Julie Nightingale Hair and Make-Up Designer

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Julie Nightingale Hair and Make-Up Designer www.julienightingale.co.uk Film & Television Director Production Co & Producer Actors FACE TO FACE Dries Vos Eagle Eye Productions James Nesbitt Ed King Joley Richardson Antonia Thomas Richard E Grant Anne Marie Duff PEAKY BLINDERS Anthony Byrne Caryn Mandabach Productions Cillian Murphy Series 6 David Caffery BBC Paul Anderson Chris Ballantyne Helen McCrory JOSH David Schneider BBC Josh Widdicombe Series 2 & 3 Simon Mayhew Archer Elis James Beattie Edmondson Jack Dee Jennifer Saunders CHICKLIT Tony Britten Capriol Films John Hurt Coach House Films Eileen Atkins Phil Partridge Christian McKay Dakota Blue Richards JONATHAN CREEK David Sant BBC Alan Davies Series 5 Rosemary McGowan Sarah Alexanda DEATH IN PARADISE Dusan Lazarevic Red Planet Productions Don Warrington Series 3 Cilla Ware Tim Bradley Kris Marshall Sara Martins Ben Miller BIG BAD WORLD Sandy Johnson Comedy Central Films Blake Harrison Kate Daughton David Fynn Seann Walsh PARENTS Simon Delaney Objective Productions Sally Phillips Ben Farrell Tom Conti PHONESHOP Phil Bowker TalkBack Productions Emma Fryer Phil Bowker Tom Bennett Andrew Brooke PRIMEVAL Cilla Ware ITV Productions Hannah Spearritt Series 3 Mark Everest Tim Bradley Andrew Lee Potts Tony Mitchell Ben Miller Juliet Aubrey SILENT WITNESS Various BBC Emilia Fox Series 9 - 12 Tim Bradley Tom Ward George Ormond William Gaminara THE BUNKER Rob Green Millennium Pictures Jason Flemyng Daniel Figuero Eddie Marsan Jack Davenport MEAN MACHINE Barry Skolnick SKA Films Vinnie Jones Matthew Vaughn David Hemmings Jason Statham D-DAY Richard Dale Dangerous Films Tim Bentinck Tim Bradley Tom Brooke Albert Welling - 1 - Selected Hair and Make-Up Supervisor and Artist credits THE CROWN IV Ben Caron Left Bank Pictures Olivia Coleman Jess Hobbs Netflix Tobias Menzies Julian Jarrold Andy Stebbing Helena Bonham Carter Michael Casey Josh O Conner JACK RYAN Various Amazon Studios Jose Luis Escolar Nazrin Choudhury Robert F Phillips THE ROMANOFFS Matthew Weiner Amazon Studios Diana Lane Nick Pitt JJ Field John Slattery PEAKY BLINDERS David Caffrey Caryn Mandabach Cillian Murphy Series 3 & 4 Productions Paul Anderson Joe Donaldson Helen McCrory WITLESS Andrew Chaplin Objective Productions Kerry Howard Series 2 & 3 Charlotte Lewis Zoe Boyle Nicholas Fruin ALIEN AUTOPSY Jonny Campbell Fragile Films Declan Donnelly Barnaby Thompson Anthony McPartlin Bill Pullman John Shrapnel NATHAN BARLEY Christopher Morris TalkBack Productions Nicholas Burns Derrin Schlesinger Julian Barratt Ben Whishaw Richard Ayoade Music Promos (selected credits) Daniel Be uitos / Matthew Amos Ba Rob Sanders CS / Alak Keshishian Activate / Vito Rocco Dav P Commercials (selected credits) Johnson & Johnson / HLA Omega Watches / Picture Production Company HP Sauce / HLA Sharp / Grasshopper Films Bacardi x 2 / Godman Limited Philadelphia Cheese x2 / HLA Police Sunglasses Launch / MCM Puma / Harry Nash Carphone Warehouse / HLA Blockbuster Video / HLA Crunchy Nut Cornflakes / HLA Marks & Sparks / HLA - 2 - .

