Weddings at Gunnersbury Mansion Let Us Make It a Day to Remember

Total Page:16

File Type:pdf, Size:1020Kb

Weddings at Gunnersbury Mansion Let Us Make It a Day to Remember WEDDINGS AT GUNNERSBURY MANSION LET US MAKE IT A DAY TO REMEMBER We welcome you to one of the most sought-after wedding venues in west London; Gunnersbury Park. Nestled between Chiswick and Ealing, Gunnersbury Park’s history dates back to the 11th century when it belonged to the Bishop of London. Over the centuries, ownership has passed through a succession of wealthy families and traces of its’ history can still be found in the landscape, planting and surviving buildings. Set in 72 acres of beautiful parkland, our Grade II* listed venue, Gunnersbury Park House, features a stunning suite of grand reception rooms, designed by architect Sydney Smirke in 1835 when the Rothschild family took ownership of the estate. Following recent restoration, it has been returned to its’ former glory and provides a magnificent backdrop for your wedding celebration, creating those precious moments and memories that will last a lifetime. So, whether you are looking for a small intimate ceremony for 10 or a larger, grand wedding reception for 150, Gunnersbury Park House is an elegant and distinctive setting - a unique space for your wedding. Our highly skilled and experienced team of Event Managers will provide you with a personalised and dedicated service and will be with you every step of the way. Be it flowers, photography, entertainment or transport, we pride ourselves on the standard of care and attention to detail we can bring to your special occasion. We are also delighted to be able to offer you specialised packages which can be tailored to suit your specific wedding requirements to ensure that you and your guests will have a perfect day. Below are some of beautiful aspects that Gunnersbury has to offer: GUNNERSBURY PARK HOUSE – THE ROTHSCHILD ROOMS On their own or used in conjunction with each other, the interconnecting Drawing Room, Conservatory, Long Gallery and Dining Room boast high ornate ceilings and stunning original architectural features and offer the ideal setting for your wedding celebration. THE DRAWING ROOM AND CONSERVATORY This grand formal room was historically an important space for entertaining so we’re proud to continue the tradition to this day. The Drawing Room retains its original architectural features with classical ornamental columns adorned with golden lyres including the monogram of Nathan Mayer Rothschild. With three stunning French doors that open onto the terrace and south lawns, the Drawing Room originally enabled the Rothschilds to entertain their guests both inside and out. The Drawing Room is perfect for dining for up to 80 guests, a standing reception for 100 or a theatre-style seating for 90. THE DINING ROOM Sumptuous dinners and grand formal receptions were the order of the day for the Rothschild family and, within the Dining Room. Suitable for dining for 80, theatre-style seating for 90 or standing receptions for 100, today your guests, too, may enjoy the excellent surrounds that this beautiful room has to offer. W: www.ealingvenues.co.uk E: [email protected] T: 020 8825 6060 THE LONG GALLERY The elegant Long Gallery, with its’ nature- inspired gilding and adornments adjoins both the Drawing Room and the Dining Room. From here, the south-facing French windows open onto the terrace and the magnificent views of the south lawns. Decorated in white, gold and green, the Long Gallery was one of the Rothschild family’s favourite spots and the stunning centre piece, the oval ceiling, depicts the Four Seasons with playful cherubs set against the sky. A perfect venue for standing receptions, long table dining for 30 guests or the location for your evening bar and buffet. THE ORANGERY The Rothschild’s Orangery is an exemplar of stunning glass architecture that previously housed the family’s plethora of exotic fruits and plants. The sparkling water of the Horseshoe Pond that sits in front of the Orangery offers beautiful reflections of the building, interrupted only by the charming ornamental fountain. The allure of the exotic flora may be long gone but the beauty of the Orangery has now been gloriously restored for you and your guests to enjoy today. Perfect for small events for up to 80. Whether you’re looking for the romantic ceremony venue of your dreams, an intimate dinner to celebrate that special occasion or an evening reception space then look no further. W: www.ealingvenues.co.uk E: [email protected] T: 020 8825 6060 THE TEMPLE The Temple is one of the older buildings within Gunnersbury Park and has a long history of lavish entertaining. Sitting serenely on the Round Pond, it was built in the 18th century for Princess Amelia as a venue where guests could enjoy spectacular views over west London extending to the Kew Gardens pagoda. The parkland trees have grown a bit since then but the views are still something to behold! Today, the Temple is an intimate venue for up to 50 guests for ceremonies or receptions during the summer months. The Italian Garden is situated directly behind the classical building and, with its’ iron rope arches forming an arcade of trelliswork covered in wisteria, it’s the perfect location for any event looking to impress. THE GROUNDS As part of the recent restoration, your guests will be able to enjoy views of the park that replicate its’ 18th century heyday. The grounds’ unique heritage and landscape offers a boundless number of photo opportunities to ensure those unforgettable, magnificent memories. Whether it be amongst the fresh blossoms of spring, in the glorious summer sunshine, the rich colours of autumn or the bright, crisp frost of winter, the ever-changing beauty of our 72 hectares of parkland and water features will provide a backdrop for cherished photos and memories to last a lifetime. W: www.ealingvenues.co.uk E: [email protected] T: 020 8825 6060 .
