N.E.Wsletter 56
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The Performance of Place and Comedy Explored Through Postdramatic and Popular Forms with Reference to the Staging of 'A Good Neet Aht'
THE PERFORMANCE OF PLACE AND COMEDY EXPLORED THROUGH POSTDRAMATIC AND POPULAR FORMS WITH REFERENCE TO THE STAGING OF 'A GOOD NEET AHT' Philip Green University of Salford School of Arts and Media Submitted in partial fulfilment of the requirements of the degree of Doctorate of Philosophy (PhD) 2020 Table of contents i List of tables vi List if images and photographs vii Acknowledgements viii Abstract ix Curtain up: The journey begins 1 1. Beginnings: mapping out the journey 2 1.1 Aims and objectives 2 1.2 Autoethnography 3 1.3 Place 5 1.4 Performance: the postdramatic and the popular 7 1.4.1 Postdramatic 8 1.4.1.1 A contested landscape 8 1.4.1.2 Panorama of the postdramatic 8 1.4.2 Popular performance 9 1.5 Structure 11 1.5.1 Chapter 2: Planning the journey’s route: Methodology 11 1.5.2 Chapter 3: Surveying the landscape for the journey ahead: place, class, performance 11 1.5.3 Chapter 4: The journey into performance: key concepts in the analysis of performing place and comedy 12 1.5.4 Chapter 5: An audience of travelling companions: The iterations of A Good Neet Aht and audience response 12 1.5.5 Chapter 6: Arrivals and Departures: Conclusion 12 1.6 Gaps in knowledge and original contribution 13 1.6.1 Northern stereotypes and stand-up comedy 13 1.6.2 Original contribution 13 Entr’acte 1: 1, Clifton Road, Sharlston 14 2. Planning the journey’s route: Methodology 15 2.1 Autoethnography 15 2.1.1 Autoethnography and place 15 2.1.2 Performative-I 16 2.1.3 Performative-I persona and dialogical performance 17 2.2 Geographical space in the studio and the reading of maps 18 2.3 Popular performance and the comic-I 22 2.3.1 Reading stand-up 23 i 2.3.1.1 Kowzan and analysis of the ‘mother in law and the shark’ 27 2.3.1.2 Pavis and ‘blowing raspberries’ 28 2.4 Destinations: Iterations of A Good Neet Aht 32 Entr’acte 2: 36, Clifton Road, Sharlston 35 3. -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
GEORGE FORM:BV R' Vol
THENORTH- WEST GEORGE FORM:BV r' Vol. 2, No.4 Newsletter~ 1 6 Oct 1996 •I Specially Produced for the North- West Branches of The George Formby Society by Stan Evans, The Hollies, 19 Hall Nook, Penketh, Warringto11 Cheshire W A5 2HN Tel or Fax 01925 727102 2 Welcome to Newsletter No. 16 and what have we got this month? Well Charles Stewart has certainly responded to my request for more information on GF. These newspaper cuttings are very valuable as they help readers to understand just how busy, and hard-working, George & Beryl were when they were at the top of their careers. Charles also sent in a good article on Wigan's Frank Randle and Arthur Chalkley caught up with Anthony Mason on Llandudno Pier • • • • Now read on ... \Veil it was a grand night at theN. Wales meeting. Some were confused as the venue had been switched to the Community Hall, for one meeting only, and they mustn't have been listening when the notice was read out. I was one of them as I soon found out when I started to lug my cases Hassan, Colin Wood, Mary and into the British Legion. Redfern entertaining at the Crewe MS Society Personally, I think that the Community Hall, which is a stones thro-w away from the BL, is an excellent venue. It is nice and airy and has a grand stage. There is no bar there but the Steward at BL doesn't mind us carrying drinks over- a very nice man. There must have been about 40 members at the meeting and almost every one was keen to get on the stage. -
Summer Entertainment on the Isle of Man the Joe Loss Years Part 1: 1946-50 ‘Let the Good Times Roll Again’ by Maurice Powell ‘It Was a Golden Period
Summer Entertainment on the Isle of Man The Joe Loss Years Part 1: 1946-50 ‘Let the good times roll again’ by Maurice Powell ‘It was a golden period. The mix of reliable old, brilliant new, up and comers, down and outers, has beens, never was-ers and some of the most eccentric acts ever seen . .’* The world of entertainment slowly began to regain some of its pre-war vitality during the immediate austere post-war years. In 1947 the Crazy Gang returned to the London stage with Together Again, and in 1949 Billy Cotton and Tessie O’Shea appeared together in their touring show Tess and Bill. Radio reached the height of its popularity and influence* and two years later Billy Cotton launched the Billy Cotton Band Show, which cemented his enormous reputation, and with his signature tune Somebody Stole My Gal and raucous call of ‘Wakey, Wakey!’ the show became the backdrop to Sunday lunchtimes throughout Britain. In 1948 Frank Muir and Dennis Norden’s Take It From Here was soon attracting enormous radio audiences, mainly due to the weekly saga of the Glum family, starring ‘Professor’ Jimmy Edwards, Dick Bentley and June Whitfield. Ray’s a Laugh with Ted Ray replaced ITMA after the death of Tommy Handley in 1949, and Educating Archie, Peter Brough’s bizarre radio ventriloquist show, began a decade-long run the following year and helped launch the careers of some notable stars who appeared as Archie Andrew’s tutors, including Tony Hancock, Max Bygraves, Beryl Reid and Hattie Jacques. Worker’s Playtime, the popular lunchtime entertainment for factory workers begun in 1941 and broadcast directly from factories ‘somewhere in England’, introduced a myriad of stars including Jack Warner, Elsie and Doris Waters, and later Cyril Fletcher and Val Doonican. -
Raymond Campbell
Raymond Campbell School of Arts and Digital Industries University of East London Title: Comic Cultures: commerce, aesthetics and the politics of stand-up performance in the UK 1979 to 1992 Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. October 2016 Abstract This thesis represents the first Cultural Studies analysis of the 1980s entertainment form commonly known as ‘alternative comedy’, which emerged against the backdrop of social, industrial and political unrest. However, the use of the term ‘alternative comedy’ has obscured a diverse movement that contained many different strands and tendencies, which included punk poets, street performers, chansonniers and improvising double acts. This thesis goes some way to addressing the complex nature of this entertainment space by recognising the subtle but important differences between New Variety and alternative cabaret. Alternative cabaret was both a movement and an entertainment genre, while New Variety grew out of CAST’s theatre work and was constructed in opposition to Tony Allen’s and Alexei Sayle’s Alternative Cabaret performance collective. Taken together, alternative cabaret and New Variety comprise one part of the alternative space that also includes post-punk music, and were the cultural expressions of the 1980s countercultural milieu. Alternative cabaret and New Variety were the products of cultural change. Each genre has its roots in the countercultural movements of the 1960s and 1970s and it was the knowledge that agents had acquired through participation in these movements that helped to shape their political-aesthetic dispositions or their weltanschauunng. As well as political activism, rock music influenced performers and promoters and contributed much to their art. -
Frank Randle (Born Arthur Hughes, Also Known As Arthur Mcevoy Or
Frank Randle (born Arthur Hughes, also known as Arthur McEvoy or Arthur Twist; 30 January 1901 – 7 July 1957) was an English comedian.[1] A contemporary of fellow Lancastrians George Formby and Gracie Fields, he was regarded as more subversive, perhaps explaining why the immense popularity he enjoyed during his lifetime has not survived him.[2] He was the leading actor in ten comedy films between 1940 and 1953 all of which had Randle's trademark subversive sense of humour. The first was Somewhere in England and the last It's a Grand Life. Life and career Randle was born in Aspull, near Wigan, Lancashire, to an unmarried Rhoda Heathcoate Hughes. He left school aged 13 and worked in a variety of menial jobs until two years later when he joined an acrobatic troupe.[3]He took the name Arthur McEvoy after his mother married Richard McEvoy. In 1928 Randle began to tour as a comedian, principally in Lancashire and Northern England.[4] Randle appeared on stage carrying a red warning lamp, similar to the type found around road works, declaring "Look what some dam'd fool left in t'road".[5] He developed his own show, Randle's Scandals, which in the 1950s featured Roy Castle.[6] Randle's mischievous wit led to a running conflict with Harry Barnes, a police chief of the Lancashire seaside resort of Blackpool, who frequently banned him from performing in the town's venues. He was prosecuted in 1952 on four charges of obscenity and fined £10 on each count.[7] Randle responded to his critics in robust fashion, frequently throwing his false teeth into the audience and once bombarding Blackpool from an aeroplane with toilet rolls (according to an episode of Rude Britannia, broadcast by the BBC on 15 June 2010, the toilet roll bombardment actually took place over Accrington, not Blackpool).[8] Randle's police charge sheet is lodged with Lancashire Archives.[9] On the outbreak of the Second World War, and having failed his medical to join the RAF, Randle joined the Home Guard and established a career in film. -
Cyril Critchlow Collection
