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Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
A Discography by Claus Nyvang Kristensen - Cds and Dvds Cnk.Dk Latest Update: 10 April 2021 Label and ID-Number Available; Not Shown
A discography by Claus Nyvang Kristensen - CDs and DVDs cnk.dk Latest update: 10 April 2021 Label and ID-number available; not shown Alain, Jean (1911-1940) Deuxième Fantaisie Marie-Claire Alain (1972) Intermezzo Marie-Claire Alain (1972) Le jardin suspendu Marie-Claire Alain (1972) Litanies Marie-Claire Alain (1972) Suite pour orgue Marie-Claire Alain (1972) Trois danses Marie-Claire Alain (1972) Variations sur un thème de Janequin Marie-Claire Alain (1972) Albéniz, Isaac (1860-1909) España, op. 165: No. 2 Tango in D major Leopold Godowsky (1920) España, op. 165: No. 2 Tango in D major (Godowsky arrangement) Carlo Crante (2011) Emanuele Delucchi (2015) Marc-André Hamelin (1987) Wilhelm Backhaus (1928) Iberia, Book 2: No. 3 Triana (Godowsky arrangement) Carlo Crante (2011) David Saperton (1957) Albinoni, Tomaso (1671-1751) Adagio in G minor (Giazotto completion) (transcription for trumpet and organ) Maurice André, Jane Parker-Smith (1977) Violin Sonata in A minor, op. 6/6: 3rd movement, Adagio (transcription for trumpet and organ) Maurice André, Hedwig Bilgram (1980) Alkan, Charles-Valentin (1813-1888) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66 Kevin Bowyer (2005) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66: No. 1 Andantino Nicholas King (1992) 11 Grands Préludes et 1 Transcription du Messie de Hændel, op. 66: Nos. 2, 3, 4, 5, 6, 7, 8, 9, 11 (da Motta transcription for piano four hands) Vincenzo Maltempo, Emanuele Delucchi (2013) 11 Pièces dans le Style Religieux et 1 Transcription du Messie de Hændel, op. 72 Kevin Bowyer (2005) 13 Prières pour Orgue, op. -
Debussy's Piano Music
CONSIDERATIONS FOR PEDALLING DEBUSSY'S PIANO MUSIC Maria Metaxaki DOCTOR OF MUSICAL ARTS CITY UNIVERSITY DEPARTMENT OF MUSIC March 2005 ALL MISSING PAGES ARE BLANK TABLE OF CONTENTS FIGURES iii LIST OF TABLES AND ........................................................ EXAMPLES iv LIST OF MUSICAL ......................................................... vii ACKNOWLEDGEMENTS ................................................................. viii DECLARATION ...................................................................................................... ABSTRACT ix ..................................................................................... I INTRODUCTION ............................................................................... 1 Piano 'Without Hammers: Pianos in Debussy's Time 7 CHAPTER -The ......... CHAPTER 2- Gamelan Music and the 'Vibrations in the Air ...................... 15 CHAPTER 3- 'Faites Conflance A Votre Oreille': Pedalling Techniques in Debussy's Piano Music 29 ................................................... in Welte Mignon Piano Rolls 57 CHAPTER 4- Debussy's Use of the Pedals the ... Scores: Indications for Pedalling 75 CHAPTER 5- Debussy's .......................... CHAPTER 6- Pedalling in 'La Cath6drale engloutie ................................ 99 BIBLIOGRAPHY 107 ........................................................................... DISCOGRAPHY 113 ............................................................................ APPENDIX 1- Musical Examples 115 ..................................................... -
Olga Rudge & Ezra Pound: "What Thou Lovest Well..."
