NMC Newsletter Fall 2019
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NEA-Annual-Report-1980.Pdf
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1980. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1981 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Deputy Chairman’s Statement 8 Dance 10 Design Arts 32 Expansion Arts 52 Folk Arts 88 Inter-Arts 104 Literature 118 Media Arts: Film/Radio/Television 140 Museum 168 Music 200 Opera-Musical Theater 238 Program Coordination 252 Theater 256 Visual Arts 276 Policy and Planning 316 Deputy Chairman’s Statement 318 Challenge Grants 320 Endowment Fellows 331 Research 334 Special Constituencies 338 Office for Partnership 344 Artists in Education 346 Partnership Coordination 352 State Programs 358 Financial Summary 365 History of Authorizations and Appropriations 366 Chairman’s Statement The Dream... The Reality "The arts have a central, fundamental impor In the 15 years since 1965, the arts have begun tance to our daily lives." When those phrases to flourish all across our country, as the were presented to the Congress in 1963--the illustrations on the accompanying pages make year I came to Washington to work for Senator clear. In all of this the National Endowment Claiborne Pell and began preparing legislation serves as a vital catalyst, with states and to establish a federal arts program--they were communities, with great numbers of philanthro far more rhetorical than expressive of a national pic sources. -
N E W S L E T T E R Fall 2018
Strengthening the importance of music in our life and culture since 1940 N E W S L E T T E R Fall 2018 National Music Council NMC Director Dr. David Sanders hosted Honors Jazz Legends the event, and praised the honorees for setting an extraordinary standard for Chick Corea and The ongoing contribution to American Manhattan Transfer at musical culture and heritage, and for serving as mentors and role models to 35th Annual American aspiring jazz artists. The evening Eagle Awards opened with a performance by the Nashville School of the Arts jazz ensemble Swing Thing under the direction of James Satterwhite, who reminded the audience of why access to music education for all students is so vital. Nashville Singer/Songwriter Dianne Davidson performed an emotional musical tribute to The Manhattan Transfer before presenting TMT members Janis Siegel, Alan Paul, and Cheryl Bentyne with the first award. Davidson was responsible for introducing late Manhattan Transfer The National Music Council honored founder Tim Hauser to Janis Siegel, jazz legends Chick Corea and The forming the iteration of the group that Manhattan Transfer at the organization’s created their great success and earned 35th annual American Eagle Awards on them ten Grammy Awards. Hauser died Thursday, June 28 at the Summer in 2014. NAMM Show in Nashville. The honors are presented each year in recognition Internationally renowned flutist Hubert of long-term contributions to American Laws presented Chick Corea’s award, musical culture and heritage, the citing Corea’s great contribution to the importance of music education and art of improvisation and an inspiration to inspiration for all children, and the need himself and musicians all over the world. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Jacob Marley's Christmas Carol
The Tenors David Benoit with Jane Monheit Canadian Brass 3rd Annual Jazz Faculty Christmas Concert “Jacob Marley’s Christmas Carol” welcome to North Central College hristmas time is here. Carols in the I am always thanking our sponsors and our Friends air.” For those of you who read my of the Arts, as I should. You give so much to us “C monthly missive in the programs, and we cannot thank you enough. I also want to you may recall that I like to pull out a holiday thank the fine arts staff: Sam, Jon, Andrew (our lyric when writing the December letter. For some newest addition), Jen, Jessica, Nickole and, of reason, this lyric seemed more than appropriate. course, Tami. I could not do what I do without The return appearance by David Benoit and his you. You make North Central College