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Boston Symphony Orchestra Concert Programs, Season 49,1929-1930

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Boston Symphony Orchestra Concert Programs, Season 49,1929-1930 ACADEMY OF MUSIC . BROOKLYN Friday Evening, April 11, at 8.15 Under the auspices of the Brooklyn Institute of Arts and Sciences and the Philharmonic Society of Brooklyn PRSGRKttttE iff cV The PLAZA, New York Fred Sterry John D. Owen President Manager M^Iflifill The Savoy-Plaza T^Copley-Plaza Arthur L. Race Henry A. Rost New York DOSton President Managing Director Jlotels of ^Distinction Unrivalled as to location. Distin- guished throughout the World for their appointments and service. ^5j ACADEMY OF MUSIC BROOKLYN FORTY-NINTH SEASON 1929-1930 INC. Dr. SERGE KOUSSEVITZKY, Conductor FRIDAY EVENING, APRIL 11, at 8.15 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1930, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E JUDD, Assistant Manager the STEINWAY that you buy II today will serve your children's children three ordinary pianos, besides giving you the depth and beauty of tone which only a Steinway can give There are many models and pri< Make your visit to your neat Steinway dealer—today. I i w things today are really built to la-t . But the Steinway is a notable A nciv Steinway Upright piano can be bought for #a75 exception Ii is made like a watch, inside and <»m. Only the finest work- transportatioi manship and materials enter into it. balance in 1 ©% down two years For 30, 10 <»r 50 years and more it \ny Steinway piano may he purchase w i 1 1 continue t<> bring delighl and with ;i <;i-li deposit of 10%, and the bal will period of tw< entertainment i<> \<>ur family* . once be extended over n years, Used pianos accepted in pnrtia ^ (in nerd never l»n\ another piano! exchange. Such durability a- llii- sprlln real Stkinway & Sons. Steinway Hal will economy. The Steinwai outlast 109 We i 57th Street, New York THE i\STitlMi:\ ST K I XWAY OF THE iMMOHTAl Represented in llnilon ami other Nm Borland oitici hy M.Strinrrt t\ Sons Forty-ninth Season, 1929-1930 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. ' Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P Concert-master Kreinin, B. Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Thillois, F. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A Arti&res, L. Cauhap6, J. Bernard, A. Werner, H. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L Basses. Kunze, M. Lemaire, J. Ludwig, 0. Girard, H. Kelley, A. Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Demetrides, L. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Hamelin, G Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Allegra, E. Bettoney, F. (E-flat Clarinet] Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Boettcher, G. Valkenier, W. Mager, G. Raichman, J. Pogrebniak, S. Schindler, G. Voisin, R. Rochut, J. Van Den Berg, C. Lannoye, M. Lafosse, M. Hansotte, L. Lorbeer, H. Blot, G. Perret, G. Kenfield, L. Mann, J. Adam E. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, E Ritter, A. Ludwig, C. Adam, E. Caughey, E. Polster, M. Sternburg, S. White, L. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. J. ! ABRAHAM <f FULTON ST. at HOYT . *y* TO O YOU 1 33 CAN S afford the right style TX the old days — not so very long ago at that — be- fore you could be stylish, you simply had to be rich. In the last few years, right under our very noses and so close that some folks still don't realize it, there has been a change. Style can no longer be measured in terms of how much you spend. That is the truth. Every department store, every fashion expert, every interior decorator, knows it. We know it in this store, and it has been our guiding principal for a long time. This is how it works. We learn of practically every important style development almost as soon as it happens. We watch it. Some of these new styles fall on Btony ground and never do i^row. But those that show promise get our enthusiastic support. As quickly as brains and hands can do their work, these new styles arc brought into this store and this is (he vital thing offered at a price you are glad to pay. I Occasionally (very seldom) another store is ahead of tie .1 few days. .More often we are ahead of the others. Bui practically never will you find that our price for the right styles ran be bettered. Any day we arc pre- pared fco prove to you that "You CAN afford the right M StyU at ABRAHA \l A STRA I S. YES YOU CAN ACADEMY OF MUSIC BROOKLYN Forty-second season in Brooklyn Forty-ninth Season, 1929-1930 Dr. SERGE KOUSSEVITZKY, Conductor FIFTH CONCERT FRIDAY EVENING, APRIL ! 