Seeds of Change in Wigan
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Goodnight Sweetheart" on BBC TV, Feb 5Th
THENORTH- WEST GEORGE FORMBY Newsletter 9 Volume 1, No.9 March 1996 Specially Produced for the North- West Branches of The George Formby Society by Stap Evans, The Hollies, 19 Hall Nook, Penketh, Warringtou Cheshire W A5 2HN Tel or Fax 01925 727102 2 \Velcome to Newsletter N-o.9 and what have we got this month? Well it's been hectic during February and some days the telephone has been Red-Hot! (Well not quite) In the centre pages we report the sale of George's family home in Warrington, "Hillcrest." The agents told the Newspapers that George was born there but, as we know, he wasn't. He was born at No.3 Westminster St, Wigan in 1904. He moved to Warrington around 1917. Although the roads have been blocked with .snow I am pleased that this hasn't prevented the members getting to the meetings. The highlight in February was the showing of "Goodnight Sweetheart" on BBC TV, Feb 5th. Leading up to the showing the phom ~ was busy again with members ringing to tell me that it was "all about George & Beryl." What a disappointment! It was an insult to George & Beryl and all Formby fans. After the showing, no less than 20 faxes went out to Newspapers and Radio Stations. Now Read All About It In TheN. West George Formby Newsletter. ***************** "Goodnight Sweetheart" BBC 1 TV 5th Feb. What a load of old RUBBISH. The BBC must be shoti of material to produce such tripe. Usually it is a good entertaining programme and each week the hero "has a go" at our George - which is acceptable as we don't expect everybody to be a Formby fan. -
Newsletter 55 Vol
THENORTH- WEST GEORGE FORMBY Newsletter 55 Vol. 5, No.7 January 2000 uuuuu~uuuuuuuu~uu rr · u u u u u _A_ 1-l u u u u u u u u u u u uuuuuuu~uuuuuuuuu Specially Produced for George Formby Fans by Stan Evans, The Hollies, 19 Hall Nook, Penketh, Warrington, Cheshire W A5 2HN Tel or Fax 01925 727102 -2- Welcome to Newsletter No.55 Well it's been a sad month with the loss of two dear members: Bill Pope of Liverpool and Denis Gale of the Sale branch Bill was a very keen Broad green player and a regular coach trip member. He enjoyed entertaining with his guitar and telling a few anecdotes or scouse jokes. He delighted the British Legion veterans in Caen last year and for the year 2000 he was ready to pay his deposit for the Eastbourne Trip before going into hospital with stomach cancer. Bill, who has organised many Music Hall Charity Shows over the years, had a lot of friends and relations and they aU turned up to show their respect at the St Pauls Church, West Derby, Liverpool on Thursday the 2nd of December. Bill was cremated. The large church was filled to capacity and later the huge band of Bill's admirers moved to the St Pauls Social Club where a buffet was laid on, followed by - at Maureen Pope's request - Cyril Palmer and Stan Evans singing Bill's favourite "Goodbye Dolly Gray." Denis Gale- A few days after Bill Pope's death I received deposits from Olwen and Denis Gale for the East bourne Trip, closely followed by a desperate phone call from · Olwen on Saturday morning the 27th December. -
THE UNIVERSITY of HULL (Neo-)Victorian
THE UNIVERSITY OF HULL (Neo-)Victorian Impersonations: 19th Century Transvestism in Contemporary Literature and Culture being a Thesis submitted for the Degree of PhD in the University of Hull by Allison Jayne Neal, BA (Hons), MA September 2012 Contents Contents 1 Acknowledgements 3 List of Illustrations 4 List of Abbreviations 6 Introduction 7 Transvestites in History 19th-21st Century Sexological/Gender Theory Judith Butler, Performativity, and Drag Neo-Victorian Impersonations Thesis Structure Chapter 1: James Barry in Biography and Biofiction 52 ‘I shall have to invent a love affair’: Olga Racster and Jessica Grove’s Dr. James Barry: Her Secret Life ‘Betwixt and Between’: Rachel Holmes’s Scanty Particulars: The Life of Dr James Barry ‘Swaying in the limbo between the safe worlds of either sweet ribbons or breeches’: Patricia Duncker’s James Miranda Barry Conclusion: Biohazards Chapter 2: Class and Race Acts: Dichotomies and Complexities 112 ‘Massa’ and the ‘Drudge’: Hannah Cullwick’s Acts of Class Venus in the Afterlife: Sara Baartman’s Acts of Race Conclusion: (Re)Commodified Similarities Chapter 3: Performing the Performance of Gender 176 ‘Let’s perambulate upon the stage’: Dan Leno and the Limehouse Golem ‘All performers dress to suit their stages’: Tipping the Velvet ‘It’s only human nature after all’: Tipping the Velvet and Adaptation 1 Conclusion: ‘All the world’s a stage and all the men and women merely players’ Chapter 4: Cross-Dressing and the Crisis of Sexuality 239 ‘Your costume does not lend itself to verbal declarations’: -