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Shakespeare's Humanizing Language in Films and TV Series
Shakespeare's Humanizing Language in Films and TV Series Sarah Hatchuel, University Paul-Valéry Montpellier 3 Abstract If Harold Bloom presented Shakespeare, in a rather essentialist way, as the author who invented the Human, US television series project Shakespeare as a playwright who conveys a humanity in constant redefinition, reconstruction and reassertion. Shakespeare is not mobilized to define the Human in a fixed way, but rather contributes to an extension of what we consider human. In such science fiction series as Star Trek, Person of Interest or Westworld, Shakespeare's words become the signs through which machines and robots reveal that they are becoming human or rather that they had always already been human. This dialogue between Shakespeare and "post-human" series echoes that established in The Elephant Man filmed in 1980 by David Lynch, a director who has invested the fields of both cinema and television. Humanizing the Post-Human This essay explores scenes from films and television series in which Shakespeare's sixteenth- century language is appropriated by so-called "freaks" or post-human androids; it argues that Shakespeare's words contribute to constructing a humanizing perspective on what could first appear "alien." In a 1999 book entitled Shakespeare: The Invention of the Human, Harold Bloom presents Shakespeare as the author who invented the "Human" through characters who thought aloud, reflected on their actions and revealed their psyches to us: Shakespeare would have engendered what we conceive as psychological inwardness and would thus have literally created the way we think about ourselves as humans and as subjective beings.
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The Gruffalo Press Release
! ! ! ! Listing details: LONG SHORTS: The Gruffalo and The Gruffalo’s Child When: 11am on Tuesday 8th, Wednesday 9th, Thursday 10th, Wednesday 16th, Thursday 17th, Friday 18th of July Where: The New Zealand Film Archive, 84 Taranaki St, Wellington. Cost: Pay your age up to 6 years. 6 and over $6 !ALL AGES !FOR IMMEDIATE RELEASE LONG SHORTS! The Grualo and The Grualo's Child ! The New Zealand Film Archive, in partnership with Square Eyes - New Zealand Children's Film Foundation, are thrilled to present not one, but two award winning, animated films. These are based on the classic children's picture books written by Julia Donaldson and illustrated by Axel Scheffler. Come join the Gruffalo and friends, voiced by the brilliant Helena Bonham Carter, Rob Brydon, Robbie Coltrane, James Corden, John Hurt and Tom Wilkinson. ! The Gruffalo, first published in 1999, has been described as a ‘modern classic’ (The Observer). It has sold more than four million copies and was voted the UK's favourite bedtime story by 20,000 BBC Radio 2 listeners. Written by Julia Donaldson and illustrated by Axel Scheffler, The Gruffalo has been translated into 52 different languages. A follow-up, The Gruffalo’s Child, was published in 2004 and !has been equally loved. The films based on these beloved books have proved a hit with audiences around the world. On top of its Academy Award and BAFTA nominations, The Gruffalo has also been awarded prizes at numerous festivals including Annecy International Animation Festival (France), Anima Mundi (Brazil), The Broadcast Awards 2011 (UK), Prix Jeunesse (Germany), and also nominated for the prestigious Cartoon d'or 2011.