Recommended publications
  • Long Gallery Educator’S Pack This Pack Contains Information Regarding the Contents and Themes of the Objects in the Long Gallery
    Long Gallery Educator’s Pack This pack contains information regarding the contents and themes of the objects in the Long Gallery. On our website you can find further activities and resources to explore. The first exhibition in this gallery, ’Reactions’ focuses on Dundee’s nationally important collection of studio ceramics. This pack explores some of the processes that have created the stunning pieces on display and shares some of the inspirations behind the creation of individual ceramics. Contents Reactions: Studio Ceramics from our Collection Introduction and Origins 01 Studio Pottery - Influences 02 The Process 03 Glossary 05 List of Objects - by theme What is Studio Pottery? 10 Influences 11 Ideas and Stories 14 What on Earth is Clay? 16 Getting your Hands Dirty 19 The Icing on the Cake - Glaze and Decoration 21 Fire 24 Artist Focus Stephen Bird 27 Reactions: Studio Ceramics from our collection Introduction- background and beginnings 'Studio Ceramics' or 'Studio Pottery' - can be best described as the making of clay forms by hand in a small studio rather than in a factory. Where the movement in the early days is referred to as 'Studio Pottery' due to its focus on functional vessels and 'pots', the name of 'Studio Ceramics' now refers broadly to include work by artists and designers that may be more conceptual or sculptural rather than functional. As an artistic movement Studio Ceramics has a peculiar history. It is a history that includes changes in artistic and public taste, developments in art historical terms and small and very individual stories of artists and potters.
    [Show full text]
  • 6. the Tudors and Jacobethan England
    6. The Tudors and Jacobethan England History Literature Click here for a Tudor timeline. The royal website includes a history of the Tudor Monarchs [and those prior and post this period]. Art This site will guide you to short articles on the Kings and Queens of the Tudor Music Dynasty. Another general guide to Tudor times can be found here. Architecture Click here for a fuller account of Elizabeth. One of the principle events of the reign of Elizabeth was the defeat of the Spanish Armada (here's the BBC Armada site). Elizabeth's famous (and short) speech before the battle can be found here. England's power grew mightily in this period, which is reflected in the lives and achievements of contemporary 'heroes' such as Sir Francis Drake, fearless fighter against the Spanish who circumnavigated the globe, and Sir Walter Raleigh (nowadays pronounced Rawley), one of those who established the first British colonies across the Atlantic (and who spelt his name in over 40 different ways...). Raleigh is generally 'credited' with the commercial introduction of tobacco into England .about 1778, and possibly of the potato. On a lighter note, information on Elizabethan costume is available here (including such items as farthingales and bumrolls). Literature Drama and the theatre The Elizabethan age is the golden age of English drama, for which the establishment of permanent theatres is not least responsible. As performances left the inn-yards and noble houses for permanent sites in London, the demand for drama increased enormously. While some of the smaller theatres were indoors, it is the purpose-built round/square/polygonal buildings such as The Theatre (the first, built in 1576), the Curtain (late 1570s?), the Rose (1587), the Swan (1595), the Fortune (1600) and of course the Globe (1599) that are most characteristic of the period.
