Adele Einhorn Jokes

Total Page:16

File Type:pdf, Size:1020Kb

Adele Einhorn Jokes FOCUS ON AM ATEUR S Amateur or professional? For some, that is an obvious decision; simply a lifestyle choice. However, there are challenges that go along with being an amateur rider. Join us as three amateurs discuss their own unique ways of balancingBy Jeannie riding, work, Blancq budget, Putney family and a personal life. A Skidmore, said I should come ride, and I Balancingsaid ‘No, let’s go to lunch instead,’” Adele Adele Einhorn jokes. “She was kind enough to give me dele Einhorn has had an enviable some horses to ride, and I started taking A show record as an amateur. For lessons. I went to a little bitty horse show, the past 11 years, she has also enjoyed a won one blue ribbon, and that’s all it career in the horse industry as Skidmore took; I was in.” College’s director of special projects and In no time, Adele started competing executive director of the Skidmore Col- regularly and decided to start chasing the lege Saratoga Classic Horse Show. Ariat Medal. Thanks to a special horse It all started during a family vacation named Chambord, she was the first per- in Jamaica when she was 7 years old. son to win the Ariat Masters award. “It Adele recalls winning a bareback don- looked like the Stanley Cup trophy to me,” key race on the beach. That turned into she says. “It was a real honor. In the stand- riding lessons, showing successfully as a ings, I was the number one rider—and I junior, then riding on Skidmore’s inter- was one of the older ones at that time, as collegiate team. Since then, Adele has well.” In 2001, Adele won the New Eng- given up the sport several times. At one land Adult Medal and then started com- point, she moved to Denmark and gave peting as an amateur owner for a few years. up riding for nearly 12 years. When she “I had a nice horse that I did very came back to Skidmore, this time as an well on, but it came to the point where employee, the opportunity to ride again I had accomplished most everything I was presented to her. had hoped,” she says. “I ended up selling “Cindy Ford, the director of riding at my horse and opted to take a break from 24 USHJA IN STRIDE / DECEMBER 2008 JAMES LESLIE PARKER LESLIE JAMES Adele Einhorn on Matias at the Saratoga Horse Show not to put too much emphasis on win- ning. “It gets blown out of perspective,” she says. “Only one person at a time can again, I want to be able to commit the win, and it’s okay if it’s not you. It’s more time and the energy needed to the sport.” important for my trainer to tell me I rode riding.” Adele had just met her husband The key to having a full-time job and beautifully and did a great job, or for the Aand decided to take up snowboarding riding, according to Adele, is balance. “If owner to say ‘You rode him great.’ and have a social life outside of the riding you can’t ride five days a week, it is very “My husband says it costs about Balancing arena. important that you have someone you $1,000 every time I sit in saddle, so if In 2007,ct Adele returned to the saddle trust on your horse,” she notes. Whether I’m not out there having fun, I should after meeting Rob Bielefeld and Scott Fit- or not you own a horse, Adele says that just get off,” she continues. “The times it ton through the Skidmore College horse having a good professional who can pre- stopped being fun for me are the times I show. Rob and Scott told her she was too pare your horse is vital. “You don’t want walked away and took a break. For me, it good an equestrian not to ride. “I went to have anxiety if you’re going to horse is equally fun to watch others ride a horse to Florida for a visit and ended up leasing of mine. Kristen Vale rode my horse Bel- a horse, showing with them, and had a “ You have to set your priorities, gique a few years ago and won the World ball,” she says. “I rode with both Rob and Championship Hunter Rider Adult Scott this year, and Bobby and Christina and sometimes riding and Championship at Capital Challenge, and from Quiet Hill Farm.” The plan was for showing has to be at the bottom I never once said I wish it had been me. Adele to show in Wellington last winter, It’s the most humbling sport out there, but then her mother was diagnosed with of the list.” and that is probably