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Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
FAR from HOME: Printing Under Extraordinary Circumstances 1917–1963
Catalogue edited by Daša Pahor and Alexander Johnson Design by Ivone Chao (ivonechao.com) Cover: item 5 All items are subject to prior sale and are at the discretion of the vendor. Possession of the item(s) does not pass to the client until the invoice has been paid in full. Prices are in Euros. All items are subject to return within 1 month of date or invoice, provided the item is returned in the same condition as which it was sold. The vendor offers free worldwide shipping. Alle Festbestellungen werden in der Reihenfolge des Bestelleingangs ausgeführt. Das Angebot ist freibleibend. Unsere Rechnungen sind zahlbar netto nach Empfang. Bei neuen und uns unbekannten Kunden behalten wir und das Recht vor, gegen Vorausrechnung zu liefern. Preise verstehen sich in Euro. Rückgaberecht: 1 Monat. Zusendung Weltweit ist kostenlos. FAR FROM HOME: Printing under Extraordinary Circumstances 1917–1963 antiquariat Daša Pahor Antiquariat Daša Pahor GbR Dasa Pahor & Alexander Johnson Jakob-Klar-Str. 12 80796 München Germany +49 89 27372352 [email protected] www.pahor.de 4 Antiquariat Daša Pahor Introduction Far from Home tells the incredible stories of demographically and ideologically diverse groups of people, who published unique and spectacular prose, poetry and artwork under the most trying of circumstances, amidst active war zones or in exile, from the period of World War I through to the era following World War II. The stress and emotional sensations of conflict and displacement were an impetus to create literature of uncommon perceptiveness and candour, and artwork of great virtuosity, the merit of which is only augmented by the artist or printers’ use of uncommon or improvised materials and techniques. -
Book Updates: Slavic Countries & Borderlands
Book updates: Slavic Countries & Borderlands www.pahor.de Please click the images to access descriptions on our web-page. PAN-SLAVISM: DER PANSLAVISMUS: EINE NATIONAL-POLITISCHE BETRACHTUNG [PAN-SLAVISM: A NATIONAL-POLITICAL CONSIDERATION]. An early 20h century book on Pan-Slavism was written in German language and published in 1906 in Celje, now Slovenia. Author: [Leopold LÉNARD (1876-1962)]. Place and Year: Celje: Zvezna trgovina,1906. Technique: 8°: [1] title page, 67 pp., [1] blank, original blue wrappers with gold printed title, original inserted advertisement on pink paper (Very Good, wrappers with small tears and slightly pale on edges, soft folds in edges). Code: 66283 An early 20th century book on Pan-Slavism, a movement to unite the Slavic-speaking peoples, at the time divided under the Austria-Hungary and the Ottoman Empire, includes articles with problematics of mostly Yugoslav nations, as seen throught the eyes of different nations. The book was published anonymously, but the author was Leopold Lénard (1876-1962). Lénard (1876-1962), born in Svibno, Slovenia, studied theology and philosophy in Innsbruck (1902–3), Lwow (1903–4) and Vienna (1904–6). He spent his early years after the studies as a priest in Krakow, Warsaw and Slovenia. Lénard eventually moved to Belgrade, where he joined the radical party. He died there died in 1962. He was known as a publisher of pro-Slavic texts in newspapers and magazines in German Slovenian and Serbian language. References: OCLC 255328471. Pirjevec, Avgust: Lénard, Leopold (1876–1962). Slovenska biografija. Slovenska akademija znanosti in umetnosti, Znanstvenoraziskovalni center SAZU, 2013. http://www.slovenska- biografija.si/oseba/sbi323416/#slovenski-biografski-leksikon (21. -
1 Bibliografija – Bibliography 1969- , Arti Musices
