Make Pop Art Like Warhol

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MAKE POP ART LIKE WARHOL Design your own piece of pop art inspired by this famous artist WHO IS ANDY WARHOL? Andy Warhol is one of the most famous artists, ever. From his soup to his hair, he is an art legend. Andy Warhol was part of the pop art movement. He was born Andrew Warhola in 1928 in Pennsylvania. His parents were from a part of Europe that is now part of Slovakia. They moved to New York in the 1920s. His first job was illustrating adverts in fashion magazines. Now is he known as one of the most influential artists who ever lived! Warhol was gay and expressed his identity through his life and art. During his lifetime being gay was illegal in the United States. WHAT IS HE FAMOUS FOR? He is famous for exploring popular culture in his work. Popular culture is anything from Coca Cola to pop stars to the clothes people like to wear. He made a print of Campbell’s Soup – a popular brand of soup in the United States. He said he ate Campbell’s tomato soup every day for lunch for 20 years! In the 1960s Andy Warhol became known as one of the leading artists of the pop art movement. WHAT IS POP ART? Pop artists felt that art should reflect modern life and so they made art inspired by the world around them – from movies, advertising and pop music to comic books and even product packaging. Find out more in this short film ……. https://www.tate.org.uk/kids/explore/who-is/who-andy-warhol Warhol was famous for exploring everyday and familiar objects in his work, using brands such as Coca- Cola, Brillo and Campbell’s Soup. He liked the idea of taking ordinary things, for example cereal or bananas, and turning them into art. He did this with his famous print of a tomato soup can. He also made a print of every type of soup that Campbell's made! Including the one above, Black Bean. Warhol was very ill as a child, so he spent lots of time in bed. To cheer himself up he read comics and magazines about his favourite characters and movie stars. One of his most famous screenprints is of the Hollywood actress Marilyn Monroe. He made lots of prints of her in different colours including this one called Marilyn Diptych. A diptych is when two canvases side by side are part of the same artwork. Andy Warhol : Marilyn Diptych 1962 MAKE A SELFIE ARTWORK Have a go at making your own artwork like Warhol's. You can be the celebrity! You will need: a smartphone or a digital camera a printer 6 coloured pens or pencils paper So why not give it a go ……. Send us pictures of your Pop Art on Dojo and they can be added to the weekly photo wall !!! .

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Moma Andy Warhol Motion Pictures
MoMA PRESENTS ANDY WARHOL’S INFLUENTIAL EARLY FILM-BASED WORKS ON A LARGE SCALE IN BOTH A GALLERY AND A CINEMATIC SETTING Andy Warhol: Motion Pictures December 19, 2010–March 21, 2011 The International Council of The Museum of Modern Art Gallery, sixth floor Press Preview: Tuesday, December 14, 10:00 a.m. to 12:00 p.m. Remarks at 11:00 a.m. Click here or call (212) 708-9431 to RSVP NEW YORK, December 8, 2010—Andy Warhol: Motion Pictures, on view at MoMA from December 19, 2010, to March 21, 2011, focuses on the artist's cinematic portraits and non- narrative, silent, and black-and-white films from the mid-1960s. Warhol’s Screen Tests reveal his lifelong fascination with the cult of celebrity, comprising a visual almanac of the 1960s downtown avant-garde scene. Included in the exhibition are such Warhol ―Superstars‖ as Edie Sedgwick, Nico, and Baby Jane Holzer; poet Allen Ginsberg; musician Lou Reed; actor Dennis Hopper; author Susan Sontag; and collector Ethel Scull, among others. Other early films included in the exhibition are Sleep (1963), Eat (1963), Blow Job (1963), and Kiss (1963–64). Andy Warhol: Motion Pictures is organized by Klaus Biesenbach, Chief Curator at Large, The Museum of Modern Art, and Director, MoMA PS1. This exhibition is organized in collaboration with The Andy Warhol Museum in Pittsburgh. Twelve Screen Tests in this exhibition are projected on the gallery walls at large scale and within frames, some measuring seven feet high and nearly nine feet wide. An excerpt of Sleep is shown as a large-scale projection at the entrance to the exhibition, with Eat and Blow Job shown on either side of that projection; Kiss is shown at the rear of the gallery in a 50-seat movie theater created for the exhibition; and Sleep and Empire (1964), in their full durations, will be shown in this theater at specially announced times.
