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A Philosophical and Historical Analysis of Cosmology from Copernicus to Newton
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Scientific transformations: a philosophical and historical analysis of cosmology from Copernicus to Newton Manuel-Albert Castillo University of Central Florida Part of the History of Science, Technology, and Medicine Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Castillo, Manuel-Albert, "Scientific transformations: a philosophical and historical analysis of cosmology from Copernicus to Newton" (2017). Electronic Theses and Dissertations, 2004-2019. 5694. https://stars.library.ucf.edu/etd/5694 SCIENTIFIC TRANSFORMATIONS: A PHILOSOPHICAL AND HISTORICAL ANALYSIS OF COSMOLOGY FROM COPERNICUS TO NEWTON by MANUEL-ALBERT F. CASTILLO A.A., Valencia College, 2013 B.A., University of Central Florida, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the department of Interdisciplinary Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Fall Term 2017 Major Professor: Donald E. Jones ©2017 Manuel-Albert F. Castillo ii ABSTRACT The purpose of this thesis is to show a transformation around the scientific revolution from the sixteenth to seventeenth centuries against a Whig approach in which it still lingers in the history of science. I find the transformations of modern science through the cosmological models of Nicholas Copernicus, Johannes Kepler, Galileo Galilei and Isaac Newton. -
What Did Shakespeare Know About Copernicanism?
DOI: 10.2478/v10319-012-0031-x WHAT DID SHAKESPEARE KNOW ABOUT COPERNICANISM? ALAN S. WEBER Weill Cornell Medical College–Qatar Abstract: This contribution examines Shakespeare’s knowledge of the cosmological theories of Nicolaus Copernicus (1473-1543) as well as recent claims that Shakespeare possessed specialized knowledge of technical astronomy. Keywords: Shakespeare, William; Copernicus, Nicolaus; renaissance astronomy 1. Introduction Although some of his near contemporaries lamented the coming of “The New Philosophy,” Shakespeare never made unambiguous or direct reference to the heliocentric theories of Nicolaus Copernicus (1473-1543) in his drama or poetry. Peter Usher, however, has recently argued in two books Hamlet’s Universe (2006) and Shakespeare and the Dawn of Modern Science (2010) that Hamlet is an elaborate allegory of Copernicanism, which in addition heralds pre-Galilean telescopic observations carried out by Thomas Digges. Although many of Usher’s arguments are excessively elaborate and speculative, he raises several interesting questions. Just why did Shakespeare, for example, choose the names of Rosenskrantz and Guildenstern for Hamlet’s petard-hoisted companions, two historical relatives of Tycho Brahe (the foremost astronomer during Shakespeare’s floruit)? What was Shakespeare’s relationship to the spread of Copernican cosmology in late Elizabethan England? Was he impacted by such Copernican-related currents of cosmological thought as the atomism of Thomas Harriot and Nicholas Hill, the Neoplatonism of Kepler, and -
Orbis Terrarum DATE: AD 20 AUTHOR: Marcus Vipsanius Agrippa
Orbis Terrarum #118 TITLE: Orbis Terrarum DATE: A.D. 20 AUTHOR: Marcus Vipsanius Agrippa DESCRIPTION: The profound difference between the Roman and the Greek mind is illustrated with peculiar clarity in their maps. The Romans were indifferent to mathematical geography, with its system of latitudes and longitudes, its astronomical measurements, and its problem of projections. What they wanted was a practical map to be used for military and administrative purposes. Disregarding the elaborate projections of the Greeks, they reverted to the old disk map of the Ionian geographers as being better adapted to their purposes. Within this round frame the Roman cartographers placed the Orbis Terrarum, the circuit of the world. There are only scanty records of Roman maps of the Republic. The earliest of which we hear, the Sardinia map of 174 B.C., clearly had a strong pictorial element. But there is some evidence that, as we should expect from a land-based and, at that time, well advanced agricultural people, subsequent mapping development before Julius Caesar was dominated by land survey; the earliest recorded Roman survey map is as early as 167-164 B.C. If land survey did play such an important part, then these plans, being based on centuriation requirements and therefore square or rectangular, may have influenced the shape of smaller-scale maps. This shape was also one that suited the Roman habit of placing a large map on a wall of a temple or colonnade. Varro (116-27 B.C.) in his De re rustica, published in 37 B.C., introduces the speakers meeting at the temple of Mother Earth [Tellus] as they look at Italiam pictam [Italy painted]. -
