DOCSLIB.ORG

Fondo A135 Funtsa Colección Elías San Millán Bilduma INVENTARIO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fondo A135 Funtsa Colección Elías San Millán Bilduma INVENTARIO Fondo A135 Funtsa Colección Elías San Millán Bilduma INVENTARIO - INBENTARIOA Errenteria 12/9/2016 12/09/2016 Página 1 Signatura Encabezamiento Título Año ed. GA135-0001 Tchaikovsky, Peter Ilich1840-1893 Sinfonía Núm. 4 en sol menor [sic], Op. 36 1963 GA135-0002 Tchaikovsky, Peter Ilich1840-1893 Sinfonía n.º 6 en si menor, Op. 74. Patética 1963 GA135-0003 Tchaikovsky, Peter Ilich1840-1893 Concierto para violín en re mayor, Op. 35 1963 GA135-0004 Tchaikovsky, Peter Ilich1840-1893 Cascanueces: Op. 71 1963 GA135-0005 Stravinsky, Igor1882-1971 Le Sacre du Printemps 197 GA135-0006 Brahms, Johannes1833-1897 Symphony no. 1, in C minor, op. 68 1964 GA135-0007 Shostakovich, Dmitrii Dmitrievich1906-19 Symphony #6, op. 54 1958 GA135-0008 Granados, Enrique1867-1916 Danzas españolas: versión completa 1959 GA135-0009 Guridi, Jesús1886-1961 Diez melodías vascas; Amaya 1958 GA135-0010 Beethoven, Ludwig van1770-1827 Concierto para violín y orquesta, en re mayor, Op. 1964 GA135-0011 Vivaldi, Antonio,1678-1741 Las cuatro estaciones: de "Il cimento dell'armonia 1958 GA135-0012 Khachaturian, Aram Il´ich,1903-1978 Gayne ballet suite 1960 GA135-0013 Stravinsky, Igor1882-1971 Las Bodas; La historia del soldado : suite para or 1965 GA135-0014 Chaikin, N(Nikolai)1915-2000 Concerto for accordion 1965 GA135-0015 Trios by Haydn, Khachaturian, Taneyev 1963 GA135-0016 Lasso, Orlando di1532-1594 Prophetiae Sibyllarum; Missa "Ecce nunc benedicite 1965 GA135-0017 Prokofiev, Sergey1891-1953 Pedro y el lobo 1948 GA135-0018 Turina, Joaquín1882-1949 La procesión del Rocío; Danzas fantásticas ; Sinfo 1958 GA135-0019-0020 Albéniz, Isaac1860-1909 Iberia; Navarra 1958 GA135-0021 Bach, Johann Sebastian1685-1750 Magnificat in D; Cantata no.51 : Jauchzet Gott in 1964 GA135-0022 Grieg, Edvard1843-1907 Concierto en la menor, Op. 16; Danzas noruegas : o 1963 GA135-0023 Purcell, Henry1659-1695 Sonata for trumpet and strings; The virtuos wife ; 1964 GA135-0024 Vivaldi, Antonio,1678-1741 Cuatro conciertos para dos violines y orquesta 1964 GA135-0025 Vivaldi, Antonio,1678-1741 Concierto para violín, clavecín y cuerdas en re ma 1965 GA135-0026 Spanish medieval music 1962 GA135-0027 Renaissance Festival Music 1963 GA135-0028 Bach, Johann Sebastian1685-1750 Chacone and shorter pieces transcribed for guitar; 1953 GA135-0029 Debussy, Claude1862-1918 La mer 1963 GA135-0030 Shostakovich, Dmitrii Dmitrievich1906-19 El canto de los bosques: oratorio para tenor, bajo 1960 GA135-0031 Shostakovich, Dmitrii Dmitrievich1906-19 Concerto for piano, trumpet and strings, op. 35; S 1954 GA135-0032 Telemann, Georg Philipp,1681-1767 Sonata in D minor for flute, oboe & continuo; Trio 1965 GA135-0033 Guarnieri, Camargo,1907-1993 Three dances for orchestra 196 GA135-0034 Cererols, Joan1618-1680 Magnificat: para dos sopranos solistas, doble coro 1965 GA135-0035 Galve, Luis Sonatas antiguas españolas 1962 GA135-0036 French and italian song of the 15th century 1964 GA135-0037 Schoenberg, Arnold1874-1951 Serenade, op.24 (1923) 1949 GA135-0038 Chopin, Frédéric1810-1849 Preludios, op.28 1963 GA135-0039 Soler, Antonio1729-1783 Seis conciertos para dos órganos 1965 GA135-0040 Franck, César1822-1890 Symphony in D minor 1963 GA135-0041 Orff, Carl1895-1982 Carmina Burana 1958 GA135-0042 Orff, Carl1895-1982 Catulli Carmina (1943) 1960 GA135-0043 Orff, Carl1895-1982 El triunfo de Afrodita: concierto escénico 1961 GA135-0044 Rhapsody under the stars 1959 GA135-0045 Guillaume, de Machautca. 