    [Show full text]
  • The Construction of Northumberland House and the Patronage of Its Original Builder, Lord Henry Howard, 1603–14
    The Antiquaries Journal, 90, 2010,pp1 of 60 r The Society of Antiquaries of London, 2010 doi:10.1017⁄s0003581510000016 THE CONSTRUCTION OF NORTHUMBERLAND HOUSE AND THE PATRONAGE OF ITS ORIGINAL BUILDER, LORD HENRY HOWARD, 1603–14 Manolo Guerci Manolo Guerci, Kent School of Architecture, University of Kent, Marlowe Building, Canterbury CT27NR, UK. E-mail: [email protected] This paper affords a complete analysis of the construction of the original Northampton (later Northumberland) House in the Strand (demolished in 1874), which has never been fully investigated. It begins with an examination of the little-known architectural patronage of its builder, Lord Henry Howard, 1st Earl of Northampton from 1603, one of the most interesting figures of the early Stuart era. With reference to the building of the contemporary Salisbury House by Sir Robert Cecil, 1st Earl of Salisbury, the only other Strand palace to be built in the early seventeenth century, textual and visual evidence are closely investigated. A rediscovered eleva- tional drawing of the original front of Northampton House is also discussed. By associating it with other sources, such as the first inventory of the house (transcribed in the Appendix), the inside and outside of Northampton House as Henry Howard left it in 1614 are re-configured for the first time. Northumberland House was the greatest representative of the old aristocratic mansions on the Strand – the almost uninterrupted series of waterfront palaces and large gardens that stretched from Westminster to the City of London, the political and economic centres of the country, respectively. Northumberland House was also the only one to have survived into the age of photography.
    [Show full text]
  • The Cosmos Club: a Self-Guided Tour of the Mansion
    Founded 1878 The Cosmos Club - A Self-Guided Tour of the Mansion – 2121 Massachusetts Avenue, NW Washington, DC 20008 Founders’ Objectives: “The advancement of its members in science, literature, and art,” and also “their mutual improvement by social intercourse.” he Cosmos Club was founded in 1878 in the home of John Wesley Powell, soldier and explorer, ethnologist and T Director of the Geological Survey. Powell’s vision was that the Club would be a center of good fellowship, one that embraced the sciences and the arts, where members could meet socially and exchange ideas, where vitality would grow from the mixture of disciplines, and a library would provide a refuge for thought and learning. www.cosmosclub.org Welcome to The Townsend Mansion This brochure is designed to guide you on a walking tour of the public rooms of the Clubhouse. Whether member or guest, please enjoy the beauty surrounding you and our hospitality. You stand within an historic mansion, replete with fine and decorative arts belonging to the Cosmos Club. The Townsend Mansion is the fifth home of the Cosmos Club. Within the Clubhouse, Presidents, members of Congress, ambassadors, Nobel Laureates, Pulitzer Prize winners, scientists, writers, and other distinguished individuals have expanded their minds, solved world problems, and discovered new ways to make contributions to humankind, just as the founders envisioned in 1878. The history of the Cosmos Club is present in every room, not as homage to the past, but as a celebration of its continuum serving as a reminder of its origins, its genius, and its distinction. ❖❖❖ A place for conscious, animated discussion A place for quiet, contemplation and research A place to free the mind through relaxation, music, art, and conviviality Or exercise the mind and match wits A place of discovery A haven of friendship… The Cosmos Club A Brief History The Townsend Mansion, home of the Cosmos Club since 1952, was originally built in 1873 by Judge Curtis J.
