SWW December 2016 Newsletter.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Marjorie Barnard: a Re-Examination of Her Life and Work
Marjorie Barnard: a re-examination of her life and work June Owen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales Australia School of the Arts and Media Faculty of Arts and Social Science Thesis/Dissertation Sheet Australia's Global UNSWSYDNEY University Surname/Family Name OWEN Given Name/s June Valerie Abbreviation for degree as give in the University calendar PhD Faculty Arts and Social Sciences School School of the Arts and Media Thesis Title Marjorie Barnard: a re-examination of her life and work Abstract 350 words maximum: (PLEASE TYPE) A wealth of scholarly works were written about Marjorie Barnard following the acclaim greeting the republication, in 1973, of The Persimmon Tree. That same year Louise E Rorabacher wrote a book-length study - Marjorie Barnard and M Barnard Eldershaw, after agreeing not to write about Barnard's private life. This led to many studies of the pair's joint literary output and short biographical studies and much misinformation, from scholars beguiled into believing Barnard's stories which were often deliberately disseminated to protect the secrecy of the affair that dominated her life between 1934 and 1942. A re-examination of her life and work is now necessary because there have been huge misunderstandings about other aspects of Barnard's life, too. Her habit of telling imaginary stories denigrating her father, led to him being maligned by his daughter's interviewers. Marjorie's commonest accusation was of her father's meanness, starting with her student allowance, but if the changing value of money is taken into account, her allowance (for pocket money) was extremely generous compared to wages of the time. -
The Rise of the Australian Novel
Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support. -
Women Reading 1936: a Creative Writer's Reading Of
Women Reading 1936: A creative writer’s reading of Return to Coolami, Jungfrau, and The Australian Women’s Weekly by Helen Catherine Gildfind Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy April, 2012 School of Culture and Communication (Creative Writing) The University of Melbourne Produced on archival quality paper ii iii Abstract: This thesis focuses on three texts that were published in 1936: Dymphna Cusack’s novel Jungfrau, Eleanor Dark’s novel Return to Coolami, and that year’s fifty-two issues of The Australian Women’s Weekly. Cusack’s and Dark’s novels form part of today’s Australian feminist literary canon and are typically understood with the benefit of historical hindsight, especially in regards to their authors’ biographies. Furthermore, academics often turn back to these novels and writers in order to elaborate their own political and cultural agendas and theories. In this thesis, I argue that the original readers of these novels would never have read them in such ways and that such analyses, whilst fascinating and valuable, seldom discuss the problem of their own anachronism. In order to benefit my own and others’ reading and fiction writing practices, I wish to imagine what these novels meant to the audience for whom they were originally crafted. Influenced by New Historicism’s ‘anecdotal’ approach to history – where canonical literary texts are ‘defamiliarised’ through their juxtaposition against various contemporaneous, non-canonical texts – I use The Australian Women’s Weekly to create an original, evidence-based ‘window’ of insight into Australian life and culture in 1936. -
Dymphna Cusack (1902-1981): a Feminist Analysis
Dymphna Cusack (1902-1981): A Feminist Analysis of Gender in her Romantic Realistic Texts. Dissertation von Tania Peitzker eingereicht 2 000 an der Philosophischen Fakultät I der Universität Potsdam INHALTSVERZEICHNIS Zusammenfassung. .................................iv Einleitung....................................iv Theoretischer Ansatz...................vi Ergebnisse....................................x Table of Contents……..............................1 Dissertation………………...