Mechanical Miracles: Automata in Ancient Greek Religion
Mechanical Miracles: Automata in Ancient Greek Religion Tatiana Bur A thesis submitted in fulfillment of the requirements for the degree of Master of Philosophy Faculty of Arts, University of Sydney Supervisor: Professor Eric Csapo March, 2016 Statement of Originality This is to certify that to the best of my knowledge, the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Tatiana Bur, March 2016. Table of Contents ACKNOWLEDGMENTS ....................................................................................................... 1 A NOTE TO THE READER ................................................................................................... 2 INTRODUCTION ................................................................................................................ 3 PART I: THINKING ABOUT AUTOMATION .......................................................................... 9 CHAPTER 1/ ELIMINATING THE BLOCAGE: ANCIENT AUTOMATA IN MODERN SCHOLARSHIP ................. 10 CHAPTER 2/ INVENTING AUTOMATION: AUTOMATA IN THE ANCIENT GREEK IMAGINATION ................. 24 PART II: AUTOMATA IN CONTEXT ................................................................................... 59 CHAPTER 3/ PROCESSIONAL AUTOMATA ................................................................................ -
Astronomy As a Key to the Architectural Projects of the Ancient Past
The role of the sun in the Pantheon’s design and meaning Abstract Despite being one of the most recognisable buildings from ancient Rome, the Pantheon is poorly understood. While its architecture has been well studied, its function remains uncertain. This paper argues that both the design and the meaning of the Pantheon are in fact dependent upon an understanding of the role of the sun in the building, and of the apotheosised emperor in Roman thought. Supporting evidence is drawn not only from the instruments of time in the form of the roofed spherical sundial, but also from other Imperial monuments, notably Nero’s Domus Aurea and Augustus’s complex of structures on the Campus Martius – his Ara Pacis, the ‘Horologium Augusti’, and his Mausoleum. Hadrian’s Mausoleum and potentially part of his Villa at Tivoli are drawn into this argument as correlatives. Ultimately, it is proposed that sun and time were linked architecturally into cosmological signposts for those Romans who could read such things. Keywords Pantheon, sun, Mausoloeum of Hadrian, Domus Aurea, ‘Horologium Augusti’, Ara Pacis 1. Introduction The Pantheon is the best preserved architectural monument of the Roman period in Rome (fig. 1). Originally built by Agrippa around 27 BC under Augustus’s rule, it was destroyed by fire under Domitian, then rebuilt and finally completed in its present form during Hadrian’s reign, in ca. AD 128 (Hetland 2007)1. There is a great deal of uncertainty about the original Agrippan design; excavations, however, have suggested that this building was already circular (although probably open to the sky) 1 and orientated in the same direction (Thomas 1997, La Rocca 1999, Wilson Jones 2003: 180–82). -
Pyrrhonian Skepticism in Diogenes Laertius
SAPERE Scripta Antiquitatis Posterioris ad Ethicam REligionemque pertinentia Schriften der späteren Antike zu ethischen und religiösen Fragen Herausgegeben von Rainer Hirsch-Luipold, Reinhard Feldmeier und Heinz-Günther Nesselrath unter der Mitarbeit von Natalia Pedrique und Andrea Villani Band XXV Pyrrhonian Skepticism in Diogenes Laertius Introduction, Text, Translation, Commentary and Interpretative Essays by Katja Maria Vogt, Richard Bett, Lorenzo Corti, Tiziano Dorandi, Christiana M. M. Olfert, Elisabeth Scharffenberger, David Sedley, and James Warren edited by Katja Maria Vogt Mohr Siebeck SAPERE is a Project of the Göttingen Academy of Sciences and Humanities within the programme of the Union of the German Academies funded by the Federal Republic of Germany and the State of Lower Saxony. e-ISBN PDF 978-3-16-156430-7 ISBN 978-3-16-153336-5 The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio nal- bibliographie; detailed bibliographic data are available in the Internet at http:// dnb.dnb.de. © 2015 by Mohr Siebeck, Tübingen, Germany. www.mohr.de This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher’s written permission. This ap- plies particularly to reproductions, translations, microfilms and storage and pro- cessing in electronic systems. This book was supervised by Heinz-Günther Nesselrath (representing the SAPERE Editors) and typeset by Magdalena Albrecht, Janjenka Szillat and Andrea Villani at the SAPERE Research Institute, Göttingen. Printed by Gulde Druck in Tübin- gen on non-aging paper and bound by Buchbinderei Spinner in Ottersweier. Printed in Germany. SAPERE Greek and Latin texts of Later Antiquity (1st–4th centuries AD) have for a long time been overshadowed by those dating back to so-called ‘classi- cal’ times. -
