DOCSLIB.ORG

The Edogawa Rampo Reader Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Edogawa Rampo Reader Free FREE THE EDOGAWA RAMPO READER PDF Rampo Edogawa,Seth Jacobowitz,Takayuki Tatsumi | 292 pages | 30 Dec 2008 | Kurodahan Press | 9784902075250 | English | [S.l], Japan The Edogawa Rampo Reader by Edogawa Rampo | LibraryThing Ranpo was an admirer of Western mystery writers, and especially of Edgar Allan Poe. His pen name is a rendering of Poe's name. The family moved to what is now Kameyama, Mieand from there to The Edogawa Rampo Reader when he was age two. He studied economics at Waseda University starting in After graduating in with a degree in economics he worked a series of odd jobs, including newspaper editing, drawing cartoons for magazine publications, selling soba noodles as a street vendor, and working in a used bookstore. The story appeared in the magazine Shin Seinena popular magazine written largely for an adolescent audience. Chestertonbut this was the first time the magazine published a major piece of mystery fiction by a Japanese author. Some, such as James B. Over the course of the next several years, Edogawa went on to write a number of other stories that focus on crimes and the processes involved in solving them. Among these stories are a number of stories that are now considered classics of early 20th-century Japanese popular literature: "The Case of the Murder on D. Although many of his first stories were primarily about sleuthing and the processes used in solving seemingly insolvable crimes, during the s, he began to turn increasingly to stories that involved a combination of sensibilities often called " ero guro nansensu ", from the three words "eroticism, grotesquerie, and the nonsensical". The presence of these sensibilities The Edogawa Rampo Reader him sell his stories to the public, which was The Edogawa Rampo Reader eager to read his work. By the s, Edogawa was writing regularly for a number of major public journals of popular literature, and he had emerged as the foremost voice of Japanese mystery fiction. A number of these novels were subsequently made into films. These works were wildly popular and are still read by many young Japanese readers, much like the Hardy Boys or Nancy Drew mysteries are popular mysteries for adolescents in the English-speaking world. Censors banned the story, apparently believing that the story would detract from the current war effort. This came as a blow to Ranpo, who relied on royalties The Edogawa Rampo Reader reprints for income. Over the course of World War IIespecially during the full-fledged war between Japan and the US that began after inEdogawa was active in his local neighborhood organizationand he wrote a number of stories about young The Edogawa Rampo Reader and sleuths that might be seen as in line with the war effort, but he wrote most of these under different pseudonyms The Edogawa Rampo Reader if to disassociate them with his legacy. In Februaryhis family was evacuated from their home in IkebukuroTokyo to Fukushima in northern Japan. Edogawa remained until June, when he was suffering from malnutrition. Much of Ikebukuro was destroyed in Allied air raids and the subsequent fires that broke out in the city, but miraculously, the thick, earthen-walled warehouse which he used as his studio was spared, and still stands to this day beside the campus of Rikkyo University. The Edogawa Rampo Reader the postwar period, Edogawa dedicated a The Edogawa Rampo Reader deal of energy to promoting mystery fiction, both in terms of the understanding of its history and encouraging the production of new mystery fiction. In addition, he wrote a large number of articles about the history of Japanese, European, and American mystery fiction. Many of these essays were published in book form. In the s, he and a bilingual translator collaborated for five years on a translation of Edogawa's works into English, published as Japanese Tales of Mystery and Imagination by Tuttle. Since the translator could speak but not read Japanese, and Edogawa could read but not write English, the translation was done aurally, with Edogawa reading each sentence aloud, then checking the written English. Another of his interests, especially during the late s and s, was The Edogawa Rampo Reader attention to the work of his dear friend Jun'ichi Iwata —an anthropologist who had spent many years researching the history of homosexuality in Japan. During the s, Edogawa and Iwata had engaged in a light-hearted competition to see who could find the most books about erotic desire between men. Edogawa dedicated himself to finding books published in the West and Iwata dedicated himself to finding books having to do with Japan. Iwata died inwith only part of his work published, so Edogawa worked to have the remaining work on queer historiography published. In the