L Egends of F Light
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To Download a PDF of the Event Program
EVENT PROGRAM Program sponsored by i Welcome! Welcome to the GSCA 2016 Film Expo and Filmmaker Symposium. Our mission is to facilitate communication, information sharing, and the development of best practices to support the production and exhibition of original, high-quality, educational, and entertaining giant screen cinema experiences. TABLE OF CONTENTS GSCA Contacts Giant Screen Cinema 2 Schedule Association 4 Map of Universal CityWalk 624 Holly Springs Road, Suite 243 Holly Springs, NC 27540 U.S. 6 Map of Event Locations giantscreencinema.com facebook.com/giantscreencinema 7 Sponsors and Policies twitter.com/gsca 8 New Films linkedin.com/groups/1046547 12 Films in Production Tammy Seldon Executive Director 22 Projects in Development Office: 1-919-346-1123 Mobile: 1-703-855-3699 27 Trailers [email protected] 30 Symposium Sessions Kelly Germain 33 Symposium Presenters Director of Membership and Communications Office: 1-651-917-1080 Mobile: 1-651-270-4915 Advertiser Index [email protected] MAXIMIZE YOUR VIEW Christie Digital inside front cover Eileen Pheiffer Evans & Sutherland inside back cover Accounting GSCA 7, 29 Office: 1-314-725-7020 Stretch your profits. Expand your choices. Mobile: 1-314-708-0448 ImagesInSound 32 [email protected] Intensify your picture. IMAX Corporation 9 MacGillivray Freeman Films 20, 21 SK Films back cover Visceral Image Productions 25 christiedigital.com 1 CD0361_2016 - GSCA March 2016 ADVERT - 5.5x8.5_Fv.indd 1 2016-02-08 9:15 AM 2016 Film Expo & Filmmaker Symposium SCHEDULE -
The 15/70 Filmmaker's Manual
The 15/70 Filmmaker’s Manual IMAX Corporation E-mail: [email protected] Website: www.imax.com ©1999 IMAX Corporation - 1 - 1. INTRODUCTION_____________________________________________________________________ 3 2. SOME WORDS YOU SHOULD KNOW: ___________________________________________________ 4 3. ABOUT THE 15/70 FILM FORMAT ______________________________________________________ 5 A. Why make a film in 15/70? __________________________________________________________ 5 B. A few things you ought to know _______________________________________________________ 5 C. Financing and budget considerations___________________________________________________ 6 4. WRITING A 15/70 TREATMENT AND STORYBOARD ______________________________________ 7 5. PRODUCTION CONSIDERATIONS _____________________________________________________ 7 A. The "IMAX Factor" _________________________________________________________________ 8 B. Composition and framing ____________________________________________________________ 8 C. Lens angles and lighting ___________________________________________________________ 10 D. Strobing ________________________________________________________________________ 10 E. Camera noise & run times __________________________________________________________ 10 F. Kinetic good, emetic bad____________________________________________________________ 11 G. Waiting for the weather ____________________________________________________________ 11 H. Smaller shooting ratios _____________________________________________________________ 12 I. Shorter mags -
NY Press Notes
ACROSS THE SEA OF TIME NEW YORK CAST Tomas...................................................................................................................Peter Reznik Freighter Chief..............................................................................................John McDonough Seaman/Bow.........................................................................................................Avi Hoffman Seaman/Pilot...................................................................................................Victor Steinbach Con Ed Worker....................................................................................................Peter Boyden Hot Dog Vendor.....................................................................................................Philip Levy Policeman.............................................................................................................Nick Muglia Julia Minton...........................................................................................................Abby Lewis Wall Street Businessman.......................................................................................Matt Malloy Pizza Pie Man....................................................................................................Luigi Petrozza Pickle Vendor............................................................................................Bernard Ferstenberg Socialite............................................................................................................Robert -
6 SP R I" 1997 All Super Speedway Photos Courtesy of Openwheel Productions
6 SP R I" 1997 All Super Speedway photos courtesy of Openwheel Productions An Interview with Stephen Low Stephen Low got his start in feature films in 1976 as a scuba diver, a particular passion of his, and driver on the dreadful Orca, a Richard Harris-Bo Derek turkey that was shot off the coast of Newfoundland. After a period spent studying at Lakehead University and working the tracks for CNR in Northern Ontario, he ended up on the crew of Terrence Malick's considerably better Days of Heaven, where he became a still photographer. The experience drove Malick out of the business and Low towards documentaries and eventually Imax. He has since become unique among filmmakers, a specialist in giant- screen moviemaking, and has taken the Imax camera into the depths of the ocean (the Genie-nominated Titanica, 1993); the habitat of a family of beavers (Beavers, 1987); and into the sky with a flock of Canadian geese (Skyward, 1984). Low produced and directed Across the Sea of Time (1995), a time-travelling drama that married archival stereo images with Imax 3D, the cutting edge of motion picture technology. Low didn't start out to be a ground-breaking filmmaker, but it was perhaps inevitable. His father, Colin Low, is one of the pioneers of the documentary in Canada and helped create the first single-projector Imax 3D film, We Are Born of Stars, in 1985 for the Fujitisu Pavilion at the International Exposition in Japan. Wyndham Wise TAKE 0 N E 7 AN I N T E After we'd spent all this time raising the wasn't going to move the CofG a money, we had to convice ourselves that quarter–inch.