1 BIBLIOGRAFIJA – BIBLIOGRAPHY 1969- , ARTI MUSICES ARTI MUSICES HRVATSKI MUZIKOLOŠKI ZBORNIK CROATIAN MUSICOLOGICAL REVIEW BIBLIOGRAFIJA - BIBLIOGRAPHY (1969- ) IZVORNI ZNANSTVENI ČLANCI / ORIGINAL SCIENTIFIC PAPERS; PRETHODNA PRIOPĆENJA / PRELIMINARY PAPERS; KRATKA PRIOPĆENJA / SHORT PAPERS, STRUČNI ČLANCI / EXPERT PAPERS, PREGLEDNI ČLANCI / REVIEW PAPERS, REFERATI / CONFERENCE PAPERS, SAŽECI MAGISTARSKIH I DOKTORSKIH RADOVA U MUZIKOLOGIJI / SUMMARIES OF M.A. AND Ph.D. THESES IN MUSICOLOGY, RECENZIJE, PRIKAZI, INFORMACIJE O PUBLIKACIJAMA / REVIEWS AND INFORMATION ON PUBLICATIONS, IZVJEŠTAJI / REPORTS, GRAĐA ZA POVIJEST HRVATSKE GLAZBE / DATA FOR HISTORY OF CROATIAN MUSIC, HRVATSKA GLAZBENA TERMINOLOGIJA / CROATIAN MUSICAL TERMINOLOGY, MISCELLANEA, INTERVJU / INTERVIEW, RASPRAVE / DISCUSSIONS, BIBLIOGRAFIJE/DISKOGRAFIJE / BIBLIOGRAPHIES/DISCOGRAPHIES PRVI MUZIKOLOŠKI KORACI / FIRST MUSICOLOGICAL STEPS 2 BIBLIOGRAFIJA – BIBLIOGRAPHY 1969- , ARTI MUSICES 1. IZVORNI ZNANSTVENI ČLANCI – ORIGINAL SCIENTIFIC PAPERS ANDREIS, Josip: Albertijev «Dijalog». O 350-godišnjici objavljivanja (Summary: Giorgio Alberti's Dialogue – 350th Anniversary), 1 (1969) 91-104. ANDREIS, Josip: Glazba u Hrvatskoj enciklopediji s kraja prošlog stoljeća (Summary: Music in the Croatian Encyclopaedia at the End of the 19th Century; Zusammenfassung: Musik in der Kroatischen Enzyklopädie vom Ende des 19. Jahrhunderts), 13/1 (1982) 11-16. ANDREIS, Josip: Musicology in Croatia, Sp. issue 1 (1970) 7-45. ANDREIS, Josip: Muzikologija u Hrvatskoj u razdoblju -
Durham E-Theses
Durham E-Theses Daleki svijet muzikom doku¥en(A distant world touched by music): a contextual and critical study of Yugoslavian music as exemplied in the life and music of Josip Stolcer Slavenski (1896-1955) Spiric, Daniiela How to cite: Spiric, Daniiela (2003) Daleki svijet muzikom doku¥en(A distant world touched by music): a contextual and critical study of Yugoslavian music as exemplied in the life and music of Josip Stolcer Slavenski (1896-1955), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/3141/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 "Daleki svijet muzikom dokucen" ("A distant world touched by music") A Contextual and Critical Study of Yugoslavian Music as Exemplified in the Life and Music of Josip Stolcer Slavenski (1896-1955) By Danijela Spiric Presented for the degree of MA University of Durham, Department of Music 2003 ABSTRACT The core of this study is a contextual, critical and analytical study of the life and work of Josip Stoker Slavenski (1886-1955). -
Jakov Gotovac 1895. - 1982
JAKOV GOTOVAC 1895. - 1982. Katalog djela u fondu Zbirke muzikalija i audiomaterijala Nacionalne i sveučilišne knjižnice u Zagrebu Split, 10.travnja 2018. 1 Predgovor Katalog djela hrvatskog skladatelja Jakova Gotovca (1895. - 1982.) nastao je u povodu 120-te godišnjice njegovog rođenja. Najznačajniji radovi doprinos su afirmiranju i učvršćivanju nacionalnog glazbenog smjera u Hrvatskoj između dva svjetska rata. Bogata ostavština u Zbirci muzikalija i audiomaterijala Nacionalne i sveučilišne knjižnice u Zagrebu, dokaz je plodnog stvaralaštva na područjima solo pjesme, operne, zborske i orkestralne glazbe. U svojim djelima redovito se služio s dva elementa: ljudskim glasom i orkestrom, započevši umjetničko stvaranje na području vokalnih vrsta tj. solo popijevki i zborskih djela, da bi kasnije nastavio sa složenijim oblicima scenskih djela i jednostavačnih simfonijskih skladbi programskog karaktera, te je harmonizirao i obrađivao narodne napjeve. Pristupajući oblikovanju sadržaja svojih djela uzimao je stihove iz narodne lirike i epike, glazbenim sredstvima dočaravao je određenu sredinu i potrebno raspoloženje. Svoje kompozicije obogatio je obilježjima glazbenog folklora ali i mediteranskom raspjevanošću i senzibilnošću. U