postwar period, a large number of Edogawa's books were made into films. The interest in using Edogawa's literature as a departure point for creating films has continued well after his death. Edogawa, who suffered from a variety of health issues, including atherosclerosis and Parkinson's diseasedied from a cerebral hemorrhage at his home in His grave is at The Edogawa Rampo Reader Tama Cemetery in Fuchunear Tokyo. From Wikipedia, the free encyclopedia. In this Japanese namethe family name is Hirai. This article includes a list of general referencesbut it remains largely unverified The Edogawa Rampo Reader it lacks sufficient corresponding inline citations. Please help to improve The Edogawa Rampo Reader article by introducing more precise citations. October Learn how and when to remove this template message. Main article: Kogoro Akechi. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. April Learn how and when The Edogawa Rampo Reader remove this template message. Novels portal Japan portal. Kurodahan Press. Retrieved August 13, Rampo means " random walk ". February 5, Japanese Tales of Mystery and Imagination. Archived from the original on February 5, Retrieved Japan Times. Anime News Network. Retrieved 10 June Edogawa Ranpo. Namespaces Article The Edogawa Rampo Reader. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Ranpo in Transcriptions Romanization Edogawa Ranpo. Wikimedia Commons has media related to Edogawa Ranpo. Japanese Wikisource has original text related to this article: Edogawa Ranpo. The Edogawa Rampo Reader by Rampo Edogawa, Paperback | Barnes & Noble® Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge The Edogawa Rampo Reader. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Takayuki Tatsumi Foreword. Seth Jacobowitz Translator. Edogawa Rampo pseudonym of Hirai Taro, is the acknowledged grand master The Edogawa Rampo Reader Japan's golden age of crime and mystery fiction. He is also a major writer in the tradition of Japanese Modernism, and exerts a massive influence on the popular and literary culture of today's Japan. The Edogawa Rampo Reader presents a selection of outstanding examples of his short ficti Edogawa Rampo pseudonym of Hirai Taro, is the acknowledged grand master of Japan's golden age of crime and mystery fiction. The Edogawa Rampo Reader presents a selection of outstanding examples of his short fiction, and a selection of his non-fiction prose. Together, they present a full and accurate picture of Rampo as a major contributor to the Japanese literary scene, helping to clarify his achievements to the English-speaking world. All the content of the Rampo Reader is brand-new to English. His non-fiction work has never been translated into English before. This is the The Edogawa Rampo Reader place to find a comprehensive one-volume introduction to the world of Edogawa Rampo. Get A Copy. Paperbackpages. Published December 25th by Kurodahan Press first published December The Edogawa Rampo Reader More Details Original Title. The Edogawa Rampo Reader Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about The Edogawa Rampo Readerplease sign The Edogawa Rampo Reader. Be the first to ask a question about The Edogawa Rampo Reader. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of The Edogawa Rampo Reader. Jul 04, DeAnna Knippling rated it it was amazing. A collection of fiction and essays from the Japanese Edgar Allen Poe. The erotic, the mysterious, the grotesque! Each story is weirder and more clever than the last. The essays are insightful about what makes for a good mystery, or a creepy tale, or even what makes us love words themselves. Feb 10, Philipp rated it really liked it Shelves: japanshort-storiesessaysfiction. Edogawa Rampo is one of the most famous Japanese detective fiction writers, with huge debts to Doyle and Poe The Edogawa Rampo Reader Edogawa Rampo a few times the Japanese way and you'll find that he named himself Edgar Allan Poe. This Reader collects a few short stories without the famous Caterpillar! Sexuality, taboo, and rebellion are common themes: Human beings are complex creatures. From the moment we're born, we are endowed with certain anti-social traits. It is taboo to act on these desires. Yet taboos are essential for human beings. Or rather, I should say it is the very need for taboos in the first place that proves human beings have an innate tendency to rebel against society. The so-called instinct for crime is another name for it. The essays are all over the place, but interesting - some are very impressionistic, it's quaint nowadays how terrified Rampo was of the moving picture, some essays are focused on the 'tricks' a detective fiction writer uses, and I'm a bit sad that his An Itemized Catalog of Tricks hasn't been translated to English here's Google Translate with the list of tricks from the Japanese Wikipedia.
