Backstage in Biscuit Land by Touretteshero
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Press Release Disabled Leaders Send Open Letter
PRESS RELEASE FOR IMMEDIATE USE 9 June 2020 LEADING DISABLED ARTISTS & CULTURAL LEADERS SEND OPEN LETTER TO UK CULTURE MINISTERS DEMANDING SUPPORT FOR DISABLED PEOPLE IN THE CREATIVE INDUSTRIES #WeShallNotBeRemoved Over 100 leading disabled artists and cultural leaders have today sent an open letter to The Secretary of State for Culture Oliver Dowden MP and devolved UK Culture Ministers, demanding safeguards to protect the future of disability arts in the UK as a consequence of Covid19. Signatories include high profile disabled creatives including actors Mat Fraser & Nabil Shaban, visual artists Tony Heaton & Ashok Mistry, percussionist Dame Evelyn Glennie, poet Jamie Hale, broadcasters Samantha Renke & Mik Scarlet, film director Justin Edgar, performer Jess Thom, theatre directors Jenny Sealey, Amit Sharma, & Vici Wreford-Sinnott and Disability Champion for Arts & Culture, Andrew Miller. The letter warns that the pandemic has magnified inequalities for disabled people working in the creative industries and that many are facing long term shielding, loss of income and invisibility in wider society. Disabled cultural leaders are calling on the government to extend the Self Employment Income Support Scheme (SEISS) beyond August, to prioritise involvement of disabled people in cultural policy, to ensure the renewal and recovery of the cultural sector is more inclusive and offers greater access and representation. The open letter was organised by the new UK Disability Arts Alliance #WeShallNotBeRemoved. The alliance is an emergency response led by disabled people for disabled people working across the UK’s creative industries in every capacity and across artforms. Andrew Miller, UK Government Disability Champion for Arts & Culture said: “The speed of recovery planning risks excluding many creative disabled people. -
Scottish Journal of Performance Volume 2, Issue 2 June 2015 ISSN
Scottish Journal of Performance Volume 2, Issue 2 June 2015 ISSN: 2054-1953 (Print) / ISSN: 2054-1961 ( nline) !!!"s#ottis$journ&lo'(er'orm&n#e"or) SJoP is su((orte* b, About us The Scottish Journal of Performance is an open access refereed journal which aims to promote and stimulate discussion, development and dissemination of original research, focusing both on performance in Scotland (contemporary and historical) and / or wider aspects of performance presented by scholars and reflective practitioners based at Scottish academic institutions Published bi!annually and run by doctoral students, the Scottish Journal of Performance welcomes submissions from both established and early career researchers and operates a peer review system ensuring presentation of "uality research in performance. Performance in this conte#t encompasses a wide range of arts and entertainment and ta$es as central themes dance, drama, film, music and television The Scottish Journal of Performance takes as a $ey focus the creation and e#ecution of performance in various conte#ts, encouraging the adoption of a wide range of range of research methods and approaches %ditorial Team &o!editor' (en )letcher!*atson (b fletcher!watson+scottishjournalofperformance.org) &o!editor' ,irsty ,ay (editors+scottishjournalofperformance.org) Journal Manager / *eb %ditor' Thomas (utler (t butler+scottishjournalofperformance.org) (oo$ .eview %ditor' (ede *illiams .eview %ditors' Sonia /llori, .ebecca )oster, Shona -ackay, 0ouise Stephens /le#ander %ditorial /dvisory (oard 1r Stephen (road (.oyal &onservatoire of Scotland) 1r /nna (irch (.oyal &onservatoire of Scotland) *endy Timmons (2niversity of %dinburgh) 1r Sophia 0ycouris (2niversity of %dinburgh) &opyright information This work is licensed under a &reative &ommons /ttribution 3 4 5nternational License. -
Beckett on Film (2001) Artists for the Extraordinary Interviews That They Gave to Me, Some of Whom Are Quoted Here
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Balaam, Annette C Title: Samuel Beckett in Virtual Reality General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Samuel Beckett in Virtual Reality. ANNETTE CAROLINE BALAAM. A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of PhD in the Faculty of Arts, Graduate School of Arts and Humanities, October 2019. -
Disability & Culture
