Lights Booksellers & Publishers. A self-described “literary meeting place” founded in 1953 and located on the border of the city’s sometimes swank, sometimes seedy North Beach neighborhood, City Lights, on Columbus Avenue, soon became as much a part of the San Francisco scene as the Golden Gate Bridge or Fisherman’s Wharf. (The city’s board of supervisors designated it a historic landmark in 2001.) While older and not a practitioner of their freewheeling personal style, Mr. Ferlinghetti befriended, published and championed many of the major Beat poets, among them Allen Ginsberg, Gregory Corso and Michael McClure, who died in May. His connection to their work was exemplified — and cemented — in 1956 with his publication of Ginsberg’s most famous poem, the ribald and revolutionary “Howl,” an act that led to Mr. Ferlinghetti’s arrest on charges of “willfully and lewdly” printing “indecent writings.” In a significant First Amendment decision, he was acquitted, and “Howl” became one of the 20th century’s best-known poems. -
The 1957 Howl Obscenity Trial and Sexual Liberation
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references. -
City Lights Pocket Poets Series 1955-2005: from the Collection of Donald A
CITY LIGHTS POCKET POETS SERIES 1955-2005: FROM THE COLLECTION OF DONALD A. HENNEGHAN October 2005 – January 2006 1. Lawrence Ferlinghetti. Pictures of the Gone World. San Francisco: City Lights Pocket Bookshop, 1955. Number One 2. Kenneth Rexroth, translator. Thirty Spanish Poems of Love and Exile. San Francisco: City Lights Pocket Bookshop, 1956. Number Two 3. Kenneth Patchen. Poems of Humor & Protest. San Francisco: City Lights Pocket Bookshop, 1956. Number Three 4. Allen Ginsberg. Howl and Other Poems. San Francisco: City Lights Pocket Bookshop, 1956. Number Four 5. Marie Ponsot. True Minds. San Francisco: City Lights Pocket Bookshop, 1956. Number Five 6. Denise Levertov. Here and Now. San Francisco: City Lights Pocket Bookshop, 1957. Number Six 7. William Carlos Williams. Kora In Hell: Improvisations. San Francisco: City Lights Books, 1957. Number Seven 8. Gregory Corso. Gasoline. San Francisco: City Lights Books, 1958. Number Eight 9. Jacques Prévert. Selections from Paroles. San Francisco: City Lights Books, 1958. Number Nine 10. Robert Duncan. Selected Poems. San Francisco: City Lights Books, 1959. Number Ten 11. Jerome Rothenberg, translator. New Young German Poets. San Francisco: City Lights Books, 1959. Number Eleven 12. Nicanor Parra. Anti-Poems. San Francisco: City Lights Books, 1960. Number Twelve 13. Kenneth Patchen. The Love Poems of Kenneth Patchen. San Francisco: City Lights Books, 1961. Number Thirteen 14. Allen Ginsberg. Kaddish and Other Poems. San Francisco: City Lights Books, 1961. Number Fourteen OUT OF SERIES Alain Jouffroy. Déclaration d’Indépendance. San Francisco: City Lights Books, 1961. Out of Series 15. Robert Nichols. Slow Newsreel of Man Riding Train. San Francisco: City Lights Books, 1962. -
Hammer Museum Summer 2012 Non Profit Org
For additional program information:For additionalprogram 310-443-7000 Wilshire Boulevard California LosAngeles, 90024USA10899 Hammer MuseumSummer2012 www.hammer.ucla.edu BEGINNING JUNE1 Saturday & Sunday 11am–5pm &Sunday Saturday MUSEUM HOURS Tuesday–Friday 11am–8pm Tuesday–Friday Closed Mondays NEW Los Angeles, CALos Angeles, Permit no.202 Non Profit Org. Profit Non US Postage PAID IN. IN. 4 ⁄ 1 X 8 16 ⁄ 11 , 2012 (DETAIL). DIGITAL PHOTOGRAPH. DIGITAL , 2012 (DETAIL). 2011 (DETAIL). GRAPHITE AND ACRYLIC ON PAPER. 11 ON PAPER. GRAPHITE AND ACRYLIC 2011 (DETAIL). Summer 2012 Calendar Summer 2012 MOUNTAINS DWARF THE CITY, DWARF MOUNTAINS . CHARACTER PORTRAIT (ISABELLA BLOW, MARIO TESTINO VERSION) (ISABELLA BLOW, CHARACTER PORTRAIT . SCOLI ACOSTA MICHELE O’MARAH COVER: FRONT: COVER: FRONT: AND GALERIE LAURENT GODIN, PARIS. SCOLI ACOSTA COURTESY GUNEWARDENA. (29.7 X 21 CM). COLLECTION OF FRANK ESCHER AND RAVI BACK: WEDEMEYER. PHOTO BY ROBERT THE ARTIST. COURTESY DIMENSIONS VARIABLE. NEW MUSEUM HOURS 2 3 BEGINNING JUNE 1 HAMMER NEWS Tuesday–Friday 11am–8pm, Saturday & Sunday 11am–5pm, Closed Mondays news director the 1 HIGHLIGHTS FROM RECENT ACQUISITIONS L.A.-based artist Charles Gaines works with various mediums, including photography, drawing, text, and video, relying on existing and invented systems to generate his from A MESSAGE FROM THE DIRECTOR works. Numbers & Trees VI, Landscape, #4 (1989) is part of a body of work in which Gaines transformed photographic images within a series of prescribed operations. Made in L.A. 2012 is finally here! For nearly two years of the Tate’s Turner Prize and the Whitney Museum of the staffs at the Hammer and LA><ART have worked at American Art’s Bucksbaum Award. -