prvih dvadeset godina rada stvorena su njegova najznačajnija djela, kojima je potvrdio svoj perspektivni skladateljski put i obogatio hrvatsku glazbu tog vremena. Pojedine skladbe rano su privukle pažnju inozemne publike i izdavača, što je pridonijelo njegovoj popularnosti i izvan granica naše domovine. “Živio je uporno svoj dugi vijek bez napuštanja svojih, gotovo polemičkih navika. Znao je braniti svoje životne i umjetničke stavove, baratajući svojstvenim argumentima, tražeći uvijek čvrste protuargumente u slučaju bilo kakvih sukoba mišljenja. Nije to bila tvrdoglavost, već dosljednost stava i uvjerenja da čini onako kako smatra da je ispravno. No nikad nauštrb tuđih mišljenja i stajališta. -
Croatian Musical Heritage As Part of Euro- Mediterranean Culture: Art Music Instruments in | 45 | Dalmatian Museums
SCIENTIFIC ARTICLE CROATIAN MUSICAL HERITAGE AS PART OF EURO- MEDITERRANEAN CULTURE: ART MUSIC INSTRUMENTS IN | 45 | DALMATIAN MUSEUMS IVANA TOMIĆ FERIĆ Arts Academy, University of Split, Croatia ([email protected]) VILENA VRBANIĆ Library of the Academy of Music, University of Zagreb, Croatia The article provides insight into musical sources, collections and instruments throughout the territory of Croatia today, and particularly in the historical province of Dalmatia. The aim is to discover new, previously completely unknown information about Dalmatian musical heritage, as well as European musi- cal heritage preserved in Dalmatia, which testifies to the con- nection of Croatian musical sources to Central European and Mediterranean musical and cultural circles. Centred on instru- ments of art music preserved in Dalmatian museums, the re- search is a contribution to the evidence about the continuity of musical culture in the region. These instruments are a reflec- tion of the rich and developed Dalmatian musical history, the complexity of which stems from a tradition of folk and sacred music that spans centuries and is permeated with various influ- ences. On the other hand, they are evidence of close relations between Dalmatia and Europe, in the past and the present. This also highlights the relevance of the research presented here, in which instruments – as concrete results of intercultural interac- tions – have been analysed in a broader musicological and cul- tural context for the first time. Key words: musical heritage, Dalmatia, Euro-Mediterranean culture, musical instruments, art music, Dalmatian museums Volume 13 | 2020 | Number 2 Ivana Tomić Ferić, Vilena Vrbanić INTRODUCTION When exploring the musical past, we often see that archi- val sources are all that we have left. -
Travelling Through Uncertainty to the Port of Salvation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jewish Digital Library Rikica VOSTREL TRAVELLING THROUGH UNCERTAINTY TO THE PORT OF SALVATION ifka-Rikica Vostrel, nee Altarac, was born in Sarajevo in 1929 to father RLeon Altnracand mntherRoza,nee Atijas. She has a vounger sistei; Lea-Lilika. All members ofRikica У^МгеГ' familv - herfather, mother and sister, survived the Holocaust. After finishing sAdondery school she worked in Split, in the City Headquarters of the Pioneer youth organisation, then in Zagreb and the Central Youth Committee, in the d<^^<^i^^^iee^it for Рњпаак. After her marriage she devoted 11аг8сА1 to her family and began accompanying her husband on his assignments in diplometic missions. She has two sons, two grandchildren and one She lives in Zagreb. Му јоигпеу to Е1 Shatt really began in 1943, in September, when Fascist Italy capitulated. Until then I had lived with my parents in Split where, in June 1942,1 experienced one of the saddest days of my life. This was the day when Fascist units, the so-called Figli de la Lupe (the sons of the wolf) suddenly burst into the Jewish temple. Му father, Leon Altarac, was an employee of the Jewish Com- munity and of the temple, so our family lived in the Community building next door to the temple. 501 The Fascists entered the temple during prayers. Мапу of the con- gregation were beaten and the temple and our apartment were demol- ished. They threw all our things out of the windows and then set fire to them right in the middle of Narodni Square. -