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Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
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PRODUCTION NOTES BBC FILMS and HBO FILMS
PRODUCTION NOTES BBC FILMS and HBO FILMS PRESENT THE SPECIAL RELATIONSHIP 92 minutes SHORT SYNOPSIS Coined by Prime Minister Winston Churchill, the term “special relationship” has come to represent the exceptionally close political, diplomatic, cultural and historical relations between Great Britain and the United States. Some transatlantic alliances have been more potent and more personal than others, among them Winston Churchill and Franklin Roosevelt; John F. Kennedy and Harold Macmillan; Margaret Thatcher and Ronald Reagan; and Tony Blair and Bill Clinton. At least for a time. THE SPECIAL RELATIONSHIP follows Blair’s journey from political understudy waiting in the wings of the world arena to accomplished prime minister standing confidently in the spotlight of center stage. It is a story about relationships, between two powerful men, two powerful couples, and husbands and wives. The time is 1996, and the Blairs and the Clintons are a unique foursome – each of them an extremely bright lawyer – with a kinship forged in shared ideology and genuine affection. When world events and personal watersheds shake the very foundation of their relationship, the men and their wives must come to terms with the ephemeral nature of power and, oftentimes, friendship. As the film begins, there are many similarities between Tony Blair and Bill Clinton, both center-left politicians driven by personal ambition, yet equally driven by a belief they can change the world and do a great deal of good. What starts as the formality of friendship between two national figures evolves into a genuine connection, a meeting of kindred spirits, of ideological soul mates in their domestic agendas.
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Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
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Little Angel Theatre Announces Macbeth Soundtrack Casting
Little Angel Theatre, 14 Dagmar Passage, London N1 2DN www.littleangeltheatre.com / Box Office 020 7226 1787 PRESS RELEASE: LITTLE ANGEL THEATRE ANNOUNCES MACBETH SOUNDTRACK CASTING A group of extraordinary actors are joining Little Angel Theatre to record the soundtrack of its puppetry production of MACBETH. The stunning visual imagery of the production’s puppetry will be matched by a world class vocal soundtrack, which opens for previews on 5th October (press show 10th October, 7.30pm). The role of Macbeth will be played by Nathaniel Parker, recently seen in the West End production of The Audience, starring Dame Helen Mirren, and well-known for his role in the BBC’s Inspector Lynley Mysteries. Nathaniel began his career at the RSC and returns to them for their 2013 winter season. Award-winning actress Helen McCrory will play the part of Lady Macbeth. Helen has had a wide career in theatre, film and TV, including a 2006 Olivier Award nomination for her role in As You Like It. In the same year she also appeared as Cherie Blair in the film The Queen. In 2012 she appeared in The Last of the Haussmans at the National Theatre, and has been seen recently in the James Bond film Skyfall and as Narcissa Malfoy in the Harry Potter films. Donald Sumpter will play the part of King Duncan, drawing on considerable previous Shakespearean experience in roles such as Claudius (Hamlet at Young Vic) and Marcus Andronicus (Titus Andronicus for the RSC). TV viewers will know him from his role as Kemp in Being Human and Maester Luwin in the HBO series Game of Thrones.
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Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
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The Physician at the Movies