So I Married an Axe Murderer 1993
,. so I married an axe murderer SO I MARRIED AN AXE-MURDERER FADE IN: OPEN ON: 1 MONTAGE OF VARIOUS SHOTS OF SAN FRANCISCO - DUSK Over this we hear a recording of Jack Kerouac's poem,~ Francisco which is accompanied by a BE-BOP trio. Kerouac's poetry coincides with the various shots of San Francisco. We come to a sign for Jack Kerouac Street. We PAN OVER to "THE CITY LIGHTS" BOOKSTORE" and continue along to the ALLEYWAY where there is a large high-contrast black and white sign depicting Jack Kerouac in his famous "I'm looking into the distance, having a brilliant thought" pose .. CHARLIE MACKENZIE, in his late twenties, wearing a flannel shirt and torn jeans, walks INTO THE FRAME, right in front of the picture of Jack Kerouac and inadverten~ly strikes the exact same pose. We PULL BACK to reveal that Charlie has a bag of garbage in his right hand, which he deposits in, the alleyway. We FOLLOW Charlie into ... 2 INT. "CITY LIGHTS BOOKSTORE" We FOLLOW him through the store. By day he is the Assiscant Manager, by night he is a poec. A MAN in his fifties, wearing a beret·. and a goatee is reading, Charles Bukowski's, Playing Ibe Piano Like a Percussive Instrument, until Xour Fingers Bec;io Io Bleed A Bit. Charlie takes his place behind the cash register and resumes writing in his handsome leather-bound poetry journal. CHARLIE (sotto) O' SCOTLAND YOUR SUCKLED TEET OF SHAME 3 A CUSTOMER approaches CUSTOMER Do you have the book on Ibe Road by Jack Kerouac? Every day there is a steady stream of tourists who come in to get copies of on The Road. -
Arts Ed Collective, CIAG, Civic Art, and OGP
Additional Prospective Panelist Names received by 10/17/2018 - Arts Ed Collective, CIAG, Civic Art, and OGP Arts Ed Colle Civic Name of Nominator Panelist Nomination Title Organization City Discipline(s) ctive CIAG Art OGP Arts Educator / Master of Arts Alma Catalan Alma Catalan in Arts Management Candidate Claremont Graduate University Los Angeles Arts Education x Los Angeles County Department Anna Whalen Anna Whalen Grants Development Manager of Education Los Angeles Arts Education x x x Anthony Carter Anthony Carter Transition Coordinator Compton YouthBuild Los Angeles Community Development, At Risk Youth x Director, Community Relations Los Angeles Literary, Theatre, Community Development, Culturally Specific Aurora Anaya-Cerda Aurora Anaya-Cerda and Outreach Levitt Pavilion Los Angeles (Westlake/MacArthur Park) Services, Education/Literacy, Libraries, Parks/Gardens x x Development & Marketing Brittany A. Gash Brittany A. Gash Manager Invertigo Dance Theatre Los Angeles Presenting, Dance x x Arts Education, Visual Arts, At Risk Youth, Traditional and Folk Dewey Tafoya Dewey Tafoya Artist Self-Help Graphics Boyle Heights, Los Angeles Arts x x Arts Education, Dance, Multidisciplinary, Theatre, Traditional and Folk Art, Visual Arts, At Risk Youth, Civil Rights/Social Justice, Community Development, Culturally Specific Services, Edmundo Rodriguez Edmundo Rodriguez Designer/Producer N/A Los Angeles Education/Literacy, Higher Education x x Arts Education, Arts Service, Dance, Multidisciplinary, Presenting, Elisa Blandford Elisa Blandford -
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD S
Southern California Public Radio- FCC Quarterly Programming Report July 1- September 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD START TIME DURATION ISSUE TITLE AND NARRATIVE 7/1/2016 Take Two: Border Patrol: Yesterday, for the first time, the US Border patrol released the conclusions of that panel's investigations into four deadly shootings. Libby Denkmann spoke with LA Times national security correspondent, Brian Bennett, 9:07 9:00 Foreign News for more. Take Two: Social Media Accounts: A proposal floated by US Customs and Border Control would ask people to voluntarily tell border agents everything about their social media accounts and screen names. Russell Brandom reporter for The Verge, spoke 9:16 7:00 Foreign News to Libby Denkmann about it. Law & Order/Courts/Polic Take Two: Use of Force: One year ago, the LAPD began training officers to use de-escalation techniques. How are they working 9:23 8:00 e out? Maria Haberfeld, professor of police science at John Jay College of Criminal Justice spoke to A Martinez about it. Take Two: OC Refugee dinner: After 16 hours without food and water, one refugee family will break their Ramadan fast with mostly strangers. They are living in Orange County after years of going through the refugee process to enter the United States. 9:34 4:10 Orange County Nuran Alteir reports. Take Two: Road to Rio: A Martinez speaks with Desiree Linden, who will be running the women's marathon event for the US in 9:38 7:00 Sports this year's Olympics. Take Two: LA's best Hot dog: We here at Take Two were curious to know: what’s are our listeners' favorite LA hot dog? They tweeted and facebooked us with their most adored dogs, and Producers Francine Rios, Lori Galarreta and host Libby Denkmann 9:45 6:10 Arts And Culture hit the town for a Take Two taste test. -