1300-1377 La Messe de Notre Dame; 10 obras profanas 1962 GA135-0046 Monteverdi, Claudio1567-1643 Madrigals 1964 GA135-0047 Falla, Manuel de1876-1946 Noches en los jardines de España; Concierto en re 1964 GA135-0048 Handel, George Frideric1685-1759 Water music: suite ; Música para los reales Fuegos 1963 GA135-0049 Bartók, Béla1881-1945 Concierto para orquesta 195 GA135-0050-0051 Verdi, Giuseppe1813-1901 Requiem 1961 GA135-0052 Sibelius, Jean1865-1957 Symphony no.5 in E flat major, op.82; Finlandia : 1960 GA135-0053 Dvorák, Antonín1841-1904 Symphony #5 in E minor, opus 95: "From the new wo 1960 GA135-0054 Falla, Manuel de1876-1946 Love the magician= El amor brujo ; Three cornered 196 GA135-0055 Tansman, Alexandre,1897- Suite in modo polonico 1966 GA135-0056 Prokofiev, Sergey1891-1953 Sinfonías no.5 en si bemol mayor, op.100 195 GA135-0057 Prokofiev, Sergey1891-1953 El amor por tres naranjas: suite ; Suite escita 195 GA135-0058 Hindemith, Paul1895-1963 Concierto para violín y orquesta; Concierto para v 1964 12/09/2016 Página 2 Signatura Encabezamiento Título Año ed. GA135-0059 Kogan-Semenoff, Ivan1917- Doble concierto para violín, piano y orquesta 195 GA135-0060 Mendelssohn-Bartholdy, Felix,1809-1847 Concerto in E minor, op.64 1963 GA135-0061 Rachmaninoff, Sergei1873-1943 Piano concerto no.3 in D minor, op.30 1964 GA135-0062 Mussorgsky, Modest Petrovich1839-1881 Cuadros de una exposición 196 GA135-0063 Stravinsky, Igor1882-1971 El pájaro de fuego: suite ; Petrouchka : suite 1963 GA135-0064 Lyadov, Anatoly Konstantinovich1855-1914 Baba yaga: opus 56 ; The enchanted lake : opus 62 1957 GA135-0065 Albinoni, Tomaso1671-1750 Adagio for strings and organ; Concerto a cinque in 1964 GA135-0066 Mendelssohn-Bartholdy, Felix,1809-1847 El sueño de una noche de verano: música incidental 1960 GA135-0067 Rodrigo, Joaquín1901-1999 Fantasía para un gentilhombre 1963 GA135-0068 Grieg, Edvard1843-1907 Peer GyntSuite nº 1: op.46 ; Peer Gynt. Suite nº 2 1964 GA135-0069 Mozart, Wolfgang Amadeus1756-1791 The four horn concertos 1965 GA135-0070 Khachaturian, Aram Il´ich,1903-1978 Excerpts from the ballet Spartacus 1958 GA135-0072 Villa-Lobos, Heitor1887-1959 The little train of the caipira: from the Bachiana 1960 GA135-0073 Esplá, Oscar1886-1976 Nochebuena del diablo: op. 19 : cantata escénica s 1957 GA135-0074 Esplá, Oscar1886-1976 Canciones playeras; Lírica española ; La pájara pi 1959 GA135-0075 Ballets de óperas 1963 GA135-0076 Famosos coros de ópera 1964 GA135-0077 Halffter, Ernesto1905-1989 Sonatina: ballet ; El cojo enamorado : ballet 1958 GA135-0078 Agrupación Nacional de Música de Cámara Música de Cámara Española 1958 GA135-0079 International piano festival 1965 GA135-0080 Mussorgsky, Modest Petrovich1839-1881 Una noche en el monte pelado; Polonesa de Boris Go 1964 GA135-0081 Russian composer masterpieces 1959 GA135-0082 Gershwin, George1898-1937 Curtain up!: George Gershwin favorites 195 GA135-0083 Orchestre des concerts Colonne Concierto popular 1963 GA135-0084 Ramirez, Ariel Misa Criolla: