2021 State Fair Book
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The College Student in the American Novel: 1930-1939 and 1964-1967
THE COLLEGE STUDENT IN THE AMERICAN NOVEL: 1930-1939 AND 1964-1967 Thesis for the Degree of Ph. D. MICHIGAN STATE UNIVERSITY HERMAN C. KISSIAH 1969 J :11 /2 4111141112117; 91/ 171 "’L LIBMRY “J“ 99 Michiganme University i; m This is to certify that the thesis entitled THE COLLEGE STUDENT IN THE AMERICAN NOVEL: 1930-1939 AND 1964-1967 presented by Herman C. Kissiah has been accepted towards fulfillment of the requirements for Ph.D. degree in Education 5,214“ f? MM Major professor Date October 14, 1969 0-169 "31'1”? SONS' "' ' 300K mung! _mc_ LI...“ ABSTRACT THE COLLEGE STUDENT IN THE AMERICAN NOVEL: 1930-1939 AND 1964-1967 BY Herman C. Kissiah Purpose of the Study The purpose of this study is to investigate the image of the college student and his environment presented by the novel to the public. This image, or those images projected by the current novel, are then compared with the perceptions presented during a different period of time. The images of these two Periods are then examined to determine whether or not the novels within a given period present similar characterizations 01‘ themes in dealing with the college student, and whether or not the novels reflect the concerns of society of that period. Ethod of Study Works chosen for this study will include the significant novels that have dealt with the college student in his environ- ment. Inclusion of a college novel in the Book Review Digest is uSed as the index of significance. Excluded from the selections are comic novels, juveniles, murder mysteries, historical fiction, drama, and anthologies of short stories. -
The State of Things to Come
26 TEE$IAOE The state of things to come A word frequently associated with Rodgers and Hammerstein productions is 'Iavish, but for director Thom Southerland, his adaption of the film State Fair is based on telling the story in an intimate fringe setting. Jo Caird finds out more fter the exLrav aganza that telling a story with an accompani- was The King and I at the ment behind them." Royal Albert Hall, you'd Southerlandcontrasts his approach be forgiven for thinking to that championedby the director of of Rodgers and Hammerstein shows the recent Royal Albert Hall produc- as purely big budget affairs. But tion of The King and I. director Thom Southerlandwould "Jeremy Samswrote in the pro- disagree. Following small-scale gramme notesall abouthow people productions of HMS Pinafore, Annie love Rodgers and Hammerstein Get Your Gun and The Mikado, he becauseof the spectacle,the gran- has chosenEarl's Court'stiny deur of the music and huge lavish cos- Finborough Theatre as the venuefor tumes and I couldn't disagree more," the European premiere of State Fair, he says."People love the music and one of Rodgers and Hammerstein's Iovethe story and want to seeit in a least known works. fresh way." The musical is unusual for its time becauseit began life not as a stage showbut in the guise of a very successful1945 movie musical,which was then remade in 1962.It was only in the early nineties when amateur groups in the United States began petitioning the Rodgers and Ham- merstein estate for the releaseof further material that the film was adaptedfor the stage. -
Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T. -
TEXTILES Board Members in Charge Michael Poynter Susan Hoferkamp, Louisville, KY - Superintendent Amount Offered by Ky
TEXTILES Board Members in Charge Michael Poynter Susan Hoferkamp, Louisville, KY - Superintendent Amount offered by Ky. State Fair ............................................ $4,901.00 Amount offered by Donors ....................................................... $1,450.00 Total ............................................................................................. $6,351.00 ENTRIES CLOSE: JULY 8 LOCATION - East Hall ARTICLES ACCEPTED Saturday, August 14 - 10:00 a.m. to 5:00 p.m. or Sunday, August 15 - 12:00 Noon to 5:00 p.m. ARTICLES RELEASED Monday, August 30, 9:00 a.m. to 7:00 p.m. RULES All exhibitors: Please read the Textiles section carefully to avoid disqualification. There are changes in the rules and new classes. 