what keeps me com- cancer. —Adele Einhorn ing back over and over again.” “You just never know what life throws Although she has a master’s degree at you,” she says. “You have to set your pri- shows. It should be about having fun,” she in education and loves teaching, Adele orities, and sometimes riding and showing explains. “You want to be able to just get doesn’t see herself as a professional riding has to be at the bottom of the list. It can out there and focus on your ride and know coach or trainer. “I enjoy the sport from a be work that gets in the way, or your back your horse is prepared and quiet, and the different perspective,” she explains. “I like goes out, or a family member gets sick. best he can be. At this point in my riding to have the balance between work and You just have to deal with it as it comes. career, having that peace of mind enables riding, and have the horses be my passion. We don’t have an unlimited disposable in- me to be able to balance everything else.” If it were my job, I don’t think I would come, so when I invest in owning a horse Adele also feels that it’s important enjoy it as much.” DECEMBER 2008 / USHJA IN STRIDE 25 FOCUS ON AM ATEUR S continued At the moment, Adele is horseless; but throw the four of us in the back seat of Kate’s two daughters are juniors, her she says that her perfect horse is a chunky the station wagon and we’d go to random sister keeps two horses at the farm and warmblood gelding, preferably bay. “My Texas horse shows,” Kate says. “With two her brothers both play a little bit of polo. dream horse would be one [on which] I girls, two boys and my parents showing, I Shadyside Farm is truly a family business. could wear the biggest pair of spurs they don’t know how they did it. I don’t know Without help from her family and farm make and know it’ll only have one gear— how they kept all our clothes organized!” manager Marie, Kate says she wouldn’t slow. I have a penchant for lighting them Kate remembers riding with the be able to ride, show and make it all up anyway; I’m very type ‘A’ and think I Zimmerman family, close friends of her work. “Marie runs the farm and is the could get a dead horse to run.” parents who she credits for truly bringing whole reason I can do all of this,” Kate the hunter/jumper world to Texas. “Back says. “She runs the show and makes it so Kate Gibson then, there were only eight shows in the that I can drive carpool, and then show mateur Kate Gibson came from a whole state of Texas,” she says. All four up and ride.” A horsey family, so there is no doubt of the children in Kate’s family grew up After getting her bachelor’s degree in that she inherited what she affectionately riding and then quit when they headed architecture, Kate spent three years buy- terms “the horse disease.” When her to college. Since graduating, she says, all ing art and working with Sotheby’s. Then parents met, the common denominator four have crept back into riding, along she slowly quit working, got married was that they both rode horses. Her dad with their children. and became a mom, which she says made grew up foxhunting in Texas and her The 60-acre Shadyside Farm in Mag- it easy to quit riding for a few years. At mom in North Carolina. “They would nolia, Texas, belongs to Kate and her hus- one point, however, she bought a young band Steve. It is home to some 18 horses, horse, trained it and sold it. After doing “The secret to life in general is mostly belonging to the Gibson family. that a few times, it turned into finding Mom Diana is 77 and still rides five days horses for her many avid equestrian fam- balancing things you love with a week. “I can’t imagine what my mom ily members, and she got right back into work and the other things you would do if she couldn’t ride every day,” the game. Kate credits her non-horsey says Kate. “She’s tougher than all of us husband for his support. “I am very for- have to do.” and gets mad if we give her something tunate to have my husband, who is very —Kate Gibson old to ride.” supportive,” she says. “Mostly he thinks if I took all of my attention and focused it on him he’d be tortured, so he’s happy I have this outlet.” Now Kate is actively showing in the amateur-owner hunters while her sister has been doing the adults for three years.