para solistas, coro y orquesta 1964 GA135-0085 Music from the chapel of Philip II of Spain 1964 GA135-0086 Villa-Lobos, Heitor1887-1959 The surprise box 1957 GA135-0087 Scriabin, Aleksandr Nikolayevich,1872-19 The divine poem: symphony no.3 in C, opus 43 196 GA135-0088 Four american landscapes 1965 GA135-0089 Stravinsky, Igor1882-1971 Páginas célebres 1960 GA135-0090 Khachaturian, Aram Il´ich,1903-1978 Suite from the film "Battle for Stalingrad" 195 GA135-0091 Harutyunyan, Aleksandr Grigori,1920- Concerto for trumpet and orchestra 196 GA135-0092-0093 Delibes, Leo1836-1891 Coppélia 195 GA135-0094 Laudario 91 di Cortona 1965 GA135-0095-0099 Bach, Johann Sebastian1685-1750 The complete concerti for harpsichord and orchestr 1965 GA135-0100 Iglesia Católica Missa in Dominica Resurrectionis 1960 GA135-0101 Adam,de La Halle,ca. 1235-ca. 1288 Le jeu de Robin et Marion; 13 rondeaux 1962 GA135-0102 Palestrina, Giovanni Pierluigi daca.1525 Missa Pape Marcelli; Oratio Jeremiae ; Paucitas Di 196 GA135-0103 Court dances of medieval France: (Thoinot Arbeau´s 1965 GA135-0104 Court and ceremonial music of the early 16th centu 196 GA135-0105-0106 Albéniz, Isaac1860-1909 Iberia 1961 GA135-0107 Brahms, Johannes1833-1897 Symphony no.4 in E minor, op. 98 196 GA135-0108 Nielsen, Carl,1865-1931 Symphony no.4: "The Inextinguishable" 1965 GA135-0109 Grofé, Ferde,1892-1972 Grand Canyon Suite; Concerto for piano and orchest 1960 GA135-0110 Medieval and Renaissance music for the Irish and m 1965 GA135-0111 Music from the chapel of Charles V 1965 GA135-0112 Rossini, Gioacchino,1792-1868 Il Barbiere di Siviglia 1963 GA135-0113 Byrd, Charlie,1925-1999 An anthology of guitar music: the sixteenth centur 1958 GA135-0114 New York Pro Musica Instrumental music from the courts of Queen Elizab 1961 GA135-0115 Banchieri, Adriano1568-1634 Festino 1953 GA135-0116 Mussorgsky, Modest Petrovich1839-1881 Pictures at an exhibition 1959 GA135-0117 Secular vocal music of the Renaissance 1965 GA135-0118 French dances of the Renaissance and other celebra 1965 GA135-0119 O great mystery: unaccompanied choral music of the 1965 GA135-0120 Music from the court of Burgundy 1965 GA135-0121 Renaissance choral music for Christmas 1965 12/09/2016 Página 3 Signatura Encabezamiento Título Año ed. GA135-0122 Piston, Walter,1894-1976 The incredible flutist (Ballet suite) 1959 GA135-0123-0124 El misterio de Elche 1961 GA135-0125 Concierto en el hogarvolumen I 196 GA135-0126 Concierto en el hogarvolumen II 196 GA135-0127 Bach, Johann Sebastian1685-1750 J. S. Bach 196 GA135-0128 Arriaga, Juan Crisóstomo de1806-1826 Cuarteto nº 1 en re menor; Cuarteto nº 2 en la may 1965 GA135-0129 Albéniz, Isaac1860-1909 Albéniz en orquesta 1965 GA135-0130 Agrupación Coral de Cámara de Pamplona Agrupación Coral de Pamplona de España 196 GA135-0131-0133 Debussy, Claude1862-1918 Piano music (Complete)vol. I 1962 GA135-0134 Halffter, Cristóbal1930- Tres piezas para cuarteto 1961 GA135-0135 Ibert, Jacques,1890-1962 Concertino da camera: for solo saxophone and chamb 1964 GA135-0136 Oistrakh, David Fedorovich,1908-1974 David Oistrakh plays
Load more

Recommended publications
  • El Vallenato De “Protesta”: La Obra Musical De Máximo Jiménez