look great “Christmas Tribute to Charlie Brown” marks an every time you help an audience member, book encore appearance by one of my personal favorite a hotel (in Naperville only!), guide the student Christmas concerts. workers through a load-out in the wee hours of the morning (hopefully, without much snow) and look I would wager that those from my generation can out for each other. I want to thank the businesses in still remember that December evening when the Naperville that welcome our audiences with open Charlie Brown Christmas special came on TV for arms before and after the performances. Together the first time. I even remember the commercials we make an incredible team. for Coke that were interspersed. -
Sounds of the Season 6 Am December 24 - 8 Pm December 25, 2016 Jazz 88.3 Ksds
SOUNDS OF THE SEASON 6 AM DECEMBER 24 - 8 PM DECEMBER 25, 2016 JAZZ 88.3 KSDS Number Name Artist Album Time Hour #1 6 AM to 7 AM December 24 001 SOS 2105 KSDS Open 0:45 002 ‘Twas the Night Before Christmas Chuck Niles 3:46 003 Sleigh Ride Richie Cole Mistletoe Magic: Holiday Jazz Impressions 5:50 004 Jingle Bells Duke Ellington Jingle Bell Jazz 3:02 005 The Twelve Days of Christmas Stan Kenton Orchestra A Merry Christmas 4:08 006 Have Yourself a Merry Little Christmas Ella Fitzgerald Ellas Wishes You a Swinging Christmas 2:58 007 S.C. Is Coming to Town Martin Mann & Mannkind Christmastime 4:41 008 Silver Bells Oliver Jones Yuletide Swing 5:07 009 SOS 2105 KSDS BOH ID #1 0:36 010 The Christmas Song Carmen McRae Jingle Bell Jazz 3:58 011 Do You Hear What I Hear? Jimmy Ponder Guitar Christmas 4:54 012 Christmas Is Coming Vince Guaraldi A Charlie Brown Christmas 3:28 013 A Christmas Medley Mel Tormé Christmas Songs 4:17 014 Winter Wonderland Oscar Peterson An Oscar Peterson Christmas 4:11 015 God Rest Ye Merry, Gentlemen Kenny Burrell Have Yourself a Soulful Little Christmas 3:48 016 I’ve Got My Love to Keep Me Warm Julie London Ultra-Lounge Christmas Cocktails, Pt. 3 4:14 017 The Sound of Christmas The Ramsey Lewis Trio Sound of Christmas 2:21 Hour #2 7 AM to 8 AM December 24 018 SOS 2105 KSDS TOH ID #2 0:34 019 Baby, It’s Cold Outside Leon Redbone & Zoey Deschanel Elf Soundtrack 3:32 020 Santa Claus Came in the Spring Sackville All-Stars The Sackville All-Star Christmas Record 5:16 021 Jingle Bells Swing Jim Cullum Jazz Band Hot Jazz for a Cool Yule 2:22 022 Christmas Carnival David Hickman, Thomas Bacon, Sam Palafian A Cool Brassy Night at the North Pole 3:28 023 Manhattan in December Ann Hampton Calloway Wonderland - Under the Mistletoe 3:43 024 Christmas Waltz Scott Hamilton Chritsmas Love Song 5:17 025 Santa Claus Is Coming to Town Joshua Redman and Brad Mehldau Warner Bros. -
Cash Box Is Filled Are Healthy Signs
®T.M. NEWSPAPER $3.00 ^SPRING TOURING SEASON BLOSSOMS r SECOND QUARTER RELEASE SCHEDULE PACKED ' RETAIL SHELF, SALE PRICES STABLE DONNA SUMMER, POLYGRAM RESOLVE CONTRACT DISPUTE US FESTIVAL EXPANSION IN ’83 “Sparks In Outer Space” is the brilliant new aibum from the aiways original Mael brothers, featuring the first single, “Cool Places,’ a sensational duet with Jane Wiedlin of the Go-Go's and SparksT^^ Jane Wiedlin, Courtesy I.R.S. Records, Inc. On Atlantic Records and Cassettes Produced by Ron Mael and Russell Mael for Giorgio Moroder Enterprises, Ltd. 1983 AHontK Recording Corp OA Worner Commurticofiont Co BOX dSH XLIV — 44 — April 2, 1983 %HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME NUMBER OISHBCX EDITORML On The Mend This week’s news brings a hopeful note in the These signs could be signalling the end of the midst of what has surely been the most challenging worst . Perhaps the recession in this industry has GEORGE ALBERT period in the history of the music industry. We are bottomed out. While it is too early to tell concretely, President and Publisher still mired in the worst recession this industry has maybe the strength of the new product and the sur- MARK ALBERT to of the in- Vice President and General Manager known, but there are signs that things have begun prising potential videotaped music, turn around. creased pace of touring and the stabilizing of prices J.B. CARMICLE Vice President and General Manager, East Coast This week, the front page of Cash Box is filled are healthy signs. JIM SHARP with signs of recovery — there’s the second quarter Hopefully, the lessons that were painfully learned Vice President. -