    [Show full text]
  • Valeska Soares B
    National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels As of 8/11/2020 1 Table of Contents Instructions…………………………………………………..3 Rotunda……………………………………………………….4 Long Gallery………………………………………………….5 Great Hall………………….……………………………..….18 Mezzanine and Kasser Board Room…………………...21 Third Floor…………………………………………………..38 2 National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels The large-print guide is ordered presuming you enter the third floor from the passenger elevators and move clockwise around each gallery, unless otherwise noted. 3 Rotunda Loryn Brazier b. 1941 Portrait of Wilhelmina Cole Holladay, 2006 Oil on canvas Gift of the artist 4 Long Gallery Return to Nature Judith Vejvoda b. 1952, Boston; d. 2015, Dixon, New Mexico Garnish Island, Ireland, 2000 Toned silver print National Museum of Women in the Arts, Gift of Susan Fisher Sterling Top: Ruth Bernhard b. 1905, Berlin; d. 2006, San Francisco Apple Tree, 1973 Gelatin silver print National Museum of Women in the Arts, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Sharon Keim) 5 Bottom: Ruth Orkin b. 1921, Boston; d. 1985, New York City Untitled, ca. 1950 Gelatin silver print National Museum of Women in the Arts, Gift of Joel Meyerowitz Mwangi Hutter Ingrid Mwangi, b. 1975, Nairobi; Robert Hutter, b. 1964, Ludwigshafen am Rhein, Germany For the Last Tree, 2012 Chromogenic print National Museum of Women in the Arts, Gift of Tony Podesta Collection Ecological concerns are a frequent theme in the work of artist duo Mwangi Hutter. Having merged names to identify as a single artist, the duo often explores unification 6 of contrasts in their work.
    [Show full text]
  • Best of ITALY
    TRUTH IN TRAVEL TRUTH IN TRAVEL Best of ITALY VENICE & THE NORTH PAGE S 2–9 Venice Milan VENICE NORTHERN The Prince of Venice ITALY Viewing Titian’s paintings in their original basilicas and palazzi reveals a Venice of courtesans and intrigue. Pulitzer Prize—winning critic Manuela Hoelterhoff’s walking guide to the city amplifies the experience of reliving the tumultuous times of Florence the Old Master—and finds some aesthetically pleasing hotels and restaurants along the way. TUSCANY (Trail of Glory map on page 5) FLORENCE & TUSCANY PAGE S 10 –1 5 Best of ITALYCENTRAL ITALY TUSCAN COAST Rome Tuscany by the Sea Believe it or not, Tuscany has a shoreline—145 miles of it, with ports large and small, hidden beaches, a rich wildlife preserve, and, of course, the blessings of the Italian table. Clive Irving Naples discovers a sexy combo of coast, cuisine, and Pompeii Caravaggio—and customizes a beach-by-beach, Capri harbor-by-harbor map for seaside fun. SARDINIA SOUTHERN ITALY ROME & CENTRAL ITALY PAGE S 16–2 0 ROME Treasures of the Popes You’re in Rome, but the Vatican is a city in itself. (In fact, a nation.) What should you see? John Palermo Julius Norwich picks his masterpieces, and warns of the potency of Vatican hospitality. SICILY VENICE & THE NORTH PAGE 2 Two miles long, spanned by three bridges and six gondola ferries, the Grand Canal is an avenue of palaces built between the fourteenth and eigh- teenth centuries. A rich, luminous city, her beauty reflected at every turn, Venice was the perfect muse for an ambitious Renaissance artist.
    [Show full text]
  • Curriculum Vitae
    JACQUI STOCKDALE Born 1968, Melbourne, Australia EDUCATION 1990 Bachelor of Fine Arts (Painting), Victorian College of the Arts Graduate Diploma (Video), University of Tasmania SELECTED SOLO EXHIBITIONS: 2020 The Long Shot, Linden New Art Gallery, Victoria 2019 All the Rivers Run, Olsen Annexe, Sydney 2018 Todays/Tomorrow Cape Town Art Fair, Cape Town, South Africa Ghost Hoovanah, Olsen Gallery, Sydney Ghost Hoovanah, THIS IS NO FANTASY dianne tanzer + nicola stein Todays/Tomorrow Cape Town Art Fair, Cape Town, South Africa 2016 Familija, Benalla Art Gallery, Victoria 2016 The Boho, THIS IS NO FANTASY + dianne tanzer gallery, Melbourne Familija, Benalla Art Gallery, Victoria 2015 Drawing the Labyrinth, touring exhibition, Benalla Art Gallery, Swan Hill Regional Art Gallery, McClelland Sculpture Park + Gallery 2014 Super Naturale, Helen Gory Galerie, Melbourne 2012 The Quiet Wild, Helen Gory