Hyperion: a Fragment
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Hyperion-Iapetus: Collisional Relationships
A&A 381, 1059–1065 (2002) Astronomy DOI: 10.1051/0004-6361:20011587 & c ESO 2002 Astrophysics Hyperion-Iapetus: Collisional relationships S. Marchi1,C.Barbieri2, A. Dell’Oro3, and P. Paolicchi4 1 Dipartimento di Astronomia, Universit`a di Padova, Vicolo dell’Osservatorio 2, 35122 Padova, Italy 2 Dipartimento di Astronomia, Universit`a di Padova, Vicolo dell’Osservatorio 2, 35122 Padova, Italy e-mail: [email protected] 3 Dipartimento di Fisica, Universit`a di Pisa, piazza Torricelli 2, 56127 Pisa, Italy e-mail: [email protected] 4 Dipartimento di Fisica, Universit`a di Pisa, piazza Torricelli 2, 56127 Pisa, Italy e-mail: [email protected] Received 29 June 2001 / Accepted 25 October 2001 Abstract. In this paper, we will deal with one of the most fascinating problems of the Solar System: the origin of the double face of Iapetus, where one half of the satellite is significantly brighter than the other. The “transfer of mass” process (see Marchi et al. 2001) may be a viable explanation for the visible dichotomy. In this process a satellite undergoes mass transfer from other satellites belonging to the same system. We analyze the pair Hyperion–Iapetus and suggest a possible explanation for the formation of the dark region, which is also known as Cassini Regio. Key words. minor planets, asteroids – solar system: general 1. Introduction 2. Transfer of mass Iapetus’ surface is divided into two parts: one with a very In a previous paper (Marchi et al. 2001), we have studied low albedo, about 0.015–0.05, which covers about a third the efficiency of mass transfer between pairs of satellites of the whole surface; the other with an albedo of about 0.5 in the whole Solar System. -
The Chaotic Rotation of Hyperion*
ICARUS 58, 137-152 (1984) The Chaotic Rotation of Hyperion* JACK WISDOM AND STANTON J. PEALE Department of Physics, University of California, Santa Barbara, California 93106 AND FRANGOIS MIGNARD Centre d'Etudes et de Recherehes G~odynamique et Astronomique, Avenue Copernic, 06130 Grasse, France Received August 22, 1983; revised November 4, 1983 A plot of spin rate versus orientation when Hyperion is at the pericenter of its orbit (surface of section) reveals a large chaotic zone surrounding the synchronous spin-orbit state of Hyperion, if the satellite is assumed to be rotating about a principal axis which is normal to its orbit plane. This means that Hyperion's rotation in this zone exhibits large, essentially random variations on a short time scale. The chaotic zone is so large that it surrounds the 1/2 and 2 states, and libration in the 3/2 state is not possible. Stability analysis shows that for libration in the synchronous and 1/2 states, the orientation of the spin axis normal to the orbit plane is unstable, whereas rotation in the 2 state is attitude stable. Rotation in the chaotic zone is also attitude unstable. A small deviation of the principal axis from the orbit normal leads to motion through all angles in both the chaotic zone and the attitude unstable libration regions. Measures of the exponential rate of separation of nearby trajectories in phase space (Lyapunov characteristic exponents) for these three-dimensional mo- tions indicate the the tumbling is chaotic and not just a regular motion through large angles. As tidal dissipation drives Hyperion's spin toward a nearly synchronous value, Hyperion necessarily enters the large chaotic zone. -
Top Left-Hand Corner
The four novels Hyperion, The Fall of Hyperion, Endymion and The Rise of Endymion constitute the Hyperion Cantos by the American science fiction writer Dan Simmons. This galactic-empire, epic, science fiction narrative contains a plethora of literary references. The dominant part comes from the nineteenth-century Romantic poet John Keats. The inclusion of passages from his poetry and letters is pursued in my analysis. Employing Lubomír Doležel’s categorizations of intertextuality— “transposition,” “expansion,” and “displacement”—I seek to show how Keats’s writings and his persona constitute a privileged intertext in Simmons’s tetralogy and I show its function. Simmons constructs subsidiary plots, some of which are driven by Keats’s most well-known poetry. In consequence, some of the subplots can be regarded as rewrites of Keats’s works. Although quotations of poetry have a tendency to direct the reader’s attention away from the main plot, slowing down the narrative, such passages in the narratives evoke Keats’s philosophy of empathy, beauty and love, which is fundamental for his humanism. For Keats, the poet is a humanist, giving solace to mankind through his poetry. I argue that the complex intertextual relationships with regards to Keats’s poetry and biography show the way Simmons expresses humanism as a belief in man’s dignity and worth, and uses it as the basis for his epic narrative. Keywords: Dan Simmons; The Hyperion Cantos; John Keats’s poetry and letters; intertextuality; empathy; beauty; love; humanism. Gräslund 2 The American author Dan Simmons is a prolific writer who has published in different genres. -
Read Book ^ Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate
