Black Collective Solidarity and Conviviality in Paris
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Black Cosmopolitans
BLACK COSMOPOLITANS BLACK COSMOPOLITANS Race, Religion, and Republicanism in an Age of Revolution Christine Levecq university of virginia press Charlottesville and London University of Virginia Press © 2019 by the Rector and Visitors of the University of Virginia All rights reserved Printed in the United States of America on acid- free paper First published 2019 ISBN 978-0-8139-4218-6 (cloth) ISBN 978-0-8139-4219-3 (e-book) 1 3 5 7 9 8 6 4 2 Library of Congress Cataloging- in- Publication Data is available for this title. Cover art: Jean-Baptiste Belley. Portrait by Anne Louis Girodet de Roussy- Trioson, 1797, oil on canvas. (Château de Versailles, France) To Steve and Angie CONTENTS Acknowledgments ix Introduction 1 1. Jacobus Capitein and the Radical Possibilities of Calvinism 19 2. Jean- Baptiste Belley and French Republicanism 75 3. John Marrant: From Methodism to Freemasonry 160 Notes 237 Works Cited 263 Index 281 ACKNOWLEDGMENTS This book has been ten years in the making. One reason is that I wanted to explore the African diaspora more broadly than I had before, and my knowledge of English, French, and Dutch naturally led me to expand my research to several national contexts. Another is that I wanted this project to be interdisciplinary, combining history and biography with textual criticism. It has been an amazing journey, which was made pos- sible by the many excellent scholars this book relies on. Part of the pleasure in writing this book came from the people and institutions that provided access to both the primary and the second- ary material. -
The Negro in France
University of Kentucky UKnowledge Black Studies Race, Ethnicity, and Post-Colonial Studies 1961 The Negro in France Shelby T. McCloy University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation McCloy, Shelby T., "The Negro in France" (1961). Black Studies. 2. https://uknowledge.uky.edu/upk_black_studies/2 THE NEGRO IN FRANCE This page intentionally left blank SHELBY T. McCLOY THE NEGRO IN FRANCE UNIVERSITY OF KENTUCKY PRESS Copyright© 1961 by the University of Kentucky Press Printed in the United States of America by the Division of Printing, University of Kentucky Library of Congress Catalog Card No. 61-6554 FOREWORD THE PURPOSE of this study is to present a history of the Negro who has come to France, the reasons for his coming, the record of his stay, and the reactions of the French to his presence. It is not a study of the Negro in the French colonies or of colonial conditions, for that is a different story. Occasion ally, however, reference to colonial happenings is brought in as necessary to set forth the background. The author has tried assiduously to restrict his attention to those of whose Negroid blood he could be certain, but whenever the distinction has been significant, he has considered as mulattoes all those having any mixture of Negro and white blood. -
The Biography of Madame De Pompadour's Boudoir Turc
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Spring 6-17-2013 Between Worlds: The Biography of Madame de Pompadour's Boudoir Turc Dana C. Lee Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Lee, Dana C., "Between Worlds: The Biography of Madame de Pompadour's Boudoir Turc." Thesis, Georgia State University, 2013. https://scholarworks.gsu.edu/art_design_theses/126 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. BETWEEN WORLDS: THE BIOGRAPHY OF MADAME DE POMPADOUR’S BOUDOIR TURC by DANA LEE Under the Direction of Maria Gindhart ABSTRACT Jeanne-Antoinette Poisson, known as the Marquise de Pompadour, was celebrated for her great patronage of the arts, including architecture. This biographical account of her Turkish boudoir at Bellevue examines its implications of personal and private life, class and gender, and the role of exoticism in eighteenth-century architectural interiors. Analysis of the boudoir and its contents reflect much about its unusual mistress and the unique period of the mid- eighteenth century, as all are likened to the metaphor of existing in a liminal space “between worlds.” -
A Study of the Theatrical Works of Olympe De Gouges 1748-1793