Clubbing in Los Angeles Jonny Coleman Tackles the Multi-Farious Scene in One of America's Biggest Cities
Clubbing in Los Angeles Jonny Coleman tackles the multi-farious scene in one of America's biggest cities. Los Angeles has always been a capital of pop culture. Outside of rave, however, it's never had much of a reputation for its dance music culture. Until recently, that is. The efforts of local promoters have given rise to enormous EDM festivals, the Low End Theory-driven beat scene and thriving techno and house crews—and have led to the city finally becoming internationally recognized. Now, it seems, a place that houses four million people inside the city limits and 18 million in the greater Southland area, is finally representing itself on the world stage. True to its geography—a set of suburbs fronting as a megalopolis—Los Angeles doesn't have a dominant sound or theme. Instead, there are many scenes tugging for attention and battling over the few legitimate dance venues the city has to offer. It's enormously difficult to acquire a liquor license in LA, thanks in no small part to club-owning cowboys like Eddie Nash (of Wonderland murder fame), and those that do can't serve all that late anyway. Most nights last from 10 until 2 or 3 AM (a reality that often results in seeing your headlining DJ for two hours). It doesn't help that many of the historical clubs/bars in places like Hollywood and West Hollywood are a tough sell to fans of underground music, as the price points, degree of parking difficulty and douchebaggery quotient are all high. That means that many parties of note take place downtown or in other east side neighborhoods (if not a private estate). -
A Review of Diane Di Prima's the Poetry Deal
P BOOK REVIEW 3 B o The Great Feminist Beat Poet’s o k e n First Book in Decades: A Review of d Diane di Prima’s The Poetry Deal s Title: The Poetry Deal, by Diane di Prima. Poet Laureate Series Number what wd you be willing 5. City Lights Foundation, San . Francisco. 109 pages. to pay? Reviewed by: Stephanie McKenzie to see them eminist beat poet Diane di . Prima's latest collection, The walk out of there Poetry Deal, is a refreshing whole F critique and celebration of life. not widowed This is di Prima's “first volume of or orphaned (71) new poetry in decades” (back blurb). “Haiti, Chile, Tibet,” the book's strongest poem, reminds one that the spirit Born in New York, di Prima moved to San that drove the beats was not-for di Prima--a Francisco in 1968. She has “published more fleeting trend. “LET'S STOP FOR A MOMENT than 40 books. With Amiri Baraka, she TO REMEMBER WHAT WE ARE” (73), the co-edited the literary magazine The Floating poem begins, and, then, reflects, “ALL Bear from 1961 to 1969. She co-founded the BORDERS DISAPPEAR IN CATASTROPHE” Poets Press and the New York Poets Theatre (74). Di Prima commands “GIVE UP and founded Eidolon Editions and the Poets CONFUSING YR PROPERTY WITH YOUR LIFE” Institute. A follower of Buddhism, she also (75). co-founded the San Francisco Institute of The Poetry Deal is a polished, raw Magical and Healing Arts. Di Prima was tribute to voices that remain revolutionary. -
City Lights Books Records, 1953-1970
http://oac.cdlib.org/findaid/ark:/13030/kt5489q50w Online items available Finding Aid to City Lights Books Records, 1953-1970 Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid to City Lights Books BANC MSS 72/107 c 1 Records, 1953-1970 Finding Aid to City Lights Books Records, 1953-1970 Collection number: BANC MSS 72/107 c The Bancroft Library University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Finding Aid Author(s): Finding Aid written by Bancroft Library staff; revised by Tanya Hollis and Holly Fox. Finding Aid Encoded By: GenX © 2014 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: City Lights Books records Date (inclusive): 1953-1970 Collection Number: BANC MSS 72/107 c Creator: City Lights Books Extent: 15 boxes, 4 cartons, 1 oversize box, 1 portfolio, and 4 oversize folders(circa 13 linear feet)7 digital objects (9 images) Repository: The Bancroft Library. University of California, Berkeley Berkeley, CA 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ Abstract: Consists of correspondence, editorial and administrative files. Correspondents include Allen Ginsberg, Gregory Corso, William S.