Document Set 2 - Arguments Against Bob Dylan’S Award of the Nobel Prize (Side B Reads First, Side a Reads Second)
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Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
Things Have Changed Bob Dylan
Things have changed Bob Dylan Gm Gm A worried man with a worried mind I’ve been walkin’ forty miles of bad road Cm Cm No one in front of me and nothing behind If the Bible is right the world will explode Gm Gm D7 There’s a woman on my lap and she’s drinking I’m tryin’ to get as far away from myself as I can D7 champagne Gm Gm Some things are too hot to touch Got white skin, got assassin’s eyes Cm Cm The human mind can only stand so much I’m looking up into the sapphire tinted skies Gm D7 Gm Gm D7 Gm You can’t win with a losing hand I’m well dressed, waiting on the last train Eb D7 Gm Eb D7 Gm Feel like falling in love with the first woman I meet Standin’ on the gallows with my head in the noose Eb D7 Eb D7 Puttin’ her in a wheelbarrow and wheelin’ her down the Any minute now I’m expectin’ all hell to break street loose Gm Gm People are crazy and times are strange People are crazy and times are strange Cm Cm I’m locked in tight, I’m out of range I’m locked in tight, I’m out of range Gm D7 Gm Gm D7 Gm I used to care but - things have changed. I used to care but - things have changed. Gm This place ain’t doin’ me any good Gm Cm I hurt easy, I just don’t show it I’m in the wrong town, I should’ve been in Cm Hollywood You can hurt someone and not even know it Gm Gm D7 Just for a second there I thought I saw something The next sixty seconds could be like an eternity D7 move Gm Gm Gonna get lowdown, gonna fly high Gonna take dancin’ lessons, do the jitterbug rag Cm Cm All the truth in the world adds up to one big lie Ain’t no shortcuts, gonna dress in drag Gm D7 Gm Gm D7 I’m in love with a woman that don’t even appeal to me Only a fool in here would think he got anythin’ to Eb D7 Gm Gm prove Mr. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Simon and Garfunkel.Pptx
Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
Tell Me Why Bob Dylan and the Beatles Song Titles Are Used in Biomedical Literature
Webology, Volume 14, Number 2, December, 2017 Home Table of Contents Titles & Subject Index Authors Index Tell Me Why Bob Dylan and the Beatles Song Titles Are Used in Biomedical Literature Ger T. Rijkers Corresponding author. Professor, Department of Science, University College Roosevelt, Middelburg and Utrecht University and Laboratory of Medical Microbiology and Immunology, St Antonius Hospital, Nieuwegein. Lange Noordstraat 1, 4331CB Middelburg, The Netherlands, Tel: +31 (0)118-655500, Fax: 31 (0)118-655507. E-mail: [email protected] Anya Luscombe PhD, Academic Core Department, University College Roosevelt, Middelburg and Utrecht University. Lange Noordstraat 1, 4331CB Middelburg, The Netherlands. E-mail: [email protected] Carla Sloof PhD, Knowledge and Information Centre, St Antonius Hospital, Nieuwegein. Koekoekslaan 1 3435 CM Nieuwegein, The Netherlands, E-mail: [email protected] Received August 22, 2017; Accepted December 25, 2017 Abstract How often and why do scientists refer to music titles in their papers? There has been a growing trend of using popular music titles in scientific literature since the 1990s. We have investigated the extent to which songs by Nobel Prize winner Bob Dylan, and by The Beatles are used in titles of biomedical scientific publications. The Beatles appear more popular than Dylan (in 589 and 211 publications, respectively): they are used more often in the titles and work with Beatles inspired titles also appear to be cited more often than work using Dylan titles. The Beatles’ hit used most often is The long and winding road; for Dylan it is The times they are a-changing. There are also geographical and gender-related preferences. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
Joan Osborne Sings the Songs of Bob Dylan
For Immediate Release 18 April 2017 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Joan Osborne Sings the songs of Bob Dylan NORTH ADAMS, MASSACHUSETTS — “Like Bonnie Raitt, a musician to whom she has often been compared, Ms. Osborne is a fiercely intelligent, no-nonsense singer- songwriter who is allergic to traditional pop sentimentality, though hardly devoid of feeling… She treats Mr. Dylan as fellow troubadour and roustabout, inventing the rules while traveling along an endless road. Mr. Dylan’s songs are so deeply ingrained in the culture, it’s a wonder more singers haven’t devoted entire concerts to his songs” (The New York Times). Joan Osborne sings the songs of Bob Dylan at MASS MoCA on Friday, July 7, at 8pm. Osborne made a name for herself in 1995 with the success of her multi-platinum album Relish, which featured the hit “One of Us.” But it wasn’t until a couple of years after moving to New York City in the late ’80s that Osborne began to take her singing career seriously, when — after running out her film school scholarship — she found herself belting out Billie Holiday's classic "God Bless the Child" during a local open-mic. In 1992, Osborne formed her own label, Womanly Hips, and released a few recordings before signing on with Mercury Records to release Soul Show: Live at Delta 88, in 1991. The success of “One of Us” in 1995, which spent two weeks at the number one spot on the U.S. singles chart, sold three million copies, and received numerous Grammy nominations, made Osborne a household name. -
