Outdoor Photographer Outdoorphotographer.Com PHOTOGRAPH by STAN MONIZ MYTH: Mirrorless Cameras Aren’T As Fast As Dslrs
Total Page:16
File Type:pdf, Size:1020Kb
20+ NEWEST LANDSCAPE LENSES X GUIDE TO LAKE TAHOE NEW LOOK! SCENIC WILDLIFE TRAVEL SPORTS outdoorphotographer.com LANDSCAPE ISSUE Robert Glenn Ketchum ALASKA’S STUNNING SOUTHWEST Justin Black LANDSCAPE ABSTRACTIONS Stan Moniz ADVENTURE IN OREGON + TECHNIQUE Make a Wildlife Panorama March 2017 Exceptional Images Deserve an Exceptional Presentation Images by: Neil Simmons Oachs, Stephen Max Seigal, MetalPrint Clusters & Splits Available in 21 Arrangements & Sizes Display Your Images in Their Element Choose our Wood Prints to lend a warm, natural feel to your images, MetalPrints infused on aluminum for a vibrant, luminescent look or Acrylic Prints for a vivid, high-impact display. All options provide exceptional durability and image stability, for a gallery-worthy presentation that will last a lifetime. Available in a wide range of sizes, perfect for anything from small displays to large installations. Learn more at bayphoto.com/wall-displays 25% Get 25% off your fi rst order with Bay Photo Lab! For instructions on how to redeem this special off er, create a free OFF account at bayphoto.com. Your First Order NEW! Easy Web Ordering! o rd om Stunning Prints er.bayphoto.c on Natural Wood, High Defi nition Metal, or Vivid Acrylic Quality. Service. Innovation. We’re here for you! CONTENTS VOL. 33 NO. 2 | MARCH 2017 FEATURES 28 ALASKAN LEGACY How Robert Glenn Ketchum became a leading advocate for the preservation of Southwest Alaska’s ecosystems and economies By Wes Pitts / Photography By Robert Glenn Ketchum 36 OREGON ODYSSEY An adventure photographer’s epic journey through four Oregon hotspots By Kristan Ashworth Photography By Stan Moniz 42 ABSTRACTION IN THE LANDSCAPE Extracting the infinite from the finite Text & Photography By Justin Black 50 BEHIND THE SHOT Spring Sunrise in Grand Teton Text & Photography By Michael Swindle 52 TAHOE FOR ALL SEASONS California’s Lake Tahoe region offers year-round photo opportunities Text & Photography By Josh Miller 2 Outdoor Photographer outdoorphotographer.com PHOTOGRAPH BY STAN MONIZ MYTH: Mirrorless cameras aren’t as fast as DSLRs. TRUTH: With the world’s fastest sequential shooting1, the E-M1 Mark II blows away every other camera on earth. DSLRs used to own speed. Not anymore. The mirrorless OM-D E-M1 Mark II reels off RAW images at an incredible 60 fps so you’ll never, ever miss another shot. This camera is a potent combination of power and portability. Ditch the tripod and shoot using the world’s most effective image stabilization2 with 6.5 shutter steps of compensation. Freeze fast- moving subjects with precision AF tracking. The E-M1 Mark II. Redefining what’s possible. Get Power. Get Portable. Get Olympus. getolympus.com/myths 1 Sequential shooting speed as of September 2016, when using Silent Sequential Shooting H Mode S-AF. 2 With M.Zuiko Digital ED 12-100mm f4.0 IS PRO lens, as of September 2016. HOW-TO 48 WILDLIFE PANORAMAS Use this landscape technique for picturesque wildlife portraits Text & Photography By Chema Domenech EQUIPMENT 58 LANDSCAPE PHOTOGRAPHY LENSES Our guide to wide-angle lenses, the most popular and useful optics for landscape photography By David Schloss 62 ULTRA “LITE” TRIPOD The top carbon fiber model in SLIK’s new LITE series is incredibly compact, lightweight and sturdy By Wes Pitts 26 COLUMNS 22 TECH TIPS In the Bag By George D. Lepp 24 & Kathryn Vincent Lepp 24 THE BIG PICTURE Jack Dykinga on the making of a photographer By Amy Gulick DEPARTMENTS 7 COVER SHOT 10 IN THIS ISSUE 12 SHOWCASE 16 NEW GEAR & TECH 26 FAVORITE PLACES 64 CLASSES, TOURS 58 & WORKSHOPS 72 LAST FRAME On the web at outdoorphotographer.com ]Member Galleries ]Assignments ]On Location ]Pro Perspectives ]Weekly Tips Share your best photos Enter our themed photo Discover your next Be inspired by advice Sign up to receive our with the OP community challenges each week photo destination with and insights into the free “Tip of the Week” in our online galleries, for a chance to have our feature articles that art and technology of newsletter, featuring It’s free to register and your image recognized as highlight epic places for photography from top techniques to improve participate—join today! our Assignment winner. nature photography. nature photographers. your photo skills. CANYON-VERMILION CLIFFS WILDERNESS, JACK DYKINGA. SMITHSON PHILLIPS. PARIA SHIPROCK, PAUL Follow us at @outdoorphotographer Neutral density & long exposure fi lters Medium ND Graduated Filter “LEE have made medium ND grads for me for a while Very hard ND Graduated Filter and now they are available to everyone. Carrying different strength ND grads enables me to fi ne tune “ A very hard ND grad enabled me to retain the exposure balance