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Stowawaycoverforsocialmedia.Pdf
Dear Reader, People-smuggling is a very current topic these days, but Stowaway puts an adventurous twist on it. Owen is a bored, West Coast Canadian teen who decides to stow away on a visiting yacht just for fun. Imagine his shock to find it holds six Guatemalan teens whose parents have paid the captain and his first mate — a captive former street kid — to leave violent Guatemala and usher them illegally into Canada. The idea for this book sprang from learning that, legally, ships in need of temporary harbour during a storm must be allowed to dock. Owen’s family owns a marina, his parents are away, and the stormy night’s arrival intrigues him. Then he meets the “clients” and figures out the setup — knowledge that means the captain is now unwilling to release him. Meanwhile, a haunting incident in his past urges Owen to make poor decisions. When the captain fails to release the boys, Owen engineers an escape — until he’s double-crossed. The captain locks everyone but his first mate into the engine room of the tug, destroys the boat’s controls, and points it seaward under full speed in a storm. The boys team up to turn the tug around and barrel toward the yacht for a final confrontation that will set the first mate free. Home safe and having redefined trust, friendship, and family, Owen hopes the boys might be released to join him there one day. Pam Wither s STOWAWAY Pam Withers Owen’s plan to sail away on an adventure puts him on a collision course with some very dangerous people. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
True Detective Provides Talented Acting and Exciting Plot
True Detective provides talented acting and exciting plot HBO’s True Detective has been one of the best shows to come to television in recent years. With its riveting action sequences, sizzling erotic scenes, and amazing cast, this program, directed by Cary Fukanaga, truly provides audiences with gripping television. Set in the mid-1990s and filmed in Louisiana, detectives Martin Hart (Woody Harrelson) and Rustin “Rust” Cohle (Matthew McConaughey) are on the trail of a ritual-obsessed serial killer who adorns his victims’ bodies with antlers and other symbols. Told mostly through flashbacks, the show cuts to scenes of the detectives being interviewed in present day, with hints at their possible corruption. The excitement of the program comes with the transition between seasons, with each season having a completely new story and cast. This format ensures that the viewer is never left with a cliffhanger, as all the questions have to be answered by the last episode of each season. For me, actors have done their job when they are completely absorbed in their part and the audience no longer sees an actor, but only a character. McConaughey and Harrelson achieve this feat and truly bring these characters off the screen and into our living rooms. However, where these actors really excel is their power to tell a story. Now, one might think that storytelling comes from the writer, but the detectives’ use of facial expressions, along with slight mannerisms to get their intended message across, certainly brings the show to a whole new level. However, the area in which this series is lacking is where so many other great shows today excel—the presence of strong female characters. -
True Detective Is an Inquisitive Soul, Sunday* 1 P.M
W ho is the TRUE Visiting the Library DETECTIVE? Loca tion 1 Conti Parkway, Elmwood Park, IL 60707 For the... We are located in Conti Circle, near the • Creative problem solver intersection of Grand Ave. and N. 76th Ave. • Exudes grace under pressure • Parking in the Circle is free for 4 hours. TRUE Enjoys a good challenge The True Detective is an inquisitive soul, DETECTIVE who thrives on finding answers. Patient Hours of Operation and analytical, the True Detective will go Monday - Thursday 9 a.m. – 9 p.m. to great lengths to understand the current Friday9 a.m. – 6 p.m. mystery at hand. Oftentimes this involves Saturday9 a.m. – 5 p.m. dealing with the seedier side of life, which Sunday*1 p.m. – 5 p.m. the True Detective is seemingly fearless *Closed on Sundays Memorial Day - Labor Day against. True Detectives are quick on their feet and whether or not they are truly pre- pared for the situation at hand, they will GIFT GUIDE always appear as if they are. 2014 Elmwood Park Public Library 1 Con Parkway, Elmwood Park, IL 60707 708.453.7645 | www.elmwoodparklibrary.org Elmwood Park Public Library 1 Con Parkway, Elmwood Park, IL 60707 708.453.7645 | www.elmwoodparklibrary.org FICTION NONNON----FICTIONFICTION DVDDVDssss The Bird Box , Josh Malerman The Most Dangerous Animal of All: True Detective (Season 1) A dark and twisted postapocalyptic Searching for my Father ...and The lives of two detectives become en- survival story. Think Stephen King meets Finding the Zodiac Killer, tangled during a 17-year hunt for a serial Hitchcock. -