Recommended publications
  • "Glory" John Legend and Common (2015) (From Selma Soundtrack)
    "Glory" John Legend and Common (2015) (from Selma soundtrack) [John Legend:] [Common:] One day when the glory comes Selma is now for every man, woman and child It will be ours, it will be ours Even Jesus got his crown in front of a crowd One day when the war is won They marched with the torch, we gon' run with it We will be sure, we will be sure now Oh glory Never look back, we done gone hundreds of miles [Common:] From dark roads he rose, to become a hero Hands to the Heavens, no man, no weapon Facin' the league of justice, his power was the Formed against, yes glory is destined people Every day women and men become legends Enemy is lethal, a king became regal Sins that go against our skin become blessings Saw the face of Jim Crow under a bald eagle The movement is a rhythm to us The biggest weapon is to stay peaceful Freedom is like religion to us We sing, our music is the cuts that we bleed Justice is juxtapositionin' us through Justice for all just ain't specific enough Somewhere in the dream we had an epiphany One son died, his spirit is revisitin' us Now we right the wrongs in history True and livin' livin' in us, resistance is us No one can win the war individually That's why Rosa sat on the bus It takes the wisdom of the elders and young That's why we walk through Ferguson with our people's energy hands up Welcome to the story we call victory When it go down we woman and man up The comin' of the Lord, my eyes have seen the They say, "Stay down", and we stand up glory Shots, we on the ground, the camera panned up King pointed to
    [Show full text]
  • A Lighting Design Process for a Production of Stephen Schwartz’S Working
    A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred.
    [Show full text]
  • A CHORUS LINE Teaching Resource.Pages
    2016-2017 SEASON 2016-2017 SEASON Teacher Resource Guide and Lesson Plan Activities Featuring general information about our production along with some creative activities to Tickets: thalian.org help you make connections to your classroom curriculum before and after the show. 910-251-1788 The production and accompanying activities address North Carolina Essential Standards in Theatre or Arts, Goal A.1: Analyze literary texts & performances. CAC box office 910-341-7860 Look for this symbol for other curriculum connections. A Chorus Line Book, Music & Lyrics by: Jim Jacobs and Warren Casey April 28th - May 7th 7:30 PM Friday - Saturday and 3:00 PM Sunday Hannah Block Historic USO / Community Arts Center Second Street Stage 120 South 2nd Street (Corner of Orange) About this Teaching Resource Resource This Teaching Resource is designed to help build new partnerships that employ theatre and the arts. A major theme that runs through A Chorus Line, is the importance of education and Summary: the influence of teachers in the performers’ lives. In the 2006 Broadway production of A Page 2 Chorus Line, it was stated that the cast had spent, all together, 472 years in dance training with Summary, 637 teachers! The gypsies in A Chorus Line, are judged and graded, just as students are About the Musical, every day. Students know what it’s like to be “on the line.” This study guide for A Chorus Line, explores the Pulitzer Prize winning show in an interdisciplinary curriculum that takes in Vocabulary English/Language Arts, History/Social Studies, Music, Theatre, and Dance. Learning about Page 3 how A Chorus Line, was created will make viewing the show a richer experience for young Gypsies, Writing Prompts, people.
    [Show full text]
  • The Pleiades: the Celestial Herd of Ancient Timekeepers
    The Pleiades: the celestial herd of ancient timekeepers. Amelia Sparavigna Dipartimento di Fisica, Politecnico di Torino C.so Duca degli Abruzzi 24, Torino, Italy Abstract In the ancient Egypt seven goddesses, represented by seven cows, composed the celestial herd that provides the nourishment to her worshippers. This herd is observed in the sky as a group of stars, the Pleiades, close to Aldebaran, the main star in the Taurus constellation. For many ancient populations, Pleiades were relevant stars and their rising was marked as a special time of the year. In this paper, we will discuss the presence of these stars in ancient cultures. Moreover, we will report some results of archeoastronomy on the role for timekeeping of these stars, results which show that for hunter-gatherers at Palaeolithic times, they were linked to the seasonal cycles of aurochs. 1. Introduction Archeoastronomy studies astronomical practices and related mythologies of the ancient cultures, to understand how past peoples observed and used the celestial phenomena and what was the role played by the sky in their cultures. This discipline is then a branch of the cultural astronomy, an interdisciplinary field that relates astronomical phenomena to current and ancient cultures. It must then be distinguished from the history of astronomy, because astronomy is a culturally specific concept and ancient peoples may have been related to the sky in different way [1,2]. Archeoastronomy is considered as a quite new interdisciplinary science, rooted in the Stonehenge studies of 1960s by the astronomer Gerald Hawkins, who tested Stonehenge alignments by computer, and concluded that these stones marked key dates in the megalithic calendar [3].