The physician at the movies Peter E. Dans, MD Tinker Tailor Soldier Spy Starring Gary Oldman, Mark Strong, Colin Firth, and Tom Hardy. Directed by Tomas Alfredson. Rated R. Running time 130 minutes. ostreadersareprobablyfamiliarwithJohnLe Carrewhowrotethebookonwhichthismovie isMbased.1LeCarre(akaDavidCornwell)wasamem- ber of the British foreign service from 1959 to 1964. Hehaswrittentwenty-onenovels,thebest-knownof which is The Spy Who Came in from the Cold. The latter was made into a movie, as were seven others includingThe Constant Gardener,The Russia House, andThe Little Drummer Girl.Hisbestbooksconcern the intrigues inside the British intelligence service MI-6duringtheColdWar,whenMI-6wassparring withtheintelligenceservicesoftheSovietUnion,East Germany,andeventheUnitedStates. The movie principally deals with the existence withinMI-6ofahighlyplacedmoleordoubleagent turned by the Russian spymaster Karla, and the at- tempt to discover his identity. Not having read the booknorwatchedtheacclaimedBBCminiseries,Ihad somedifficultygettingintothemovie.Therearemany threadstothestory,whichthedirectorintroducesin From left, Gary Oldman and John Hurt in Tinker Tailor Soldier Spy (2011). fragmentsbeforehoppingtoanotheroneinflashbacks. Focus Features/Photofest. Inaddition,thecentralcharacter,GeorgeSmiley(Gary Oldman),saysverylittleforthefirsttwentyminutesof thefilm,and,whenhedoes,heisverylaconic.Ifinally didfigureoutwhatwasgoingonandcameawayacceptingthat countingcherrystones,waistcoatbuttons,daisypetalsorthe itwasathinkingperson’smovieandworthseeing,especially
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The Deep Blue Sea
National Theatre Live broadcasts Terence Rattigan’s devastating masterpiece THE DEEP BLUE SEA from the Lyttelton stage to cinemas across the globe from 1 September ★★★★★ ‘This production is a stand-out. Helen McCrory is fantastic. Carrie Cracknell directs with total assurance’ The Times ★★★★★ ‘Stunning. Exquisitely sad. Beautifully judged’ Time Out ★★★★ ‘Intoxicating. Splendid new production. Tom Burke is excellent.’ Daily Telegraph ★★★★ ‘Helen McCrory floors you’ Sunday Times Carrie Cracknell’s acclaimed National Theatre production of Terence Rattigan’s, THE DEEP BLUE SEA will be broadcast live to cinemas around the world from the National’s Lyttelton Theatre on 1 September at 7pm. The Deep Blue Sea directed by Carrie Cracknell production designed by Tom Scutt, lighting by Guy Hoare, music by Stuart Earl, sound by Peter Rice and movement direction by Polly Bennett. Helen McCrory plays Hester Collyer; the full cast is James Alper, Marion Bailey, Katy Brittain, Tom Burke (Freddie Page), Hubert Burton, Adetomiwa Edun, Elsie Fallon, Nick Figgis, Nick Fletcher, Yolanda Kettle, Andrew Lewis, and Peter Sullivan. A flat in Ladbroke Grove, West London. 1952. When Hester Collyer is found by her neighbours in the aftermath of a failed suicide attempt, the story of her tempestuous affair with Freddie Page, a former RAF pilot and the breakdown of her marriage to a High Court Judge begins to emerge. With it comes a portrait of need, loneliness and long-repressed passion. Behind the fragile veneer of post-war civility burns a brutal sense of loss and longing. Terence Rattigan was one of the most influential playwrights of the mid-20th century.
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22 Poster 27 Oct.Pub
ABOUT THE MOVIES MOVIE PROGRAMME OCT-NOV 2014 AUNTY AND THE STAR PEOPLE NZ 1h22 Documentary Documentary exploring the double life of Jean Watson - an anony- Fri 24 5.00 Postman Pat (PG)(Final) mous elderly writer living in a modest flat in Wellington New Zea- land. But in southern India, she is revered as the famous ‘Jean 8.00 Pride (M) Aunty’. 30 years ago she sold her Wellington house and used the Sat 25 8.00 ALLSHORTS Golden Bay’s Short Film Festival proceeds to buy the land for a children’s home in Tamil Nadu in Tickets $15 Golden Bay Gallery southern India. COMMEDIA DELL’ARTE PERFORMANCE Tickets from De-Lish Sun 26 5.00 NT Live Presents: Medea Admission $20/25 Actor, story teller, artist and teacher Ralph Johnson will perform 8.00 The Lunch Box (PG) classical theatre, accompanied by performers under his direction, who attended the Commedia Dell’Arte mask making workshop the Mon 27 5.00 Aunty and the Star People (PG) previous week at Tui Events Park. 8.00 Pride (M) THE DEADLANDS (R16) 1h47 NZ Period Action-Adventure Maori history is brought alive in this period-set action-adventure based on the traditional fighting art of Mau rākau. After his tribe is Wed 29 7.30 Commedia Dell”Arte Performance slaughtered through an act of treachery, the chieftan's teenage Thu 30 2.00 MATINEE: Hip Hop-eration (PG) son Hongi (James Rolleston, Boy) must avenge his father's death in order to bring honour to the souls of his loved ones.