Cyril Critchlow Collection Monographs, Articles, Manuscripts and Research Material 178B20 Photographs and Postcards 178C110 Videos and Films 178D9 Correspondance178F20 Newspaper Cuttings 178G25 Cash and Account Books 178H13 Trade and Advertising 178I12 Programmes 178K27 Diaries Collection 178L4.1 Obituaries 178Q27 Poster Collection178R27 Handbills 178T27 Various 178Z26 and 178Z28 178B20.1 Ohmy Critchlow, C A Central Circus Site, Chapter 11 Unpublished typescript plus research notes Typescript & Manuscript 4p.p 230mm x 250mm Cyril Critchlow Collection 178B20.2 Various items including colour photographs of the Ohmy family grave and copies of photographs with notes on reverse as well as photocopies of various documents and some notes 10 items Various sizes Cyril Critchlow Collection 178C110 Black and white photographs and postcards of Ohmy’s, Smart’s and Sanger’s circuses and family members, including John Sanger in sailor’s uniform. Also a variety of circus performers including Mme. Morelli from the Bostock menagerie. Many of the postcards have been used for correspondence 1908-1975 210 items Cyril Critchlow Collection 178D9.1 Fun at the Circus 16mm D-BETA Circus Sound. B&W. Cyril Critchlow Collection 178D9.2 IBM 25th Annual Dinner + Magic 8mm D-BETA Silent. B&W. Cyril Critchlow Collection 178D9.3 African Exploits + Magicians of India 8mm D-BETA Silent. B&W. Cyril Critchlow Collection 178D9.4 African Exploits + Magicians of India 8mm D-BETA Silent. B&W. Reel reads: Bournemouth 1951 and Hastings 1952 Cyril Critchlow Collection 178D9.5 Circus at the Zoo 16mm D-BETA Sound.B&W. Cyril Critchlow Collection 178D9.6 Cine Kodagraph: "Britain Today" 16mm D-BETA England:London, Leeds, Manchester, Blackpool B&W. -
Fielding, Steven, "A Mirror for England? Cinematic Representations Of
The Journal of British Studies http://journals.cambridge.org/JBR Additional services for The Journal of British Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here A Mirror for England? Cinematic Representations of Politicians and Party Politics, circa 1944–1964 Steven Fielding The Journal of British Studies / Volume 47 / Issue 01 / January 2008, pp 107 - 128 DOI: 10.1086/522346, Published online: 21 December 2012 Link to this article: http://journals.cambridge.org/abstract_S0021937100017093 How to cite this article: Steven Fielding (2008). A Mirror for England? Cinematic Representations of Politicians and Party Politics, circa 1944–1964. The Journal of British Studies, 47, pp 107-128 doi:10.1086/522346 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JBR, IP address: 203.64.11.45 on 04 Apr 2015 A Mirror for England? Cinematic Representations of Politicians and Party Politics, circa 1944–1964 Steven Fielding Grandma (sneering): I see Joe’s been pushing himself forward. Getting his name in the papers. He’ll be standing for Parliament next. Ma Huggett (shocked): Grandma, what a horrid thing to say about anyone. (Vote for Huggett [1948]) he two decades following the conclusion of the Second World War are Twith good reason looked upon as the zenith—the “golden age”—of Brit- ain’s two-party political system. The interwar coalitions, splits, and mi- nority governments were no more, while Labour and the Conservatives enjoyed unprecedented levels of support. Most notably, at the 1950 general election 84 percent of those qualified to vote cast their ballot; of these, 96.8 percent supported one or other of the two parties who claimed to have a combined total of 3 million individual members. -
Soco News 2018 05 V1
Institute of Amateur Cinematographers News and Views From Around The Region May - Jun 2018 Reading Hello to you all from Weymouth where A little message for Phil Marshman, Dave Jones I feel the spring season has arrived as the hope you are now better! view from my window is of sunshine and A personal message to all our Blood the flowers, confirming what I say as they Donors; “THANK YOU”. start to bloom. My health problems have started to Alan improve! Wallbank I may not have told you! After the Gaul Stone problem I was called back into Hospital late one night with a blood problem as it appeared my white cells Ian Simpson were battling with the red. So at one fifteen am the ambulance I mentioned the Garden! well several arrived and whisked me off to Dorchester years ago a birdhouse was made and Hospital. placed in one of the trees in the garden and now there is a possibility of Tenants so My blood arrived, but not till Monday Frome David is preparing the camera. Any tips? and the blood transfusions started and honestly I lost count of how many. My Keep well and happy filming, consultant now confirms improvement. Anne Vincent Stonehouse Teign The makers of the program I use to create this magazine used to continually Gloucester I find it so infuriating when software is get in touch to encourage me to upgrade “upgraded” to a new super- duper, all to the new wiz bang version. singing and dancing, must have version. When asked what the new version However, in actual fact they have not would do that the old version couldn’t Tom improved anything or added anything they were stumped. -