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Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113
Andy Warhol and the Dawn of Modern-Day Celebrity Culture 113 Alicja Piechucka Fifteen Minutes of Fame, Fame in Fifteen Minutes: Andy Warhol and the Dawn of Modern-Day Celebrity Culture Life imitates art more than art imitates life. –Oscar Wilde Celebrity is a mask that eats into the face. –John Updike If someone conducted a poll to choose an American personality who best embodies the 1960s, Andy Warhol would be a strong candidate. Pop art, the movement Warhol is typically associated with, flourished in the 60s. It was also during that decade that Warhol’s career peaked. From 1964 till 1968 his studio, known as the Silver Factory, became not just a hothouse of artistic activity, but also the embodiment of the zeitgeist: the “sex, drugs and rock’n’roll” culture of the period with its penchant for experimentation and excess, the revolution in morals and sexuality (Korichi 182–183, 206–208). The seventh decade of the twentieth century was also the time when Warhol opened an important chapter in his painterly career. In the early sixties, he started executing celebrity portraits. In 1962, he completed series such as Marilyn and Red Elvis as well as portraits of Natalie Wood and Warren Beatty, followed, a year later, by Jackie and Ten Lizes. In total, Warhol produced hundreds of paintings depicting stars and famous personalities. This major chapter in his artistic career coincided, in 1969, with the founding of Interview magazine, a monthly devoted to cinema and to the celebration of celebrity, in which Warhol was the driving force. The aim of this essay is to analyze Warhol’s portraits of famous people in terms of how they anticipate the celebrity-obsessed culture in which we now live.
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Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – September 27Th, 2019
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Andy Warhol Who Later Became the Most
Jill Crotty FSEM Warhol: The Businessman and the Artist At the start of the 1960s Roy Lichtenstein, Claes Oldenburg and Robert Rauschenberg were the kings of the emerging Pop Art era. These artists transformed ordinary items of American culture into famous pieces of art. Despite their significant contributions to this time period, it was Andy Warhol who later became the most recognizable icon of the Pop Art Era. By the mid sixties Lichtenstein, Oldenburg and Rauschenberg each had their own niche in the Pop Art market, unlike Warhol who was still struggling to make sales. At one point it was up to Ivan Karp, his dealer, to “keep moving things moving forward until the artist found representation whether with Castelli or another gallery.” 1Meanwhile Lichtenstein became known for his painted comics, Oldenburg made sculptures of mass produced food and Rauschenberg did combines (mixtures of everyday three dimensional objects) and gestural paintings. 2 These pieces were marketable because of consumer desire, public recognition and aesthetic value. In later years Warhol’s most well known works such as Turquoise Marilyn (1964) contained all of these aspects. Some marketable factors were his silk screening technique, his choice of known subjects, his willingness to adapt his work, his self promotion, and his connection to art dealers. However, which factor of Warhol’s was the most marketable is heavily debated. I believe Warhol’s use of silk screening, well known subjects, and self 1 Polsky, R. (2011). The Art Prophets. (p. 15). New York: Other Press New York. 2 Schwendener, Martha. (2012) "Reinventing Venus And a Lying Puppet." New York Times, April 15.