1 AT 8.15 PROGRAMME Beethoven Overture to "Leonore" No. 3, Op. 72 Beethoven . Concerto for Pianoforte No. 4, in G major, Op. 58 I. Allegro moderate ( II. Andante con moto. I III. Rondo vivace. Brahms Symphony No. 2, in D major, Op. 73 I. Allegro non troppo. II. Adagio non troppo. III. Allegretto grazioso, quasi andantino. IV. Allegro con spirito. SOLOIST ARTUR SCHNABEL BECHSTEIN PIANO There will be an intermission of ten minutes after the concerto 5 Raymond-Whitcomb announce ROUND THE WORLD CRUISE To sail January 21, 1931 CThe Cruise Ship will again be the "Columbus" — which is the largest and fastest ship ever to sail round the world. Because of her superior speed, the time spent at sea will be less than on other cruises — and the length of the Cruise will be reduced to 107 days without reducing the number of places visited or the shore programs. -^ With visits to all the usual Round-the-World-Cruise countries and to Penang, Malacca, Zamboanga, Alacassar — and trips to Bali and Angkor Wat. $2000 and up. MEDITERRANEAN CRUISE To sail January 31, 1931 CThis cruise is timed to be in Nice for the famous Carnival. It will visit five of the larger and historic Mediterranean islands — Sicily, Malta, Cyprus, Rhodes and Corsica — and several of those smaller Mediterranean cities which are truly typical — as Palermo, 'Taormina. GattOfO and Ragusa. With ten days in Egypt and the usual visits to Algiers, Tunis, Naples, Venice, Constantinople, Atlxti\ and the Riviera. Rates, $1000 and upward. North Cttpt Cruise, June 14, 19 10 Laml Cmistt in America Tours and Independent I i it's to huro/x; RAYMOND & WHITCOMB COMPANY 670 FIFTH AVENUE, Telephone Volunteer 3400 225 FIFTH AVENUE, Telephone Aahland 9530 : Overture to "Leonore" No. 3, Op. 72 . Ludwig van Beethoven (Born at Bonn, December 16 (?), 1770; died at Vienna, March 26, 1827) Beethoven's opera, "Fidelio, oder die eheliche Liebe," with text adapted freely by Joseph Sonnleithner from the French of Bouilly ("Leonore; ou L'Amour Conjugal/' a "historical fact" in two acts and in prose, music by Gaveaux, Opera-Comique, Paris, February 19, 1798), was first performed at the Theatre an der Wien, Vienna, November 20, 1805, with Anna Pauline Milder, afterwards Mme. Hauptmann, as the heroine. The other parts were taken as follows Don Fernando, Weinkopf ; Don Pizarro, Meier; Florestan, Demmer; Rocco, Rothe; Marzelline (sic), Miss Mtiller; Jacquino, Cache; Wachthauptmann, Meister. "The opera was hastily put upon the stage, and the inadequacy of the singers thus increased by the lack of sufficient rehearsals." Beethoven had received the text in 1804. He worked on the music the following summer at Hetzendorf . On his return to Vienna, rehearsals were begun. In later years Fidelio was one of Anna Milder's great parts : "Judging from the contempo- rary criticism, it was now (1805), somewhat defective, simply from lack of stage experience." In the year that saw the production of "Fidelio," Napoleon's army was hastening toward Vienna. There was an exodus from the town The Color of the Great Symphonies Captured to the Most Subtle Degree by Victor Records and ViEtor ^Albums Victor records and Victor albums are so nearly perfect in their rendition of these musical gems that they rival the original recitations. In these records the fire, energy and enthusiasm of the old or contemporary masters is so real- istic that one may close his eyes and easily imagine him- self at the original hearing. Included in these collections are these records by Seige Koussevitsky and the Boston Symphony Orchestra. Surprise Symphony No. 6 in G major $6 Petrouchka Suite, Appolon Musagite Ballet 6 MUSIC SALON — FOURTH FLOOR LOESER'S entail and Telephone Orders niton at Bond. Brooklyn, Triangle 81 OO Carefully attended tO ; of tlu' nobility, merchants, and other residents. The vanguard of the French army entered on November L3. Those of the Viennese who would have appreciated the opera had fled the town. The theatre was not well tilled. Many in the audience were or had been Officers in Napoleon's army.
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