    El vallenato de “protesta”: la obra musical de Máximo Jiménez Ivo Zabaleta Bolaños Universidad Nacional de Colombia Facultad de Artes, Conservatorio de Música Bogotá, Colombia 2017 El vallenato de “protesta”: la obra musical de Máximo Jiménez Ivo Zabaleta Bolaños Tesis como requisito parcial para optar al título de: Magíster en Musicología Director: Ph.D. Carlos Miñana Blasco Línea de Investigación: Música y Nacionalismo Grupo de Investigación: Musicología en Colombia Universidad Nacional de Colombia Facultad de Artes, Conservatorio de Música Bogotá, Colombia 2017 A mis padres, a Edith y a Irina, por su apoyo incondicional. Agradecimientos A los profesores de la Maestría en Musicología y al Coordinador de esta tesis: Egberto Bermúdez Cujar, Jaime Cortés Polanía y Carlos Miñana Blasco, por sus valiosas sugerencias, por su acompañamiento académico y por su trabajo. A los docentes invitados de la Maestría por sus importantes sugerencias: Juan Pablo González, de la Universidad Alberto Hurtado de Chile, a Juan Francisco Sans, de la Universidad Central de Venezuela y a Enrique Cámara Landa, de la Universidad de Valladolid. A Máximo Jiménez, quien en medio de su gran dificultad para hablar dijo que este trabajo era una liberación de la música. A Máximo Segundo Jiménez y a Diego Barrios, por su gran colaboración, y a Miriam Grau, por su diligencia y solidaridad. Resumen y Abstract IX Resumen Este trabajo investigativo se enfoca en las canciones del cantautor Máximo Jiménez y en el contexto socio-histórico donde se desarrollaron, a fin de caracterizar el término “vallenato de protesta” desde una perspectiva musicológica y etnomusicológica. Realizamos análisis musicales y textuales y otro tipo de análisis comparativos con vallenatos “no políticos”; miramos el proceso compositivo de Máximo describiendo de modo general sus grabaciones y asociándolas con el momento político que se vivía en cada año de su lanzamiento.
    [Show full text]
  • Script Listening Program 3
    Non-Directed Music Listening Program Series III Non-Directed Music Listening Program Script Series III Week 1 Composer: Ludwig von Beethoven (1770 – 1827) Composition: Minuet in G, No. 2 Performance: Philadelphia Orchestra, Eugene Ormandy Recording: CBS Masterworks Dinner Classics: The Viennese Album CBS MFK 45545 Day 1: This week’s listening selection is “Minuet in G, No. 2” by Ludwig von Beethoven. A minuet is a graceful dance. A man greets his partner with a bow then, hand-in- hand, leads her through a series of smooth and delicate movements. It is the small steps and gestures that give the dance its name – minuet which comes from a word that means small or minute. This is quite a contrast to the popular dances of today – such as Texas Line Dancing. Day 2: This week we are listening to Ludwig von Beethoven’s “Minuet in G, No. 2”. Between the 1600’s and the 1800’s, the minuet was the most popular dance in which ladies and gentlemen of the court gracefully moved through a series of small but intricate steps. You were not allowed membership in the king or queen’s court unless you had memorized the steps and patterns to the many different minuets. Today as you listen, think about all the dance moves you know. Would they fit with the music? Can you imagine how the men and women looked as they glided effortlessly across the polished floors? Day 3: This week’s listening excerpt is “Minuet in G, No. 2” written by the famous German composer, Ludwig von Beethoven.