195-197 1. See General Rules on pages . Textiles 2. Exhibitors are limited to one entry in each class. 3. Unless otherwise specified, any item entered in Textiles must be: a) Handmade; b) The work of the person in whose name it is entered; c) Finished within the last three (3) years. Exhibitors must certify the above by signing the space provided on the entry form. 4. Items in this department must be made primarily of Textiles. Only items entered in a class in the Textiles Department will be accepted and displayed. 5. Many quilts are now made by two people: one person may piece the quilt and another person actually quilts the quilt. Two person or group quilts can only be entered in those classes that specify two or more people. Group Quilts, or those made by 2 people, are not permitted in any other class. Also, we accept items in this department with the understanding that the work has been done by the entrant, who agrees to be governed by Fair rules and regulations. -
Food Exhibits
Celebrating 150 years of the Nebraska State Fair with the “150th Fairabration”. Food Exhibits Foods exhibits are displayed along with other Competitive Exhibit departments in the Fonner Park Concourse which is adjacent to the east side of the Heartland Event Center. The closest entrance to foods is on the south end of the Concourse (north side of the Event Center). When bringing exhibits in after the fair begins, enter Gate 7 located on the north side of the fairgrounds off Fonner Park Road. Drive between the midway and racetrack to get to the entrance on the north end of the Fonner Park Concourse. A cart will be available to transport your exhibits to the Foods Department. After exhibits are entered, exit through Gate 7. If you wish to remain at the fair you will need to re-enter through the main gate off South Locust. The most efficient way to enter your exhibits is online. Instructions on how to enter online are found on the web site, www.statefair.org. For directions on entering by mail or in-person go to the entry information section in this book. Need further help? Call, Deb Langenheder, the Foods Superintendent at 308-379-1341 or send email to: [email protected] Food Entry Book Index Page 3 New in 2019, Important Dates, Awards and Judging Process Page 4 Receiving and Judging Schedule Pages 4 - 5 Department Rules Pages 5 - 6 How to Enter, Deliver and Return Exhibits Pages 6 -10 Canned Goods - Divisions 4601- 4610 Pages 10 -16 Baked Goods - Divisions 4611- 4624 Pages 16 -17 Youth - Divisions 4630 Pages 18 - 21 Special Contests - Division 4690 Special Thanks to Our Sponsors Red Star Yeast Nebraska Beekeepers Association Wilton Enterprises, Inc. -
2021 Wisconsin State Fair YOUTH EXPO HALL Performance
2021 Wisconsin State Fair YOUTH EXPO HALL Performance Participation Nomination Closing Date EXTENDED DEADLINE: Paper Nominations – Completed and Postmarked by June 30, 2021 Any nomination not postmarked by June 30, 2021, is considered late; late fees apply. Nomination Fees All Categories $ 5.00 per youth per category Performance Schedule Fair management reserves the right to post and/or announce changes to the schedule Thursday, August 5 Dance Solo Friday, August 6 Dance Duet Saturday, August 7 Music – Vocal Solo Sunday, August 8 Music – Vocal Duet Monday, August 9 Music – Instrumental Solo (no voice) Tuesday, August 10 Music – Instrumental Duet (no voice) Wednesday, August 11 Poetry Thursday, August 12 Variety - juggling, magic, standup comedy, clowning, demonstration, Infomercial, storytelling Friday, August 13 Acting Solo Saturday, August 14 Acting Duet Eligibility Junior Division competitions, contests, exhibits, demonstrations and special activity opportunities are provided by Wisconsin State Fair for Wisconsin residents who have a desire to demonstrate outstanding youth achievement. Youth are encouraged to actively participate in youth educational programs/organizations which enhance project awareness but there are no youth organization membership requirements to exhibit in the Youth Expo Department of Wisconsin State Fair. Wisconsin State Fair Park does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), physical ability, marital status, sexual orientation, or military status, in any of its activities or operations. Age Requirement: Participation in the Wisconsin State Fair Youth Expo Department is open to Wisconsin resident 12-19 years of age as of January 1st of the current year. -