Lorraine Feather
LORRAINE FEATHER SELECTED CREDITS RULES DON’T APPLY (2016) ‘Rules Don’t Apply’ title song (Critics’ choice award nominated) co-written with Eddie Arkin THE PRINCESS DIARIES 2: ROAYAL ENGAGEMENT (2004) (Lyrics: “Your Crowning Glory”) THE JUNGLE BOOK 2(2003) (Original Songs) (Lorraine nominated for World Soundtrack Award) DICK TRACY (1990) (Performer: “Back In Business”) BIOGRAPHY Lorraine Feather was born in Manhattan. Her parents named her Billie Jane Lee Lorraine after godmother Billie Holiday, her mother Jane (formerly a big band singer), her mother’s ex-roommate Peggy Lee, and the song ‘Sweet Lorraine’. She is the daughter of the late jazz writer Leonard Feather. The Feathers moved to L.A. when Lorraine was 12; at 18, after two years as a theater arts major at L.A. City College, she returned to New York to pursue an acting career. Some touring, off-Broadway work and the Broadway show ‘Jesus Christ Superstar’ followed, interspersed with countless waitressing jobs up and down Manhattan’s West Side. Frequently out of work, and discouraged by more than one restaurateur from pursuing a career in the food service industry, Lorraine decided to try singing. She began working with various jazz and Top 40 bands in and around New York. She sang backup for Petula Clark and Grand Funk Railroad, and finally put her own act together, eventually moving back to L.A., where she sang at local jazz clubs. Soon after, she joined producer Richard Perry’s vocal trio Full Swing and recorded three albums with the group. Lorraine wrote lyrics for most of the songs on these releases, some for classic pieces like Duke Ellington’s “Rockin’ in Rhythm,” the Yellowjackets’ ‘Ballad of the Whale’ and Horace Henderson’s “Big John’s Special” (later heard in the movie ‘Swing Shift’). -
David Benoit Trio Featuring Jane Monheit and the All-American Boys Chorus, Believe
THE DAVID BENOIT TRIO FEATURING JANE MONHEIT AND THE ALL-AMERICAN BOYS CHORUS, BELIEVE CRITICALLY ACCLAIMED DUO’S SECOND COLLABORATION FLAUNTS HEART-WARMING, HOLIDAY-THEMED FAVORITES For Immediate Release – In January of 2015, the GRAMMY®-nominated pianist/composer/arranger David Benoit, a founding father of contemporary jazz, and Jane Monheit, the First-Runner-Up in the 1998 Thelonious Monk International Vocalist Competition who soars through and above the genres of jazz, Broadway, standards and pop, recorded 2 In Love. Released on June 16th, 2015 on Concord Records, this stunning, critically acclaimed collaboration paved the way for the duo’s follow-up. Set for release on October 16th via Concord Records, Believe—their enduring and epoch recording of heart-warming holiday-themed favorites—is an equally vivacious, vivid and varied masterpiece. Featuring Benoit’s trio, with drummer Jamey Tate and bassist David Hughes, and The All-American Boys Chorus, a California-based ensemble, Believe is composed of trio, choral and orchestral renditions of the music of Richard Rodgers, Mel Tormé, Jule Styne and Sammy Cahn, and the legendary Charlie Brown composer, Vince Guaraldi—along with an original composition from Benoit. “I’ve done a couple of Christmas records,” Benoit says. “My first one, Christmas Time, came out on the AVI label in 1983. And I did another one called Remembering Christmas on GRP in 1996. The challenge of this record was to search for songs that weren’t done as Christmas songs.” It’s also a challenge Monheit welcomes as well. “We just wanted a classic, really warm-hearted sound. Something that felt sincere,” Monheit says. -
Geographic Perspectives on Contemporary / Smooth Jazz
GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber. -