……………3 Veröffentlichung………………………222 DOROTHY PARKER A CERTAIN LADY Oh, I can smile for you, and tilt my head, And drink your rushing words with eager lips, And paint my mouth for you a fragrant red, And trace your brows with tutored finger-tips. When you rehearse your list of loves to me, Oh, I can laugh and marvel, rapturous-eyed. And you laugh back, nor can you ever see The thousand little deaths my heart has died. And you believe, so well I know my part, That I am gay as morning, light as snow, And all the straining things within my heart You’ll never know. Oh, I can laugh and listen, when we meet, And you bring tales of fresh adventurings- Of ladies delicately indiscreet, Of lingering hands, and gently whispered things. And you are pleased with me, and strive anew To sing me sagas of your late delights. Thus do you want me – marveling, gay, and true- Nor do you see my staring eyes of nights. And when, in search of novelty, you stray, Oh, I can kiss you blithely as you go… And what goes on, my love, while you’re away, You’ll never know. (1937) Zusammenfassung Dymphna Cusack (1902-1981): eine feministische Analyse von Geschlecht/Gender in ihren romantischen realistischen Texten. -
Read Ebook {PDF EPUB} Come in Spinner by Dymphna Cusack 9780207169489 - Come in Spinner by Cusack, D ; James, F
Read Ebook {PDF EPUB} Come In Spinner by Dymphna Cusack 9780207169489 - Come in Spinner by Cusack, D ; James, F. Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Come in Spinner. James, F. Cusack D. Published by HarperCollins Publishers, 1993. Used - Softcover. HarperCollins Publishers Australia, 1990. Soft Cover. Book Condition: Good. Moderate reading wear. Very clean interior. Come in Spinner. James, Florence Bean,Cusack, Dymphna. Published by Angus & Robertson Childrens, 1990. Used - Softcover Condition: Good. Paperback. Condition: Good. All orders are dispatched the following working day from our UK warehouse. Established in 2004, we have over 500,000 books in stock. No quibble refund if not completely satisfied. Tell us what you're looking for and once a match is found, we'll inform you by e-mail. Can't remember the title or the author of a book? Our BookSleuth is specially designed for you. Shop With Us. Sell With Us. About Us. Find Help. Other AbeBooks Companies. Follow AbeBooks. By using the Web site, you confirm that you have read, understood, and agreed to be bound by the Terms and Conditions. Come in Spinner. The TV series drama Come in Spinner is based on the novel by Dymphna Cusack. The show is set in Australia during the World War 2. The show follows a group of women working at an upperclass Sydney hotel beauty salon. The show's primary focus is to showcase the different issues present at the time. -
Download Conference Abstracts
Keynote speaKers Acoustic Cosmopolitanism: Echoes of Multilingualism Professor Sneja Gunew, University of British Columbia [email protected] Encounters with Derrida taught us that Voice, orality, privileged the authority of ‘presence’ whereas writing was perceived as a type of second-order, mediated communication where stable meaning receded even further. In his later work (Monolingualism and the Prosthesis of Origins) Derrida accentuated the fact that the enunciative split means that no-one may claim to own language, to fully control its meaning (‘the hegemony of the homogeneous’). At the same time that he demonstrated the instability of language and meaning Derrida, an Algerian Jew, confessed to his intolerance of accents in relation to his own French monolingualism. He points out that such accents are not detectable in writing. In her recent perceptive book Not Like a Native Speaker, Rey Chow demonstrates that if one looks at language in relation to colonialism an argument could be made that the colonised, in their linguistic subjugation, understood far more consciously than the colonisers that the hegemony of the homogeneous does not exist. Building on such explorations, my paper examines the oral dimensions of multilingualism in Australia. To what extent does this hum or ‘presence’ of other languages (Indigenous as well as others) fundamentally destabilize the authority that English appears to enjoy within a national culture that perpetuates its colonial monolingualism? To what extent do they merely create ‘accents’ that reinstate a yearning for homogeneous origins? Sneja Gunew (FRSC) BA (Melbourne), MA (Toronto), PhD (Newcastle, NSW) has taught in England, Australia and Canada. She has published widely on multicultural, postcolonial and feminist critical theory and is Professor Emerita of English and Women's and Gender Studies at the University of British Columbia, Canada. -
Newcastle East Women's History Walk
