Corruption' Committee, Together with a at This Year's Democratic Recognizing the Progress Convention, Said Last Nig
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The Struggle to Redevelop a Jim Crow State, 1960–2000
Educating for a New Economy: The Struggle to Redevelop a Jim Crow State, 1960–2000 by William D. Goldsmith Department of History Duke University Date:_______________________ Approved: ___________________________ Nancy MacLean, Supervisor ___________________________ Edward J. Balleisen ___________________________ Adriane Lentz-Smith ___________________________ Gary Gereffi ___________________________ Helen Ladd Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in The Graduate School of Duke University 2018 ABSTRACT Educating for a New Economy: The Struggle to Redevelop a Jim Crow State, 1960–2000 by William D. Goldsmith Department of History Duke University Date:_______________________ Approved: ___________________________ Nancy MacLean, Supervisor ___________________________ Edward J. Balleisen ___________________________ Adriane Lentz-Smith ___________________________ Gary Gereffi ___________________________ Helen Ladd An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2018 Copyright by William D. Goldsmith 2018 Abstract This dissertation shows how an array of policymakers, invested in uprooting an unequal political economy descended from the plantation system and Jim Crow, gravitated to education as a centerpiece of development strategy, and why so many are still disappointed in its outcomes. By looking at state-wide policymaking in North Carolina and policy effects in the state’s black belt counties, this study shows why the civil rights movement was vital for shifting state policy in former Jim Crow states towards greater investment in human resources. By breaking down employment barriers to African Americans and opening up the South to new people and ideas, the civil rights movement fostered a new climate for economic policymaking, and a new ecosystem of organizations flourished to promote equitable growth. -
Dissenter in the Baptist Southland : Fifty Years in the Career of William
DUKE UNIVERSITY LIBRARY Digitized by the Internet Archive in 2013 http://archive.org/details/dissenterinbaptiOObrya DISSENTER IN THE BAPTIST SOUTHLAND ) William Wallace Finlator in action, chairing a public hearing of the North Car- olina Advisory Committee to the U.S. Civil Rights Commission in August 1977. (Photo by Images Unlimited, from the collection of G. McLeod Bryan. DISSENTER IN THE BAPTIST SOUTHLAND Fifty Years in the Career of William Wallace Finlator BY G. McLeod Bryan MERCER UNIVERSITY PRESS MP — ISBN D-flbSSM-17b-D Dissenter in the Baptist Southland Copyright © 1985 Mercer University Press, Macon GA 31207 All rights reserved Printed in the United States of America All books published by Mercer University Press are produced on acid-free paper that exceeds the minimum standards set by the National Historical Publications and Records Commission. Library of Congress Cataloging in Publication Data Bryan, G. McLeod. Dissenter in the Baptist southland. "Essays and articles by William Wallace Finlator": p. 185. Includes bibliographies and indexes. 1. Finlator, William Wallace, 1913- 2. Baptists—North Carolina—Clergy—Biography. 3. Southern Baptist Convention—North Carolina Clergy—Biography. 4. North Carolina—Biography. 5. Church and social problems—United States. I. Title. BX6495.F46B78 1985 286'.132'0924 [B] 85-13752 ISBN 0-86554-176-0 (alk. paper) 1 4*5 CONTENTS A FINLATOR CHRONOLOGY ix FOREWORD xiii PREFACE xv ACKNOWLEDGMENTS xix Chapter One DEVELOPING A POLITICAL THEOLOGY 1 Chapter Two ENJOYING CONTROVERSY 33 Chapter Three CULTIVATING THE PRESS AND LABOR 65 Chapter Four FIGHTING RACISM 93 Chapter Five MAKING PEACE 123 Chapter Six SEPARATING CHURCH AND STATE 149 vi G. -
Pdf-Collections-.Pdf