Galerie, Melbourne 2011 Papercuts and Bloodlines, Venn Gallery, Perth 2010 Strange Archipelago, Helen Gory Galerie, Melbourne Rolling Heads, Watch this Space, Alice Springs 2008 Some Kind of Coyote, Helen Gory Galerie, Melbourne 2007 Circo, Antarisuite Cintermex, Monterrey, Mexico Headland, Chapman and Bailey, Melbourne Nature and the Beast, Despard Gallery, Hobart 2005 Familija, Despard Gallery Familija, Chapman and Bailey, Melbourne 2004 Shooting the Picturesque, Chapman and Bailey, Melbourne 2003 Body land, Woods St Gallery, Darwin 2001 The White Horse Darkly, Woods St Gallery, Darwin 2000 Into the Light, Access Contemporary Art, Sydney 1998 Harem,
    [Show full text]
  • A Catalogue of the Paintings at Doughty House, Richmond, & Elsewhere in the Collection of Sir Frederick Cook, Bt., Visconde
    A CATALOGUE OF THE PAINTINGS IN THE COLLECTION of SIR FREDERICK COOK, BT. A CATALOGUE OF THE PAINTINGS AT DOUGHTY HOUSE RICHMOND AND ELSEWHERE IN THE COLLECTION OF SIR FREDERICK COOK BT VISCONDE DE MONSERRATE Edited by HERBERT COOK, M.A., F.S.A. VOLUME I ITALIAN SCHOOLS By DR TANCRED BORENIUS LONDON • WILLIAM HEINEMANN A CATALOGUE OFTHE PAINTINGS AT DOUGHTY HOUSE RICHMOND ELSEWHERE IN THE COLLECTION OF SIR FREDERICK COOK BT VISCONDE DE MONSERRATE EDITED BY HERBERT COOK, M.A., F.S.A. HON. MEMBER OF THE ROYAL ACADEMY OF MILAN VOLUME II DUTCH AND FLEMISH SCHOOLS By J. O. KRONIG LONDON WILLIAM HEINEMANN M DCCCC XIV PREFATORY NOTE THE second volume of the Cook colledtion is devoted to the Dutch and Flemish Schools. The art of the so-called School of the Early Netherlands is reserved for the third volume, which will also contain the English, French, German and Spanish se&ions. In the present volume 190 Dutch and Flemish piitures are recorded, and of these 100 are illustrated either on photogravure plates or by collotype process. The former are executed by the Rembrandt Photogravure Co., of 36 Basinghall Street, E.C.; the latter are the work of Messrs Knighton & Cutts, of Red Lion Court, Fleet Street, E.C. As in the previous volume, single photographs can be obtained either from Signor Domenico Anderson, of Rome, or from Mr W. E. Gray, of 92 Queen’s Road, Bays- water; the register number for ordering is always quoted whenever the photograph exists. The text has been entrusted to Mr J.
    [Show full text]
  • Mcevoy Foundation for the Arts Health & Safety Plan Business Name
    McEvoy Foundation for the Arts Health & Safety Plan Business name: McEvoy Foundation for the Arts Address: 1150 25th St. Building B, San Francisco, CA 94107 You may contact the following person with any questions or comments about this protocol: Name: Alex Spoto, Events & Operations Manager Email: [email protected] Phone number: 415-580-7605 Worksite Safety Plan Monitor contact information: Name: Alex Spoto, Events & Operations Manager Email: [email protected] Phone number: 415-580-7605 Permanent URL for this plan: www.mcevoyarts.org/health-and-safety-plan Overview This document details the efforts made by McEvoy Foundation for the Arts to reduce exposure to COVID-19, maintain health and safety of employees and visitors, and outline a course of action for staying up to date with public health directives and orders from the City & County of San Francisco Department of Public Health (SFDPH) as well as from the State of California Department of Public Health (CDPH) and the Centers for Disease Control and Prevention (CDC). The McEvoy Arts Health & Safety Plan (HSP) is developed in accordance with San Francisco Department of Public Health Order No. C19-07j (revised 9/30/2020) and Health Officer Directive 2020-32 (Indoor Museums, Zoos, Aquariums issued 9/18/2020); it also incorporates guidance from Health Officer Directives 2020-17 (In Store Retail issued 6/13/2020) and 2020-18 (Offices, issued 6/13/2020) as applies to McEvoy Arts’ specific operations. When local, state, and federal guidance differs, McEvoy Arts will follow the most restrictive guidelines. McEvoy Arts has met or exceeded the requirements outlined for indoor museums and art galleries in Directive 2020-32 in the following ways: Guest Experience - Limit occupancy in the entire facility as well as discreet rooms within to ensure that well over 6 ft.