[PDF] Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys,... Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron Book Review A superior quality pdf along with the font used was intriguing to read through. It can be rally exciting throgh reading through time period. You may like how the blogger create this book. (Dr. Rylee Berg e) TITA NS: ATLA S, TITA N, RHEA , HELIOS, EOS, PROMETHEUS, HECATE, OCEA NUS, METIS, MNEMOSYNE, TITA NOMA CHY, SELENE, THEMIS, TETHYS, THEIA , IA PETUS, COEUS, CRIUS, A STERIA , EPIMETHEUS, HYPERION, A STRA EUS, CRON - To download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF, you should access the web link under and save the ebook or have accessibility to other information which are have conjunction with Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron book. » Download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF « Our solutions was introduced with a want to serve as a total on the internet electronic digital catalogue that provides use of multitude of PDF file book assortment. You could find many kinds of e-publication and also other literatures from your paperwork database. -
Dialogical Odes by John Keats: Mythologically Revisited
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 8, pp. 1730-1734, August 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.8.1730-1734 Dialogical Odes by John Keats: Mythologically Revisited Somayyeh Hashemi Department of English, Tabriz Branch, Islamic Azad University, Tabriz, Iran Bahram Kazemian Department of English, Tabriz Branch, Islamic Azad University, Tabriz, Iran Abstract—This paper, using Mikhail Bakhtin’s theory of dialogism tries to investigate the indications of dialogic voice in Odes by John Keats. Indeed this study goes through the dialogic reading of ‘Ode to a Nightingale’, ‘Ode on a Grecian Urn’, ‘Ode to Psyche’, and ‘Ode on Melancholy’, considering mythological outlooks. Analyzing Keats’s odes through dialogical perspective may reveal that Keats plays a role of an involved and social poet of his own time. Moreover, Keats embraces the world of fancy and imagination to free himself from sufferings of his society. Keats’ odes are influenced by expression of pain-joy reality by which he builds up a dialogue with readers trying to display his own political and social engagement. Applying various kinds of mythological elements and figures within the odes may disclose Keats’s historical response and reaction toward a conflicted society and human grieves in general. Index Terms—Bakhtinian dialogism, Keats’ Odes, pain, pleasure, mythology I. INTRODUCTION John Keats as one of the major poets of Romanticism, composed multiple popular poems and his odes gained the most attention of them. Going through his odes, it appears to the reader that Keats attempts to deal with different interpretation of pain and pleasure concepts. -
Dialectical Oscillations in Keats: a Kristevan Reading of Endymion, Hyperion and the Fall of Hyperion
DIALECTICAL OSCILLATIONS IN KEATS: A KRISTEVAN READING OF ENDYMION, HYPERION AND THE FALL OF HYPERION A THESIS PROPOSAL SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÖKHAN ALBAYRAK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE JANUARY 2019 Approval of the Graduate School of Social Sciences Prof. Dr. Tülin Gençöz Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Çiğdem Sağın Şimşek Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Margaret J-M Sönmez Supervisor Examining Committee Members Prof. Dr. Huriye Reis (Hacettepe Uni., IDE) Assoc. Prof. Dr. Margaret J-M Sönmez (METU, FLE) Prof. Dr. Nazan Tutaş (Ankara Uni., IDE) Assoc. Prof. Dr. Nurten Birlik (METU, FLE) Assoc. Prof. Dr. Nil Korkut Kaykı (METU, FLE) PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Gökhan Albayrak Signature : iii ABSTRACT DIALECTICAL OSCILLATIONS IN KEATS: A KRISTEVAN READING OF ENDYMION, HYPERION AND THE FALL OF HYPERION Albayrak, Gökhan PhD, Department of English Literature Supervisor: Assoc. Prof. Dr. Margaret J-M Sönmez January 2019, 422 pages By deploying Kristevan theory, this thesis argues that Keats's poetry oscillates between the semiotic and the symbolic and it asserts that the semiotic threatens to overwhelm the symbolic in Endymion while the poet strives to repress the semiotic in Hyperion poems but it returns and causes the poet to leave these poems as fragments. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
Adonais an Elegy on the Death of John Keats, Author of Endymion, Hyperion, Etc
The Anarchist Library (Mirror) Anti-Copyright Adonais An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. Percy Bysshe Shelley July 1821 I WEEP for Adonais—he is dead! O, weep for Adonais! though our tears Thaw not the frost which binds so dear ahead! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, And teach them thine own sorrow! Say: ‘With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!’ Percy Bysshe Shelley Adonais Where wert thou, mighty Mother, when he lay, An Elegy on the Death of John Keats, Author of Endymion, When thy Son lay, pierced by the shaft which flies Hyperion, etc. In darkness? where was lorn Urania July 1821 When Adonais died? With veilèd eyes, ’Mid listening Echoes, in her Paradise https://www.bartleby.com/41/522.html She sate, while one, with soft enamoured breath, Rekindled all the fading melodies usa.anarchistlibraries.net With which, like flowers that mock the corse beneath, He had adorned and hid the coming bulk of death. Oh weep for Adonais—he is dead! Wake, melancholy Mother, wake and weep! Yet wherefore? Quench within their burning bed Thy fiery tears, and let thy loud heart keep, Like his, a mute and uncomplaining sleep; For he is gone, where all things wise and fair Descend;—oh, dream not that the amorous Deep Will yet restore him to the vital air; Death feeds on his mute voice, and laughs at our despair. -