Load more

Recommended publications
  • The Lonely Island of Queerness: Manifestations of Early Shōwa Homosexuality Discourse in Edogawa Ranpo’S Kotō No Oni
    The Lonely Island of Queerness: Manifestations of Early Shōwa Homosexuality Discourse in Edogawa Ranpo’s Kotō no Oni Veronika Abbasová, Charles University in Prague, Czech Republic The Asian Conference on Asian Studies 2014 Official Conference Proceedings 0233 iafor The International Academic Forum www.iafor.org In my paper I write about Edogawa’s Ranpo novel Kotō no Oni, The Demon of the Lonely Isle, and the way the issue of homosexuality is treated there. Edogawa Ranpo was born in 1894 as Hirai Tarō in Nabari (Mie prefecture). When he was 18, he left for Tokyo and received an economic degree from Waseda University. Later he held various jobs, from chief accountant through bookshop clerk to a street vendor selling soba noodles. In 1923 Ranpo debuted as a writer with a detective story Nisen dōka (The Two-Sen Copper Coin). This story was written already under the alias Edogawa Ranpo, wordplay with the name of Edgar Allan Poe. Ranpo was greatly inspired by Poe, the father of detective story, as well as with the works of A. C. Doyle. But Ranpo wasn’t content with classical detective stories and soon turned to ero guro nansensu sensibilities then in vogue in Japan. That is why many of his stories contain references of perversions and other unusual things. For example, in his D-zaka no satujin jiken a woman loses her life during a sadomasochistic play, and the hero of his perhaps most famous short story Ningen isu spends a month hidden inside of an armchair because he is aroused by the contact with the sitting people.
    [Show full text]
  • Detecting Japanese Vernacular Modernism: Shinseinen Magazine and the Development of the Tantei Shôsetsu Genre, 1920-1931
    DETECTING JAPANESE VERNACULAR MODERNISM: SHINSEINEN MAGAZINE AND THE DEVELOPMENT OF THE TANTEI SHÔSETSU GENRE, 1920-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kyoko Omori * * * * * The Ohio State University 2003 Dissertation Committee: Professor William J. Tyler, Adviser Approved by Professor Richard Torrance Professor Mark Bender Adviser Department of East Asian Languages and Literatures ABSTRACT The post-war discourse on modern Japanese literature has presented the binary opposition between “pure” versus “popular” literature as a historical fact, configuring popular literature as the disposable “other” of “pure” literature. Consequently, Japanese literary studies have paid relatively little attention to popular forms such as mystery fiction, samurai “period” fiction, the romance novel, and “nansensu” humor. This dissertation examines the discursive formation of the Japanese modernist popular genre known as “tantei shôsetsu” or “detective fiction.” Focusing on the popular monthly magazine Shinseinen and several of its writers, it discusses the theoretical and practical dimensions of “tantei shôsetsu” as a vernacular form of modernist literary production. In doing so, it situates the genre within contemporaneous debates about the meaning of both modernity and literature in Japan during the 1920s. Chapter One establishes the theoretical terms for “vernacular modernism” by illuminating the ways in which popular literary production engaged with the forces of commercialism and Westernization that also shaped the development of canonical Japanese literature during the early twentieth century. Chapter Two surveys established critical views of Modernism in Japan and shows that they fail to account for the significance of vernacular expression.
    [Show full text]
  • El Fenómeno Erotic-Grotesque Nansensu En Las Obras De Edogawa Ranpo
    FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN GRADO DE ESTUDIOS DE ASIA ORIENTAL TRABAJO DE FIN DE GRADO Curso 2015-2016 EL FENÓMENO EROTIC-GROTESQUE NANSENSU EN LAS OBRAS DE EDOGAWA RANPO Laura Maria Carrascosa Hitos NIU: 1306644 TUTOR JORDI MAS LÓPEZ Barcelona, Junio de 2016 Datos del TFG / Dades del TFG / Thesis data Título: El fenómeno erotic-grotesque nansensu en las obras de Edogawa Ranpo Títol: El fenomen erotic-grotesque nansensu en les obres de l'Edogawa Ranpo Title: The erotic-grotesque nansensu phenomenon in Edogawa Ranpo's works Autora / Autora / Author: Laura Maria Carrascosa Hitos Tutor / Tutor / Tutor: Jordi Mas López Centro: Universidad Autónoma de Barcelona, Facultad de Traducción e Interpretación Centre: Universitat Autònoma de Barcelona, Facultat de Traducció i Interpretació Center: Autonomous University of Barcelona, Faculty of Translation and Interpretation Estudios: Estudios de Asia Oriental Estudis: Estudis d'Àsia Oriental Studies: East Asian Studies Curso académico / Curs acadèmic / Academic year: 2015 – 2016 Palabras clave / Paraules clau / Keywords Edogawa Ranpo, erotic-grotesque nansensu, literatura japonesa, novela de detectives, Edgar Alan Poe Edogawa Ranpo, erotic-grotesque nansensu, literatura japonesa, novel·la de detectius, Edgar Alan Poe Edogawa Ranpo, erotic-grotesque nansensu, japanese literature, detective novel, Edgar Alan Poe Resumen del TFG / Resum del TFG / DFP Abstract El principal objetivo de este trabajo es exponer los elementos del ero-guro nansensu en tres de las obras del escritor japonés Edogawa Ranpo: “La silla humana”, “La oruga” y El demonio de la isla solitaria. Con tal de facilitar la comprensión del lector, los análisis serán precedidos por una explicación sobre la historia del origen y el desarrollo de este fenómeno literario, además de la biografía y una breve introducción a la carrera del autor.