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JOHN CARTER Production Notes
JOHN CARTER (2012) PRODUCTION NOTES JOHN CARTER Production Notes Release Date: March 9, 2012 (3D/2D) Studio: Walt Disney Pictures Director: Andrew Stanton Screenwriter: Andrew Stanton, Mark Andrews, Michael Chabon Starring: Taylor Kitsch, Lynn Collins, Samantha Morton, Mark Strong, Ciaran Hinds, Dominic West, James Purefoy, Daryl Sabara, Polly Walker, Bryan Cranston, Thomas Hayden Church, Willem Dafoe Genre: Action, Adventure, Sci-Fi MPAA Rating: PG-13 (for intense sequences of violence and action) Official Website: Disney.com/JohnCarter From Academy Award®–winning filmmaker Andrew Stanton comes "John Carter"—a sweeping action- adventure set on the mysterious and exotic planet of Barsoom (Mars). "John Carter" is based on a classic novel by Edgar Rice Burroughs, whose highly imaginative adventures served as inspiration for many filmmakers, both past and present. The film tells the story of war-weary, former military captain John Carter (Taylor Kitsch), who is inexplicably transported to Mars where he becomes reluctantly embroiled in a conflict of epic proportions amongst the inhabitants of the planet, including Tars Tarkas (Willem Dafoe) and the captivating Princess Dejah Thoris (Lynn Collins). In a world on the brink of collapse, Carter rediscovers his humanity when he realizes that the survival of Barsoom and its people rests in his hands. © 2012 Walt Disney Pictures 1 JOHN CARTER (2012) PRODUCTION NOTES SYNOPSIS Walt Disney Pictures presents the epic, action-adventure film "John Carter," based on the Edgar Rice Burroughs classic, "A Princess of Mars," the first novel in Burroughs Barsoom series. 2012 marks the 100th anniversary of Burroughs' character John Carter, the original space hero featured in the series, who has thrilled generations with his adventures on Mars.
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All the Fun of the Fare
FEATURE FoCUS n MArkEt bUzz n AlliAnCE FilMS n CnC n zEntropA n EUropE’S FilM tAx CrEditS n SightSEErS (Clockwise from left) Speranza13 Media’s Romeo & Juliet; Recreation’s Red Hook Summer; Jennifer Lawrence; Arnold Schwarzenegger; Exclusive Media’s Look Of Love; Matt Damon; Kristen Stewart; Liam Hemsworth All the fun of the fare As the Cannes Marché opens for business, Screen looks at the hottest titles debuting at the market — at all stages of production — from the US, Europe and across Asia US sellers thriller Lone Survivor, which starts shooting Sep- tional and along with head of sales Nadine de Bar- tember 15. ros will take point on the Robert Rodriguez duo By Jeremy Kay Panorama Media, the new player backed by Frank Miller’s Sin City: A Dame To Kill For in 3D Lionsgate’s Patrick Wachsberger and Helen Lee Megan Ellison and run by Marc Butan and sales and Machete Kills (both in pre-production). Kim will kick off pre-sales on Catching Fire, the head Kim Fox, will introduce buyers to Kathryn Camela Galano’s Speranza13 Media will show a aptly named sequel to this year’s $625m-plus Bigelow’s Osama Bin Laden project Zero Dark promo from Romeo & Juliet based on Julian Fel- indie global behemoth The Hunger Games. The Thirty, currently shooting. lowes’ adapted screenplay. Hailee Steinfeld from merger with Summit has added thriller Red 2 (in Stuart Ford and sales chief Jonathan Deckter of True Grit stars alongside Douglas Booth. pre-production) to the pipeline. Other hot titles IM Global arrive on the Croisette with Robert The Solution Entertainment Group principal are Roman Polanski’s thriller D and Denis Ville- Luketic’s corporate espionage thriller Paranoia, to Lisa Wilson arrives with thriller Grand Piano neuve’s Prisoners.
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