1 Directors p.3 Thematic Collections p.21 Charles Chaplin • Abbas Kiarostami p.4/5 Highlights from Lobster Films p.22 François Truffaut • David Lynch p.6/7 The RKO Collection p.23 Robert Bresson • Krzysztof Kieslowski p.8/9 The Kennedy Films of Robert Drew p.24 D.W. Griffith • Sergei Eisenstein p.10/11 Yiddish Collection p.25 Olivier Assayas • Alain Resnais p.12/13 Themes p.26 Jia Zhangke • Gus Van Sant p.14/15 — Michael Haneke • Xavier Dolan p.16/17 Buster Keaton • Claude Chabrol p.18/19 Actors p.31 Directors CHARLES CHAPLIN THE COMPLETE COLLECTION AVAILABLE IN 2K “A sort of Adam, from whom we are all descended...there were two aspects of — his personality: the vagabond, but also the solitary aristocrat, the prophet, the The Kid • Modern Times • A King in New York • City Lights • The Circus priest and the poet” The Gold Rush • Monsieur Verdoux • The Great Dictator • Limelight FEDERICO FELLINI A Woman of Paris • The Chaplin Revue — Also available: short films from the First National and Keystone collections (in 2k and HD respectively) • Documentaries Charles Chaplin: the Legend of a Century (90’ & 2 x 45’) • Chaplin Today series (10 x 26’) • Charlie Chaplin’s ABC (34’) 4 ABBas KIAROSTAMI NEWLY RESTORED In 2K OR 4K “Kiarostami represents the highest level of artistry in the cinema” — MARTIN SCORSESE Like Someone in Love (in 2k) • Certified Copy (in 2k) • Taste of Cherry (soon in 4k) Shirin (in 2k) • The Wind Will Carry Us (soon in 4k) • Through the Olive Trees (soon in 4k) Ten & 10 on Ten (soon in 4k) • Five (soon in 2k) • ABC Africa (soon -
North Carolina's Energy Future? N.C
e North Carolina's Energy Future? N.C. Center for Public Policy Research Board of Directors Thad L. Beyle, Chairman The North Carolina Center is an independent research and Patricia H. Wagner, Vice Chairman educational institution formed to study state government policies Grace Rohrer, Secretary and practices without partisan bias or political intent. Its purpose V.B. (Hawk) Johnson, Treasurer Thomas L. Barringer is to enrich the dialogue between private citizens and public Daniel T. Blue, Jr. officials, and its constituency is the people of this state. The William L. Bondurant Center's broad institutional goal is the stimulation of greater Betty Chafin interest in public affairs and a better understanding of the Fred Corriher, Jr. profound impact state government has each day on everyone in Walter DeVries James S. Ferguson North Carolina. Charles Z. Flack, Jr. A non-profit, non-partisan organization, the Center was Joel L. Fleishman formed in 1977 by a diverse group of private citizens "for the Virginia Ann Foxx purposes of gathering, analyzing and disseminating information Karen E. Gottovi R. Darrell Hancock concerning North Carolina's institutions of government." It is William G. Hancock, Jr. guided by a self-electing Board of Directors, and has some 600 James E. Harrington individual and corporate members across the state. The Center's Watts Hill, Jr. staff of associate directors, fellows, and interns includes various Wilbur Hobby Mary Hopper scholars, students, journalists, and professionals from around the Sandra L. Johnson state. Several advisory boards provide members of the staff with Walter T. Johnson, Jr. expert guidance in specific fields such as education, publications, Betty Ann Knudsen and fund raising. -
E Cnronicie Weather
Special Primary Preview Weather May rain toda y—temp- eiature should he in the 70's. Goodbye/ Tonight will be coc 50's—and tomorrow e cnronicie with more 70 degree n • Volume 67, Number 135 Durham, North Carolina Wednesday, May 3, 1972 Sanford, Wallace meet in'Dixie Classic' battle By Rick Melcher sales and property taxes Wallace would reduce taxes Staff Writer employed by Wallace as for the lower and middle The battle between George governor of Alabama. classes while increasing taxes Wallace and Terry Sanford It is his progressivism on the wealthy and for North Carolina's 64 which Sanford hopes to corporations. delegate votes is considered convey to voters to erase the Tax reform by many to be a "Dixie notion that the South is a Although Wallace recently classic." bastion of regressivism, as said that he had been in the A more apt classification represented by Wallace. "The vanguard of the tax reform would be a confrontation South can take the lead in movement while the other between "alternatives." solving national problems," Democratic candidates "have Wallace contends that he is a Sanford says. only recently" come out for Southern "populist" who is Wallace is leading the (Continued on Page 2) George Wallace most capable of the support protest of those " 'federal up' of the disenchanted working with taxes-breaks for the fat classes, unlike the remainder cats, with welfare cheaters, of his Democratic opposition. On the other hand, Sanford Peace Vigil here set for tomorrow says that his campaign A news analysis provides an alternative to the In conjunction with a order to "accomplish true that they support the The call for national regressive populism of 'pointy-headed' bureaucrats, National Moritorium against Vietnamization in which the Gravel-Mondale-Drinan bill." demonstrations tomorrow Wallace. -