    [Show full text]
  • <Div Style="Position:Absolute;Top:293;Left
    RA MINISTRY OF EDUCATION AND SCIENCE YEREVAN STATE LINGUISTIC UNIVERSITY AFTER V. BRUSOV LANGUAGE EDUCATION POLICY PROFILE COUNTRY REPORT ARMENIA YEREVAN 2008 The report was prepared within the framework of Armenia-Council of Europe cooperation The group was established by the order of the RA Minister of Education and Science (N 210311/1012, 05.11.2007) Members of the working group Souren Zolyan – Doctor of Philological Sciences, Professor Yerevan Brusov State Linguistic University (YSLU), Rector, National overall coordinator, consultant Melanya Astvatsatryan– Doctor of Pedagogical Sciences, Professor YSLU, Head of the Chair of Pedagogy and Foreign Language Methodology Project Director (Chapters 1-3; 5; 10; 12) Aida Topuzyan – Candidate of Pedagogical Sciences, Docent YSLU, Chair of Pedagogy and Foreign Language Methodology (Chapter 8.2 – 8.5, 9.4) Nerses Gevorgyan – Ministry of Education and Science, YSLU, UNESCO Chair on Education Management and Planning (Chapter 11), Head of Chair Gayane Terzyan - YSLU, Chair of Pedagogy and Foreign Language Methodology (Chapters 4; 6; 7; 8.1) Serob Khachatryan – National Institute for Education, Department of Armenology and Socio-cultural Subjects (Chapter 9.1-9.3, 9.5-9.6) Karen Melkonyan, RA MES, Centre for Educational Programmes, Project expert Araik Jraghatspanyan – YSLU, Chair of English Communication, Project translator Bella Ayunts – YSLU, Chair of Pedagogy and Foreign Language Methodology, Project assistant LANGUAGE EDUCATION POLICY PROFILE COUNTRY REPORT - ARMENIA I. GENERAL INFORMATION 1. PROJECT GOALS 2. COUNCIL OF EUROPE LANGUAGE EDUCATION POLICY: GOALS, OBJECTIVES AND PRINCIPLES 3. REPUBLIC OF ARMENIA General information 3.1. Geographical position 3.2. RA administrative division 3.3. Demographic data 4.
    [Show full text]
  • Area Studies
    DOCUMENT RESUME ED 091 303 SO 007 520 AUTHOR Stone, Frank A. TITLE Armenian Studies for Secondary Students, A Curriculum Guide. INSTITUTION Connecticut Univ., Storrs. World Education Project. PUB DATE 74 NOTE 55p. EDRS PRICE MF-$0.75 HC-$3 15 PLUS POSTAGE DESCRIPTORS Annotated Bibographies; *Area Studies; Cultural Pluralism; *Culture; *Ethnic Studies; Evaluation; *Humanities; Immigrants; Instructional Materials; Interdisciplinary Approach; *Middle Eastern Studies; Minority Groups; Questioning Techniques; Resource Materials; Secondary Education; Teaching Methods IDENTIFIERS Armenians; *World Education Project ABSTRACT The guide outlines a two to six week course of study on Armenian history and culture for secondary level students. The unit will help students develop an understanding of the following: culture of the American citizens of Armenian origin; key events and major trends in Armenian history; Armenian architecture, folklore, literature and music as vehicles of culture; and characteristics of Armenian educational, political and religious institutions. Teaching strategies suggested include the use of print and non-print materials, questioning techniques, classroom discussion, art activities, field traps, and classroom visits by Armenian-Americans. The guide consists c)i the following seven units:(1) The Armenians in North America; (2) sk.,,tches of Armenian History;(3) Armenian Mythology; (4) lic)ices of Fiction and Poetry;(5) Armenian Christianity; (e) Armenian Fine Arts; and (7)Armenian Political Aims. InstrLF-ional and resource materials, background sources, teaching s...7atc,c !s, and questions to stimulate classroom discussion are prove.': :'fc,r each unit. (Author/RM) U S DEPARTMENT OF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NO1 NECESSARILY REPRE SENT OFF ICIAL NATIONAL INSTITUTE OF EDUCATION POSITION OR POLICY ARMENIAN STUDIES FOR SECONDARY STUDENTS P% A Curriculum Guide Prepared by Frank A.