Tamarkan Convalescent Camp Sears Eldredge Macalester College
Macalester College DigitalCommons@Macalester College Book Chapters Captive Audiences/Captive Performers 2014 Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp Sears Eldredge Macalester College Follow this and additional works at: http://digitalcommons.macalester.edu/thdabooks Recommended Citation Eldredge, Sears, "Chapter 5. "The aT markan Players Present ": Tamarkan Convalescent Camp" (2014). Book Chapters. Book 17. http://digitalcommons.macalester.edu/thdabooks/17 This Book is brought to you for free and open access by the Captive Audiences/Captive Performers at DigitalCommons@Macalester College. It has been accepted for inclusion in Book Chapters by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. 152 Chapter 5: “The Tamarkan Players Present” Tamarkan Convalescent Camp It was early December 1943 when Brigadier General Arthur Varley and the first remnants of A Force from Burma arrived at their designated convalescent camp in Tamarkan, Thailand, after a long journey by rail. As their train traversed the wooden bridges and viaducts built by their counterparts, they passed the construction camps where the POWs in Thailand anxiously awaited their own redeployment back to base camps. When they entered Tamarkan, they found a well-ordered camp with a lean-to theatre left by the previous occupants. Backstory: October 1942–November 1943 Tamarkan was “the bridge camp”—the one made famous by David Lean’s film The Bridge on the River Kwai, based on the novel by Pierre Boulle.i There were, in fact, two bridges built at Tamarkan: first a wooden one for pedestrian and motor vehicle traffic that served as a temporary railway trace until the permanent concrete and steel railway bridge could be completed just upriver of it. -
The Limehouse Golem’ by
PRODUCTION NOTES Running Time: 108mins 1 THE CAST John Kildare ................................................................................................................................................ Bill Nighy Lizzie Cree .............................................................................................................................................. Olivia Cooke Dan Leno ............................................................................................................................................ Douglas Booth George Flood ......................................................................................................................................... Daniel Mays John Cree .................................................................................................................................................... Sam Reid Aveline Mortimer ............................................................................................................................. Maria Valverde Karl Marx ......................................................................................................................................... Henry Goodman Augustus Rowley ...................................................................................................................................... Paul Ritter George Gissing ................................................................................................................................ Morgan Watkins Inspector Roberts ............................................................................................................................... -
Newsletter 32 Vul
THE NORTH- \'VEST GEORGE FORMBY Newsletter 32 Vul. 3, No.8 1Fcbruat-y 1998 1·---·-::::-::=== George's sister, Ella has assed on Specially Produced for George Fonnby Fans by Stan Evans, The Hollies, 19 Hall Nool\:, Penketh, Warrington, Cheshire WAS 2HN Tel or Fax 01925 727102 Welcome to Newsletter No.32 and Unfortunately we start with the sad news that George's sister, Ella, who lind in America, passed awa~· on the ti" of Januar~· . o,·cr the past two ~ · cars she has suffered through ill health and loss of sight. Also she lost her 88 ~ · car old husband. Herb. about 12 months ago. Man~ · GFS members haYe special memories of Ella. In 1992 she came over from America to meet them at the Patten Arms, Warrington, and to be filmed for the George Formb~· edition of the South Bank TV Show. What a low(~ · woman she was and it was a pleasure to speak to someonl~ so ncar to George who didn't envy him of his riches. She was so happ~ · in her own American world and so outgoing. It was a treat to be with her. She often wrote to say how she and her daughter, Pam, enjoyed their short sta~· here and how the~· appreciate the dedication the members haYe towards Ge01·gc. At first she couldn't belie,·c that George was so impor1ant to us. She was delighted with the children singing George's songs, and playing the ukc, and told all her friends in America of the wonderful reception we gave her. We are fortunate to haw such good memories of a dear soul. -