A Case Study of Female Detectives on HBO
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-26-2017 10:00 AM (Not) One of the Boys: A Case Study of Female Detectives on HBO Darcy Griffin The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Darcy Griffin 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons, Television Commons, and the Women's Studies Commons Recommended Citation Griffin, Darcy, "(Not) One of the Boys: A Case Study of Female Detectives on HBO" (2017). Electronic Thesis and Dissertation Repository. 4995. https://ir.lib.uwo.ca/etd/4995 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract In 1997 HBO aired its first original drama series, Oz. In the years that have followed the network has positioned itself as vanguard in the television landscape, however, HBO drama series have remained a complicated, and often dangerous site for female characters. Moreover, with a few exceptions (Sex and the City, or True Blood for example), original HBO drama series remain focused on the network’s primary audience demographic: the predominantly male, relatively affluent consumers of quality television. This research explores the representation of female detectives within original HBO crime drama series, The Wire (2002--8) and Season Two of True Detective (2014 -), in order to examine how female officers, operate within the male-dominated world of HBO drama. -
True Detective and the States of American Wound Culture
True Detective and the States of American Wound Culture RODNEY TAVEIRA “Criminals should be publically displayed ... at the frontiers of the country.” Plato (qtd. in Girard 298) HE STATE INSTITUTIONS PORTRAYED IN THE HBO CRIME PROCEDU- ral True Detective are innately and structurally corrupt. Local T mayors’, state governors’, and district attorneys’ offices, city and county police, and sheriff’s departments commit and cover up violent crimes. These offices and departments comprise mostly mid- dle-aged white men. Masculinist desires for power and domination manifest as interpersonal ends and contact points between the indi- vidual and the state. The state here is a mutable system, both abstract and concrete. It encompasses the functions of the legal and political offices whose corruption is taken for granted in their shady rela- tions to criminal networks, commercial enterprises, and religious institutions. There is nothing particularly novel about this vision of the state. Masculinist violence and institutional corruption further damage vic- tims in the system (typically women, children, and disempowered and disenfranchised others, like migrant workers) who need a hero to solve the crimes committed against them—these tropes are staples of detective fiction, film noir, and many television crime procedurals. What then explains the popular and critical success of True Detective? Moreover, what does the show’s representation of the state—its aes- thetic strategies, narratives, and images—reveal about contemporary The Journal of Popular Culture, Vol. 50, No. 3, 2017 © 2017 Wiley Periodicals, Inc. 585 586 Rodney Taveira understandings and imaginings of the state, the individual, and the relations between them? While tracing the complex entanglement of the entertainment industries with femicidal and spectacular violence within a critical regionalism, carried out through digital modes of distribution, one can also see how government agencies shape content. -
True Detective Mysteries, October 1930
OCTOBER. THE TRUTH ABOUT R.OTHSTEIN afLast I , INS/DE STORY OF OH IDS PR.ISON HOLOCAUST TRUE DEI~SJJ~S:cAMNYSTERIES~~~m Vol. XIII October, 1930 No 7 ~.r ~, >.J: ~\i) :~~ CON TEN TS ",=1"1 GIVE US ACTION! James M.-Clark, Director of Public Safety, Pittsburgh 18 ~ THE REAL TRUTH ABOUT ROTHSTEIN!. ft ~ Edward Dean Sullivan 20 ml The lowdowII all the Monarch of Easy Malley WHY DID SCOTLAND YARD ARREST ME AS A GERMAN SPY? Fred H. Thompson 27 A noted inventor reveals a slra'llge experience THE ASTONISHING CASE OF THE BANK CLERK AND THE RUSSIAN DANCER ....Forrest S. Nichol 28 A beoutiful womal1 fauses the dO"olJllfall of a 11I0ster forger ~ Forbes 32 Hitherto unpublished facts all the Clara Phillips case THE BLONDE, THE DOLL-AND THE MISSING BABy A. J. Foglietta 39 The inside all the illfamous Modell kidllapping mystery INSIDE STORY OF OHIO'S PRISON HOLOCAUST........