    [Show full text]
  • Cuaderno Número 45
    DE LA CUMBIAMBA AL VALLENATO: Aproximación cultural, económica y política a la música de acordeón en el Caribe colombiano, 1870-1960. Por: Joaquín Viloria De La Hoz Cuadernos Núm. 45 Noviembre, 2017 de historia económica La serie Cuadernos de Historia Económica es una publicación del Banco de la República – Sucursal Cartagena. Los trabajos son de carácter provisional, las opiniones y posibles errores son de responsabilidad exclusiva de los autores y no comprometen al Banco de la República ni a su Junta Directiva. DE LA CUMBIAMBA AL VALLENATO: Aproximación cultural, económica y política a la música de acordeón en el Caribe colombiano, 1870-1960 Por: Joaquín Viloria De la Hoz 1 1 Gerente del Centro Cultural del Banco de la República en Santa Marta. Profesor Catedrático de la Universidad del Magdalena, Santa Marta. Este documento es responsabilidad del autor y no compromete al Banco de la República ni a su Junta Directiva. Correos: [email protected] , [email protected] El autor agradece la colaboración o comentarios de José Rafael Dávila, Tita Cepeda, Alberto Abello, Jaime Bonet, Julio Romero, María Aguilera, Edgar Rey, Alberto Murgas, Ariel Castillo, Ricardo López, Rafael González, Rafael Darío Jiménez, Elías George, Jorge Elías, Aramis Bermúdez y Etna Bayona. DE LA CUMBIAMBA AL VALLENATO: Aproximación cultural, económica y política a la música de acordeón en el Caribe colombiano, 1870-1960 Resumen A partir de los datos aportados por este trabajo se propone que el acordeón llegó por primera vez a las costas del Caribe colombiano en el año 1870, por lo que el instrumento está próximo a cumplir 150 años de presencia en el folclor colombiano.
    [Show full text]
  • June 20-30, 2019
    ■ INAUGURAL SEASON■ JUNE 20-30, 2019 8 scintillating performances KATE RANSOM AUGUSTINE MERCANTE artistic director 19 accomplished artists festival manager ACKNOWLEDGEMENTS Acknowledging, with gratitude, the following supporters of Serafin Summer Music 2019: SPONSORS The Music School of Delaware Administrative Staff The Music School of Delaware Board of Directors University of Delaware Department of Music William J. Stegeman, Ph.D. Jacobs Music Company Harry’s Savoy Grill Tonic Bar and Grille Montrachet Fine Foods and Centreville Cafe Delaware Today GateHouse Media Delaware WDEL MEDIA SUPPORT ARTISTS’ HOUSING HOSTS WRTI Karen Jessee WHYY Betty and Don Duncan WILM Nancy and David Saunders WDDE Marie and Ed Stewart WMPH Richard Hess InWilmington Lisa and John Mulrooney Justin Bartels and Gus Mercante PROGRAM NOTES Michael Redmond RECEPTIONS AND STEWARDSHIP Troy Nuss GRAPHIC DESIGN Bradford Rush Jennifer Marang COCA Gallery FESTIVAL MANAGER PUBLICITY AND PROMOTION Gus Mercante Tara Hurlebaus, Linkbridge Communications Michelle Kramer-Fitzgerald, Arts in Media STAGE MANAGER/CREW Yung-Chen Lin, concert manager Dustin Manucci Amanda Stejskal THANK YOU! 2 FROM THE ARTISTIC DIRECTOR Dear Friends, Stegeman, as well as lead business sponsor, Jacobs Music Company, means that the first two seasons Excitement has resonated throughout the year of the festival are sure-footed. This allows time to of planning and preparations for the inaugural secure other support from friends who wish to help year of Serafin Summer Music. What a pleasure keep the experience thriving in the years ahead. and privilege it is to bring to our audiences eight concerts, festival-syle, over two weeks this month! Our generous sponsors are recognized throughout the program booklet.