An Interview with Bruce Springsteen
Occasional Paper Series Volume 2018 Number 40 Am I Patriotic? Learning and Teaching the Complexities of Patriotism Here Article 3 and Now September 2018 “That's quite a tune”: An Interview with Bruce Springsteen Mark T. Kissling Penn State University Follow this and additional works at: https://educate.bankstreet.edu/occasional-paper-series Part of the Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, Educational Assessment, Evaluation, and Research Commons, and the Educational Methods Commons Recommended Citation Kissling, M. T. (2018). “That's quite a tune”: An Interview with Bruce Springsteen. Occasional Paper Series, 2018 (40). Retrieved from https://educate.bankstreet.edu/occasional-paper-series/vol2018/iss40/3 This Article is brought to you for free and open access by Educate. It has been accepted for inclusion in Occasional Paper Series by an authorized editor of Educate. For more information, please contact [email protected]. 1 “What is there to lose? All of this beauty”: An Interview with Bruce Springsteen Mark Kissling: Greetings from State College, Pennsylvania. My name is Mark Kissling. I am an assistant professor of education at Penn State University. I’m also the guest editor of the Bank Street Occasional Papers Series issue #40 titled, “Am I Patriotic?” The purpose of the issue is to complicate how we think about and enact patriotism, with a particular focus on how teachers teach and students learn about patriotism. So how does this relate to Bruce Springsteen and the interview that you’re about to hear (or read)? In mid-December of 2008, I spent two days at the Woody Guthrie Archives—then in New York City, now in Tulsa, Oklahoma. -
QUINCY SYMPHONY CHORUS PROGRAM NOTES British Invasion ~ March 9, 2019 Dr
QUINCY SYMPHONY CHORUS PROGRAM NOTES British Invasion ~ March 9, 2019 Dr. Carol Mathieson Andrew Lloyd Webber relaunched musical theatre in the 1960’s in ways that welcomed electronic technology and rock music without allowing ephemeral fads to highjack well-crafted composition. And audiences responded, with younger aficionados swelling the general flock to the theatres. Tonight’s medley follows chronologically from earliest efforts with Tim Rice to turn Jesus Christ, Superstar— a scripture story recast in rock, produced as a concept album with basic plot, all the songs, and minimal dialog—into a stage show, opening in London’s West End. It was a mega-hit. Soon after came Evita about the Perón dictatorship in Argentina. Rice did not feel comfortable remolding established writing into lyrics, so for Cats, Lloyd Webber went directly to T.S. Eliot’s poetry. Song and Dance is a short musical play with lyrics by Don Black, paired with a short ballet with music Lloyd Webber wrote for his cellist brother Julien as variations on a Paganini caprice. However, Phantom of the Opera, with Charles Hart lyrics, was back to high drama. Phantom smashed attendance records in both London and New York, running for decades. Tonight’s medley opens and closes with songs from that iconic show. Nineteenth-century English musical theatre consisted of cheerful song and dance revues or badly translated, risqué French burlesques until Gilbert and Sullivan brought satirical, silly Savoy Operas to a family-friendly stage. QSC sings highlights from the first and the final masterpieces of these saviors of both the English and American musical stage. -
The Jurisprudence of Bob Dylan, 38 Fordham Urb
Fordham Urban Law Journal Volume 38 Article 9 Number 5 Symposium - Bob Dylan and the Law 2012 Tangled Up In Law: The urJ isprudence of Bob Dylan Michael L. Perlin New York law School Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Civil Rights and Discrimination Commons Recommended Citation Michael L. Perlin, Tangled Up In Law: The Jurisprudence of Bob Dylan, 38 Fordham Urb. L.J. 1395 (2012). Available at: https://ir.lawnet.fordham.edu/ulj/vol38/iss5/9 This Article is brought to you for free and open access by FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. Tangled Up In Law: The urJ isprudence of Bob Dylan Cover Page Footnote Director, International Mental Disability Law Reform Project; Director, Online Mental Disability Law Program, New York Law School. The uthora wishes to thank Kaydi Osowski for her superb research help. This article is available in Fordham Urban Law Journal: https://ir.lawnet.fordham.edu/ulj/vol38/iss5/9 PERLIN_CHRISTENSEN 1/30/2012 10:10 AM TANGLED UP IN LAW: THE JURISPRUDENCE OF BOB DYLAN Michael L. Perlin* Introduction ........................................................................................... 1395 I. Civil Rights ...................................................................................... 1399 II. Inequality of the Criminal Justice System .................................. 1404 III. Institutions .................................................................................... 1411 IV. Governmental/Judicial Corruption ........................................... 1415 V. Equality and Emancipation ......................................................... 1417 VI. Poverty, Environment, and Inequality of the Civil Justice System .......................................................................................... 1424 VII.