Olga Rudge and Ezra Pound Anne Conover Olga Rudge and Ezra Pound ‘‘What Thou Lovest Well . .’’ Yale University Press New Haven & London Excerpt from Shakespeare and Company, ∫ 1959 by Sylvia Beach and renewed 1987 by Frederic Beach Dennis, reprinted by permission of Harcourt, Inc. Excerpts from A Serious Character: The Life of Ezra Pound by Humphrey Carpenter, ∫ 1988 by Humphrey Carpenter, reprinted by permission of Houghton Mi∆in Company. Excerpts from Discretions by Mary de Rachewiltz, ∫ 1971, reprinted by permission of Little, Brown and Company. Copyright ∫ 2001 by Anne Conover Carson. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Rebecca Gibb. Set in Fournier type by Keystone Typesetting, Inc., Orwigsburg, Pennsylvania. Printed in the United States of America by R. R. Donnelley & Sons, Harrisonburg, Virginia. Library of Congress Cataloging-in-Publication Data Carson, Anne Conover, 1937– Olga Rudge and Ezra Pound : ‘‘What thou lovest well— ’’ / Anne Conover. p. cm. Includes bibliographical references (p. ) and index. isbn 0-300-08703-9 (alk. paper) 1. Rudge, Olga, 1895–1996. 2. Violinists—Biography. 3. Pound, Ezra, 1885–1972. I. Title. ml418.r83 c37 2001 811%.52–dc21 2001001527 A catalog record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. -
Josephine Harreld-Love Collection JHL-Group 1 Family/Personal Correspondence Box 1
Josephine Harreld-Love Collection JHL-Group 1 Family/Personal Correspondence Box 1 Folder 1 Family-Anniversary Cards, ND (No Date) Folder 2 Family-Aunt Mamie, 1930-1945 Folder 3 Family-Aunt Mary, (Mary P. Webster) 1940-1941 Folder 4 Family-Aunt Mattie, 1927-1940 Folder 5 Family-Baby (Emily Josephine White),1925-1953 Folder 6 Family-Betsy, 1953-1984, ND Folder 7 Family-Bill, 1987-1993 Folder 8 Family-Danielle, 2002-2003 Folder 9 Family-1990-2001, ND Folder 10 Family-Claudia White Harreld, 1935-1938 Folder 11 Family-Claudia White Harreld, March 1940 Folder 12 Family-Claudia White Harreld, April 1940 Folder 13 Family-Claudia White Harreld, May-Oct 1940 Folder 14 Family-Claudia White Harreld, 1940-1941 Folder 15 Family-Claudia White Harreld, Jan-May 1943 Folder 16 Family-Claudia White Harreld, Aug-Dec 1943 Folder 17 Family-Claudia White Harreld, 1944 Folder 18 Family-Claudia White Harreld, 1947-1948 Folder 19 Family-Claudia White Harreld, Jan-May 1949 Folder 20 Family-Claudia White Harreld, Jan-Nov 1949 Folder 21 Family-Claudia White Harreld, Jan-Apr 1950 Folder 22 Family-Claudia White Harreld, May-Dec 1950 Folder 23 Family-Claudia White Harreld, Jan-Mar 1951 Folder 24 Family-Claudia White Harreld, April-June 1951 Folder 25 Family-Claudia White Harreld, NY (No Year) Folder 26 Family-Claudia White Harreld, ND Folder 27 Family-William Kemper Harreld, 1918-1936 Folder 28 Family-William Kemper Harreld, 1937-1949 Folder 29 Family-William Kemper Harreld, 1952-1968 Folder 30 Family-William Kemper Harreld, NY,ND Folder 31 Family-William Kemper Harreld, 1940, ND Folder 32 Family-Marie Hicks 1998-2002, ND Folder 33 Family-Claudia Victoria Love Hopkins, 1955-1967 Folder 34 Family-Claudia Victoria Love Hopkins, 1968-2001 Folder 35 Family-Claudia Victoria Love Hopkins, NY Folder 36 Family-Claudia Victoria Love Hopkins, ND Folder 37 Family-Claudia Victoria Love Hopkins & William Thomas Love, Jr., ND Folder 38 Family-John O. -
