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IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC. -
Class of 1965 50Th Reunion
CLASS OF 1965 50TH REUNION BENNINGTON COLLEGE Class of 1965 Abby Goldstein Arato* June Caudle Davenport Anna Coffey Harrington Catherine Posselt Bachrach Margo Baumgarten Davis Sandol Sturges Harsch Cynthia Rodriguez Badendyck Michele DeAngelis Joann Hirschorn Harte Isabella Holden Bates Liuda Dovydenas Sophia Healy Helen Eggleston Bellas Marilyn Kirshner Draper Marcia Heiman Deborah Kasin Benz Polly Burr Drinkwater Hope Norris Hendrickson Roberta Elzey Berke Bonnie Dyer-Bennet Suzanne Robertson Henroid Jill (Elizabeth) Underwood Diane Globus Edington Carol Hickler Bertrand* Wendy Erdman-Surlea Judith Henning Hoopes* Stephen Bick Timothy Caroline Tupling Evans Carla Otten Hosford Roberta Robbins Bickford Rima Gitlin Faber Inez Ingle Deborah Rubin Bluestein Joy Bacon Friedman Carole Irby Ruth Jacobs Boody Lisa (Elizabeth) Gallatin Nina Levin Jalladeau Elizabeth Boulware* Ehrenkranz Stephanie Stouffer Kahn Renee Engel Bowen* Alice Ruby Germond Lorna (Miriam) Katz-Lawson Linda Bratton Judith Hyde Gessel Jan Tupper Kearney Mary Okie Brown Lynne Coleman Gevirtz Mary Kelley Patsy Burns* Barbara Glasser Cynthia Keyworth Charles Caffall* Martha Hollins Gold* Wendy Slote Kleinbaum Donna Maxfield Chimera Joan Golden-Alexis Anne Boyd Kraig Moss Cohen Sheila Diamond Goodwin Edith Anderson Kraysler Jane McCormick Cowgill Susan Hadary Marjorie La Rowe Susan Crile Bay (Elizabeth) Hallowell Barbara Kent Lawrence Tina Croll Lynne Tishman Handler Stephanie LeVanda Lipsky 50TH REUNION CLASS OF 1965 1 Eliza Wood Livingston Deborah Rankin* Derwin Stevens* Isabella Holden Bates Caryn Levy Magid Tonia Noell Roberts Annette Adams Stuart 2 Masconomo Street Nancy Marshall Rosalind Robinson Joyce Sunila Manchester, MA 01944 978-526-1443 Carol Lee Metzger Lois Banulis Rogers Maria Taranto [email protected] Melissa Saltman Meyer* Ruth Grunzweig Roth Susan Tarlov I had heard about Bennington all my life, as my mother was in the third Dorothy Minshall Miller Gail Mayer Rubino Meredith Leavitt Teare* graduating class. -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Elgin Academy's Summer Theater Program Is Excited to Be Hosting
Elgin Academy’s Summer Theater Program is excited to be hosting educators Rick Hilsabeck and Sarah Pfisterer, award winning Broadway Stars from The Phantom of the Opera, Chitty Chitty Bang Bang, Billy Elliot and Show Boat! Rick Hilsabeck is a highly regarded actor, singer, dancer and teacher with over 35 years of experience starring on Broadway, national tours, the concert stage, as well as the dance world. He has enjoyed a successful and diverse international career. Rick learned the hallmarks of good teaching from his parents. His mom, an accomplished soprano in her own right, and his dad, a beloved high school history teacher, recognized his growing interests in art, music and dance. With a solid foundation early on in vocal technique and an interest in dance, he was pointed in the right direction. Directly out of high school, Rick was chosen to be a member of the Academy Award winning singing group The Young Americans, based in Los Angeles. He was also accepted to the Acting program at California State University, Fullerton. There he studied all aspects of the theatre arts: acting technique, scene study, makeup design, set design, fencing, stage combat and mime. Rick returned to his native Chicago where he worked in the area theatres and studied dance with Lou Conte. The internationally acclaimed Hubbard Street Dance Company was in its infancy at the time and Rick became the first male principal dancer with the troupe where he appeared in two PBS TV specials. He had a long tenure with HSDC as a dancer, choreographer and teacher. -
OCC D 6 Theat Eee 1305 1B E
r this cover and their final version of the extended essay to is are is a not use Examiner 1 Examiner 2 Examiner 3 A research 2 2 B introduction 2 2 c 4 D 4 D 4 4 E reasoned 4 4 D F and evaluation 4 4 G use of 4 D 4 conclusion 2 2 formal 4 4 J abstract 2 2 holistic 4 4 Which techniques of Bob Fosse influenced and led to the revitalization of Broadway musicals of the 1970's? Subject: Theatre Advisor: International Baccalaureate Extended Essay Word Count: 3,933 Page 1 of 18 Abstract In this extended essay I researched the question of which techniques of famous choreographer Bob Fosse influenced the Broadway musicals of the 1970's. Through his effective techniques of innovative choreography and story-telling, Fosse revolutionized the American Broadway industry. I specifically analyzed the popular musicals Chicago, Sweet Charity, and Pippin to support this thesis. In order to investigate my topic, I watched stage productions of these three musicals. I also went to a live production of Chicago at a local theatre, Players by the Sea. It was beneficial to see these productions because I could analyze the choreography first-hand. And I could see how it worked alongside with the story-telling. However, these productions were not Fosse's originals, but they only showed how influential his techniques had become. I also began researching information about the Broadway industry in the 1970's. I discovered articles about lost elements of choreography, as well as reviews on Fosse's work. -