N,Ewsle,Uer 6~1L
TuENORTH- WEsT GEOR~ GE fORMD¥ Vol. 5 No.1 N,ewsle,Uer 6 ~ 1 l July 2000 Specially Produced for George Formby Fans by Stan Evans, The Hollies, 19 Hall Nook, Penketh, Warrington, Cheshire W A5 2HN Tel or Fax 01925 727102 -2- Welcome to Newsletter No.61 Well it's certainly been active in theN. West with all this BBC Music Live activity flying around. Both Crewe and Penyffordd meetings reached their largest audiences ever with every seat taken, and Blackpool felt the benefit of the extra publicity with new faces turning up on the night. Wedding - We are extremely pleased for one of our ex-youngsters - Martin Harrison who was married on May 20th to his bride Rose at the Bagu ley Gospel Church, Nr Wythenshaw, Manch ester. On the left is Martin when he was about 12 , . years of age and work ing hard at playing the uke. He later become quite a popular star in the GFS and known for his impersonations of various members. Martin hasn't been to any of the meetings for some years so we wonder. if he is another youngster who has lost interest. We hope not! We all wish Martin and Rose- who's family comes from Guana - a very successful marriage and hope that soon they will be visiting us at the Sale meeting. ******************************************************************** CliveHelme- We regret to report the sad loss of a dear member Clive Helme who has passed away. Clive was always the friendly type who, along with his late wife, Margaret, attended regularly the Blackpool meetings. -
GEORGE FORMBY Newsletter 59 Vol
THE NORTH- WEST GEORGE FORMBY Newsletter 59 Vol. 5, No.ll May 2000 * * * * * * * * * *** Specially Produced for George Formby Fans by Stan Evans, The Hollies, 19 Hall Nook, lPenketh, Warrington, Cheshire WAS 2HN Tel or Fax 01925 7:27102 -2- Welcome to Newsletter No.59 Sad Month- It's been a tough month for _... Eva & I. After a 3 year battle with various cancers our ,•' son-in-law, Tony, had to finally give up the fight. The r reason I mention this in our George Formby Newslet ter is because Tony was responsible for creating our t:~~U GF Website - www.thehollies.u-net.com/formby - and also providing advice and information on sending E Mails. We are very pleased that he had a wonderful turn-out at the church funeral service when no less than 200 came to pay their respects. Tony will be greatly missed at the Hollies. ******************************************************************** Sale Meeting- Where did they all come from? The Sale room is quite small and the tables and chairs fill up most of the area, but on the 17th of March, St Patrick's Night, every long lost member turned up, as well as the regulars, and they were almost sitting on each other's knees. One long lost soul - who hadn't been seen for years -was Anthony Mason who received a thunder ous applause from the ladies on the back row. Cyril Palmer opened the evening and announced, "Give this man a big hand because he has travelled all the way from Leeds - Mike Jenkins" - clap, clap, clap, hooray . -
Select Filmography∗
Select Filmography∗ 1896 Landing at Low Tide, R. W. Paul. Directed by Birt Acres Comedy. Brighton 1899 Landing at Low Tide, Haydon and Urry Comedy 1901 Interior of a Railway Carriage – Bank Holiday, Hepworth. Directed by Percy Stow Comedy 1903 A Trip to Southend Or Blackpool. Directed by James Williamson Comedy. Discomforts of a crowded railway compartment 1905 Father’s Picnic on the Sands, Cricks and Sharp Comedy Seaside Views, Cricks and Sharp. Directed by Tom Green Comedy. Tramps peep into bathing machine and get caught Caught By the Tide, Clarendon. Directed by Percy Stow Adventure. Couple cut off by tide are hauled to cliff top Her Morning Dip, Gaumont. Directed by Alf Collins Comedy. Margate. Peeping Toms surprised when comely girl is revealed by her costume as bony 1907 A Seaside Girl, Hepworth. Directed by Lewin Fitzhamon Cast: May Clark, Frank Wilson, Thurston Harris Chase. Bognor Dumb Sagacity, Hepworth. Directed by Lewin Fitzhamon Cast: Gertie Potter, Blair the dog Animal. Bognor 1908 A Visit to the Seaside, Natural Color Kinematograph Co. Directed by G. A. Smith. Comedy. Brighton. Seaside scenes including girl falling in sea from boat and men peeping at bathing girls (first British colour film). 1909 A Seaside Episode, Cricks and Martin. Directed by A. E. Coleby Comedy. Bexhill. Man flirts with girls and is caught by wife 216 Select Filmography 217 1911 A Seaside Introduction, Hepworth. Directed by Lewin Fitzhamon Cast: Hay Plumb, Alma Taylor Comedy. Brighton 1915 Sharps And Flats. Bamforth (YCC). Directed by Cecil Birth Cast: Reggie Switz Comedy. Camping holiday 1918 Hindle Wakes.