Schedule of 4-H Fair Events
2019 Clackamas County 4-H Fairbook Oregon State University Extension Service Clackamas County Office 200 Warner-Milne Road, Oregon City, OR 97045 Extension Office Hours: Monday – Friday, 8:00 am - 4:30 pm Phone: 503-655-8635 503-263-9219 (during fair only) OSU Extension 4-H Faculty – WENDY HEIN OSU Extension 4-H Faculty – JAN WILLIAMS http://extension.oregonstate.edu/4h/clackamas SCHEDULE OF 4-H FAIR EVENTS Saturday, August 10 5:00 – 9:00 pm ............. Market Swine Weigh-In 9:00 am – Noon ............All exhibits DUE and judged for: 6:00 – 8:00 pm ............. Market Rabbit, Chicken, and Turkey and Clothing, Computers, Crocheting, weigh in – Small Animal Barn 1:00 – 4:00 pm Designing Spaces, Educational Displays, Expressive Arts, 6:00 – 9:00 pm ............. Market Sheep, Goat, and Beef Fashion Revue, Knitting, Natural Weigh-In Science, Photography, Recycle by 8:00 pm ................... ALL Animals must be on the grounds Reuse, Science, Engineering, & and in the barns Technology, Videography, Innovation, Business/Entrepreneur Tuesday, August 13 & Finance, Cloverbuds. Premiums paid 8:00 am ........................ Small Animal Orientation – Outside Rabbit & Poultry Barn 9:00 am – 5:00 pm .......4-H Member Bracelets available 8:30 am ........................ 4-H Poultry Market Pen and Turkey 9:00 am – Noon ............4-H Leader/Parent passes available Judging – Poultry Barn and 1:00 – 5:00 pm 8:30 am ........................ Livestock Exhibitor Orientation – Rosebrook Show Ring 9:00 am – 3:00 pm .......4-H Small Animal Barn Set up – See Small Animal Rules 9:00 am – 1:00 pm* ...... 4-H Monster Cookie Contest – Exhibit Hall 10:00 am – 4:00 pm......4-H Performing Art judging – Food Court 10:00 am ..................... -
Crossroads Film and Television Program List
Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge. -
2021 Lyon County Fair 4-H and Open Class Schedule and Grandstand Events
2021 Lyon County Fair 4-H and Open Class Schedule and Grandstand Events 1 THURSDAY July All 4-H pre-entries due to the Extension Office 15 THURSDAY July 5:00 p.m. Scripts Due to Extension Office via email to [email protected] 29 Thursday July 6:30 p.m. Friends of 4-H Picnic – Anderson Building 30 Friday July 5:00 p.m. Dog, Hand Pet, and Cat Shows – Anderson Building 31 Saturday July 8:00 a.m. 4-H Clothing Construction judging begins – Anderson Building Modeling will follow Conference Judging 9:00 a.m. 4-H Boys Buymanship, 4-H Girls Buymanship conference judging begins – Anderson Building Modeling will follow Conference Judging 1:30 p.m. 4-H Photography, 4-H Home Environment, 4-H Entomology, 4-H Rocketry, 4-H Forestry, 4-H Fiber Arts, 4-H Electric, 4-H Reading, 4-H Leadership & 4-H Other Projects – Anderson Building 4-H Geology (TBA) 6:00 p.m. Public Fashion Revue – Anderson Building 1 Sunday Aug. 8:00 a.m. Horse Show – Grandstands ust 2 MONDAY Aug. 5:00 p.m. Fairgrounds Cleanup and Anderson Building cleaning – Check with Club Leader for assignments 3 TUESDAY Aug. 5:00 -6:00 p.m. 4-H Exhibits entered in Anderson Building except those being conference judged 5:30 p.m. 4-H Visual Arts, 4-H Metals, 4-H Woodworking 4 Wednesday Aug. 5:30 p.m. 4-H Foods, 4-H Floriculture & Horticulture, & 4-H Crops 5 Thursday Aug. 11:30 a.m. – 1:30 p.m. -
Univerzita Palackého V Olomouci Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Veronika Glaserová The Importance and Meaning of the Character of the Writer in Stephen King’s Works Diplomová práce Vedoucí práce: PhDr. Matthew Sweney, Ph.D. Olomouc 2014 Olomouc 2014 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem předepsaným způsobem všechny použité podklady a literaturu. V Olomouci dne Podpis: Poděkování Děkuji vedoucímu práce za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Contents Introduction ....................................................................................................................... 