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Warhol, Andy (As Filmmaker) (1928-1987) Andy Warhol
Warhol, Andy (as filmmaker) (1928-1987) Andy Warhol. by David Ehrenstein Image appears under the Creative Commons Encyclopedia Copyright © 2015, glbtq, Inc. Attribution-Share Alike 3.0 Unported license. Entry Copyright © 2002, glbtq, Inc. Courtesy Jack Mitchell. Reprinted from http://www.glbtq.com As a painter Andy Warhol (the name he assumed after moving to New York as a young man) has been compared to everyone from Salvador Dalí to Norman Rockwell. But when it comes to his role as a filmmaker he is generally remembered either for a single film--Sleep (1963)--or for works that he did not actually direct. Born into a blue-collar family in Forest City, Pennsylvania on August 6, 1928, Andrew Warhola, Jr. attended art school at the Carnegie Institute of Technology in Pittsburgh. He moved to New York in 1949, where he changed his name to Andy Warhol and became an international icon of Pop Art. Between 1963 and 1967 Warhol turned out a dizzying number and variety of films involving many different collaborators, but after a 1968 attempt on his life, he retired from active duty behind the camera, becoming a producer/ "presenter" of films, almost all of which were written and directed by Paul Morrissey. Morrissey's Flesh (1968), Trash (1970), and Heat (1972) are estimable works. And Bad (1977), the sole opus of Warhol's lover Jed Johnson, is not bad either. But none of these films can compare to the Warhol films that preceded them, particularly My Hustler (1965), an unprecedented slice of urban gay life; Beauty #2 (1965), the best of the films featuring Edie Sedgwick; The Chelsea Girls (1966), the only experimental film to gain widespread theatrical release; and **** (Four Stars) (1967), the 25-hour long culmination of Warhol's career as a filmmaker.
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The Rise of Pop
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Andy Warhol Knowledge Organiser
Biography Significant Works -Campbell’s Soup Cans consists of 32 canvasses, Key - each of which measure 51cm x 41cm. Each canvass Andy Warhol was an American artist, film Vocabulary Campbell’s contains a painting of one of the 32 varieties of director and producer. soup offered by the company at the time. Soup Cans -The printmaking method was used to produce -Warhol is one of the most famous artists of the (1962) the paintings. The criticism and debate that the th Pittsburgh Warhol 20 Century. work drew helped the rise of pop art, and turned Warhol into one of America’s most famous artists. -He was a leading figure in the art movement -The Marilyn Diptych is a silkscreen painting. known as pop art, from the 1950s to the 1960s. -It contains 50 images of Marilyn Monroe, a America hugely famous American actress and model who -He is most famous for works such as Campbell’s Marilyn died aged 36 in 1962. This was created in the weeks following her death. Soup Cans, Marilyn Diptych and Eight Elvises. Diptych New York (1962) -The 25 images on the left are in colour, the 25 on -Warhol’s works explore advertising and celebrity the right are in black and white, and are faded. -It is thought that the relationship between the culture, which emerged in the 1960s in the United two sides were to represent her life and death. Pop Art States and Europe. -Eight Elvises is another silkscreen painting. -Warhol lived between 1928 and 1987. He was -It contains eight identical images of Elvis Presley -He used a variety of techniques and styles, originally from Pittsburgh, but spent much of Eight in cowboy costume on a silver background.
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Andy Warhol￢ﾀﾙs Deaths and the Assembly-Line Autobiography
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Warhol, Recycling, Writing
From A to B and Back Again: Warhol, Recycling, Writing Christopher Schmidt I, too, dislike it—the impulse to claim Warhol as silent underwriter in virtually any aesthetic endeavor. Warhol invented reality television. Warhol would have loved YouTube. Jeff Koons is the heterosexual Warhol. It’s Warhol’s world; we just live in it. Is there a critical voice that does not have a claim on some aspect of the Warhol corpus, its bulk forever washing up on the shore of the contemporary? However much I suffer from Warhol fatigue, a quick perusal of The Philos- ophy of Andy Warhol: From A to B and Back Again is sufficient to pull me back into the camp of Warhol boosters. I first discovered this 241-page little red book—the paperback is designed to look like a Campbell’s soup can—as a college student in the late 90s, when its sunny subversiveness and impatience with all things “intel- lectual” buoyed my spirits through the longueurs of New England winters. Warhol’s charm, the invention and breadth of his thought, thrilled me then and delights me still. The gap between my affection for the book and critical dismis- sal of it begs explanation and redress. Though overlooked as literature, The Philosophy is often mined by critics as a source for Warhol’s thought and personal history without due consideration given to the book’s form or its status as a transcribed, partially ghostwritten per- formance. Instead, Warhol’s aperçus are taken as uncomplicated truth: from Warhol’s brain to my dissertation.
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Part Two: Synaesthetic Cinema: the End of Drama
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The Films of Andy Warhol Stillness, Repetition, and the Surface of Things
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Warhol's Aesthetics Jonathan Flatley Wayne State University, [email protected]
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