    [Show full text]
  • Therapeutic Uses of Rap and Hip-Hop
    Edited by Susan Hadley and George Yancy New York London http://www.routledgementalhealth.com/therapeutic-uses-of-rap-and-hiphop-9780415884747 Routledge Routledge Taylor & Francis Group Taylor & Francis Group 711 Third Avenue 27 Church Road New York, NY 10017 Hove, East Sussex BN3 2FA © 2012 by Taylor and Francis Group, LLC Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid-free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number: 978-0-415-88473-0 (Hardback) 978-0-415-88474-7 (Paperback) For permission to photocopy or use material electronically from this work, please access www. copyright.com (http://www.copyright.com/) or contact the Copyright Clearance Center, Inc. (CCC), 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400. CCC is a not-for-profit organiza- tion that provides licenses and registration for a variety of users. For organizations that have been granted a photocopy license by the CCC, a separate system of payment has been arranged. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Therapeutic uses of rap and hip hop / edited by Susan Hadley and George Yancy. p. cm. Includes bibliographical references and index. ISBN 978-0-415-88473-0 (hardback : alk. paper) -- ISBN 978-0-415-88474-7 (pbk. : alk. paper) 1. Music therapy. 2. Rap (Music)--Psychological aspects. 3. Hip-hop--Psychological aspects. I. Hadley, Susan (Susan Joan), 1967- II.
    [Show full text]
  • A Wild Stab in the Dark: Exposing Eminem's Existentialism
    A Wild Stab in the Dark: Exposing Eminem’s Existentialism Daniel Ragusa AS 112 “Encountering Unbelief” Due: 12/6 1 Abstract This paper attempts to apply the principles of covenantal apologetics to today’s cultural milieu by using the latest music album by American rapper, Eminem, as a gateway into today’s postmodern thinking. The worldview of Eminem developed in his latest album, The Marshal Mathers LP2 (2013), will be shown to have deep affinity with the atheistic existentialism of Friedrich Nietzsche, the father of postmodernism. This allows the philosophical thought of Nietzsche to penetrate today’s culture without anyone actually reading his books, but simply listening to its application in the lyrics of Eminem and other influential artists that espouse a fundamentally similar philosophy. After establishing Eminem’s worldview, there will be provided an internal critique of it in terms of its metaphysics, epistemology and ethics, as well as its inability to account for the one and the many. It will become evident that Eminem’s worldview is far from a coherent system and must either borrow capital from the Christian worldview or spiral into total absurdity. Introduction The average person today is not reading thick volumes of philosophy to establish his worldview, but he does have headphones on. Within the first two weeks of its release, Eminem’s latest album—The Marshall Mathers LP2 (2013)1—went platinum with over one million people purchasing it.2 The album is an amalgam of raw anger, unwavering resolve, and deep-felt despair masterfully merged into unprecedented lyrical brilliance. The devilish fantasies of MMLP2 survey a wide spectrum of depraved thinking.
