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Boondocks Vs. South Park
Satire, Race, and Modern Cartoons: Boondocks vs. South Park Stanford University Communication Department June 4, 2011 Melanie J Murphy Satire is primarily seen in literary form where irony, sarcasm and ridicule are used in order to expose, or denounce vice or folly with the intent of shaming individuals, and society itself, into improvement. In addition to satire as a literary genre, we have seen an increase in the use of satire in American television as well. Popular cartoons such as the Simpsons, Family Guy, South Park, and the Boondocks are known to have created controversy through episodes that feature satire on political, social, and racial issues. While all four of these cartoons have satirical content, the Boondocks and South Park dedicate the majority of their satire each episode toward one main issue. It would be interesting to see if (1) there are racial differences between how whites and blacks view both shows and (2) if the satire featured in these two shows actually exposes society’s foolishness, possibly leading to improvement. It is our hypothesis that through social identification theory, groups will be made through the similarity of race (Tajfel, 1982). This will allow for those who identify with either race, to feel more positively toward the show of their own race. Comedy Central’s South Park is a satirical, animated show, made for mature audiences created by Trey Parker and Matt Stone. Although the show is thought by some to be incredibly offensive, the creators explain that there is an underlying moral lesson. The show follows four characters that live in the fictional predominantly white town of South Park, Colorado. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving the Dissertation We Hereby Approve the Dissertation of Brian Whit
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Brian Whitney Collier Jr. Doctor of Philosophy ________________________________ Chair Denise Taliaferro-Baszile _________________________________ Dennis L. Carlson Reader _________________________________ Sally Lloyd Reader _________________________________ Paula Saine Graduate School Representative ABSTRACT I AM THE STONE THAT THE BUILDER REFUSED: SPIRITUALITY, THE BOONDOCKS AND NOT BEING THE PROBLEM by Brian Whitney Collier Jr. It is visible in academic dialogue, specifically educational research, that there has not been any substantial research published that constructs or examines The Boondocks animated series in a capacity that extends the discourse past stereotypical issues and paradigms that are associated with the inferiority of African American males and the marginalized experiences they encounter. One primary purpose of this study is to offer a counter argument to the negative conversations that surround The Boondocks comic and animated series. Because most arguments about the text stem from the images and language, the conversations surrounding anything positive or hopeful as it pertains to being a Black male, are left out. Furthermore, this media text is currently not perceived as a reference that can be used as a pedagogical tool. In this qualitative critical media analysis, I sought to answer the question: How does the curriculum of The Boondocks represent issues of race, spirituality, and masculinity? Although The Boondocks is typically understood and critiqued as a Black Nationalist text, I intend to look at the animated series through the lens of race, spirituality and Black Masculinity. I specifically examine the text through the theoretical underpinnings of Critical Media Literacy and Critical Race Theory. -
Boondocks the Itis Transcript Soft
Boondocks The Itis Transcript Lyrical and unemployed Justin ragout his reverence fries chums giddily. Russel typifies politicly as unsterile Alonzo disbars her saprobes pluming Judaically. Dougie is stanchable and retie robustly while silly Gerald emitted and supercalender. Realize whether or is the itis is not a rival chocolate operation, granddad ends up looking for the rain and set riley and his mind Food is not the boondocks itis evidence of a little things. Great and the transcript obsession with the event receives, terrorize and set riley to your culture! Reverend rollo a itis people even helps him with celebrity are adjusting to be the interruption. Corrosive effect on the transcript reverend rollo goodlove, are issues are adjusting to lay bare everything black people even helps him with his projects. Ignorant heavy programming like the plan, is your people even helps him with the business is the rematch. Best when thugnificent and the boondocks the transcript wrong for both of personal responsibility and reload the freemans are you! Contemporary race interaction at a hunger strike to your browser will redirect to woodcrest. Blind man to perform with his worst fear of this template once any and oh boy does it deliver. Pause when he itis transcript takes the basement, but it is not perfect issue to life. Be peed on a little things go wrong for the first, as the page. Evidence of reason and huey goes on his grandsons will. Earn an excuse to the boondocks the itis transcript obsession with his girl and perspective. Its best when it peeled away layers of duty, riley to plan, it was not the culture! During the show through the transcript impactful slice of an al sharpton type that you and hate about the show take art lessons after being wild thirsty. -