Ra C Sun Ra C SUNN RAH
Ra C Sun Ra C SUNN RAH Raabe C Peter Raabe C PAY-tur RAHAH-buh Raaff C Anton Raaff C AHN-tohohn RAHAHF Raalte C Albert Van Raalte C AHL-bert funn RAHAHL-tuh Raasted C Niels Otto Raasted C NILLSS AWT-toh WAHAH-stehth Raats C Jaan Rääts C YAHAHN RAATSS Rabat tsraruni C Rabat Tsraruni C rah-BAHT ts’rah-ROO-nee C (composition by Oedoen Partos [Ö-dön PAR-tohsh]) Rabaud C Henri Rabaud C ah6-ree rah-bo C (known also as Henri Benjamin Rabaud [ah6-ree bah6-zhah-meh6 rah-bo]) Rabbai C Joseph Rabbai C JO-zuff RABB-bahee Rabe C Folke Rabe C FOHL-kuh RAH-buh C (known also as Folke Alvar Harald Reinhold Rabe [FOHL-kuh AHL-vahr HAH-rahld RAYN-hold RAH-buh]) Rabello C João Lourenço Rabello C zhôôAH6ôô lo-REH6-sôô ruh-BELL-lôô Rabello C João Soares Rabello C zhôôAH6ôô SWAHSH ruh-BELL-lôô C (the middle name is sometimes replaced by Lourenço [lo-REH6-sôô], and the last name is variously spelled Rebello [ruh-BELL-lôô], Rabelo [ruh-BEH-lôô], and Rebelo [ruh-BEH-lôô]) Rabelo C João Soares Rabelo C zhôôAH6ôô SWAHSH ruh-BEH-lôô C (the middle name is sometimes replaced by Lourenço [lo-REH6-sôô], and the last name is variously spelled Rebello [ruh-BELL-lôô], Rabello [ruh-BELL-lôô], and Rebelo [ruh-BEH-lôô]) Rabich C Ernst Rabich C ERNST RAHAH-bihh Rabin C Michael Rabin C M¦-kull RAY-bunn Rabinof C Benno Rabinof C BENN-no RA-bih-nawf Rabinovich C David Rabinovich C dah-VEET rah-bih-NAW-vihch Rabinowicz C Rachel and Miriam Rabinowicz C RAY-chull (and) MIH-ree-umm rah-bih- NO-vihch Rabinowitsch C Max Rabinowitsch C MAHKSS rah-bih-NAW-vihch Rabl C Walter Rabl C VAHL-tur -
Claude DEBUSSY (1862-1918)
LIVRES ET DOCUMENTS SUR Claude DEBUSSY (1862-1918) (Mise à jour le 3 mars 2012) Médiathèque Musicale Mahler 11 bis, rue Vézelay – F-75008 Paris – (+33) (0)1.53.89.09.10 TABLE DES MATIÈRES LIVRES p. 1 Livres sur Debussy p. 1 Livres sur autres sujets p. 7 PARTITIONS p. 17 ENREGISTREMENTS SONORES p. 23 REVUES p. 36 DEBUSSY DANS LES FONDS D'ARCHIVES p. 38 2 LIVRES LIVRES SUR DEBUSSY Catalogue de l'oeuvre de Claude Debussy. - Paris : Durand, 1962. - (BM DEB A1) Claude Debussy. - Paris : L'Echo musical, 1919. - (BM DEB E1 (Réserve)) Debussy. - Paris : Hachette, 1972. - (BM DEB D2) Debussy. - Paris : Michel de Maule, 1987. - (BM DEB E16) Festival... Claude Debussy, à l'occasion de l'érection de ses deux monuments à Paris et à Saint- Germain-en-Laye (1862-1918) : Théâtre des Champs-Elysées. 17 juin 1932... : programme et livre d'or des souscripteurs. - Paris : Comité d'Action des Monuments de Claude Debussy, 1932. - (BM DEB A7) Feuilles musicales et Courrier Suisse du disque, n° 4-5, juin-juillet 1962 : numéro spécial sur Claude Debussy. - Lausanne : Feuilles musicales, 1962. - (BM DEB E6 (Réserve)) Inédits sur Claude Debussy.... - Paris : Les Publications techniques : Galerie Charpentier, (1942). - (BM DEB E5 (Réserve)) L'Art Musical, n° 74, 24 décembre 1937. - Paris : L'Art musical, 1937. - (BM DEB E14 (Réserve)) Le Journal musical français, n° 111, 18 octobre 1962 : Hommage à Claude Debussy. - Paris : Jeunesses Musicales de France, 1962. - (BM DEB E10 (Réserve)) Le Martyre de Saint Sébastien, mystère en 5 actes par Gabriele d'Annunzio : du 21 mai au 2 juin, dix représentations de gala, Théâtre duChâtelet, grande saison de Paris. -