i TITLE OF THESIS: Liberté, Égalité, Sororité : A Study of the Theatrical Works of Olympe de Gouges 1748-1793. Name of Author: Vivien Hennessy Research Masters Thesis in Arts (French Studies) Department of French Studies Mary Immaculate College University of Limerick Internal Supervisor: Mr. Darach Sanfey Internal Examiner: Prof. Geraldine Sheridan External Examiner: Dr. Síofra Pierse Submitted to Mary Immaculate College: 18th September 2012 ii Abstract Liberté, Égalité, Sororité: A Study of the Theatrical Works of Olympe de Gouges 1748-1793. Author: Vivien Hennessy Marie Olympe de Gouges was born Marie Gouze in Montauban, France on the seventh of May 1748. Widowed at the age of eighteen, she left her native Montauban accompanied by her young son to pursue a career as a writer in Paris in 1766. Changing her name to Olympe de Gouges, she forged a new identity for herself as a political pamphleteer, social activist, revolutionary sympathiser and playwright. Throughout her time as a writer she courted controversy for her proto-feminist principles and uncompromising advocacy of the cause of the abolitionists. De Gouges is principally remembered for her political and feminist writings, however she wished above all to be considered as a femme de lettres. This thesis involves a detailed study of the complete dramatic works of Olympe de Gouges, and aims to increase awareness of an important area of the playwright’s literary repertoire which is deserving of greater critical attention. Olympe de Gouges was found guilty of ‘pro- royalist’ sentiment by the revolutionaries and was thus executed on the third of November 1793. Altogether it is believed that she wrote around nineteen plays, twelve of which remain for posterity, and it is these plays which are examined in this thesis under the thematic headings of liberté, égalité and sororité. -
The Countess of Counter-Revolution: Madame Du Barry and the 1791
THE COUNTESS OF COUNTER-REVOLUTION: MADAME DU BARRY AND THE 1791 THEFT OF HER JEWELRY Erik Braeden Lewis Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2015 APPROVED: Michael V. Leggiere, Major Professor Marijn S. Kaplan, Minor Professor Nancy L. Stockdale, Committee Member Richard B. McCaslin, Chair of the Department of History Costas Tsatsoulis, Dean of the Toulouse Graduate School Lewis, Erik Braeden. The Countess of Counter-Revolution: Madame du Barry and the 1791 Theft of Her Jewelry. Master of Arts (History), December 2015, 169 pp., references, 91 titles. Jeanne Bécu, an illegitimate child from the Vaucouleurs area in France, ascended the ranks of the Ancien régime to become the Countess du Barry and take her place as Royal Mistress of Louis XV. During her tenure as Royal Mistress, Jeanne amassed a jewel collection that rivaled all private collections. During the course of the French Revolution, more specifically the Reign of Terror, Jeanne was forced to hatch a plot to secure the remainder of her wealth as she lost a significant portion of her revenue on the night of 4 August 1789. To protect her wealth, Jeanne enlisted Nathaniel Parker Forth, a British spy, to help her plan a fake jewel theft at Louveciennes so that she could remove her economic capital from France while also reducing her total wealth and capital with the intent of reducing her tax payments. As a result of the theft, her jewelry was transported to London, where she would travel four times during the French Revolution on the pretext of recovering her jewelry. -
Noble Savage’ on British and French Antislavery Thought, 1787-1807
ABOLITION, AFRICANS, AND ABSTRACTION: THE INFLUENCE OF THE ‘NOBLE SAVAGE’ ON BRITISH AND FRENCH ANTISLAVERY THOUGHT, 1787-1807 Suchait Kahlon AN HONORS THESIS in History Presented to the Faculty of the Department of History of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts with Honors 2021 Warren Breckman, Honors Seminar Director Sophia Rosenfeld, Thesis Advisor ___________________________ Siyen Fei Undergraduate Chair, Department of History ii To my parents, who many years ago encouraged me to pursue my love for history, even though there may not have been an obviously pragmatic reason for doing so. iii Acknowledgements Though I only started researching for this thesis in early 2020, I consider this project to be the culmination of years of undergraduate training. By this, I mean that when I began my freshman year at the University of Florida in August 2017, I had no idea that more than three years later, I would be