    [Show full text]
  • Training Workshop on INNOVATIVE APPROACHES to THE
    Armenian National Commission for UNESCO Ministry of Trade and Economic Development of the Republic of Armenia. Training Workshop on INNOVATIVE APPROACHES TO THE CULTURAL TOURISM Yerevan 2005 - 1 - CONTENT Cultural Tourism or Tourism and Culture...............................................................................................4 Mr. Arthur ZAKARYAN, Head of the Tourism Department, Ministry of Trade and Economic Development Basic Issues in Tourism.............................................................................................................................7 Mr. Artashes KAZAKHETSYAN, Director of the “Armenia 2020” Project Archaeological Tourism..........................................................................................................................10 Mr. Felix TER-MARTIROSOV, Institute of the Ethnography and Archaeology, the National Academy of Sciences of the Republic of Armenia Disregarded city tours of Yerevan (19 cen. – begin. of 20 century).......................................................13 Ms. Marietta GASPARYAN, Historic-Cultural Research Center on Heritage Security Audit as a Prevention Technology in Emergency in Tourism................................................14 Mr. Karapet SARAFYAN, “Arame Sarafyan Club” Foundation Development of Cultural Tourism and its Effectiveness in comparison with the other Types of Tourism....................................................................................16 Mr. Emil CHERKEZYAN, Institute of Economics, the National Academy of Sciences
    [Show full text]
  • Building a Perfect Ork -Pop Masterpiece BMG Makes Eros EVERYTHING
    $5.50 (U.S.), $6.50 (CAN.), £4.50 (U.K.) IN MUSIC NEWS #BXNCCVR ` xxxx 3 -DIGIT 908 #90807GEE374EM00211 BLBD 531 001 032198 2 126 0153 MONTY 3740 A LONG BEACH CA 90807 Metallica Boasts New Look, New Sound On Elektra Set SEE PAGE 9 THE INTE RNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT MAY 25, 1996 ADVERTISEMENTS Building A Perfect Ork -Pop Masterpiece BMG Makes Eros EVERYTHING. A Global Priority BUT THE GIR Forward Thinking Acts Look To Past Flydaddy's Pop Spawn WALKING WOUNDED BY NARK DEZZANI BY CRAIG ROSEN masterpiece. BY CRAIG ROSEN Although the commercial success MILAN -Italian melodic rocker Eros Itor111 b the three -chord sim- of these acts -which include Port- It w ;Is t It I shared love and respect Ramazzotti is following up his multi- plicity of grunge and neo -punk, a land, Ore.'s Eric Matthews; Chica- for the music of singer /songwriter million- selling 1993 album, "Tutte Sto- new breed of popsmiths is going go's Yum -Yum and Plush; Kent, Richard Davies that led Sub Pop em- rie, wits the global release of "Dove Ln4 features the single "1NYong" MATTHEWS YUM-YUM DAVIES follow -up to their gold album to such inspirations as Brian Ohio's Witch Hazel; London's High ployees Kevin O'Leary and A lam Sil- C'é Musica" (Where There Is Music) AMPLIFIED HEART back Davies; verman to leave their jobs at tI e famed (DDD /E:MG /Arista), and the project #1 single Wilson, Phil Spector, and Burt Llamas; Sydney's Richard ani their a "success" in what- "Missing" Bacharach in the quest for building and Toronto's Spookey Ruben - Seattle independent in the fal of 1993 looks poised to be the perfect orchestrated pop has been moderate at best, their to start their own label, Flydaddy.
    [Show full text]
  • 'October Mountain' by Alan Hovhaness Joe Willie Moore III Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness Joe Willie Moore III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Moore III, Joe Willie, "A historical and theoretical look at the percussion ensemble work 'October Mountain' by Alan Hovhaness" (2014). LSU Doctoral Dissertations. 1982. https://digitalcommons.lsu.edu/gradschool_dissertations/1982 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A HISTORICAL AND THEORETICAL LOOK AT THE PERCUSSION ENSEMBLE WORK ‘OCTOBER MOUNTAIN’ BY ALAN HOVHANESS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The College of Music and Dramatic Arts by Joe W. Moore III B.M., University of Central Florida, 2009 M.M., University of South Carolina, 2011 May 2014 Copyright 2014 Joe W. Moore III All Rights Reserved ii Dedicated to my parents Joe W. Moore Jr. and Karen D. Moore iii ACKNOWLEDGEMNTS I would like to thank my parents for all of their support during my pursuit of higher education over the past ten years. I would also like to thank my beautiful wife Samantha Moore for her love, support, and encouragement.
    [Show full text]
  • 2016 REVIEW from the Director
    2016 REVIEW From the Director As I reflect on the past year and the collective projects in the process. In the Ralph Rinzler Folklife Archives and we have embarked on at the Center for Folklife and Collections, we are breaking new ground in capturing and Cultural Heritage, one common thread that emerges is our preserving performance traditions, spoken word recordings, commitment to telling unforgettable stories—stories of and family folklore. people, ideas, and a wide array of arts and traditions—that, No one voice can fully capture the richness of our together, illuminate where we have come from and where diverse cultural traditions. That’s why we are committed to we are going. spotlighting different voices, views, and styles from diverse It’s those stories of deeper cultural understanding that are collaborators. Our 2008 Folklife Festival, for instance, was woven into every facet of our research and outreach work. the most comprehensive celebration of Bhutanese life and As we embark on the 50th anniversary of the Smithsonian culture ever hosted outside the Himalayan Kingdom and has Folklife Festival, we look to celebrate the story of the since blossomed into a symposium program and a series of American experience and its rich cultural traditions. With ongoing collaborations. Drawing on these stories enlivens our Smithsonian Folkways Recordings, we are forging new paths work and prompts us to examine our own place in the world. in cultural enrichment in keeping with Daniel Sheehy’s The Smithsonian’s addition of the transformative power of vision of sharing “great music with a great story.” the arts to its Strategic Plan is indicative of our focus on the This passion for storytelling extends to our cultural creativity of artisans, musicians, and other tradition bearers.