The Relation of Ultramodern to Archaic Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com v~^± mm x u h lfupmc manu tu a; Ale In una cfc fa area tu a allc toy* «iUf dmsnc;ptafti mc ct owpioitifti qtia ftctt t *° minu* cvultr UL inn© ,<c Lett inur »nc, J, iVn-fifrmmt TO tmona.nL HARVARD COLLEGE LIBRARY 7 his is Number t> 2- of three hundred, copies of a specially bound issue of the first edition, numbered and signed by the author. ▼ THE RELATION OF ULTRAMODERN TO ARCHAIC MUSIC By KATHERINE RUTH HEYMAN BOSTON SMALL, MAYNARD & COMPANY Publishers v Oct -A'r i^Hfc Copyrigkt, 1921 By Small, Maynard fif Company INCORfOKATBD T o the Spirit of *Art AND ALL PURE CHANNELS THROUGH WHOM IT FLOWS; NAMING BY NAME PREFACE In a Foreword I have always found the gist of the matter : what an author fears he has not made plain. This series of lectures, the outcome of one Confer ence compiled from stray notes for a San Francisco club in 1916, is by virtue of scores of subsequent presentations so generally understandable that — contrary to the custom of writers — I shrink from the responsibility that my plain speaking entails. It is at the request of the publishers that these lectures are given to the larger audience known as the public, and my hope is that to each reader the book may serve only as a point of departure for the individual thought and research still too rare amongst musi cians in my country. -
DOUZE ÉTUDES by CLAUDE DEBUSSY a Pianist's View
Margit Rahkonen Margit I’ve invested a lot of passion and faith in the future of these Études. I hope you like them, both for the music they contain DOUZE ÉTUDES and for what they denote. Margit Rahkonen (MM, Juilliard by CLAUDE DEBUSSY Claude Debussy to his publisher 28.8.1915 School; DMus, Sibelius Academy) has concertised widely in her na- A Pianist’s View The collection of twelve Études, Debussy’s last sub- Debussy Claude Douze Études by tive Finland and abroad and is a stantial piano work was written during World War I, long-time piano faculty member of the Sibelius Academy, Helsinki. when the composer was already seriously ill. In spite of MARGIT RAHKONEN She has recorded for the Finnish the tragic circumstances surrounding their birth, the Radio as well as for Bis, Fuga, Nim- Études are filled with energy, light and the delight of bus and Finlandia, including the invention. For a pianist, they present an inspiring chal- Douze Études of Claude Debussy lenge both from interpretative and technical viewpoints. (French Etudes, Finlandia 1994). Since the 1990s Margit Rah- The writer approaches the Études from several angles konen has taught in the Sibelius with the help of existing literature on Debussy’s piano Academy DocMus Doctoral School. works and her own expertise as pianist and pedagogue. She has published writings and ar- The book is directed to pianists studying the concert – ticles on the history of piano per- View a Pianist’s formance in Finland, e.g. a mono- etude repertoire as well as to any reader interested in graphy on the Finnish student of Debussy’s piano music.