Building Yugoslavia in the Sand? Dalmatian Refugees in Egypt, 1944–1946
ARTICLES ______________________________________________________________________ Building Yugoslavia in the Sand? Dalmatian Refugees in Egypt, 1944–1946 Florian Bieber “In front of us, the task is to build and complete the peoples’ government in exile.” Mate Barbić, 27.11.44.1 30°02’10.2”N, 32°36’47.9”E. A star marks the spot. In the desert east of the Suez Canal, some ten kilometers northeast of the Egyptian city of Suez, a five- pointed star is visible from space. The cemetery in the shape of a Partisan five-pointed star (petokraka) is the only visible reminder in Egypt of 30,000 Yugoslavs who found refuge here during the two years at the cusp of World War Two and the early post-war period, between 1944 and 1946.2 The refu- gees, mostly from Dalmatia, had fled Nazi occupation of the Dalmatian coast following the Italian surrender in September 1943 with the help of the British navy and the Yugoslav partisans.3 They first made their way to southern Italy and later to Egypt. Most found temporary shelter in El Shatt, a former British Army camp prepared to defend Egypt from the Axis campaign in north Africa. Draft versions were presented at the 2017 ASEEES convention in Chicago and the 2017 Brownbag Seminar of the Center for Southeast European Studies, University of Graz. I would like to thank Mateo Bratanić for comments on a draft version of the article. The research for this article mostly draws on the UN archives in New York (UNA), the United Nations Relief and Rehabilitation Administration (UNRRA) that managed the camps from May 1, 1944, and the Državni arhiv u Splitu (Croatian State Archives in Split) (HR-DAST), which hosts most materials of the Central Refugee Committee (Centralni odbor zbjega), the Partisan control organization that managed the camps. -
Iz Korespondencije Antuna Dobronića U Nacionalnoj I Sveučilišnoj Knjižnici U Zagrebu
Iz korespondencije Antuna Dobronića u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu Rakitić, Andrea Master's thesis / Diplomski rad 2021 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, Academy of Music / Sveučilište u Zagrebu, Muzička akademija Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:116:143994 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-03 Repository / Repozitorij: Academy of Music University of Zagreb Digital Repository - DRMA SVEUČILIŠTE U ZAGREBU MUZIČKA AKADEMIJA II. ODSJEK ANDREA RAKITIĆ Iz korespondencije Antuna Dobronića u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu DIPLOMSKI RAD ZAGREB, 2021. SVEUČILIŠTE U ZAGREBU MUZIČKA AKADEMIJA II. ODSJEK Iz korespondencije Antuna Dobronića u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu DIPLOMSKI RAD Mentorica: dr.sc. Lucija Konfic Studentica: Andrea Rakitić Ak. god. 2020./2021. ZAGREB, 2021. Najljepša hvala mojoj mentorici, profesorici Luciji Konfic, i profesorici Vjeri Katalinić na svoj pomoći, podršci, strpljenju i entuzijazmu tijekom izrade ovog rada. Posebno hvala mojoj obitelji i prijateljima bez čije ljubavi i podrške ništa od ovog ne bi bilo moguće. 