Disability & Culture Access to Culture, Recreation, Leisure and Sport for People with Disabilities #12thdss 12th International Disability Law Summer School 31 May - 2 July 2021 Online via Zoom 1 th 12International Disability Law Summer School 31 May - 2 July 2021 Table of Contents Introduction to the 2021 Programme Programme . 2 While there is a growing understanding of the importance of access to culture, leisure, recreation and sport for people with disabilities, a focus on the rights-based approach as Craftivisim . 11 found in Article 30 of the UN Convention on the Rights of Persons with Disabilities is often missing from discussions on this topic. This year’s summer school aims to bring together those who are leading in establishing cultural rights for people with disabilities, advocates Biographies . 12 and human rights experts in order to learn from each other – and develop ideas in this crucial area. Using Discord . 28 We turn to art, music, sport and play to find comfort and meaning in difficult times. This global pandemic has also highlighted new ways to make culture more accessible, for Draft Guidance for States on Interpreting and Applying example, through live streaming of cultural events. Nevertheless, disabled people are still Article 30 CRPD . 32 excluded from accessing culture in different forms and much work remains to ensure full and meaningful participation of disabled people in all forms of cultural life. About the Centre for Disability Law & In its first-ever online incarnation, the summer school will take place over 5 weeks, from Policy . 34 31 May to 2 July. The programme has been designed to allow participants to dip in and out of the material based on their availability throughout these weeks, and contains a LLM in International and Comparative Disability mixture of specially pre-recorded content, live panel discussions with opportunities for Law & Policy . -
Re-Thinking, Re-Imagining, and Re-Interpreting Disability in Brad Fraser's Play Kill Me Now Andrea Connell Thesis Submitted To
Re-thinking, Re-imagining, and Re-interpreting Disability in Brad Fraser’s Play Kill Me Now Andrea Connell Thesis submitted to the University of Ottawa in partial Fulfillment of the requirements for the Master of Arts in Theatre Theory and Dramaturgy Department of Theatre Faculty of Arts University of Ottawa © Andrea Connell, Ottawa, Canada, 2020 ii TABLE OF CONTENTS LIST OF TABLES ..................................................................................................................................... V LIST OF FIGURES ................................................................................................................................... V ABSTRACT ............................................................................................................................................... VI ACKNOWLEDGEMENTS ................................................................................................................... VII PREFACE .................................................................................................................................................. IX INTRODUCTION ....................................................................................................................................... 1 EPISTEMOLOGICAL FRAMEWORK ............................................................................................................. 5 METHODOLOGICAL FRAMEWORK ............................................................................................................. 7 TERMINOLOGY ........................................................................................................................................... -
By Allan Sutherland Chronology of Disability Arts by Allan Sutherland 1977 - April 2017 an Ongoing Project
Chronology of Disability Arts 1977 - 2017 by Allan Sutherland Chronology of Disability Arts by Allan Sutherland 1977 - April 2017 An ongoing project Sources: Allan Sutherland’s personal archives Disability Arts in London magazine (DAIL) Disability Arts magazine (DAM) Shape Arts Disability Arts Online Commissioned by NDACA Timeline cover design and text formating by Liam Hevey, NDACA Producer 1976 1984 • SHAPE founded. • Fair Play ‘campaign for disabled people in the arts’ founded. 1977 • Strathcona Theatre Company, ‘Now and Then’. • Basic Theatre Company founded by Ray Harrison • Graeae Theatre Company, ‘Cocktail Cabaret’. Graham. Devised by the company. Directed by Caroline Noh. • Graeae Theatre Company, ‘Practically Perfect’. 1980 Theatre in Education show. Written by Ashley Grey. • Graeae (Theatre group of Disabled People) Directed by Geoff Armstrong. founded by Nabil Shaban and Richard Tomlinson. • ‘Choices’. Central TV Programme about the First production: ‘Sideshow’, devised by Richard Theatre In Education work of Graeae Theatre Tomlinson and the company. Company. • British Council of Organisations of Disabled People founded. 