David Benoit Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 2-2-2002 David Benoit Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "David Benoit" (2002). Center for Performing Arts Memorabilia. Book 180. http://opus.govst.edu/cpa_memorabilia/180 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PfftFORMIHCi flftTS Governors State University Presents David Benoit Saturday, February 2, 2002 8:00 p.m. ^_ 2001/2002 Season sponsored in part by a grant from the: SOUTH LAN O> CONVENTION & VISITORS BUMAU 1.888-895-8233 wwsv.cscvto com have some fun. Let's not take this thing too seriously.' Sometimes we David Benoit can get so serious about everything. Of course, I didn't want to call it 'I Hate S.U.V.'s' because my audience, probably a good 60% of More than 15 years after he helped pioneer the successful contem- them own S.U.V.'s. But they'll get a little laugh out of this title and porary jazz sound, composer-pianist David Benoit, a three-time know that we're poking fun at ourselves." Grammy nominee, continues to ride a seemingly unending wave of popularity and acclaim. -
Pete Kelly's Blues See Pages 8, 35 HALLMARK Will Pay
DOWN RECORDS HIGH-FIDELITY INSTRUMENTS FILMLAND UP BEAT RADIO Pete Kelly's Blues See Pages 8, 35 HALLMARK will pay to LES BAXTER'S Song Moró&a * AN ALL-EXPENSE TRIP TO HOLLYWOOD and * CO-COMPOSER'S FUTURE ROYALTIES! CAN YOU tell the story of “Monika"—a bad girl — in |ust so many words, to fit LES BAXTER'S music? The music is already on a CAPITOL disc! It's already published by STARLIGHT SONGS! But — without words! HALLMARK wants lyrics — good lyrics, for “Monika". HALLMARK will pay an all-time record price for them! TEN THOU SAND in cash, plus co-composer'$ royalties which could reach $40,000 or $50,000 more, plus an all-expense trip to Hollywood and appearance on a national TV network show. Open to profession als and amateurs alike Lyrics must be postmarked by midnight, Nov. 1, 1956. Winner announced during December, 1956. Get busy, get rich! The PHONE YOUR LOCAL THEATRE MANAGERS TODAY! GET FULL particulars from your local theatre which shows “MON IKA". Telephone your leading theatres right now. Ask for THE MANAGER! Learn if and when he expects to show HALLMARK'S sensational Swedish story of a bad girl, “MONIKA". Keep calling them for the play-date. See the HALLMARK movie, “MONIKA". Hear Les Baxter's brilliant musical score and title song. Get a copy of the sheet music, to guide you. Get a CAPITOL record to aid you. Fit lyrics that describe this bad girl to Baxter's music. JUDGES — Let Baxter, Hollywood; Dr. Cleo Dawson, U. of Kentucky, Lexington; Steve Allen, New York City MAIL 4 YOUR LYRICS toi MONIKA Song Contest Dept., care — HALLMARK PRODUCTIONS, Inc. -
2013 ICA Holiday Song List
ICA 2013 Holiday Playlist Track Time Artist Album Theme A Wild-Eyed Christmas Night 4:02 .38 Special A Wild-Eyed Christmas Night holiday fun Xmas Dick In A Box 2:57 A Plus D A Very Bootie Christmas 2 fun; remix O Come, All Ye Faithful (Album Version) 3:28 Abandon Kansas O Come, All Ye Faithful holiday pop Santa Baby (Remix) 3:35 Alexkid & DJ Seep A Very Bootie Christmas 2 fun; remix The Coventry Carol 3:24 Alison Moyet A Very Special Christmas, Vol. 1 holiday pop This Warm December, A Brushfire Holiday Let it Ride ALO (Animal Liberation Orchestra) 3:51 Vol. 8 outdoors What Child is This (w. Mary J. Blige) 4:30 Andrea Bocelli My Christmas memories The Wexford Carol 5:27 Andreas Vollenweider Hymn: A Musical Christmas Card memories Christmas in the City 4:36 Angie Martinez & Mary J. Blige A Very Special Christmas, Vol. 3 holiday pop Universal Child 4:14 Annie Lennox A Christmas Cornucopia holiday pop Feliz Navidad 2:26 Aqua Teen Hunger Force Have Yourself a Meaty Little Christmas humor What Child is This? 2:44 Arch Nemesiz Christmas in Diverse City a little something different Little Drummer Boy 3:07 Audio Adrenaline WOW Christmas (RED) fun; remix Little Drummer Boy 2:05 Bad Religion Christmas Songs holiday rock Are You Gonna Stop the White Xmas 4:11 Bad Tattoo A Very Bootie Christmas fun; remix This Warm December, A Brushfire Holiday Christmas Must Be Tonight 3:47 Bahamas Vol. 5 celebration Sleigh Ride :46 Barenaked Ladies What I Want for Christmas fun God Rest Ye Merry Gentlemen/We Three Kings 3:27 Barenaked Ladies feat Sarah Mclachlin