    [Show full text]
  • Andrzej Wirkowski the Detective Fiction of Oguri Mushitar . Beyond the Orthodox and the Weird1 DOI: 10.12775/Sijp.2020.56-59.18
    Andrzej Świrkowski ORCID: 0000-0002-4290-4409 The Detective Fiction of Oguri Mushitar ō. Beyond the Orthodox and the Weird 1 DOI: 10.12775/sijp.2020.56-59.18 ABSTRACT Oguri Mushitar ō (1901-1946) was a popular fiction writer whose main period of activity were the 1930s. Renowned for his idiosyncratic and often impenetrable style, labyrinthine plots and otherworldly logic, he never achieved the popularity of his contemporaries Edogawa Rampo or Yokomizo Seishi. In fact the eminent detective literature historian It ō Hideo dismisses one of Oguri's novels as “unfathomable” and “not for the casual reader”. In spite of this, in the last few decades Oguri's works have been reappraised, with his most famous novel Kokushikan satsujin jiken [the plague house murder case] (1934) placing 14th in the Sh ūkan Bunshun magazine's recent poll of 100 best Japanese mystery novels. In this paper I look at the novels that feature the detective Norimizu Rintar ō, compare the works of Oguri to those of other mystery writers in Japan and abroad and try to argue that Oguri's originality lies in his unwillingness to adapt either to the honkaku (the detective novel ‘proper’) or the henkaku (the ‘unorthodox’ mystery) schools that formed the early Showa era mystery fiction literary scene. KEYWORDS : mystery, Japanese literature, detective fiction, popular fiction, 1930s Introduction It can be argued that detective fiction 2, like no other type of modern fiction, relies on strict adherence to certain established forms and patterns. Thus 1 Please note that the paper gives away crucial plot details of the following works: Edogawa Ranpo’s Nisen d ōka , Inj ū; Oguri Mushitar ō’s Gok ō satsujin jiken , Kokushikan satsujin jiken ; S.S.
    [Show full text]
  • Anime/Games/J-Pop/J-Rock/Vocaloid
    Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi
    [Show full text]
  • Double Fictions and Double Visions of Japanese Modernity
    Double Fictions and Double Visions of Japanese Modernity by Baryon Tensor Posadas A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Baryon Tensor Posadas, 2010 Double Fictions and Double Visions of Japanese Modernity Baryon Tensor Posadas Doctor of Philosophy Department of East Asian Studies University of Toronto 2010 Abstract At roughly the same historical conjuncture when it began to be articulated as a concept marking a return of the repressed within the psychoanalytic theories of Sigmund Freud and Otto Rank, the doppelganger motif became the subject of a veritable explosion of literary attention in 1920s Japan. Several authors – including Akutagawa Ryûnosuke, Edogawa Rampo, Tanizaki Jun’ichirô, and others – repeatedly deployed the doppelganger motif in their fictions against the backdrop of rapid urbanization, imperial expansion, and the restructuring of all aspects of everyday life by a burgeoning commodity culture. Interestingly, as if enacting the very compulsion to repeat embodied by the doppelganger on a historical register as well, a repetition of this proliferation of doppelganger images is apparent in the contemporary conjuncture, in the works of authors like Abe Kôbô, Murakami Haruki, or Shimada Masahiko, as well as in the films of Tsukamoto Shinya or Kurosawa Kiyoshi. To date, much of the previous scholarship on the figure of the doppelganger tends to be preoccupied with the attempt to locate its origins, whether in mythic or psychical terms. In contrast to this concern with fixing the figure to an imagined essence, in my dissertation, I instead place emphasis on the doppelganger’s enactment of repetition itself through an examination at the figure through the prism of the problem of genre, in terms of how it has come to be discursively constituted as a genre itself, as well as its embodiment of the very logic of genre in its play on the positions of identity and difference.