A Moo Moo Here and a Moo Moo There - the Ne
THEATER; A Moo Moo Here and a Moo Moo There - The Ne... http://www.nytimes.com/2002/04/28/theater/theater-a-moo-moo... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » April 28, 2002 THEATER THEATER; A Moo Moo Here and a Moo Moo There By BARRY SINGER YOU might say that the musical revival of ''Into the Woods,'' opening on Tuesday at the Broadhurst Theater, has been re-embroidered rather than re-invented. Though the sets and costumes are derived from the original 1987 Stephen Sondheim and James Lapine collection of classic fairy tales, they are newly conceived, as is Mr. Lapine's directorial view of certain characters. ''The attitude this time is definitely different,'' said Mr. Sondheim, who has reworked a lyric or two. One song, written for a later London production, has been added, ''Our Little World.'' ''The cast makes a huge difference in terms of tone,'' Mr. Sondheim said, ''and James has had many new ideas.'' In addition to the Narrator (John McMartin), the characters are the same, among them: the Witch (Vanessa Williams), Cinderella (Laura Benanti) and her Prince (Gregg Edelman), the Baker (Stephen DeRosa), Little Red Ridinghood (Molly Ephraim) and Jack, of beanstalk fame (Adam Wylie). Then there is the cow. Jack's pet, Milky-White, was a scrawny statue with handgrips that actors lugged around the stage like a suitcase in 1987. -
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NEWS Local news and entertainment since 1969 GET SOLAR & AC Entertainment AND SAVE BIG SAVE YOUR ELECTRIC BILL EACH MONTH 25 YEAR WARRANTY August 7 - 13, 2020 $89.94 COMBINED Guide A MONTH Election season Amana Lifetime Warranty Last AC You’ll Ever Inside is upon us Buy ‘Air Jaws’ – Lic #380200 • 4.38 kw • $36,000 financed at 2.99% is combo price $89.94 for pages 3, 14 20 years of sharks in flight 18 months then re-amortize OAC. Shark Week begins 575-449-3277 Sunday on Discovery. YELLOWBIRDAC.COM • YELLOWBIRDSOLAR.COM2 x 5.5” ad FRIDAY, AUGUST 7, 2020 Explore Southern New Mexico Explore the monthly Desert Exposure, “the biggest little Here are some ways to get your Desert Exposure fix: newspaper in the Southwest.” This eclectic arts and leisure • Check area racks and newsstands • Share stories and photos publication delivers a blend of content to make you laugh, with Editor Elva Osterreich I Volume 52, Number 32 • Visit www.desertexposure.com think and sometimes just get up and dance. [email protected], • Sign up for an annual mail subscription 575-443-4408 Desert Exposure captures the flavor, beauty and for $54 contact Teresa Tolonen, • Promote your organization to uniqueness of Silver City, Las Cruces and the whole [email protected], NEWS I lascrucesbulletin.com our widespread readership Southwest region of New Mexico. You can also peruse or call 575-680-1841 through Desert Exposure our wide array of advertisers to plan your stops on your • Sign up for our semi-monthly advertising with Pam Rossi next Southwest New Mexico road trip, no matter which Desert Exposure email newsletter [email protected], direction you’re going. -
Winter Garden Theater, First Floor Interior
Landmarks Preservation Commission January 5, 1988; Designation List 199 LP-1387 WINTER GARDEN THEATER, first floor interior consisting of the inner lobby, the auditorium, the stage; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings and attached decorative elements; 1634-1646 Broadway, Manhattan; initial structure built c. 1885 and rebuilt 1896; remodeled and partially rebuilt for theater use 1910-11, architect W. Albert Swasey; remodeled 1922-23, architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1022, Lot 26. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Winter Garden Theater, first floor interior consisting of the outer lobby, the inner lobby, the auditorium, the stage, the staircases leading from the first floor to the ba 1 cony floor and all connecting entrance areas; the ba 1 cony floor interior consisting of the balcony, the upper part of the auditorium and ceiling, the upper part of the stage house; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, doors, stair railings and attached decorative elements; and the proposed designation of the related Landmark Site (I tern No. 83). The hearing was continued to October 19, 198 2. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witne sses spoke or had statements read into the record in favor of designation. -
For All Interstate Methodiat Church La Aponsohng a Aki Motored to Putnam Monday to Ifled