From Honoré De Balzac to Franc¸Ois Truffaut1
The European Legacy, Vol. 9, No. 2, pp. 173–193, 2004 The Human Comedy of Antoine Doinel: From Honore´deBalzac to Franc¸ois Truffaut1 ϳϳ ANER PREMINGER ϳϳ ABSTRACT The focus of this paper is the intertextual relationship between the work of Franc¸ois Truffaut and that of Honore´deBalzac. It explores Balzac’s influence on the shaping of Truffaut’s voice and argues that Balzac’s Human Comedy served Truffaut as a model for some of his cinematic innovations. This applies to Truffaut’s total oeuvre, but particularly to his series of autobiographical films, “The Adventures of Antoine Doinel”: The 400 Blows ( Les Quatre Cents Coups, 1959), Antoine and Colette, Love at Twenty (Antoine et Colette, L’Amour a` Vingt Ans, 1962), Stolen Kisses ( Baisers Vole´s, 1968), Bed and Board ( Domicile Conjugal, 1970), Love on the Run ( L’Amour en Fuite, 1979). In examining Truffaut’s “rewriting” of Balzac, I adopt—and adapt—the intertextual approach of Harold Bloom’s theory of the “anxiety of influence.” My paper applies Bloom’s concept of misreading to an examination of the relationship between Truffaut’s autobiographical films, and Balzac’s Human Comedy, both thematically and structurally. On 21 August 1850, the writer Victor Hugo read a eulogy over the grave of his colleague, the writer Honore´deBalzac. In this eulogy Hugo attempted to sum up Balzac’s contribution to literature in particular and to culture in general. Among other things, Hugo said the following: The name of Balzac will form part of the luminous mark that our period will leave upon the future. -
Director Focus François Truffaut
DIRECTOR FOCUS FRANÇOIS TRUFFAUT Director, Screenwriter, Producer, Actor and Film Critic, In a film career lasting over a quarter of a century, he remains an François Truffant (1932 – 1984) helped transform the icon of the French film industry, having worked on over 25 films, cinematic landscape as one of the founders of the including the semi-autobiographical Antoine Doinel series of French New Wave. films (beginning with The 400 Blows), French Occupation drama, The Last Metro and First World War love triangle Jules and Jim. FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 DIRECTOR FOCUS FRANÇOIS TRUFFAUT DVD DVD DVD BD THE 400 BLOWS FINALLY SUNDAY JULES AND JIM Praised by film-makers and critics the world over, Truffaut’s final film before his untimely death in 1984, Hailed by critics as one of the greatest films of all time, Truffaut’s The 400 Blows launched the Nouvelle Finally Sunday brought he career full circle, revisiting Truffaut’s internationally award-winning film Jules and Jim Vogue and paved the way for some of cinema’s most the film noir style of his early movies. is set pre- and post- First World War, and tells the tale of important and influential directors. Based on The Long Saturday Night by Charles Williams, two young students, Jules (Oskar Werner), and Jim (Henri Twelve-year-old Antoine Doinel (Jean-Pierre Leaud) has Finally Sunday is one of Truffaut’s most purely cinematic Serre), both in love with the beautiful, capricious, Catherine troubles at home and at school. -
Two in the Wave