completing a thesis linking together the Enlightenment with British and French antislavery thought. Yet, as luck had it, my first semester in college, I enrolled in a course on “Modern France” with Dr. Sheryl Kroen, who challenged me (or perhaps forced me?) to work harder than I had ever done before. Her continued support, encouragement, and enthusiasm instilled in me a love for the Enlightenment, and my two semesters working with her indelibly influenced my undergraduate years. It was also Dr. Kroen who first introduced me to Jean-Jacques Rousseau’s Discours, and I found it fitting that I concluded my work on this thesis by writing on the ways in which this text interacted with Rousseau’s later Du social contract. -
The French Revolution and the Present
H-France Salon Volume 11 (2019) Page 1 H-France Salon Volume 11, Issue 19, #1 Whose Rights? The French Revolution and the Present Ian Coller University of California, Irvine Some years ago, Samuel Moyn sparked controversy by describing the idea of universal human rights as a “last utopia” nurtured by liberal elites at the end of the twentieth century.1 Unlike Lynn Hunt, who saw the fountainhead of human rights in the rise of cultural practices promoting compassion and empathy in eighteenth-century Europe, Moyn identified the origins of human rights talk far more recently, in the liberal turn away from socialism in the 1970s, generating a utopian vision of a world in which the defense of individual freedoms would eliminate violence and oppression.2 But these visions are closer together than they look. Each explores a moment when the rights envisioned by elite humanitarians were suddenly, astonishingly occupied by groups that had never been imagined as their subject. In Hunt’s account of the French Revolution, Enlightenment empathy intersected with accelerating liberationist and egalitarian aspirations from subaltern groups such as women, Jews, people of color, and the enslaved, provoking a counterrevolutionary backlash. The age into which we are arriving may bear some comparison, as the liberal utopianism of rights from the 1970s collides with the brute reality of groups who feel themselves enfranchised in new ways we may celebrate or deplore. Moyn’s latest book, appropriately titled “Not Enough”, maps the failures of the champions of universal rights to pursue economic and social equality in the face of neo-liberalism and market fundamentalism3. -
Nobody's Children? Enlightenment Foundlings
Reeks Burgerhartlezingen Werkgroep 18e Eeuw Series Burgerhart Lectures Dutch-Belgian Society for Eighteenth-Century Studies Nummer 5 Burgerhartlezing 2012 Burgerhart Lecture 2012 NOBODY’S CHILDREN? ENLIGHTENMENT FOUNDLINGS, IDENTITY AND INDIVIDUAL RIGHTS Catriona Seth Professor of Eighteenth-century French literature University of Lorraine (Nancy) Felix Meritis, Amsterdam, 4 oktober 2012 Werkgroep 18e Eeuw Dutch-Belgian Society for Eighteenth-Century Studies Reeks Burgerhartlezingen Werkgroep 18e Eeuw / Series Burgerhart Lectures Dutch-Belgian Society for Eighteenth-Century Studies 1. Peter H. Reill (2008), Rethinking the Enlightenment, Nature and Culture in the High and Late Enlightenment 2. Peter-André Alt (2009), Schiller and Politics, Perspectives of an Aesthetic Enlightenment 3. Siep Stuurman (2010), Global Equality and Inequality in Enlightenment Thought 4. Lynn Hunt (2011), The Enlightenment and the Origins of Religious Toleration Redactie Reeks Burgerhartlezingen Werkgroep 18e Eeuw Claudette Baar-de Weerd Kornee van der Haven Alexander J.P. Raat Druk en opmaak: HolaPress Communicatie, Valkenswaard De Burgerhartlezing is een initiatief van de Werkgroep 18e Eeuw en werd mede mogelijk gemaakt door HolaPress Communicatie, Felix Meritis en de Kattendijke/Drucker Stichting. ISSN 1878-8963 © 2012 Werkgroep 18e Eeuw, Utrecht, Nederland © 2012 Professor Catriona Seth, University of Lorraine (Nancy) All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmit- ted in any form or by any means electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers in writing. 3 Catriona Seth Catriona Seth, Professor of Eighteenth-centu- ry French literature at the University of Lor- raine (Nancy) and Associate Professor in the History Department of the Université Laval (Quebec), is a specialist in the field of Enligh- tenment Studies, particularly the history of literature and ideas.