2 Sažetak Korespondencija hrvatskog skladatelja i glazbenog pisca Antuna Dobronića čuva se najvećim dijelom u Zbirci muzikalija i audiomaterijala Nacionalne i sveučilišne knjižnice u Zagrebu. Ovaj diplomski rad rezultat je popisivanja i analize 792 jedinice ove građe, koje se odnose na vremensko razdoblje od 1887. do 1929. godine. Podaci su organizirani u tablicu u programu Microsoft Excel u vidu kataloga te potom analizirani. Na temelju sadržaja pisama, stvoreno je osam tematskih cjelina: mladost u Dalmaciji, skladateljska djelatnost, publicistička djelatnost, Dobronićev doprinos cecilijanskom pokretu, težnja da napiše djelo o povijesti glazbe na hrvatskom jeziku, korespondencija s hrvatskim i inozemnim nakladnicima, sudjelovanje u organizaciji međunarodne izložbe Musik im Leben der Völker u Frankfurtu 1927. -
Europa Cinema (Foyer) 7:30 PM
30th MUSIC BIENNALE ZAGREB 06—13 04/2019 30th Music Biennale Zagreb is held Table of Content under the high patronage of the President of Republic of Croatia, Kolinda Grabar Kitarović 05 Who is Who at the Pre-biennale Week 30th MBZ 44 Saturday 30/03 10 30th MBZ 46 Tuesday 02/04 15 Music. Sound — City. Space 48 Wednesday 03/04 19 Program block Hommage to Urbofest 1979 52 Thursday 04/04 23 Tiny Nothings — John Cage 58 Friday 05/04 in Zagreb 1985 27 jazz.hr & MBZ Biennale Week 31 Oris: Architecture + Sound 68 Saturday 06/04 35 KNAPPING 86 Sunday 07/04 37 A Festival for the Big Little 114 Monday 08/04 Ones — Music, Space and Me 134 Tuesday 09/04 39 Masterclasses 142 Wednesday 10/04 166 Thursday 11/04 188 Friday 12/04 202 Saturday 13/04 223 Biographies 05 30th Music Biennale Zagreb 30th MBZ Who is Who ORGANISATION OF THE FESTIVAL 2019 MBZ DESIGN Croatian Composers’ Society (HDS) Sven Sorić Hrvoje Spudić HDS Secretary-General Tin Dožić Antun Tomislav Šaban Photographers Vedran Metelko PROGRAMME BOARD OF THE 30TH MUSIC Matej Grgić BIENNALE ZAGREB Tomislav Sporiš Krešimir Seletković, Artistic Director Cameramen for Musical Walks (until 26 March 2018) David Bošnjak Berislav Šipuš (until 26 March 2018) Josip Sunko Nina Čalopek Damir Martinović Mrle Tomislav Oliver TECHNICAL SERVICES AND LOGISTICS Davor Hrvoj (from 26 March 2018) Ivo Josipović (from 26 March 2018) Technical Director Bojan Gagić Creators of programme section Architecture + Sound Technical Managers Marko Slaviček Damir Filipčić Tin Oberman Luka Hrvoj Tomislav Oliver Tehnicians Ivan -
Of Euro-Mediterranean Studies Table of Contents
International Journal of Euro-Mediterranean Studies Table of Contents 3 MediterraneanEDITORIAL scholarly collaboration in the context of the pandemicMediterranean scholarly collaboration in the context of the pandemic Jerneja Penca Penca 11 SCIENTIFIC ARTICLE At the crossroadscrossroads between between East East and and West: West: Activities Activities of professional of femaleprofessional artists infemale a la franca artists cafés in aof la Sarajevo franca cafés of Sarajevo Lana Šehović Paćuka Paćuka 29 ReturnSCIENTIFIC of Serbian ARTICLE chant to Byzantine tradition Return of Serbian chant to Byzantine tradition Vesna Peno,Peno, Ivana Ivana Vesić Vesić 45 CroatianSCIENTIFIC musical ARTICLE heritage as part of Euro-Mediterranean culture:Croatian Artmusical music heritage instruments as part of in Euro-Mediterranean Dalmatian museums culture: Art Ivanamusic Tomićinstruments Ferić, inVilena Dalmatian Vrbanić museums Ivana Tomić Ferić, Vilena Vrbanić 67 SCIENTIFIC(Un)official ARTICLEanthems as a means of the national diplomatic/ (Un)officialstatecraft momentum: anthems as athe means cases of ofthe Zdravljica, national diplomatic/statecraft Hej, brigade and Vstajenjemomentum: Primorske the cases of Zdravljica, Hej, brigade and Vstajenje BoštjanPrimorske Udovič Boštjan Udovič 91 SCIENTIFICThe level of knowledgeARTICLE of financial literacy and risk of the ThePortuguese level of knowledge of financial literacy and risk of the Portuguese Eulália Santos, Fernando Fernando Oliveira Oliveira Tavares Tavares 117 TheREVIEW changing ARTICLE Mediterranean