GEORGE BERNARD SHAW by GILBERT K
GEORGE BERNARD SHAW By GILBERT K. CHESTERTON NEW YORK JOHN LANE COMPANY MCMIX COPYRIGHT, 1909, BY JOHN LANE COMPANY THE PLIMPTON PRESS, NORWOOD, MASS. Introduction to the First Edition Most people either say that they agree with Bernard Shaw or that they do not understand him. I am the only person who understands him, and I do not agree with him. G. K. C. The Problem of a Preface A peculiar difficulty arrests the writer of this rough study at the very start. Many people know Mr. Bernard Shaw chiefly as a man who would write a very long preface even to a very short play. And there is truth in the idea; he is indeed a very prefatory sort of person. He always gives the explanation before the incident; but so, for the matter of that, does the Gospel of St. John. For Bernard Shaw, as for the mystics, Christian and heathen (and Shaw is best described as a heathen mystic), the philosophy of facts is anterior to the facts themselves. In due time we come to the fact, the incarnation; but in the beginning was the Word. This produces upon many minds an impression of needless preparation and a kind of bustling prolixity. But the truth is that the very rapidity of such a man's mind makes him seem slow in getting to the point. It is positively because he is quick-witted that he is long-winded. A quick eye for ideas may actually make a writer slow in reaching his[Pg 8] goal, just as a quick eye for landscapes might make a motorist slow in reaching Brighton. -
N.E.Wsletter 56
THE NoRTH- WEsT GEOR..~GE ' . fORM,B\1 N.e.wsletter 56 Specially Produced for George Formby Fans by Stan Evans, The Hollies, 19 Hall Nook, Penketh, Warrington, Cheshire WAS 2HN Tel or Fax 01925 727102 -2- Welcome to Newsletter No.55 Well it'S been a sad Christmas period at The Hollies. No sooner had we got over the loss of Denis Gale and Bill Pope, when I received a phone call to say that my singing partner, Eddie (Aber) Smith had died. Aber, who has entertained all his life, was very interested in George and the few times we took him to the meetings he was amazed at how well the meetings were organised. We took him toN. Wales and he was delight. :1 when about 20 players mounted the stage and played ukes together. Later br: performed a Jolson medley. He has entertained in all sorts of clubs thruughout his 75 years but, as he said, "I have never in all my years experienced anything like these George Formby meetings." Seeing young children playing alongside the oldies had him com pletely gobsmacked and he talked about it all the way home. So you see! We have something to offer to the newcomers and we take it all for granted. GEORGE IN CIVVY STREET - The band that accompanied and acted in Civvy Street was the Johnny Claes Band and around the same time Aber was asked by Johnny if he would sign on as his regular singer. He turned it down because he didn't want to leave home to tour round the country. -
Viewers at Its Peak
Frank Skinner Comedian, Writer, TV and Radio Presenter Frank Skinner hosts Absolute Radio’s Sony Award winning Saturday morning flagship show, whose podcasts have been downloaded 6.5 million times. He is also President of the Samuel Johnson Society. He is the host of Room 101 and was a team captain on the recent I Love My Country. He is currently touring his latest stand up show, “Man In A Suit”. Skinner has done three series of the popular Frank Skinner’s Opinionated for BBC Two. As a keen ukulele fan, he has filmed a documentary investigating the life of George Formby for BBC Four. Additionally, Skinner has hosted the BBC Radio Three Christmas Day comedy panel show, The Right Notes in the Wrong Order; and in 2010, reunited with David Baddiel to exclusively present a series of shows for Absolute Radio throughout the FIFA World Cup™. This series reached number one in the iTunes Top 10 comedy podcasts chart within the first week of its launch and attracted over 3 million downloads in total. Skinner has also been a columnist for The Times. In 2009, Skinner completed the triple-extended, sell-out Credit Crunch Cabaret in London’s West End, offering recession-hit Londoners the chance to experience a variety of award-winning acts for just £10 a ticket. The show included Michael McIntyre, Al Murray - The Pub Landlord, John Bishop, Lee Mack, Russell Howard and Chris Addison. Skinner authored a Panorama (BBC One) special on taste and decency, as well as hosted Have I Got News For You? and Never Mind The Buzzcocks on BBC Two. -
Popular Song in Britain During the Two World Wars John Mullen