    [Show full text]
  • Dear Evan Hansen - a Global Phenomenon and How Broadway Celebrates Its Millennial Audience
    Dear Evan Hansen - a global phenomenon and how Broadway celebrates its millennial audience Followed the world-renown Hamilton - the hip-hop-infused rap musical about the Founding Fathers of America, Dear Evan Hansen is the next star at the box office that tells the story of adolescent struggles in the age of social media. Before making its home in Toronto at the Royal Alexandra Theatre this March, Dear Evan Hansen has caused a stir as the Broadway production swept six out of its nine nominations at the Tony Awards. Grossing over $88 million, the show is in high demand, filling theaters every night with young audience members, who carry playbills, merchandise and wait eagerly for the show to start while softly singing Pasek and Paul’s widely-acclaimed score. Dusting off the classic look of Broadway musical theatre with jazz hands and extravagant dance numbers, Dear Evan Hansen is a breath of fresh air that joins in the new wave of popularity for contemporary musicals. The musical tells the universal story of a socially anxious teenager and the common struggles of growing up: isolation, loneliness, depression, and self-doubt. It also speaks to the pain of parental loss, as well as the grief parents feel when they fail to reach their children. With a simple set design and a small cast consisting of eight actors, the show’s story is told through catchy pop- and rock-infused tunes that take its audience on an emotional rollercoaster, making them laugh one moment and choke back tears seconds later. Its music is raw, real and as uplifting as it is heartbreaking, which effortlessly resonates with the audience.
    [Show full text]
  • In the United States District Court for the Middle District of Tennessee Nashville Division
    IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION MARK HALPER, ) ) Plaintiff, ) ) v. ) Case No. 3:16-cv-00567 ) Judge Steeh / Frensley SONY/ATV MUSIC PUBLISHING, LLC, ) et al., ) ) Defendants. ) REPORT AND RECOMMENDATION I. Introduction and Background This matter is before the Court upon a Motion to Dismiss and Incorporated Memorandum of Law filed pursuant to Fed. R. Civ. P. 12(b)(6) by Defendants Sony/ATV Music Publishing LLC, EMI April Music Inc., Gone Gator Music, Universal-Polygram International Tunes, Inc., Sony/ATV Songs LLC, and UMG Recordings, Inc. Docket No. 25. In support of their Motion, Defendants have contemporaneously filed the Declaration of Elizabeth Gonser with attached Exhibit. Docket No. 26. Plaintiff has filed a Response in Opposition to Defendants’ Motion. Docket No. 28. With leave of Court (Docket No. 31), Defendants have filed a Reply (Docket No. 29-1). Also with leave of Court (Docket Nos. 40, 43), Plaintiff has filed a Sur-Reply (Docket No. 44). Plaintiff, pro se, filed this copyright infringement action alleging that “Sam Smith, Capitol Recording artist, used and replicated phraseology and significant phrase ‘stay with me’ eight (8) times in the body of his mega hit song ‘Stay with Me’ thereby copying and infringing Case 3:16-cv-00567 Document 97 Filed 11/15/17 Page 1 of 18 PageID #: <pageID> upon the original musical production of Plaintiff Mark Halper whose original song ‘Don’t Throw Our Love Away’ written in April 1984 and musically recorded as a demo in a Nashville studio in February 1986 and a second demo musically recorded in 2013 that began in line 1 with the phraseology and significant phrase ‘stay with me’ and continued in line 2 with the phraseology ‘lay with me.’” Docket No.
    [Show full text]
  • A Concept Album
    Merrimack College Merrimack ScholarWorks Honors Program Contracts Honors Program Spring 2020 The Power of Protest Music: A Concept Album Matthew Patterson Merrimack College, [email protected] Follow this and additional works at: https://scholarworks.merrimack.edu/honors_component Part of the Music Commons, and the Political Science Commons Recommended Citation Patterson, Matthew, "The Power of Protest Music: A Concept Album" (2020). Honors Program Contracts. 20. https://scholarworks.merrimack.edu/honors_component/20 This Project - Open Access is brought to you for free and open access by the Honors Program at Merrimack ScholarWorks. It has been accepted for inclusion in Honors Program Contracts by an authorized administrator of Merrimack ScholarWorks. For more information, please contact [email protected]. 1 Matthew Patterson Dr. Anne Flaherty and Dr. Laura Pruett Music and Politics FAA/POL3171 6 May 2020 The Power of Protest Music: A Concept Album Introduction: This semester, I decided to create an honors contract for one of my favorite classes offered at Merrimack, Music and Politics. Both music and politics are two of my biggest interests, so I felt that this class would allow me to create a very unique final project. For my project, I decided to create my own political concept album that would analyze the role of music in certain social and political movements. Inspired by old vinyl records, this curation will contain 12 songs that are divided evenly on each side of the record. Side A will contain six songs that are considered anthems of the Civil Rights Movement, while Side B will contain six songs that are considered anthems for the Black Lives Matter Movement.