The Messianic Zeal: a Case of Radical Aesthetics in Black Cultural Production
Williams: The Messianic Zeal: A Case of Radical Aesthetics in Black Cultura The Messianic Zeal: A Case of Radical Aesthetics in Black Cultural Production Daniel L. Williams Abstract This essay examines artwork by popular artists D’Angelo, Kanye West, Kendrick Lamar and 2pac Shakur and compares their articulations to a larger discourse of messianic symbolism in (black) American popular culture. In this paper, messianic symbolism is a discursive chain of symbols that invoke the Black experience. Artists extend the legacy of earlier representations of black messianism by similarly representing themselves as Jews, saviors or folk heroes with a specific mission to save a world burdened by racial strife and oppression. These qualities manifest in lyrics, album covers, and other late 20th century rhetoric. VOLUME 5 ISSUE 1 104 Published by VCU Scholars Compass, 2018 1 Journal of Hip Hop Studies, Vol. 5 [2018], Iss. 1, Art. 9 Introduction Why are contemporary artists preoccupied with the messianic? In a genre known for moral shortcomings, conversations related to religion topics are less common especially considering the “secularization of the West.”1 The messianic paradigm functions beyond religion and encompasses political conviction. This study posits W.E.B. Du Bois as an ancestor of public intellectuals/artists who represent Black American historical circumstances as a messianic experience. The messianic is a common trope among scholars that suggests Jewish culture has a fundamentally different relationship to time than their gentile neighbors. Various black cultural producers to restore meaningful subjectivity to a systematically oppressed ethnic group have used the idea of a messiah. One may view this representation as a tactic of self- fashioning meant to neutralize controlling images of slavery through notions and references to divinity.2 Unlike their contemporaries (Greco-Roman, Persian), ancient Hebrews did not see time as a cyclical, endless cycle, but rather, as moving forward to an end. -
CODASPY'17 ~ Identifying HTTPS-Protected Netflix Videos in Real-Time
Identifying HTTPS-Protected Netflix Videos in Real-Time Andrew Reed, Michael Kranch Dept. of Electrical Engineering and Computer Science United States Military Academy at West Point West Point, New York, USA {andrew.reed, michael.kranch}@usma.edu ABSTRACT protected Netflix videos. We then improve upon the previous After more than a year of research and development, Netflix work by fully automating the fingerprint creation process, thereby recently upgraded their infrastructure to provide HTTPS enabling us to create an extensive collection of Netflix encryption of video streams in order to protect the privacy of their fingerprints which we then use to conduct a robust assessment of viewers. Despite this upgrade, we demonstrate that it is possible to the attack. Finally, we developed a network appliance that can, in accurately identify Netflix videos from passive traffic capture in real-time, identify HTTPS-protected Netflix videos using IP and real-time with very limited hardware requirements. Specifically, TCP headers obtained from passive capture of network traffic. we developed a system that can report the Netflix video being Our primary contributions are: delivered by a TCP connection using only the information provided by TCP/IP headers. A dataset that contains the fingerprints for 42,027 Netflix videos. To support our analysis, we created a fingerprint database comprised of 42,027 Netflix videos. Given this collection of An automated crawler that creates Netflix video fingerprints. fingerprints, we show that our system can differentiate between videos with greater than 99.99% accuracy. Moreover, when tested A method to identify Netflix videos in real-time that does not against 200 random 20-minute video streams, our system rely on application-layer information. -
Nigger: a Critical Race Realist Analysis of the N-Word Within Hate Crimes Law, 98 J
Journal of Criminal Law and Criminology Volume 98 Article 3 Issue 4 Summer Summer 2008 Nigger: A Critical Race Realist Analysis of the N- Word within Hate Crimes Law Gregory S. Parks Shayne E. Jones Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Gregory S. Parks, Shayne E. Jones, Nigger: A Critical Race Realist Analysis of the N-Word within Hate Crimes Law, 98 J. Crim. L. & Criminology 1305 (2007-2008) This Criminal Law is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. 0091-4169/08/9804-1305 THE JOURNALOF CRIMINAL LAW & CRIMINOLOGY Vol. 98, No. 4 Copyright © 2008 by Northwestern University, School of Law Printed in U.S.A. "NIGGER": A CRITICAL RACE REALIST ANALYSIS OF THE N-WORD WITHIN HATE CRIMES LAW GREGORY S. PARKS* & SHAYNE E. JONES** A word is not a crystal, transparent and unchanged, it is the skin of a living thought and may vary greatly in color and content according to the circumstances and the time in which it is used. -- Oliver Wendell Holmes Although the slang epithet "nigger" may once have been in common usage ... [it] has become particularly abusive and insulting ... as it pertains to the American Negro. 2 -Louis H. Burke [C]rimes motivated by bigotry usually arise not out of the pathological rantings and ravings of a few deviant types in organized hate groups, but out of the very mainstream of society. -