■. i • , xT : , . t FAGEBlXTEElf WEDNESDAY. NOVEMBER 28, 1951 ATeragc Daily Net Preaa Run For the Week Ended The WeBther lHanrl|?Bt(r lEotnittg l|()ralb / Nav. It, 1665 ForMnat of D. •. W mtha Boriau r MaJ. and Mrs. John Plckupf com* ' dondy, light snow tonight. Low About Town manding offlcem of the Manehea* t 11,906 iMnr 80. Tomorrow parttal rtenr- ter Salvation A m y Oorpa, and aon Board Appropriates Funds Member nt tfen Andit Ixg, oonUnued cool. High arnsnrt TIm XkiwhMter C o m.m u n 11 y William, will apend Ihankaglvlag, NORMART Bnrenn of drertbUon . , FUyarv wUt lioid an imuaual ana In New ' York City with their 40. u n l ^ cootuma party Saturday daughter, Miaa Edith May Pickup, For Sewage Disposal Plant M&nche$lef^A City of Villaga Charm avioinc In the American Laglon who la attending the Salvation — ^ ^ ^ Homa, otarting with a poUuck A m y Training College, where her The Board of •. Dlrectora laiat LXXV, NO. 47 (TWENTY PAGES^' ■\ auppar at 7 e’dock. Moving plc- parenta alao atudied in preparation night, appropriated $1 million for MANCHESTER, CONN., FRIIUY, NOVEMBER 25, i955 fCUsaalflod Advnrtlalag on Pagn PRICE FIVE tuiaa 6t tha party will ba taken for their life work. No Herald and wlU bp ohown at the OirUt- the construction of a virtually new waa party oC the group. The Covenant Lnague of the sewage dlapoaal plant at the Olcott Tomorrow Covenant Congregational Church EaskBerlin Officiiu St. dlapoaal area. The Herald will not publiah Auxiliary. PoHee will aaoiat' in w ill. conduct a mmmdge aale In The Director! acted after a short trafle control at the Thankagivlng the .vacant atore at 710 Main St., public hearing attended by only a tomorrow, ThankRgivinjr Day. -
Broadway Bound with Garrett Stack
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed alphabetically by show (disc) title, not in order of play. Show #: 275 Broadcast Date: Sept. 2, 2017 Time: 16:00 - 18:00 # Selections: 26 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 4:07 Stephen Sondheim You Must Meet My Wife Len Cariou, Glynis Johns A Little Night Music - Original Broadway Cast Sony Broadway 1973 2/25/1973 - 8/3/1974. 601 perf. Six 1973 Tony Awards: Best Musical; Book; Score; CDS Litt 05 1998 1/14/06 12/12/0910/29/119/3/16 9/2/17 Best Actress - Glynis Johns; Best Featured Actress - Patricia Elliot; Costume Design 3:27 Stephen Sondheim Send In The Clowns Glynis Johns A Little Night Music - Original Broadway Cast Sony Broadway 1973 2/25/1973 - 8/3/1974. 601 perf. Six 1973 Tony Awards: Best Musical; Book; Score; CDS Little Night 0:26 14 1998 6/24/06 1/20/07 1/2/10 10/15/169/2/17 Best Actress - Glynis Johns; Best Featured Actress - Patricia Elliot; Costume Design 5:13 John Kander/Fred Ebb Willkommen Joel Grey & Company Cabaret - Original Broadway Cast Columbia 1966 11/20/1966 - 9/6/1969. 1165 perf. 8 Tony Awards: musical;composer & CDS Caba 01 12/31/0511/25/063/27/10 4/2/11 1/18/14 8/15/15 9/2/17 lyricist;featured acroe [Joel Grey];featured actress [Peg Murray];scenic design; 3:23 (m)John Kander (l)Fredd Ebb So What? Lotte Lenya Cabaret - Original Broadway Cast Columbia 1966 11/20/1966 - 9/6/1969. -
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Cabaret Review: 'When Everything Was Possible: a Concert (With Comments) 4/30/12 8:53 AM
Cabaret Review: 'When Everything Was Possible: A Concert (with comments) 4/30/12 8:53 AM Powered by Cabaret Review: 'When Everything Was Possible: A Concert (with comments) at New York City Center Reviewed by Erik Haagensen APRIL 29, 2012 Kurt Peterson and Victoria Mallory came to New York in the mid-1960s—he from the Midwest, she from the South—to pursue their dream of singing on Broadway. Both found success, creating roles in musicals such as "Follies," "Dear World," and "A Little Night Music" and playing Tony and Maria opposite each other in "West Side Story" at Lincoln Center. For most of the time they were doing that they were also a couple. Ultimately, they split up, married other people, and their lives took them away from performing on Photo by Kenn Duncan Broadway. After 30 years of nary a phone call they reconnected, and tonight they told us all about it onstage at New York City Center in "When Everything Was Possible," a unique and pretty wonderful "concert with comments." Backed by a 13-piece orchestra conducted by one of Broadway's best musical directors, Michael Rafter, and armed with new orchestrations by the great Jonathan Tunick, Peterson and Mallory proved that they still have what it takes. The evening began with a smart piece of special material, "There" (music by Jesse Wiener; lyric by Peterson and Wiener), that told us all about the young Kurt and Vicky and how they got to Manhattan. They met as students at the American Musical and Dramatic Academy and while studying found employment in children's theater, which supplied a charming coupling of two songs they introduced in separate gigs, Peterson as a prince-turned- frog and Mallory as, you guessed it, a princess.