really accurately in camera. highlight detail in the sky and a perfect exposure ” on the penguins. Such accurate control of light is LEE 0.9ND Joe Cornish - joecornishgallery.co.uk Medium Grad why I carry as many as ten different ND grads on LEE 0.6ND a shoot.” Very Hard Joe Cornish - joecornishgallery.co.uk Grad Super Stopper “ Here I have used the LEE Super Stopper (15 stops) to introduce blur and motion in the clouds and water, which were moving very LEE Super Stopper slowly. Using the Super Stopper has allowed me to capture the movement I was looking for.” Jeremy Walker - jeremywalker.co.uk Little Stopper “ I like to be creative in my work, giving an almost impressionist interpretation to the scene. One of the ways I do this is by using long shutter speeds LEE Little 10 0 mm SW150 system system system Stopper to highlight motion. Here I used a LEE Little Stopper (6 stops) in conjunction with a 0.6ND Soft Grad, the perfect combination for photographers like myself who like to ‘get it right’ in camera.” Jonathan Chritchley - jonathanchritchley.net leefi lters.com outdoorphotographer.com EDITORIAL SALES & MARKETING (617) 706-9110, Fax (617) 536-0102 Wes Pitts Editorial Director, Creative Division Bob Dortch 25% OFF Kristan Ashworth VP, Digital Sales Managing Editor Scott Luksh George D. Lepp Director, Media Solutions Your First Order* Field Editor Bob Meth Sales Solutions Director David Schloss Contributing Technical Editor Alexandra Piccirilli Media Solutions Director COLUMNISTS Miene Smith Elizabeth Carmel, Melissa Groo, Amy Gulick, Bill Hatcher, Classes, Tours, & Workshops Sales Manager Dewitt Jones, Frans Lanting, Jessica Krogman George D. Lepp, David Muench, Client Services Associate, Print William Neill Cassandra Pettit Client Services Associate, Digital CONTRIBUTING EDITORS Mark Edward Harris, Lewis Kemper, J. Ana Beckett Glenn Randall, William Sawalich Marketing Manager Briana Balboni PROFESSIONAL ADVISORS Daryl Benson, Jim Brandenburg, Marketing Associate Carr Clifton, Daniel J. Cox, Bruce Dale, ART & PRODUCTION James Kay, Robert Glenn Ketchum, David Muench, Marc Muench, Carolyn V. Marsden Michael Nichols, John Shaw, Art Wolfe Art Director For an extensive archive For reprint information, contact: For digital editions: of back issues: Advertising/Sales, (617) 706-9110 zinio.com/outdoorphotographer www.outdoorphotographer.com PRINTED IN THE U.S.A. Outdoor Photographer (ISSN: 0890-5304)—Vol. 33 No. 2—is published monthly except bimonthly ,CP(GDD[/CFCXQT/GFKC..%'ZGEWVKXGGFKVQTKCNCPFCFXGTVKUKPIQHƂEGU$TCKPVTGG*KNN1HƂEG 2CTM5WKVG$TCKPVTGG/#2GTKQFKECNU2QUVCIG2CKFCV$QUVQP/#CPF CFFKVKQPCNOCKNKPIQHƂEGU5KPINGEQR[RTKEGt#PPWCNUWDUETKRVKQPKP752QUUGUUKQPU#21 (21t%CPCFCtQVJGTHQTGKIPtKPENWFKPIRQUVCIGCPFVCZGU2C[CDNGKP75 funds. For orders, address changes and all other customer service, phone toll-free (800) 283-4410. 2156/#56'45GPFCFFTGUUEJCPIGUVQOutdoor Photographer$QZ$QQPG+# Canada Post Publications Mail Class Agreement No. 1559788. Email us (editorial matters only) [email protected] or visit our website at www.outdoor- photographer.com. Copyright ©2017 by Madavor Media, LLC. No material may be reproduced without written permission. This publication is purchased with the understanding that information presented is from many sources for which there can be no warranty or responsibility by the publisher as to accuracy, originality or completeness. It is sold with the understanding that the publisher is not engaged in render- KPIRTQFWEVGPFQTUGOGPVUQTRTQXKFKPIKPUVTWEVKQPCUCUWDUVKVWVGHQTCRRTQRTKCVGVTCKPKPID[SWCNKƂGF sources. EDITORIAL SUBMISSIONS: Outdoor Photographer assumes no responsibility for solicited or unsolicited contributions and materials. We do not accept original transparencies or negatives.1VJ- erwise, insurance for such materials, in transit or in our possession, must be the responsibility of the writer or photographer. Outdoor Photographer does not accept or agree to the conditions and stipulations printed on delivery memos, packing slips and related correspondence as they are presented without prior notice accompanying submission materials. Exceptions to this disclaimer of liability on the part of Outdoor Photographer must be prearranged, executed in writing and signed by both parties prior to the shipment of materials in question. All submissions must be accompanied by a self-addressed, UVCORGFGPXGNQRG 5#5' YKVJUWHƂEKGPVRQUVCIGVQEQXGTVJGEQUVQHTGVWTP6JGENCUUQHOCKNCPFKPUWT- ance coverage for returns will be determined by the amount provided for on the SASE. SUBSCRIBERS: Any obligation we owe to you, including delivery of your magazine, is contingent upon you providing WUYKVJ[QWTEQTTGEVOCKNKPICFFTGUU+HVJG2QUV1HƂEGPQVKƂGUWUVJCV[QWTOCIC\KPGKUWPFGNKXGTCDNG we have no further obligation to you unless we receive a corrected address from you within two years of VJG2QUV1HƂEGPQVKƂECVKQPBACK