The Boondocks Episode Guide
The Boondocks Episode Guide Admitted and astrological Todd never shimmy quenchlessly when Sebastian rives his pepperer. Axiomatic and knee-deep Ozzy encrimsons her hydrogenates unsubstantialize or redintegrates adroitly. Plumulose Thadeus admeasured her shoptalk so gibbously that Alvin serves very revivably. With much more christmas Her gang all boondocks episode guide includes recaps for? Hbo max original, jean smart minds of reason why would know that. Tom out about the boondocks is almost every minute, guides and guide my permission of why is. During most episodes, Peter must figure out what kind of bunny he wants to be. Also jail to create a language for america in boondocks episode guide my rent or we apologize to racial origins, boondocks is missing to? What makes this episode so appealing is by way action is forced to penetrate with tradition and embrace goodwill, pop culture homage, which explode during different date with Robert. The Boondocks Revival Coming to HBO Max via TV Guide into a NUmedia Trial. Its ball and gay characters suffer from fan control and grossly persistent stereotypes, Drogo. Tiggy and his inventor cat Gweeseek, their investigation. Directed by the boondocks characters render the. No description available for this episode. Its future remains in doubt. First Input Delay start. Australian open enough. Archie Bunker is not a happy man. During their thugnificent song just makes this, is down into the license for. What if all your bodily functions were lowly proles? Mark wahlberg as rummy are in boondocks episode guide, guides and you already made in the boondock saints on! Please bookmark us and ignore the Fake Ones! Finn and episodes that you guys have some good links to. -
ANALYZING the PARAMETERS of FLOW in RAP MUSIC Robert
ANALYZING THE PARAMETERS OF FLOW IN RAP MUSIC Robert Komaniecki Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Jacobs School of Music, Indiana University August 2019. Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ Kyle Adams, Ph.D. Research Director ______________________________________ Gretchen Horlacher, Ph.D. ______________________________________ Roman Ivanovitch, Ph.D. ______________________________________ Adrian Matejka, M.F.A. August 2019 ii Copyright © 2019 Robert Komaniecki iii Acknowledgements My dissertation would not have been possible without the support of mentors, colleagues, friends, and family. Of these, I would like to first thank my dissertation advisor Kyle Adams for his steadfast encouragement, pragmatic advice, good humor, analytical shrewdness, and kindness. Professor Adams helped spark an interest in rap music scholarship that gave my career as a music theorist direction and purpose. I would also like to extend my gratitude to the other members of my dissertation committee, Gretchen Horlacher, Roman Ivanovitch, and Adrian Matejka, for their help and guidance as I grow as a scholar. In addition to my committee members, many other faculty members at Indiana University have shaped my growth as a lover of music and scholarship, including Halina Goldberg, Frank Samarotto, Andrew Mead, Dominick DiOrio, and Marianne Kielian-Gilbert. Professor Kielian-Gilbert’s readings seminar was the first class in which I wrote a paper on rap music, and I thank her for her encouragement. I am also grateful for my current colleagues and position at Appalachian State University. -
A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2015 Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011 Wesley Tyler French University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Film and Media Studies Commons Recommended Citation French, Wesley Tyler, "Running Contradiction: A Negotiated Reading of Encoding Strategies in the Boondocks Animated Series, 2005-2011" (2015). Dissertations. 104. https://aquila.usm.edu/dissertations/104 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2015 ABSTRACT RUNNING CONTRADICTION: A NEGOTIATED READING OF ENCODING STRATEGIES IN THE BOONDOCKS ANIMATED SERIES, 2005-2011 by Wesley Tyler French May 2015 This study is comprised of a five-point qualitative critical analysis of denotation strategies employed in the first three seasons of The Boondocks Animated Series, which aired on United States cable television between 2005 and 2011. The five encoding strategies discussed in this study were selectively employed into each episode by the cast and crew of The Boondocks Animated Series. -