    [Show full text]
  • Disability, Deviance, and Modernity in the Early Works of Edogawa Rampo
    Disability, Deviance, and Modernity in the Early Works of Edogawa Rampo Genevieve M Hill A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts University of Washington 2020 Committee: Justin Jesty Edward Mack Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2020 Genevieve M Hill University of Washington Abstract Disability, Deviance, and Modernity in the Early Works of Edogawa Rampo Genevieve M Hill Chair of the Supervisory Committee: Professor Justin Jesty Asian Languages and Literature Japanese mystery fiction author Edogawa Rampo (1894–1965) frequently depicted disability in his novels. While some have criticized these works’ highly negative imaginings of disabled characters by appealing to contemporary standards, this thesis argues that it is important to historicize the status of disability in the 1920s and 1930s when reading these works. While these stories stand out today because of the characters’ recognized positions as disabled minorities, in an era before an overarching concept of “disability” had consolidated, these figures were part of a larger trend Rampo exhibited: a fascination and sympathy with all kinds of different, strange, modified, and transformed bodies and minds. Rampo used physically disabled characters as cultural and political symbols that reflected the transformations of the interwar era, whose narrative use in turn worked to develop novel nuances of understanding surrounding the value of deviance versus the norm. This paper examines Rampo’s Issun bōshi (The Dwarf (1926- 1927)), Imomushi (“The Caterpillar” (1929)), Kotō no oni (The Demon of the Lonely Isle (1929- 1931)), and Mōjū (The Blind Beast (1931)), first contextualizing themes of physical disability in historical terms of the rapidly modernizing and globalizing society of the 1920s and 1930s.
    [Show full text]
  • FINE JAPANESE ART Thursday 17 May 2018
    FINE JAPANESE ART Thursday 17 May 2018 SPECIALIST AND AUCTION ENQUIRIES LONDON Suzannah Yip Yoko Chino Masami Yamada NEW YORK Jeff Olson Takako O’Grady SENIOR CONSULTANTS Neil Davey Joe Earle FINE JAPANESE ART Thursday 17 May 2018 at 11am and 2.30pm 101 New Bond Street, London VIEWING ENQUIRIES CUSTOMER SERVICES Please see page 2 for bidder Saturday 12 May, Specialist, Head of Department Monday to Friday 8.30am to 6pm information including after-sale 11am to 5pm Suzannah Yip +44 (0) 20 7447 7447 collection and shipment Sunday 13 May, +44 (0) 20 7468 8368 11am to 5pm [email protected] Physical Condition of Lots in For the sole purpose of providing Monday 14 May, this Auction estimates in three currencies in 9am to 4.30pm Cataloguer the catalogue the conversion Tuesday 15 May, Yoko Chino PLEASE NOTE THAT THERE has been made at the exchange 9am to 4.30pm +44 (0) 20 7468 8372 IS NO REFERENCE IN THIS rate of approx. Wednesday 16 May, [email protected] CATALOGUE TO THE PHYSICAL £1: ¥151.1804 9am to 4.30pm CONDITION OF ANY LOT. £1: USD1.4100 Department Assistant INTENDING BIDDERS MUST Please note that this rate may SALE NUMBER Masami Yamada SATISFY THEMSELVES AS TO well have changed at the date 24680 +44 (0) 20 7468 8217 THE CONDITION OF ANY LOT of the auction. [email protected] AS SPECIFIED IN CLAUSE 15 CATALOGUE OF THE NOTICE TO BIDDERS お 品 物 のコン ディション につ いて £25.00 Senior Consultants CONTAINED AT THE END OF Neil Davey THIS CATALOGUE.