The Library of Alexandria the Library of Alexandria
THE LIBRARY OF ALEXANDRIA THE LIBRARY OF ALEXANDRIA THE LIBRARY OF ALEXANDRIA CENTRE OF LEARNING IN THE ANCIENT WORLD Edited by Roy MACLEOD I.B.TAURIS www.ibtauris.com Reprinted in 2010 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Revised paperback edition published in 2004 by I.B.Tauris & Co Ltd Paperback edition published in 2002 by I.B.Tauris & Co Ltd First published in 2000 by I.B.Tauris & Co Ltd Copyright © Roy MacLeod, 2000, 2002, 2004 The right of Roy MacLeod to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 85043 594 5 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress Catalog Card Number: available Typeset by The Midlands Book Typesetting Co., Loughborough, Leicestershire Printed and bound in India by Thomson Press India Ltd Contents Notes on Contributors VB Map of Alexandria x Preface Xl Introduction: Alexandria in History and Myth Roy MacLeod Part I. -
11 · the Culmination of Greek Cartography in Ptolemy
11 · The Culmination of Greek Cartography in Ptolemy o. A. w. DILKE WITH ADDITIONAL MATERIAL SUPPLIED BY THE EDITORS By the time of Marinus of Tyre (fl. A.D. 100) and Clau about his work remain unanswered. Little is known dius Ptolemy (ca. A.D. 90-168), Greek and Roman in about Ptolemy the man, and neither his birthplace nor fluences in cartography had been fused to a considerable his dates have been positively established.4 Moreover, extent into one tradition. There is a case, accordingly, in relation to the cartographic component in his writings, for treating them as a history of one already unified we must remember that no manuscript earlier than the stream of thought and practice. Here, however, though twelfth century A.D. has come down to us, and there is we accept that such a unity exists, the discussion is fo no adequate modern translation and critical edition of cused on the cartographic contributions of Marinus and the Geography.5 Perhaps most serious of all for the stu Ptolemy, both writing in Greek within the institutions dent of mapping, however, is the whole debate about of Roman society. Both men owed much to Roman the true authorship and provenance of the general and sources of information and to the extension ofgeograph regional maps that accompany the several versions of ical knowledge under the growing empire: yet equally, the Byzantine manuscripts (pp. 268-74 below). AI- in the case of Ptolemy especially, they represent a cul mination as well as a final synthesis of the scientific tradition in Greek cartography that has been traced through a succession of writers in the previous three 1. -
Time and Religion in Hellenistic Athens: an Interpretation of the Little Metropolis Frieze
Time and Religion in Hellenistic Athens: An Interpretation of the Little Metropolis Frieze. Monica Haysom School of History, Classics and Archaeology Submitted for the Degree of Doctor of Philosophy, Newcastle University, November 2015. ABSTRACT Two stones that form a part of the spolia on the Little Metropolis church (Aghios Eleutherios) in central Athens consist of a frieze depicting a calendar year. The thesis begins with a Preface that discusses the theoretical approaches used. An Introduction follows which, for reference, presents the 41 images on the frieze using the 1932 interpretation of Ludwig Deubner. After evaluating previous studies in Chapter 1, the thesis then presents an exploration of the cultural aspects of time in ancient Greece (Chapter 2). A new analysis of the frieze, based on ancient astronomy, dates the frieze to the late Hellenistic period (Chapter 3); a broad study of Hellenistic calendars identifies it as Macedonian (Chapter 4), and suggests its original location and sponsor (Chapter 5). The thesis presents an interpretation of the frieze that brings the conclusions of these chapters together, developing an argument that includes the art, religion and philosophy of Athenian society contemporary with the construction of the frieze. Given the date, the Macedonian connection and the link with an educational establishment, the final Chapter 6 presents an interpretation based not on the addition of individual images but on the frieze subject matter as a whole. This chapter shows that understanding the frieze is dependent on a number of aspects of the world of artistic connoisseurship in an elite, educated audience of the late Hellenistic period. -
Jones Preprint Precision of Time Observation