PRESENTS TWO IN THE WAVE Produced & Directed by Emmanuel Laurent Written & Narrated by Antoine De Baecque Press Contact: Rodrigo Brandão (212) 629-6880 ext 12 / [email protected] A Lorber Films Release from Kino Lorber, Inc. 333 WEST 39 STREET • SUITE 503 • NEW YORK, NY • 10018 SYNOPSIS The French New Wave crashed onto international shores when François Truffaut’s debut feature, The 400 Blows, premiered at Cannes in 1959, followed quickly by Jean-Luc Godard’s equally thrilling Breathless, based on a Truffaut story. The two filmmaking rebels, great friends and fellow graduates of the Cahiers du Cinema, for which both wrote extensively, hailed from different sides of the tracks: Truffaut, a poor reform school boy, and Godard, a Swiss haute- bourgeois. Both cast Jean-Pierre Léaud in many of their movies (for Truffaut, as his alter-ego, Antoine Doinel) and led the movement to save Henri Langlois’s job at the Cinemathèque Française in ’68. Two In The Wave poignantly melds revealing period footage of both men (and of Léaud, torn between father-figures) with scenes from some of their greatest films, as it moves inexorably toward their bitter falling-out. (Karen Cooper, Film Forum) CREDITS Directed and Produced by Emmanuel Laurent Written and Narrated by Antoine de Baecque Starring Islid Le Besco Cinematography by Etienne de Grammont & Nick de Pencier Editing by Marie-France Cuénot A Films à Trois Production Produced with the cooperation of Argos Film, Ciné Tamaris, Gaumont, Les Films Du Jeudi, MK2, Studio Canal, Warner Bros, INA, Gaumont Pathé Archives, RTBF France / 2009 / 93 minutes In French with English subtitles FESTIVALS Cannes International Film Festival Rotterdam International Film Festival Guadalajara International Film Festival Hong Kong International Film Festival Visions du Réel – Nyon Documentary Film Festival 333 WEST 39 STREET • SUITE 503 • NEW YORK, NY • 10018 ABOUT THE FILMMAKERS EMMANUEL LAURENT (DIRECTOR/PRODUCER) taught himself filmmaking by watching movies in the front row of the Cinémathèque and learning how to edit. -
HAMS President Pledges No New Increase in Taxes
PAGE TW ENTY^FOUR- MANCHESTER EVENING HERALD. Manchester, Conn., Thurs.. Oct. 5,1972 Cockpit Photo The FAA said thb pilot who The Weather sent in the cUpplni Mkojl Do Something SinuSf Poor Planning Or Both Stirs Up whether the pilot of McGovew • Cloudy with rain Uktiy - ^ pbne was vlolitlni rafulatloni Say Jaycees ilaturl|FatFr lEtipmng llFTalb the km in Uw BOi. 'nw Prop-Wash Hgainit allowlni a Saturday In the km OOi vrith i Cause Re-Juggling Of Schedule quaUfled as a Jet pilot to control a See Page 5 ending Saturday night. WASHINGTON (AP) - The Jet aircraft. ByJAYSHARBUTT said they weren’t able to put the time purchases for 30-mlnute FMeral Aviation Administration An FAA “ “ ‘f*** MANCHESTER, CONN.. FRIDAY, OCTOBER 6,1972 VOL. X a i, No. 5 MANCHESTER — A City o f Village Charm TWENTY-FOUR PAGES - TWO SECTIONS p r i c e P IP r E E N C E N I t AP TELEVISION WRITER program together in time,” said shows about Nixon. has said it is investigating is a maximum penalty of | I,W NEW YORK (AP) - Because an ABC official. Uda apparent lack of firm deci published reports that for each such violation. Ha added of a sinus infection, poor plan “ Mr. Connally has a bad sinus sion on when and where half- Democratic presidential can that he beUeved a penalty also ning, or both, the first 30 minutes infection,” said a spokeswonun hour campaign spots will be didate Sen. George McGovern could be appUed to the p « io n of ABC’s "Julie Andrews Show” for the committee, which is shown isn’t limited to the Nixon was allowed to take over the assuming control without Cooperation Of Congress Necessary wasn't taken up Wednesday night headed by a prominent forces. -
Hobby, Receives $100 Grant by Jim Poles Given to the 20 Or So People an Internal Revenue Official a Meeting Last Evening of at the Meeting
Minah fears Teamster reprisals By Dan Neuharth Teamsters said "our truck drivers aren't allowed In the continuing controversy over the United under the law to refuse to deliver to anybody." Farm Workers (UFW), boycott of non-union "Hot Cargo" iceberg lettuce Ted Minah, director of the Duke According to Durham, the "Hot Cargo Act," dining halls, said yesterday there is a "strong and act of Congress makes it illegal not to deliver possibility" the Teamster's union truckers would goods even in the case of a store or organization refuse to deliver any food to Duke if the dining boycotting Teamster goods, and only buying halls boycotted non-UFW lettuce. others. However, the President of Teamster's local Minah said he knew of at least one case where union 391 said it would be illegal for the the Teamsters had refused to deliver goods to an Teamsters not to deliver goods to