    [Show full text]
  • La Mostruosità Nel Giappone Antico E Moderno Dal Folklore Al Cinema, Le Creature Sovrannaturali E La Loro Percezione
    Corso di Laurea magistrale (Ordinamento ex D.M. 270/2004) in Lingue e civiltà dell’Asia e dell’Africa Mediterranea Tesi di Laurea La mostruosità nel Giappone antico e moderno Dal folklore al cinema, le creature sovrannaturali e la loro percezione Relatore Ch. Prof. Maria Roberta Novielli Correlatore Ch. Prof. Paola Scrolavezza Laureando Hélène Gregorio Matricola 988023 Anno Accademico 2015 / 2016 1 INDICE ABSTRACT 2 INTRODUZIONE 4 CAPITOLO 1: 1.1 La mostruosità nei testi più antichi e nelle prime forme teatrali 8 1.2 La visione del mostro nel secondo dopoguerra 22 1.3 Da mostruoso a orrorifico 31 CAPITOLO 2: 2.1 L’unicità del Giappone: Yōkaigaku, etnologia e nihonjinron 40 2.2 Tradizione vs modernità: un Giappone dicotomico 54 CAPITOLO 3: 3.1 L’estetica del mostruoso in Honda Ishirō - Gli eredi di King Kong (1968) 67 L’autore 67 La trama del film 70 L’analisi del film 72 3.2 L’estetica del mostruoso in Shimizu Takashi - Juon: Rancore (2002) 80 L’autore 80 La trama del film 83 L’analisi del film 85 3.3 L’estetica del mostruoso in Miike Takashi - The Great Yōkai War (2005) 93 L’autore 93 La trama del film 96 L’analisi del film 98 CONCLUSIONE 107 BIBLIOGRAFIA 110 SITOGRAFIA 113 2 ABSTRACT 昔から人間は言葉で説明出来ない自然現象に興味があった。一番古い史料に基づ くと日本は伊邪那岐命と伊邪那美命と言う神様から創造された群島であることが わかる。古事記や日本書記などにおいては日本の神話起源や神様の偉業や最初の 国王について色々な話が書いてある。その古い史料から超自然的存在のイメージ を分析して、日本民族の為の大切さを解説してみた。別の世界に生きているもの をめぐって昔から現代にかけて様々な言葉が使われている。その言葉の中で化け 物や物の怪や妖怪などが一番古い。時間が経つにつれて他の単語も造語された。 例えば、ある言葉は怪物や怪獣や英語から用いられたモンスターである。すべて の単語の意味はほとんど同じだが、使われている時代とコンテクストは違う。 この卒業論文は３章に分かれている。次に各章の論題を述べていく。
    [Show full text]
  • J. KEITH VINCENT 745 Commonwealth Avenue #606 Boston, MA 02215 917 214 0302 CURRICULUM VITAE 2018 October [email protected]
    J. KEITH VINCENT 745 Commonwealth Avenue #606 Boston, MA 02215 917 214 0302 CURRICULUM VITAE 2018 October [email protected] ACADEMIC APPOINTMENTS 2015 - PRESENT BOSTON UNIVERSITY Chair, Department of World Languages & Literatures (On leave 2018-19) 2013 - PRESENT BOSTON UNIVERSITY Associate Professor of Japanese and Comparative Literature, and Women's, Gender, & Sexuality Studies. 2013 - 2014 UNIVERSITY OF MICHIGAN, ANN ARBOR Toyota Visiting Professor 2007 - 2013 BOSTON UNIVERSITY Assistant Professor of Japanese and Comparative Literature Department of Modern Languages & Comparative Literature 2000 - 2007 NEW YORK UNIVERSITY Assistant Professor of East Asian Studies and Comparative Literature Departments of East Asian Studies and Comparative Literature 1998 - 2000 NEW YORK UNIVERSITY Lecturer in East Asian Studies and Comparative Literature Departments of East Asian Studies and Comparative Literature EDUCATION 2000 COLUMBIA UNIVERSITY Ph.D. in East Asian Languages and Cultures Dissertation: “Writing Sexuality: Heteronormativity, Homophobia, and the Homosocial Subject in Modern Japan.” 1993 COLUMBIA UNIVERSITY M. Phil. in East Asian Languages and Cultures 1990 - 1991 NAGOYA UNIVERSITY Japanese Ministry of Education’s one-year intensive course on Japanese language and culture for advanced students. Thesis on Muromachi-period linked verse: “Shinkei no renga.” 1990 UNIVERSITY OF KANSAS B. A. in East Asian Studies and Comparative Literature Senior thesis: “Literary Naturalism in Japan and France.” 1988 - 1989 PHILIPPS UNIVERSITÄT MARBURG West
    [Show full text]
  • A Cibercultura E O Cinema De Shinya Tsukamoto