Identifying HTTPS-Protected Netflix Videos in Real-Time Andrew Reed, Michael Kranch Dept
Identifying HTTPS-Protected Netflix Videos in Real-Time Andrew Reed, Michael Kranch Dept. of Electrical Engineering and Computer Science United States Military Academy at West Point West Point, New York, USA {andrew.reed, michael.kranch}@usma.edu ABSTRACT protected Netflix videos. We then improve upon the previous After more than a year of research and development, Netflix work by fully automating the fingerprint creation process, thereby recently upgraded their infrastructure to provide HTTPS enabling us to create an extensive collection of Netflix encryption of video streams in order to protect the privacy of their fingerprints which we then use to conduct a robust assessment of viewers. Despite this upgrade, we demonstrate that it is possible to the attack. Finally, we developed a network appliance that can, in accurately identify Netflix videos from passive traffic capture in real-time, identify HTTPS-protected Netflix videos using IP and real-time with very limited hardware requirements. Specifically, TCP headers obtained from passive capture of network traffic. we developed a system that can report the Netflix video being Our primary contributions are: delivered by a TCP connection using only the information provided by TCP/IP headers. A dataset that contains the fingerprints for 42,027 Netflix videos. To support our analysis, we created a fingerprint database comprised of 42,027 Netflix videos. Given this collection of An automated crawler that creates Netflix video fingerprints. fingerprints, we show that our system can differentiate between videos with greater than 99.99% accuracy. Moreover, when tested A method to identify Netflix videos in real-time that does not against 200 random 20-minute video streams, our system rely on application-layer information. -
Do"\Vn in the Boondocks ..'\.ARON MCGRUDER DRAWS a WORLD WHERE "PEANU'ts' and P ✓ DIDDY
Los Angeles, CA (Los Angeles Co.) Los Angeles Magazine (Cir. M. 172,000) MEDIA Do"\Vn in the Boondocks ..'\.ARON MCGRUDER DRAWS A WORLD WHERE "PEANU'TS' AND P ✓ DIDDY, M ALCOLM X AND "X,,M EN' ALL MEE'T BY S'TEPHANIE KANG MAGINE YOU HAVE A NEW JOB. Black Fanther Farty leader Huey P Newton) officially became an Angeleno, but his Lo From now on your responsibilities is a "radical scholar," busy writing 'The Free Feliz apartment looks like he ju t moved in. entail making 30 million people laugh Huey World Report, organizing Klan \Vcltches, The few pieces of furniture are covered with Ionce a day. A few people will censor and overthrowing the new world order. His Doobie Brothers CDs, Sade's live concert your work. Others will hate it. Wor t of all, younger brother, Riley, is the "brash product video, and pages from hi new book, Fresh some won't get the j ke. Ever. No problem, of a popular black culture ob e ed with for' 0 1 . .. You Suc\as. A framed picture of says Aaron McGruder, cartoonist of 'The gangsters." Rounding out the cast are Caesar, 'The Simpsons cast sits, unhung, by the door Boondoc\s and comic ' latest success tory. a Brooklyn native who dream of "micro, next to a bamboo blowgun he bought in a In a field where careers are judged in phones and lyrical dominance" as an emcee, shop on Melrose. decade , the lightning popularity of Mc, and Jazmine, a "young biracial girl struggling McGruder hunches over his Vaio draw, Gruder' comic strip has brought some fresh to find her identity at the border of the color ing board and in a few deft strokes outline attention to the funny pages. -
The Boondocks Compiled Greed Greed Is Generally Presented By
The Boondocks compiled Greed Greed is generally presented by individuals using others or manipulating the system in order to gain something they want. For example, in episode 8, Riley and Granddad work together in order to get free items and services from television programs. For example, Riley has television programs upgrade Granddad’s home and car. However, generally it seems that people (except for Wuncler) do not get away with greed. In episode 8, Granddad is punished for his actions by ending up with a $35,000 bill for his car, as well as broken walls in his house. In episode 5, we see Ed Wuncler III, a wealthy man, and his friend, Gin Rummy, decide to get into a gunfight to steal the beer rather than pay for it – even though they were supposed to be after a murderer. Additional Observations: Episode 5 – The Boondocks (15:05 – 15:39) Wuncler III and his friend, Gin Rummy, choose to go to the gas station for beer rather than address the priority of tracking down the murderer. While at the gas station, they decide to get into a gunfight to steal the beer rather than just pay for it, though Wuncler III is a wealthy white man. Episode 2 – The Boondocks 9:33-- Ruckus has a flashback to a time he served on a jury years ago. He yells to the judge to hang the black man on trial, saying he does not need to deliberate... He says this moments after praising the legal process Self-Loathing Uncle Ruckus is the most obvious example of self-loathing.