    [Show full text]
  • A Tour of Blakesley Hall
    Blakesley Hall Family Social Story A Tour of This guide tells me all about the historic house called Blakesley Hall. If I would like to know more about the Visitor Centre and Gardens at Blakesley Hall, as well as the people who work there, I can use the separate guide entitled ‘My Visit to Blakesley Hall’. This is a photo of Blakesley Hall. This is the main entrance to Blakesley Hall. An Enabler will let me in here so I can start looking around. Once I have gone through the front door I will arrive in the Cross Passage, a big corridor which leads me to several rooms. If I walk halfway down the Cross Passage and turn left. I will be in the Great Hall, on the ground floor. This is the Great Hall. The Great Hall would have been used for all sorts of things in Tudor times, but today it is set for dinner. I can touch the objects on the table in the Great Hall, and an Enabler or a Volunteer will be able to tell me what they were all used for. At the far end of the Great Hall I might go in two rooms: The Great Parlour and the Little Parlour. This is the Great Parlour. The Great Parlour is where people had dinner parties. There is lots of pretend food on the table to show me what it would have looked like. This is the Little Parlour, which is also at the far end of the Great Hall. The Little Parlour is where the women of the household might have spent their time.
    [Show full text]
  • The Long Gallery
    The Royal Pavilion Dragon Quest Here is a story based in the Royal Pavilion. The story follows the route that you will take around the Pavilion. There are some gaps in the story that you need to fill in: …………………….. means that you need to write in the appropriate answer. The answer can be found in the room that you are in. ________________ means that you need to add your name into the text. The Long Gallery Once upon a time, over 150 years ago, there lived a young prince named George. George lived in London but longed to live in Brighton, so - as soon as he was old enough - he built a Royal Palace right here on this very spot! Prince George liked to live very well and so he had the Royal Pavilion made into a beautiful palace and filled it with many pretty things including lots and lots of Chinese Dragons. One hot summer’s evening the prince was having a party. All the guests were dressed in their best clothes and were waiting for the prince in the Long Gallery (where you are now). While they waited they watched the nodding ……………… and looked at the lanterns. Can you draw one in the box below? Prince George appeared at the top of the stairs and the guests sank into bows and curtseys. George greeted them, and led them into the Banqueting Room. The Banqueting Room While they were led to their seats the guests talked about the lovely decorations in the room. ”Why, there must be at least 50 dragons in this room!” commented one gentleman.
    [Show full text]
  • ISGM Visitor MAP Final.Pdf
    Hours Open daily from 11am to 5pm Thursday until 9pm; closed Tuesday MAP Tips for Enjoying Your Visit AUDIO GUIDES Audio Guide devices are available for rent at the admission desk for $5, or access for free on your own device via gardnermuseum.org/audioguide. DINING + SHOPPING Café G and Gift at the Gardner are open during Museum hours. Café G stops seating one hour prior to Museum closing. TOURS + TALKS Free talks and tours take place nearly every day. Stop by the admission desk for times and locations. While You’re Here Our collection is displayed in an accessible fashion. Please help us protect the works of art and the building by not touching. Low light levels in the historic galleries help protect works of art from damage and maintain the interplay of light and shadow that has always been part of the Gardner experience. Non-flash photography and video recording are permitted throughout the Museum. Please be considerate of others when taking photos. The use of tripods, monopods, and selfie sticks is not permitted. All large bags, backpacks, and umbrellas must be checked at the coat check, or visitors may use our self-service lockers, free of charge. Become a Member Join today and enjoy unlimited free Museum admission for one year, special member prices, advance notice of concerts and lectures, and a 10% discount at Gift at the Gardner and Café G. Become a member at the admissions desk, online at gardnermuseum.org, or call the Membership Office at 617 566 5643. For all other information please visit gardnermuseum.org 2 018 -–19 Welcome to the Isabella Stewart Gardner Museum! You are about to experience a museum that is unlike any other.
    [Show full text]