any place that entire city. When asked what city, Minah said he boycotted Teamster's products, including did not know Teamster harvested lettuce. The lettuce controversy began when Minah Referendum said 75% of his lettuce was UFW, and 25% was Minah has said he will not boycott non-UFW Teamsters. Several Chronicle checks of West. lettuce unless more than 1,000 students request a Campus dining halls over the past week, however, boycott in the referendum scheduled for October revealed no UFW lettuce; most was Teamsters and 26. Minah said yesterday a possible Teamster's some was even non-union. refusal to deliver goods to Duke would have to be Lettuce check considered "very carefully and seriously" when Another check last night showed 19 boxes of he made a final decision whether or not to lettuce, 16 Teamsters packed, 3 non-union boycott non-UFW lettuce. -
Theater Programs Collection
http://oac.cdlib.org/findaid/ark:/13030/kt7199r7f0 No online items Inventory of the Theater Programs Collection UCSC OAC Unit The University Library Special Collections and Archives University Library University of California, Santa Cruz Santa Cruz, California, 95064 Email: [email protected] URL: http://library.ucsc.edu/speccoll/ © 2008 The Regents of the University of California. All rights reserved. Inventory of the Theater MS 322 1 Programs Collection Inventory of the Theater Programs Collection Collection number: MS 322 The University Library Special Collections and Archives University of California, Santa Cruz Santa Cruz, California Processed by: UCSC OAC Unit Date Completed: July 2008 Encoded by: UCSC OAC Unit © 2008 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Theater Programs collection Dates: 1950-2008 Collection number: MS 322 Collector: Group, Mitchell Collection Size: 5 document boxes Repository: University of California, Santa Cruz. University Library. Special Collections and Archives Santa Cruz, California 95064 Abstract: This collection contains a variety of theater playbills and programs from the New York city area. Physical location: Boxes 1-4 stored offsite; Box 5 stored in Special Collections & Archives: Advance notice is required for access to the papers. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights Property rights reside with the University of California. Literary rights are retained by the creators of the records and their heirs. For permission to publish or to reproduce the material, please contact the Head of Special Collections and Archives. Preferred Citation Theater Programs collection. MS 322. Special Collections and Archives, University Library, University of California, Santa Cruz. -
ABSTRACT BROADHURST, CHRISTOPHER JAMES. the Silent
ABSTRACT BROADHURST, CHRISTOPHER JAMES. The Silent Campus Speaks: North Carolina State University and the National Student Protest, May 1970. (Under the direction of Paul Umbach). May 1970 became a pivotal moment in higher education. In that month, the backlash over two events, the announcement of the American invasion of Cambodia and the National Guard killing four Kent State University students protesting that military offensive, triggered the largest student protest in history. Across the nation, hundreds of thousands of students protested on hundreds of campuses. The scale of the reactions shocked America. This work explores the development of a student protest subculture at North Carolina State University and connects the campus’s outburst of student activism to the national student protests of May 1970. The images from campuses such as Berkeley, Wisconsin, or Columbia during the late 1960s has helped propagate the myth that student activism dominated college life in the period. While some campuses, particularly elite universities, did possess active protest cultures, many of the nation’s colleges and universities leaned more toward conservatism. Yet even on these conservative campuses, as the 60s progressed, student activism began to gain a stronger presence. Students increasingly voiced their concerns over national issues, such as civil rights or the Vietnam War, and challenged long-standing doctrines of in loco parentis. By placing one campus, North Carolina State University, within the broader national context, this research