    INSTITUTO SUPERIOR DE CIÊNCIAS DO TRABALHO E DA EMPRESA DEPARTAMENTO DE SOCIOLOGIA A CIBERCULTURA E O CINEMA DE SHINYA TSUKAMOTO: UM ESTUDO A PARTIR DO DÍPTICO TETSUO Marta Sofia da Luz Marcos Pinho Alves Dissertação submetida como requisito parcial para obtenção do grau de Mestre em Comunicação, Cultura e Tecnologias de Informação Orientador: Prof. Doutor José Luís Garcia Junho, 2007 À memória dos meus avós, Constança Carmelita Luz e João da Graça Marcos 2 RESUMO Esta dissertação centra a sua análise na relação entre a cibercultura, a figura do cineasta Shinya Tsukamoto no contexto do cinema nipónico e o díptico da sua autoria constituído pelos filmes homónimos, Tetsuo (Tetsuo: O Homem de Aço, 1989) e Tetsuo II: Body Hammer (Tetsuo II: O Ciberpunk , 1992). Numa primeira etapa, elaboramos uma proposta de compreensão do conceito de cibercultura, noção recente e ainda pouco estabilizada, tentando esboçar aqueles que se nos afiguram como os seus elementos mais relevantes. Esta contribuição é realizada através do cruzamento do pensamento de diversos teóricos e de algumas das principais aproximações conceptuais delineadas em torno daquela categoria. Na sequência desta sistematização, procedemos a uma análise detalhada do imaginário conceptual e artístico de Tsukamoto, inserindo-o no contexto da cinematografia do seu país de origem e das relações que esta tem mantido desde a sua génese com o Ocidente. O propósito desta parte da pesquisa é estabelecer pontos de relacionamento entre o cinema de Tsukamoto e o âmbito cibercultural contemporâneo. De forma a aprofundar esta reflexão, na derradeira parte da investigação efectuamos uma análise ao díptico Tetsuo com o objectivo de aceder à forma como se expressa aquele imaginário quer do ponto de vista do conteúdo, quer ainda dos pontos de vista narrativo, expressivo e técnico.
    [Show full text]
  • The Execution of Ten'ichibð
    Critical Asian Studies 37:2 (2005), 305-321 Angles/The Execution of Ten’ichibð Translation THE EXECUTION OF TEN’ICHIBÐ by Hamao Shirð Translated with an introduction by Jeffrey Angles Translator’s introduction: The story “The Execution of Ten’ichibð”(Korosareta Ten’ichibð), written by the lawyer, politician, and mystery writer Hamao Shirð (1896-1935), is sometimes remembered as a small masterpiece of the so-called “Golden Age” of Taishð- and early Shðwa-period mystery fiction. The story first appeared in October 1929 in the monthly magazine Kaizð (Reconstruction), one of the major forums of literature and intellectual opinion in Japan at the time. Although the story is based upon a popular historical tale set nearly two hundred years ago during the Edo period, the story represents a critical investi- gation into the relationship between truth, justice, and social control — issues of key importance in 1929, a year in which the Japanese government rounded up and aggressively prosecuted countless advocates of what it considered “dan- gerous thought” (kiken shisð). History tells us that in 1717, a government official named Ðoka Tadasuke took up a post as a local magistrate (machi bugyð) in Edo. For the next nineteen years, he played an important role in various aspects of the city government, helping to carry out the Kyðhð Reforms, to establish fire wards throughout the city, and to ensure the peaceful working of the law. In this capacity, he presided over a number of court cases in which he demonstrated a perspicuity and wit that made him the talk of Edo. As his fame grew, the magistrate became the stuff of legend.
    [Show full text]