6 1. Genres of Stephen King’s Works ................................................................................. 8 1.1. Fiction .................................................................................................................... 8 1.1.1. Mainstream fiction ........................................................................................... 9 1.1.2. Horror fiction ................................................................................................. 10 1.1.3. Science fiction ............................................................................................... 12 1.1.4. Fantasy ........................................................................................................... 14 1.1.5. Crime fiction ................................................................................................. -
The Convergence of Morality and Aesthetics in Nabokov's Lolita
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 6-12-2006 Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita Jennifer Elizabeth Green Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Green, Jennifer Elizabeth, "Aesthetic Excuses and Moral Crimes: The Convergence of Morality and Aesthetics in Nabokov's Lolita." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/english_theses/9 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. AESTHETIC EXCUSES AND MORAL CRIMES: THE CONVERGENCE OF MORALITY AND AESTHETICS IN NABOKOV”S LOLITA by JENNIFER ELIZABETH GREEN Under the Direction of Paul Schmidt ABSTRACT This thesis examines the debate between morality and aesthetics that is outlined by Nabokov in Lolita’s afterword. Incorporating a discussion of Lolita’s critical history in order to reveal how critics have chosen a single, limited side of the debate, either the moral or aesthetic, this thesis seeks to expose the complexities of the novel where morality and aesthetics intersect. First, the general moral and aesthetic features of Lolita are discussed. Finally, I address the two together, illustrating how Lolita cannot be categorized as immoral, amoral, or didactic. Instead, it is through the juxtaposition of form and content, parody and reality, that the intersection of aesthetics and morality appears, subverting and repudiating the voice of its own narrator and protagonist, evoking sympathy for an appropriated and abused child, and challenging readers to evaluate their own ethical boundaries. -
Duality and Reflections in Stephen King's Writers Alexis Hitchcock
ABSTRACT A Dark Mirror: Duality and Reflections in Stephen King's Writers Alexis Hitchcock Director: Dr. Lynne Hinojosa, Ph.D. Stephen King is well known for popular horror fiction but has recently been addressed more thoroughly by literary critics. While most studies focus on horror themes and the relationships between various characters, this thesis explores the importance of the author characters in three works by Stephen King: Misery, The Dark Half, and The Shining. The introduction gives a background of Stephen King as an author of popular horror fiction and discusses two themes that are connected to his author characters: doppelgängers and duality, and the idea of the death of the author. The death of the author is the idea that an author's biography should not affect the interpretation of a text. Implicit in this idea is the notion that the separation of an author from his work makes the text more literary and serious. The second chapter on Misery explores the relationship between the author and the readership or fans and discusses Stephen King’s divide caused by his split between his talent as an author of popular fiction and a desire to be a writer of literary fiction. The third chapter concerning The Dark Half explores Stephen King’s use of the pseudonym Richard Bachman and the splitting this created within himself and the main character of his novel. The last chapter includes discussion of The Shining and the author character’s split in personality caused by alcohol and supernatural sources. Studying the author characters and their doppelgängers reveals the unique stance King takes on the “death of the author” idea and shows how he represents the splitting of the self within his works.