1985 • GLC funds 7 month pioneer project for ‘No 1981 Kidding’, a ‘project using puppets to increase • International Year of Disabled People. awareness of disability in Junior Schools’. Company • ‘Carry On Cripple’ season of feature films about of four performers with and without disabilities. disability at National Film Theatre, programmed by • Ellen Wilkie, ‘Pithy Poems’ published. Allan Sutherland and Steve Dwoskin. • Strathcona Theatre Company, ‘Tonight at Eight’ • Artsline founded. 25th October • Path Productions founded, ‘then the only • Samena Rama speaks on Disability and company to integrate the able-bodied, physically Photography as part of Black Arts Forum weekend and mentally disabled performers’. -
Ceo, Artistic Director, Cultural
DAVID HEVEY: CULTURAL PRODUCTION TO TENS OF MILLIONS. CV 2018. dheveyCARD - DEF:Layout 1 16/02/2015 22:42 Page 1 DIGITAL/FILM/TV ARTS/HERITAGE PHOTOGRAPHY SOCIAL MEDIA ABOUT THE WAY WE LIVE NOW “ONE OF THE LEADING DOCUMENTARY PRODUCTIONS FILMMAKERS OF A GENERATION” HUFFINGTON POST DAVID HEVEY – CEO, ARTISTIC DIRECTOR, CULTURAL PRODUCER, & MEDIA CREATIVE DELIVERING PROJECTS & PRODUCTIONS IN HERITAGE, CULTURE, ARTS, FILM, TELEVISION, PHOTOGRAPHY, SOCIAL MEDIA & INCLUSION. 24 Museum Chambers, Bury Place, London WC1A 2LH. 07752-534133 [email protected] www.davidhevey.com “One of the leading documentary makers of a generation” Huffington Post, about Shape Creatives films series, Series Produced and Directed by David. “On any level, the best programme on television this week”. The Independent on the BBC series The Disabled Century (BBC2/BBC4 2012 et al) directed/produced by David. An auteur for his clients, David’s artistic, cultural and media productions & projects are about creating innovative art, media and culture to change lives, change the world and open up minds. Featured in the Encyclopedia of British Culture, described elsewhere as ‘the legendary creative producer’, David is a landmark cultural producer and leader. As producer, director, writer and key creative, David leads and delivers end to end contemporary projects and productions for most of the UK cultural, arts, heritage, broadcasting, film, and digital landscape, organisations and clients. Prolific, David is presently both the Project Director of NDACA and the CEO & Artistic Director of Shape Arts, and the creative director of DHP Productions. David’s work plays to tens of millions of audiences and users. As NDACA Project Director 2013-2020, David leads on the delivery of this landmark HLF £1M heritage-story playing to 2.5M+ audiences, outputting across our learning wing, 50+ films, 3500-item catalogue, website and social media, all creatively and project-led led by David and Going Live in 2018. -
Touretteshero at Boom Arts
For Immediate Release Contact: Katie Watkins, Boom Arts / [email protected] / 404-395-0634 / www.boomarts.org World’s First Tourette’s Superhero Makes Portland Début Touretteshero at the Echo Theater, May 4, 5, 11 & 12 “An absolute delight: moving, warm, generous and sparkling with the absurdly hilarious interjections of a woman who has both Tourette’s syndrome and an extremely Pythonesque sense of humour.” – The Guardian May 4, 5, 11, & 12, 2018 — Boom Arts, Portland’s source for thought-provoking global theatre, welcomes UK arts and disability justice collective Touretteshero to Portland for a series of events in early May. Join us for programs celebrating the ways local and visiting artists with disabilities, in Touretteshero’s words, “save the world from unnecessary dullness.” All events are offered as “relaxed,” meaning that audiences are welcome to move or make sound as they need to; and ASL interpretation and other accommodations will be provided. Programs include: ● Stand Up, Sit Down, Roll Over: four one-of-a-kind evenings of highly irreverent stand-up from one of Europe's most distinctive voices in arts and disability justice, accompanied by varying programs of short performances by local and visiting artists, plus conversation. Each evening will begin at 7:30pm. Tickets can be purchased at www.boomarts.org, by calling (866) 811-4111, or at the door. Tickets for all shows are $12 students; $20 general admission; and $30 premium reserved. Location: Echo Theater, 1515 SE 37th Ave, in Portland, Oregon. Featured Artists in Conversation include: ○ Friday, May 4: Jan Derbyshire, Vancouver-based artist and comedian and facilitator/consultant for Canada’s Deaf, Disability, and Mad Arts sector ○ Saturday, May 5*: Portland’s own Disability Art & Culture Project, Artistic Director Kathy Coleman, and the Inclusive Arts Vibe Dance Company *Audio Description offered on this date.