CHAPTER 1 PRECISION OF TIME OBSERVATION IN GRECO-ROMAN ASTROLOGY AND ASTRONOMY ALEXANDER JONES * PREPRINT, 2016 * Forthcoming in M. Morfouli and E. Nicolaidis, eds., Time Accuracy in Physics and Astronomy. Alexander Jones Page 1 7/13/19 Abstract This article reviews the evidence for the precision of observed (or allegedly observed) time determinations in the Greek astral sciences. In the practice of astrology, the determination of times—most commonly times of births—was the province of lay observers, and the precision was not normally more refined than to the seasonal hour. In astronomy, the extant observational records show a broad trend towards more refined precision, though the apparent culmination of this trend in Ptolemy is due not only to his employment of the armillary astrolabe as a precision time-telling instrument but also to his penchant for fabrication and tampering in his observation reports. Ptolemy's claims to have attained to unprecedented time precision in the observations on which his tables were ostensibly based likely contributed to their early and widespread adoption by astrologers. Introduction The practice of astrology was one of the most conspicuous points of contact between technical astronomy and the lay public in antiquity. The personal horoscope is the emblematic document of this contact. A client, who could be a person of practically any social status and who would likely be ignorant of all but the most obvious facts of astronomy, provided the astrologer with his or her date, time, and (if not local) place of birth, and the astrologer employed astronomical tables or almanacs to determine the celestial longitudes of the Sun, Moon and planets and the points of the ecliptic that were crossing the horizon and meridian planes at that time and place. -
On Ancient Maps, 135, 144, 145 166 Grenacher, Franz, 27 Periods, 130 of Hecataeus, 134, 135 Grids, 505, 506
General Index Italic page numbers indicate that the topic appears in an illustration Authors are listed in this index only when their ideas or works are or in its caption on the cited page; the topic may also appear in the discussed; full listings of their works as cited in this volume may be text of that page. found in the Bibliographical Index. Aardenburg (Zeeland), 485 Aegean Sea, 133, 387 Agbaron, 265 Abbreviations and Buondelmonti's island book, 482, Agennius Urbicus, 217 on portolan charts, 402 483 Ager arcifinius, 218, 220 Roman, 215, 222 n.42, 223, 226 n.51 on Greek maps, 144, 145 Ager publicus, 222 Aberdeenshire, 82 periploi of, 237 Agisymba, 172, 179, 184, 189 Abraham bar Chiia, 494 on Peutinger map, 240 Agosta (Augusta), 382 Abravannos River, 193, 194 on portolan charts, 421, 438, 448 Agrarian law of 111 B.C., 210 Abu Salabikh, 107 Aelian, 139 Agricola, Gnaeus Julius, 178 Academicians, Platonic, 154 Aenon, 265 Agriculture Acanfora, Maria Ornella, 83, 90 Aerial Photographic Archive for Babylonian, 110 Accuracy Archaeology, 241 n.39 and constellations, 85, 92 of ancient maps, 276 Afonso V (king of Portugal), 315, 324 cultura promiscua, 79 n.119 and cartographic progress, 3-4, 10 Africa. See also Agisymba; Exploration, of and fear, 86 and cosmological maps, 507 Africa; Libya; North Africa Agrigentum, 236 and mappaemundi, 288, 342 Kamal's facsimile atlas for, 18, 294 Agrimensores, 212. See also Corpus of portolan charts, 371, 445, 446 on mappaemundi Agrimensorum Achaea, 328 legendary figures and races, 331, 332, survey methods -
Three Books of Occult Philosophy Or Magic
''^^mm:m;mfi§i0M CORNELL U.JNJIV.ER,SITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN ., 1891 BY HENRY WILLIAMS SAGE Cornell University Library BF1598.A27 02 1898 Three books of occult phijpsophv or magi 3 1924 028 928 236 olin PRINTED IN U.S A. Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028928236 HENRY CORNELIUS AGRIPPA. THREE BOOKS OP OCCUIT PHILOSOPHY OE MAGIC BY THE FAMOUS MYSTIC HENRY CORNELIUS AGRIPPA VON NETTESHEIM COUNSELOR TO CHARLES THE FIFTH, EMPEROR OF GERMANY, AND JUDGE OF THE PREROGATIVE COURT. T BOOK ONE — NATURAL MAGIC WHICH INCLUDES THE EARLY LIFE OF AGRIPPA, HIS SEVENTY-FOUR CHAPTERS ON NATURAL MAGIC, NEW NOTES, ILLUSTRATIONS, INDEX, AND OTHER ORIGINAL AND SELECTED MATTER. EDITED BY WILLIS F. WHITEHEAD By Direction op the Bbotherhood op Magic: THE MAGIC MIRROR A MESSAGE TO MYSTICS OONTAHJIKG FULL INSTRUCTIONS ON ITS MAKE AND USE. " A Quamt ana curious volume of forgotten lore."—PoE. CHICAGO HAHN & WHITEHEAD 1898 r'kTVT Copyrighted, November 17, 1897, by Hahn & Whitehead, Chicago. % /'/' • <?•*•*• * THIS -d WORK & ir OF -k OCCULT * <r PHILOSOPHY, iz •k OE {3 NATURAL • •ft MAGIC, • BY -ft * t::? • -ft • tS • THAT a PURE • -ft • « • lS • ft MYSTIC, * THINKER -ft AND -ft TEACHER, -k SCHOLAR, -ft * STATESMAN, * PHILOSOPHER -ft AND -ft AUTHOR, * * HENRY * CORNELIUS * AGRIPPA * * WAS a BROUGHT -ft FORTH -ft BY ft HIM * THOUGH * ft SLANDER, ft EDICT, *• AND & ENEMIES ft OPPOSED.