Newcastle East Women’s History Walk Researched by Jude Conway, on the suggestion of the Newcastle women’s group AWE and the Gender, Generation and Culture Network at the University of Newcastle map by AWE 1. Awabakal Stand at the top of the park at the end of Scott Street, overlooking Newcastle ocean baths. Newcastle harbour was called Muloobinba by the Awabakal people who frequently camped on the southern foreshore. Awabakal men and women both went fishing. The men used spears, while the women used hooks and lines and supplied most of the fish. The hooks were made of shell or bone and if they made their lines the same as the Worimi women from the north of the harbour they were made out of the inner bark of young kurrajong trees Awabakal woman Killigrant, back from fishing, painted by convict artist Richard Browne when at the Newcastle penal colony Lieutenant Coke based in Newcastle in 1827 noted that Awabakal women had the first joint of their little finger of the right hand cut off as it interfered with the drawing in of the fishing lines. An eye witness in Sydney wrote that it was the top two joints of the left hand and was done when the females were about three or four months old With maybe a baby on their shoulders, or even heavily pregnant the Awabakal women would have been precision-balanced in their flimsy bark canoes. They had small fires on clay pads in the canoe and cooked and ate the first catch of fish before taking the rest back to camp to be shared Image by Richard Browne shows fire in canoe Awabakal women also jumped off the rocks to catch lobsters, and told Lt Coke the water was still at a depth of 10 or 12 feet. -
Newsletterto Keep Women’S Words, Women’S Works, Alive and Powerful — Ursula Leguin
Vol 29, No.1 — February 2018 NEWSLETTERTo keep women’s words, women’s works, alive and powerful — Ursula LeGuin cast of quirky characters such as the Mad Hatter and the Cheshire Cat hold greater sway now in my mind than Alice. Then there was Dorothy from the Wizard of Oz and Wendy from Peter Pan and Wendy. Quite nice girls but there was little about them being a girl with which I could identify or which reflected the insecurities, fears and anxieties I faced during my transitional years from child to adulthood. George (aka Georgina) the tomboyish character of Enid Blyton’s Famous Five series, is without doubt for me, Blyton’s stand-out girl character. But had Blyton extended her fictional character into adulthood George would surely have been pressured to ‘outgrow’ her tomboyishness as it seems that masculinity is tolerated in girls only as long as they ultimately conform to gender expectations in adulthood. Fortunately in comparison with past eras, we are now living through a golden age of girls’ fiction. The book industry has finally discovered that girls read. Unfortunately there Congratulations to Jozefa Sobski, Library Chair, awarded an AM in is still a plethora 2018’s Honours List for significant service to women’s rights and of pap written for migrant advocacy, and to higher education and skills based training. girls with paper- thin characters whose ‘issues’ are Great girls of fiction ‘resolved’ in candy- This year, for the benefit of our members and Newsletter floss epiphanies and readers, our Library is creating a booklist of ‘great girls faux ‘growth and of fiction’ as a guide to choosing books for teenagers change’ moments. -
The Anatomy of a Best-Seller: the Making of "Come in Spinner"
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1990 The anatomy of a best-seller: the making of "Come in spinner" Marilla North University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation North, Marilla, The anatomy of a best-seller: the making of "Come in spinner", Master of Arts (Hons.) thesis, Department of English, University of Wollongong, 1990. -
Review of Yarn Spinners: a Story in Letters
9/24/2015 M/C Reviews Review of Yarn Spinners: A Story in Letters Review of Yarn Spinners: A Story in Letters Date: Tuesday, August 27 @ 10:58:16 AEST Topic: 'words' Reviewed by Simone Murray The genre of literary biography almost by definition misrepresents the warp and weft of writerly experience. By isolating an individual writer’s life in the analytical spotlight, literary biography tends to relegate to the background the complex networks of associations, friendships, rivalries and cultural institutions which make up the lived writerly experience and which are crucial in constructing literary reputations. One challenge to this dominant mode of literary biography has been to bring forward from the shadows helpmeet figures who facilitated in some way the work of a given literary legend, such as Hilary Spurling’s recent biography of Sonia Orwell. A far more radical challenge to the methodology of standard literary biography, however, is to place