HYPERION Epic Poem by John Keats 1818
Hyperion by John Keats www.keats-poems.com HYPERION epic poem by John Keats 1818 Hyperion – Book I Deep in the shady sadness of a vale Far sunken from the healthy breath of morn, Far from the fiery noon, and eve‟s one star, Sat gray-hair‟d Saturn, quiet as a stone, Still as the silence round about his lair; 5 Forest on forest hung about his head Like cloud on cloud. No stir of air was there, Not so much life as on a summer‟s day Robs not one light seed from the feather‟d grass, But where the dead leaf fell, there did it rest. 10 A stream went voiceless by, still deadened more By reason of his fallen divinity Spreading a shade: the Naiad ‟mid her reeds Press‟d her cold finger closer to her lips. Along the margin-sand large foot-marks went, 15 No further than to where his feet had stray‟d, And slept there since. Upon the sodden ground His old right hand lay nerveless, listless, dead, Unsceptred; and his realmless eyes were closed; While his bow‟d head seem‟d list‟ning to the Earth, 20 His ancient mother, for some comfort yet. It seem‟d no force could wake him from his place; But there came one, who with a kindred hand Touch‟d his wide shoulders, after bending low With reverence, though to one who knew it not. 25 She was a Goddess of the infant world; By her in stature the tall Amazon Had stood a pigmy‟s height: she would have ta‟en Achilles by the hair and bent his neck; Or with a finger stay‟d Ixion‟s wheel. -
Thought in the Poetry of Keats
KU ScholarWorks | The University of Kansas Pre-1923 Dissertations and Theses Collection http://kuscholarworks.ku.edu Thought in the Poetry of Keats by Ida E. McKnight 1904 Submitted to the Department of English of the University of Kansas in partial fulfillment of the requirements for the Degree of Master of Arts This work was digitized by the Scholarly Communications program staff in the KU Libraries’ Center for Digital Scholarship. Msster Thesis ¥eKni*ht, Tor 1904 * Thought in the poetry of Rests,•• THOUGHT IN THE POETRY OF KEATS BY Ida McKnight Thesis for the Degree of fyaster of Arts. ..-•-in The University of Kansas. 1904. INTRODUCTION. General character of Keats' poetry; scope and plan or treatment of poems in this thesis - POEMS CONSIDERED AS REGARDS THOUGHT. I Stood Tip-Toe. Poet's early attitude toward nature; origin of poetry ----- - 3 Sleep and ->oetry; stages in mental development of the poet; reason and imagination; theory of powtry; summary of thought ------ 5 Endymion, Its interest as a poem; the narrative; the allegory; importance of thought in the poem - 8 Lamia. Source; narrative; antagonism of philosophy and imagination; Keats* general attitude toward rea• son - - - - - - --15 Hyperion. Influence of Milton; teaching of peem; "beauty the motive force in all things 18 Hyperion, A Vision. Importance of the introduction; its interpretation; the poet's work and mission- 20 The Odes. Their place in Keats' poetry; their nature; theory of truth and beauty expressed in the Ode on a Grecian Urn 23 Minor Poems. Importance of thought found in them; Keats' ideas upon immortality and religion - 26 CONCLUSION. -
REPRESENTATION of the ANCIENT MYTH ABOUT HYPERION in MODERN GRAPHIC LITERATURE Evelina Luchko Postgraduate Student, Oles Honcha
SCIENTIFIC JOURNAL OF POLONIA UNIVERSITY 44 (2021) 1 REPRESENTATION OF THE ANCIENT MYTH ABOUT HYPERION IN MODERN GRAPHIC LITERATURE Evelina Luchko Postgraduate Student, Oles Honchar Dnipro National University, Ukraine e-mail: [email protected], orcid.org/0000-0002-0979-9723 Summary The article aims to investigate the peculiarities of the new myth about Hyperion embod- ied in Marvel’s periodical graphic literature in comparison with the tradition of literary inter- pretations of the traditional Titanomachy myth. The article considers graphic literature to be a developing intermedial genre gaining popularity among readers, although underestimated by scholars. The interconnections between the comics and romantic and postmodern literature are studied. It is also highlighted that borrowings from European literature are a characteristic feature of American cultural tradition due to the lack of its own ancient basis. The article also traces the influence of modern comic tradition on reconsidering the ancient story about a rebel- lious titan. Functioning of superheroes as role models for the youth, the tendency for comic authors to depict conventional characters being close to modern realia and understandable for mass readers comes into the focus of the research. Thus, a new myth about Hyperion of the XXI century is created, in which the main character becomes a combination of such iconic images as Prometheus and Superman, reconsidered in the way making it possible for the image to serve the agenda and ideology. Keywords: comics, new myth, titan, Marcus Milton, Avengers, Marvel, mass reader DOI: https://doi.org/10.23856/4409 1. Introduction Comics, or graphic novels, are a relatively new genre of art, although its roots go deep into prehistoric times.