    [Show full text]
  • National Philanthropy Day® (NPD) November 15
    National Philanthropy Day® (NPD) November 15 • National Philanthropy Day® (NPD) is the special day set aside to recognize and pay tribute to the great contributions that philanthropy – and those people active in the philanthropic community – have made to our lives, our communities and our world. • NPD was first celebrated in 1986. This year, more than 100 NPD events, involving over 50,000 people across North America, will take place. These events include award ceremonies, galas, luncheons, seminars and other special events. • The Association of Fundraising Professionals (AFP) sponsors and celebrates NPD through its more than 31,000 members in over 240 chapters across North America and around the world. Chapters work with local charitable and community organizations to hold NPD celebrations. AFP represents over 3,500 charitable fundraisers in 20 chapters across Canada. • As part of National Philanthropy Day®, individuals and organizations are honoured for their outstanding charitable work in their local communities. In addition, AFP presents international honours to recognize some of the most generous and innovative philanthropists, volunteers, foundations and others around the world. • Canada became the first country in the world to recognize NPD through an Act in Parliament on November 22, 2012. • When NPD was first celebrated in 1986, President Ronald Reagan signed a proclamation officially recognizing Nov. 15, 1986, as National Philanthropy Day®. Since then, the day has been recognized by numerous state, provincial and local governments across North America. • Noted songwriter Marvin Hamlisch wrote the official NPD song, “Now, More Than Ever.” Sheet music is available on request by contacting AFP’s Public Affairs Department at [email protected].
    [Show full text]
  • Constellation Legends
    Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy.
    [Show full text]
  • An American Mix Monday, August 4, 2014, 6:30 PM WHS Cafeteria Courtyard
    Westwood’s Community Concert Band James Giurleo, Director An American Mix Monday, August 4, 2014, 6:30 PM WHS Cafeteria Courtyard Program Fanfare for the Common Man � � � � � � � � � � � � � � Aaron Copland, Arr. by R. Longfield A Tribute to Marvin Hamlisch ����������������� Marvin Hamlisch, arr� by M� Brown They’re Playing My Song What I did For Love The Entertainer The Way We Were One Coldplay on Stage ���������������������Berryman, Buckland, Champion, Martin arr� by M� Brown Clocks Lost Viva la Vida Someone to Watch Over Me ����������������George Gershwin, arr� by W� Barker Soloists: Elaine Giurleo with Sophie and Emma Pinball Wizard ������������������� Peter Townsend, (The Who) Arr� by P� Roszell Intermission Concert will resume in 15 minutes Captain America March. AlanSilvestri, arr� by P� Murtha Stevie Wonder in Concert �����������������������������������Stevie Wonder arr� by P� Murtha Sir Duke You Are the Sunshine of My Life I Wish Signed, Sealed, Delivered I’m Yours With Malice Towards None ������������������������������James Swearingen Narrated by Massachusets State Representative Paul McMurtry Ice Cream provided by Needham The Muppet Show Theme ���������������J� Henson & S� Pottle, Arr� by P� Murtha Bank in support of Westwood Rotary Club’s efforts to curb This concert is funded in part by a generous Polio through grant from the its Polio Plus WESTWOOD CULTURAL COUNCIL Program The Musicians About the Band James Giurleo, Director WestwoodWinds is a community-based con- cert band dedicated to providing opportunities for Flute
    [Show full text]