•...........................Gene Fornshell 42 I'he facts about America's greatest pelzite1ltiary disaster BLACK HAND EXPOSED AT LAST!. Detective Alberto Verrusio Ricci 49 ~ A moster slellt.J: spills the "works! THE TRUTH ABOUT EVANSVILLE'S INFAMOUS "BOHANNON CRIME" ..........•..Warner O. Schoyen 52 The murder that had them all guessing I KNOW WHO KILLED DESMOND TAYLOR Lieut. Ed. C. King 56 HOW WE TRAPPED THE JERSEY KID William Valentin 62 )f. The Former MRS. FRANK SILSBY'S OWN STORY As told by Herself 66 THE MURDER IN THE LOCKED ROOM ..••••...........•.................................. Alan Hynd 135 TEST YOUR DETECTIVE ABILITY!....•...............................................William B. Kines 4 HOW TO STOP PRISON RIOTS!. W. J. Kohberger 6 FRED BURKE, GANGSTER-AS I KNEW HIM Ray Renard 12 Cover by DaltoQ Stevens NEXT MONTH: SPECIAL ANNOUNCEMENTI MY GREATEST CASES BY WILLIAM J. -
Television Academy Awards
2019 Primetime Emmy® Awards Nominations Totals Summary 32 Nominations Game Of Thrones 20 Nominations The Marvelous Mrs. Maisel 19 Nominations Chernobyl 18 Nominations Saturday Night Live 17 Nominations Barry Fosse/Verdon 16 Nominations When They See Us 13 Nominations Russian Doll 12 Nominations Escape At Dannemora 11 Nominations Fleabag The Handmaid's Tale 10 Nominations Our Planet 9 Nominations Better Call Saul Killing Eve Last Week Tonight With John Oliver Ozark RuPaul's Drag Race This Is Us True Detective Veep 8 Nominations Deadwood: The Movie The Oscars Sharp Objects 0 7-19 -20 19 - 22:37:0 3 7 Nominations Free Solo The Voice 6 Nominations Anthony Bourdain Parts Unknown Homecoming: A Film By Beyoncé Pose Queer Eye 5 Nominations American Horror Story: Apocalypse Carpool Karaoke: When Corden Met McCartney Live From Liverpool GLOW The Good Place Leaving Neverland RENT Succession World Of Dance 4 Nominations Dancing With The Stars Documentary Now! FYRE: The Greatest Party That Never Happened The 61st Grammy Awards The Late Show With Stephen Colbert RBG Schitt's Creek So You Think You Can Dance Special Star Trek: Discovery 72nd Annual Tony Awards A Very English Scandal 3 Nominations The Amazing Race The Big Bang Theory Born This Way Deadliest Catch Drunk History Good Omens Hack Into Broad City Hostile Planet House Of Cards How To Get Away With Murder The Kominsky Method The Late Late Show With James Corden Life Below Zero Live In Front Of A Studio Audience: Norman Lear’s ‘All In The Family’ And ‘The Jeffersons' The Man In The High Castle -
TROUBLE in the “PSYCHOSPHERE”: HBO‟S TRUE DETECTIVE (2014) AS a HYBRID GENRE Elisabete Lopes ABSTRACT Recently, Many Conte
TROUBLE IN THE “PSYCHOSPHERE”: HBO‟S TRUE DETECTIVE (2014) AS A HYBRID GENRE Elisabete Lopes1 ABSTRACT Recently, many contemporary TV shows have raised the stakes as far as the quality of their contents is concerned. They welcomed certain challenges that contributed to lend them the status of cult series. True Detective (2014) certainly forms part of this selective group. Nic Pizzolatto, the creative mind behind True Detective (2014), decided to take up all these challenges and ended up by creating a hybrid show in the sense that it gathers elements of Gothic genre, weird fiction, criminal investigation, and film noir that, once mixed up, paved the way to the upcoming success. Other feature that fuels True Detective‟s allure lies precisely in the ties that it openly shares with literature, since it purports references that point to well-known oeuvres or authors. In this light, it is the purpose of this essay to examine how Pizzolatto‟s eclectic recipe combine its ingredients that result in a TV show anchored upon the parameters of originality and quality. The undeniable quality of True Detective (2014) goes beyond the well-thought script, Adam Arkapaw‟s mesmerizing photography, the protagonists‟ amazing performance, and the careful direction of Cary Fukunaga. It has become a true postmodern visual monster that unexpectedly came straight from the Lousiana bayous to haunt us, bringing along an aura of cosmic horror that, interlinked with suspense and criminal investigation, will relentlessly take a grip on us. Keywords: True Detective (2014); Gothic; Southern Gothic; Film Noir; Cosmic Horror; criminal investigation. PERTURBAÇÕES NA „PSICOESFERA‟: TRUE DETECTIVE (2014) ENQUANTO GÉNERO HÍBRIDO RESUMO Recentemente, tem-se assistido a uma crescente qualidade a nível das séries televisivas. -
Baltimore in the Wire and Los Angeles in the Shield: Urban Landscapes in American Drama Series