Popular Song in Britain during the Two World Wars John Mullen To cite this version: John Mullen. Popular Song in Britain during the Two World Wars. Arts of War and Peace, Mark Meigs, Jennifer Kilgore-Caradec, LARCA Paris-Diderot, 2019. hal-02427029 HAL Id: hal-02427029 https://hal-normandie-univ.archives-ouvertes.fr/hal-02427029 Submitted on 3 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Popular song in Britain during the two world wars (La chanson populaire en Grande-Bretagne pendant les deux guerres mondiales) John Mullen Résumé Lors de la première guerre mondiale, le music-hall joua un rôle important dans l’effort de guerre. Campagnes de recrutement pendant les spectacles, séances gratuites pour les soldats blessés, tournées de vedettes en France, contribuèrent toutes à l’effort national. Un air de satire et de critique de la gestion de la guerre était également perceptible. Lors de la deuxième guerre, le discours officiel des hommes politiques a évolué. Le sacrifice glorieux de Lloyd George est devenu le « du sang, de la peine, des larmes et de la sueur» de Winston Churchill. -
Newsletter 1 7 Vol
THE NoRTH- WEsT GEORGE FORMBY Newsletter 1 7 Vol. 2, No.5 Nov. 1996 Specially Produced for the North- West Branches of The George Formby Society by Stan Evans, The Hollies, 19 Hall Nook, Penketh, Warringto11 Cheshire \VAS 2HN Tel or Fax 01925 727102 2 Welcome to Newsletter No. 17 and what have got this month? Well a special appeal is going out to all readers to send in articles. These have dropped off conside -rably over the past two months. We have news of a GF Special Show for the launching of Channel One on Granada TV and reports from Blackpool, Crewe, Penyffordd and Liverpool. A report on how George's money, 35 years after his death, is still supporting charities, and an up to date report on George's family grave at Warrington. Jack and Jlm took six hours to walk to the Crewe meeting and we have an up-date on Harty's latest joke. It all sounds very exciting so now you can start reading • ©©© ~ ~ ~ **************************************** Call My Bluff- again ... ©©©© This TV show gh·e mention to George in almost every programme. On the 14th of October, the team were asked the meaning of the word "Jindyworobak" and Alan Corrin claimed that it was 'an Arabian Spirit leaning on a lamp post on the corner of the street in case a certain little lady comes by.' Can only assume that Alan is a Formby fan. ************************************************************************ Many Thanks from Iris Hillman Members who go to the Wintergardens will know Iris Hillman. On occasions she has performed on stage with Francis Terry and you will often see her sat at the back practising with her little wooden uke. -
The Performance of Place and Comedy Explored Through Postdramatic and Popular Forms with Reference to the Staging of 'A Good Neet Aht'
THE PERFORMANCE OF PLACE AND COMEDY EXPLORED THROUGH POSTDRAMATIC AND POPULAR FORMS WITH REFERENCE TO THE STAGING OF 'A GOOD NEET AHT' Philip Green University of Salford School of Arts and Media Submitted in partial fulfilment of the requirements of the degree of Doctorate of Philosophy (PhD) 2020 Table of contents i List of tables vi List if images and photographs vii Acknowledgements viii Abstract ix Curtain up: The journey begins 1 1. Beginnings: mapping out the journey 2 1.1 Aims and objectives 2 1.2 Autoethnography 3 1.3 Place 5 1.4 Performance: the postdramatic and the popular 7 1.4.1 Postdramatic 8 1.4.1.1 A contested landscape 8 1.4.1.2 Panorama of the postdramatic 8 1.4.2 Popular performance 9 1.5 Structure 11 1.5.1 Chapter 2: Planning the journey’s route: Methodology 11 1.5.2 Chapter 3: Surveying the landscape for the journey ahead: place, class, performance 11 1.5.3 Chapter 4: The journey into performance: key concepts in the analysis of performing place and comedy 12 1.5.4 Chapter 5: An audience of travelling companions: The iterations of A Good Neet Aht and audience response 12 1.5.5 Chapter 6: Arrivals and Departures: Conclusion 12 1.6 Gaps in knowledge and original contribution 13 1.6.1 Northern stereotypes and stand-up comedy 13 1.6.2 Original contribution 13 Entr’acte 1: 1, Clifton Road, Sharlston 14 2. Planning the journey’s route: Methodology 15 2.1 Autoethnography 15 2.1.1 Autoethnography and place 15 2.1.2 Performative-I 16 2.1.3 Performative-I persona and dialogical performance 17 2.2 Geographical space in the studio and the reading of maps 18 2.3 Popular performance and the comic-I 22 2.3.1 Reading stand-up 23 i 2.3.1.1 Kowzan and analysis of the ‘mother in law and the shark’ 27 2.3.1.2 Pavis and ‘blowing raspberries’ 28 2.4 Destinations: Iterations of A Good Neet Aht 32 Entr’acte 2: 36, Clifton Road, Sharlston 35 3.