    [Show full text]
  • Tiro Di Sinistra
    editoria d’arte Domenica 1 www.unita.it www.sillabe.it 1E Marzo 2009 Anno 86 n. 59 I lavoratori non chiedono assistenza ma dignità e rispetto. Ascoltate il grido di queste persone che non vogliono oro e argento ma solo lavoro e futuro per i loro giovani e le “ loro famiglie. Beniamino De Palma, vescovo di Nola Tiro di sinistra Un portiere per il Pdl A Bologna Cazzola A Firenze la destra A Guazzaloca preferito schiera Galli che spera l’imprenditore nell’aiuto di Berlusconi che esaltava Ma la squadra non c’è la «società civile» p ALLE PAGINE 4-7 Navtej, l’indiano «Lavoro, lavoro» bruciato: l’odio 70mila a Torino resterà sempre 8mila a Prato sulla mia pelle Grandi manifestazioni nelle città Intervista a l’Unità: non li della crisi dell’auto e della moda perdono, non guarirò mai p ALLE PAGINE 8-11 p A PAGINA 19 2 www.unita.it DOMENICA 1 MARZO 2009 Diario CONCITA DE GREGORIO Oggi nel giornale Direttore [email protected] PAG.14-15 ITALIA http://concita.blog.unita.it Franceschini: assegno a chi perde il posto di lavoro dormire su una panchina a Nettuno. Filo rosso Certe storie non bisogna smettere di raccontarle. Luigi Manconi commenta quel- la di Gratian, bambino romeno di 4 anni costretto dalla nonna a mendicare, portato Navtej in casa-famiglia a Roma. Con l’entrata in vigore di un accordo fra Italia e Romania sulla «protezione dei minori» è stato rispedi- e Gratian to in patria. Massimo Solani ha parlato con la dottoressa che lo ha accompagnato PAG.
    [Show full text]
  • May 1996 Vo1.17, No.4 (54) Supplement to the Collegian
    V-:J •oNSIDH 'lCJl,"ON l~ OIVd ~L£6V~ 'ousald tueJjOld ~!POlS Dl!lJCltwy ~~d · s·n ~ uo~SJo SJUapms Dl!l&lUUV lY01c:I-UON O~Jd'OS~ alpJO~~N~tU HYE SHARZHOOM Armenian Action - ~us -nur·tTntttr· May 1996 Vo1.17, No.4 (54) Supplement to The Collegian In a moving press conference on there were no survivors. shaped their lives for the past eight April 8, California State Univer- "Growing up as an immi- · decades. Fresno State is fortunate sity, Fresno President, Dr. John grant boy in the Annenian ghetto that the Kazans' horizons reached Welty,formallyannouncedthe gift of Manhattan's east side, Henry 3000 miles west of the Atlantic of$300,000 made by Victoria and Kazan quickly maste'red English, Ocean." Henry Kazan of Juno Beach, American ways, and picked up Mr. Kazan then explained why he and his wife came so far to Floridafortheestablishmentofthe "street smarts". He was an out­ enhanceAnnenian Studies atFrsno HenryS. Khanzadian Kazan Pro- standing student, but had to stop fessorshipinModernArmenianand going to day school in order to State. "The reason I am here is simple," he said, addressing the Immigration History. support the family. He continued Dr. Dickran Kouymjian, his studies at night, finishing high press and television, ''Fresno State of the Armenian Studies Program, school and then enrolling at New has the best and most active Arme­ nian··studies program in the coun­ Introduced the honored guests with York University, completing aBA these words: in History entirely through night try. I was approached by my alma mater New York University, but "Victoria and H~nry schoolcourses.
    [Show full text]