centrestage the web of complex interpersonal relationships between writers and the cultural institutions of their time—an almost ecological emphasis on the system, as opposed to the individual agent, as worthy of analytical attention. Marilla North’s excellent volume Yarn Spinners is the latest addition to a growing genre emphasising networks of collaboration, exchange, support and occasional competitiveness between Australian women writers in the first half of the twentieth century. In this it complements the innovations in feminist biographical method employed in Drusilla Modjeska’s Poppy (1990), Sylvia Martin’s Passionate Friends (2001) and Carole Ferrier’s As Good as a Yarn with You (1992), to which North’s title offers an allusive and admiring salute. -
Country Matters in the Little (Southern Steel) Company
Donna Coates, "Country Matters" Donna Coates COUNTRY MATTERS IN THE LITTLE (SOUTHERN STEEL) COMPANY In "On Appropriation: Two Novels of Dark and Eldershaw," Ian Saunders identifies a number of similarities between Eleanor Dark's The Little Company (1945) and Barnard/Eldershaw's Tomorrow and Tomorrow (1947), and makes the case that Dark borrowed much of the structure and plot of her novel from an outline Marjorie Barnard provided (287). My aim here is neither to defend nor support Saunders's claim (although I do think he weakens his case by ignoring information included in Barbara Brooks's biography, which indicates conclusively that much of the material in The Little Company stems from Dark's family background), but to suggest that Dymphna Cusack, too, might have gathered some of her ideas from Dark in writing Southern Steel (1953). Even though Cusack claimed (as did Miles Franklin and other writers on the "Left") that she didn't "like" The Little Company (Brooks 279) and told Bruce Molloy that "the novel 'never hit her" (51), it certainly struck her in some ways, for the similarities between the novels seem too numerous to be coincidental. Admittedly, given the texts' shared historical time frames, some comparisons might be obvious. Dark's novel takes place between 1941 and 1942, Cusack's solely in 1942, with the bombing of Darwin figuring prominently in each. Both texts also document, to a greater or lesser extent, the "Yank invasion" of Australia and the advent of wartime measures such as blackouts, brown-outs, food shortages and rationing. The texts also depict women knitting khaki socks, serving enlisted men at canteens, and making their entry into war work - the munitions industry in Southern Steel and the WAAC in The Little Company. -
Australian Women Writers 1900-1950
An exhibition of material from the Monash University Library Rare Books Collection Australian Women 29 March to 31 July 2007 Writers 1900-1950 Exhibition room, level 1, ISB Wing, Sir Louis Matheson Library, Clayton campus Item 17 Image from cover of Coonardoo : the well in the shadow, by Katharine Susannah Prichard. London, Jonathan Cape, 1929 cover credits thanks Item 60 Cover of The glasshouse, by Exhibition and catalogue by Associate Thanks to art historian, Dr Janine Burke, M Barnard Eldershaw. London, Harrap, Professor Maryanne Dever and Dr Ann for opening the exhibition. Thanks to 1936 Vickery, Centre for Womens Studies and Rare Books Assistant, Lorraine David for Gender Research, Monash University. organisational work, particularly at the Copies of the catalogue are available opening; to the Publications and Web from Rare Books Collection, Library, Assistant, Rosemary Miller, for her design Box 4, Monash University, Victoria, 3800 skills; and to Iris Carydias for preparing the Australia. electronic catalogue An electronic version of this catalogue, with additional illustrations, is available at the Monash University Library website. Electronic catalogue prepared by Iris Carydias www.lib.monash.edu.au/exhibitions/ 1 Australian Women Writers 1900-1950 An exhibition of material from the Monash University Library, Rare Book Collection Introduction Writing produced by women in the first half of the twentieth century challenged previously given roles of gender and negotiated a rapidly changing social climate. Australia became an independent nation in 1901. By 1903 it was the only country where white women could both vote and stand for national parliament. Women’s writing between 1900 and 1950 reflected the suffrage movement, as well as the effects of Federation, two World Wars, increasing industrialisation and urbanisation, women entering the workplace, and emergent discourses of sexology and psychology.