NARRATIVES / AESTHETICS / CRITICISM BALTIMORE IN THE WIRE AND LOS ANGELES IN THE SHIELD: URBAN LANDSCAPES IN AMERICAN DRAMA SERIES ALBERTO N. GARCÍA Name Alberto N. García (a neorealist aesthetic in The Wire; a cinéma vérité pastiche Academic centre Universidad de Navarra, Spain in The Shield) that highlight the importance of city E-mail address [email protected] landscape in their narrative. Baltimore and Los Angeles are portrayed not only as dangerous and ruined physical places, KEYWORDS but are also intertwined with moral and political issues in Television studies; landscape; spatial turn; city; The Shield; contemporary cities, such as race, class, political corruption, The Wire. social disintegration, economical disparities, the limitations of the system of justice, the failure of the American dream ABSTRACT and so on. The complex and expanded narrative of The Wire The Shield (FX 2002-08) and The Wire (HBO 2002-08) are and The Shield, as Dimemberg has written for film noir two of the most ever critically acclaimed TV-shows and genre, “remains well attuned to the violently fragmented they both can be seen as the finest developed film noir spaces and times of the late-modern world”. Therefore, this proposals produced in television. The Wire transcends article will focus on how The Wire and The Shield (and some the cop-show genre by offering a multilayered portrait of their TV heirs, such as Southland and Justified) reflect of the whole city of Baltimore: from police work to drug and renew several topics related to the city in the film noir dealing, getting through stevedores’ union corruption, tradition: the sociopolitical effects of showing the ruins tricks of local politics, problems of the school system and of the centripetal industrial metropolis, the inferences some unethical journalism practices. -
Way out West Remembering Rebel's Rest
STUDENTS AND FACULTY LOOK TO AFRICA FOR RESEARCH AND INTERNSHIP OPPORTUNITIES WINTER 2015 SewaneePUBLISHED FOR ALUMNI AND FRIENDS OF THE UNIVERSITY OF THE SOUTH Way Out West Geology students hit the road to find new perspectives on landscape and life. Remembering Rebel’s Rest IN THIS ISSUE Editor Buck Butler, C’89 Associate Editor Pamela Byerly Graphic Designer Steve Keetle Photographers Buck Butler, C’89, Stephen Garrett, C’01 Sewanee is published by the University of the South, including the College of Arts and Sciences and The School of Theology, and is distributed without charge to alumni, parents, faculty, students, staff, and friends of the University. © Copyright 2015, Sewanee. All rights reserved. Send address changes to: Office of University Advancement 735 University Avenue Sewanee, TN 37383-1000 Phone: 800.367.1179 Email: [email protected] Write to us: We welcome letters. Letters should refer to material published in the magazine and include the writer’s full name, address, and telephone number. Rebel’s Rest burned on the night of July 23, 2014. Learn the story behind one of Sewanee’s most The editor reserves the right to determine iconic buildings, starting on p. 10. the suitability of letters for publication and to edit them for accuracy and length. Opinions expressed do not necessarily reflect the views of the University. Behind the Wisteria For nearly 150 years, through good times Write to: Sewanee Magazine and bad, the story of Major Fairbanks’ Rebel’s Rest has been deeply Marketing and Communications intertwined with the history of Sewanee. By Henry Hamman PAGE 10 735 University Avenue Sewanee, TN 37383-1000 Email: [email protected] Westward Ho! Bran Potter leads Sewanee students from the Cumberland Plateau to the Colorado Plateau to explore geology and gain The University of the South’s policy against new perspectives on both landscape and life. -
The Encyclopedia of Stanley Kubrick
THE ENCYCLOPEDIA OF STANLEY KUBRICK THE ENCYCLOPEDIA OF STANLEY KUBRICK GENE D. PHILLIPS RODNEY HILL with John C.Tibbetts James M.Welsh Series Editors Foreword by Anthony Frewin Afterword by Leon Vitali The Encyclopedia of Stanley Kubrick Copyright © 2002 by Gene D. Phillips and Rodney Hill All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Hill, Rodney, 1965– The encyclopedia of Stanley Kubrick / Gene D. Phillips and Rodney Hill; foreword by Anthony Frewin p. cm.— (Library of great filmmakers) Includes bibliographical references and index. ISBN 0-8160-4388-4 (alk. paper) 1. Kubrick, Stanley—Encyclopedias. I. Phillips, Gene D. II.Title. III. Series. PN1998.3.K83 H55 2002 791.43'0233'092—dc21 [B] 2001040402 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K.Arroyo Cover design by Nora Wertz Illustrations by John C.Tibbetts Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper.