Martin Kunzler: Jazz-Lexikon

Total Page:16

File Type:pdf, Size:1020Kb

Martin Kunzler: Jazz-Lexikon 1 Martin Kunzler: Jazz-Lexikon Namenregister Das Namenregister führt alle Personen, Gruppen und Bands auf, die im "Jazz-Lexikon" genannt werden. Die halbfett gesetzten Seitenzahlen verweisen auf den Ort von Artikeln. Bei den Bandnamen wurde der englische Artikel "The" nicht berücksichtigt. A Little Westbrook Music 1468 A Touch of Jazz 688, 1196 A Tribe Called Quest 561 A. D. D. Trio 302 A.W. Experience 1475 AACM Big Band 1294 Aaltonen, Juhani 147, 1515 Aax & Drumming Core 958 Abao, Rick 584 Abate, Greg 908, 1104, 1129, 1441, 1491 Abdullah, Ahmed 15, 61, 567, 578, 1436 Abdul-Malik, Ahmed 562, 833 Abel, Stefan 1510 Abene, Mike 887 Abercrombie, John L. 16, 39, 86, 89, 90, 139, 184, 208, 228, 252, 280, 300, 345, 346, 363, 364, 367, 370, 409, 430, 443, 474, 479, 480, 481, 485, 486, 490, 562, 571, 592, 601, 630, 660, 717, 737, 742, 762, 812, 825, 848, 906, 907, 917, 920, 949, 951, 955, 1011, 1013, 1025, 1027, 1057, 1058, 1062, 1070, 1077, 1111, 1186, 1278, 1296, 1304, 1307, 1342, 1352, 1372, 1380, 1396, 1428, 1457, 1463, 1472, 1484, 1492, 1534 Åberg, Lennart 16, 148, 205, 259, 1275, 1336 Ables, Charles 579 Abney, Don 1012, 1233 Abou-Khalil, Rabih 17, 307, 382, 433, 477, 517, 537, 750, 804, 886, 927, 1018, 1088, 1214, 1413, 1472 Abraham, Phil 550 Abrahams, Brian 908 Abrams, Marc 481, 679, 1176, 1177 Abrams, Muhal Richard 15, 18, 39, 48, 63, 108, 128, 129, 137, 216, 255, 274, 280, 328, 342, 362, 364, 372, 388, 390, 391, 453, 513, 534, 567, 578, 580, 605, 614, 621, 752, 760, 773, 799, 861, 871, 906, 917, 973, 1043, 1046, 1089, 1245, 1280, 1294, 1319, 1323, 1354, 1358, 1433, 1465 Abrams, Ray 664 Abyssinian Baptist Church Choir 515 Academia de Dancas 429 Accordiana Band 1015 Achiari, Benat 1184 Achron, Joseph 1038 Achternbusch, Herbert 289 18 Draht 1504 2 Acker, Werner 474, 475 Ackerman, Bob 200 Ackley, Bruce 1120 Acoustic Alchemy 158 Acoustic Guitar Orchestra 1485 Acoustic Quartet 1018, 1185 Acoustic Trio 406 Acoustical Jazz Unit 915 Actis 2000 263 Actis Band 263 Acuña, Alex 19, 86, 414, 991, 1145, 1166, 1411, 1425, 1533 Acute Insights 547 Adams, Chris 103 Adams, Christoph 103 Adams, Chuck 1392 Adams, Douglas 695 Adams, George Rufus 19, 26, 90, 108, 128, 149, 150, 158, 274, 280, 356, 396, 432, 528, 530, 554, 571, 645, 685, 862, 864, 1006, 1024, 1029, 1044, 1085, 1086, 1153, 1156, 1168, 1187, 1231, 1270, 1355, 1392, 1472 Adams, John 1389 Adams, Park («Pepper») 20, 121, 138, 144, 163, 165, 172, 201, 253, 254, 375, 395, 400, 411, 518, 550, 572, 581, 635, 644, 684, 745, 756, 776, 850, 907, 952, 955, 957, 993, 997, 1122, 1156, 1203, 1212, 1228, 1252, 1298, 1337, 1344, 1362, 1427, 1460, 1472, 1538 Adams, Steve 1120 Adams, Terry 1040 ADC-Band 1413 Adderley, Julian Edwin («Cannonball») 20, 37, 67, 76, 105, 122, 126, 148, 168, 184, 190, 198, 218, 219, 234, 271, 316, 364, 383, 400, 407, 414, 422, 446, 458, 504, 509, 511, 517, 527, 531, 532, 533, 551, 584, 586, 625, 637, 639, 640, 643, 661, 664, 676, 684, 734, 759, 764, 765, 768, 783, 789, 808, 823, 826, 834, 870, 882, 889, 932, 937, 963, 972, 985, 987, 994, 997, 1004, 1047, 1056, 1084, 1095, 1098, 1116, 1136, 1145, 1156, 1160, 1191, 1221, 1252, 1261, 1340, 1361, 1394, 1421, 1446, 1448, 1474, 1484, 1493, 1498, 1502, 1511, 1523, 1531 Adderley, Nathaniel («Nat») 5, 21, 22, 98, 127, 135, 144, 150, 190, 219, 254, 274, 287, 382, 401, 407, 414, 438, 461, 472, 486, 514, 517, 532, 546, 549, 551, 567, 628, 639, 664, 672, 809, 827, 833, 843, 870, 909, 1072, 1084, 1107, 1120, 1227, 1273, 1282, 1284, 1294, 1306, 1322, 1354, 1362, 1378, 1432, 1484, 1499, 1518, 1522 Addison, Bernard 459, 465, 944, 1108 Addy, Mustapha Tetty 716 Adler, Larry 731, 1344 Adorno, Theodor W. 705 Aebi, Daniel 482 Aebi, Irène 721 Aerosmith 785, 1276 Affif, Ron 1227 African Arts Ensemble 597 African Brass 1354 African Dance Company 726 African Drum Ensemble 876 African Explosion 1043 3 African Group 134 African Heart 370 African Rhythms Club 1470 African-Brazilian Connection 1044 Afro Blue Band 1409 Afro-Cuban Jazz Big Band 961 Afro-Jazz-Funk Trio 705 Agapao 1096 Agasul Orchester 1258 Age Jazz Quintet 1175 Agee, Stafford 1064 Agrill, Jeffrey 1213 Aguido, Luis 258 Aha! 1038 Ahmed, Ustad 473 Aieff, Alexis 730 Aikin, Susanna 1199 Ailey, Alvin 864 Air 15, 26, 1358 Air Mail 1077 AK Musik 714 Akendegue, Pierre 1088 Akiyoshi, Toshiko 24, 40, 47, 101, 104, 207, 251, 300, 313, 384, 389, 428, 443, 501, 530, 553, 562, 598, 617, 685, 777, 783, 804, 816, 827, 843, 925, 956, 1053, 1086, 1096, 1211, 1252, 1313, 1346, 1350, 1441, 1442, 1448, 1457, 1467, 1493 Akkerman, Jan 112, 244, 523, 584, 711 akLaff, Pheeroan 26, 32, 63, 266, 328, 605, 708, 726, 917, 1162, 1201, 1359, 1521 Akoustic Band 991, 1456 Al Dente 238 Alabamians 176, 1262 Alarm-Orchester 77 Albam, Emmanuel («Manny») 26, 72, 148, 179, 222, 422, 457, 560, 804, 832, 1512 Albany, Joe 27, 267, 417, 523, 523, 684, 811, 970, 1004, 1111 Albee, Edward 1234 Albercht, Gerd 1175 Albers, Eef 27, 86, 742 Albert, Don 381 Albert, The 885 Alberti, Fredi 1029 Albertson, Chris 1237 Albin, Scott 121 Albright, Gerald 815, 929 Albus, Gisela 273 Alden, Charles 276 4 Alden, Howard Vincent 28, 29, 66, 138, 165, 171, 217, 342, 430, 490, 501, 756, 783, 887, 999, 1014, 1021, 1084, 1116, 1313, 1318, 1397, 1402, 1417 Aldrige, Ralph 1356 Aless, Tony 887 Alexander, Bob 188, 891 Alexander, Elisabeth 819, 1048 Alexander, Eric 276, 781, 854, 860, 967, 994, 1441 Alexander, Harold 414 Alexander, Montgomery Bernard («Monty») 28, 146, 153, 216, 310, 318, 326, 341, 357, 384, 411, 414, 427, 461, 488, 496, 502, 517, 601, 606, 612, 632, 786, 789, 854, 875, 970, 1029, 1035, 1079, 1103, 1114, 1123, 1130, 1227, 1248, 1322, 1323, 1346, 1429, 1430, 1434, 1452, 1531 Alexander, Roland 1355 Alexander, Texas 630 Alexander's Ragtime Band 1444 Alexander's Swingtime Band 1426, 1444 Alexandria, Lorenz 1227 Alexandrow, Alexander 920 Alexiev, Grisha 1368 Ali, Amin 302 Ali, Rashied 15, 29, 70, 117, 147, 232, 235, 255, 382, 414, 416, 454, 613, 622, 635, 639, 698, 701, 772, 980, 984, 987, 1100, 1148, 1162, 1182, 1231, 1316, 1392, 1435, 1449, 1496, 1530 Alias, Charles («Don») 30, 272, 282, 297, 464, 665, 677, 703, 804, 916, 1186, 1273, 1277 Alim, Kamal Abdul 1447 Alizo, Solyman 1032 Alke, Bjorn 259 Alkier, Thomas 30, 78, 312, 534, 735, 1280 All American Rhythm Section 638 All City Orchestra 1514 Allaert, Philippe 174 Allan, Jan 259, 1212 Allan, Marshall 16, 33, 78 Allard, Joe 757, 816, 1171, 1276 Alleman, Fabrice 550 Allen, Carl Lee 30, 131, 206, 225, 413, 456, 551, 555, 784, 822, 853, 995, 1041, 1162, 1385, 1457, 1463, 1502 Allen, Ed 1271 Allen, Eddie 1248 Allen, Gail 515 Allen, Geri 26, 31, 36, 91, 149, 150, 173, 184, 187, 210, 228, 245, 259, 350, 395, 413, 479, 499, 535, 567, 587, 821, 860, 904, 945, 973, 1008, 1073, 1112, 1205, 1295, 1347, 1487 Allen, Harry 28, 597, 601, 1150 Allen, Henry Jr. («Red») 32, 45, 46, 57, 67, 124, 132, 212, 236, 265, 289, 325, 376, 459, 478, 484, 485, 494, 517, 527, 560, 674, 716, 720, 768, 801, 868, 915, 944, 965, 1042, 1051, 1065, 1094, 1133, 1135, 1204, 1230, 1377, 1455, 1461, 1462 Allen, Henry Sr. 195 Allen, Marshall 16, 33, 78, 967, 1300, 1302 5 Allen, Rex 1150 Allen, Shorty 944, 1504 Allen, Steve 180, 423, 441, 525, 912, 999, 1116, 1150, 1196, 1196, 1208, 1492 Allen, Tex 1339 Allen, Walter C. 965 Allen, Woody 444, 465, 589, 1150, 1233, 1418 Alleric Saxophone Quartet 1299 Alliance 1316 Alligatory Band 41 Allison, Luther 40 Allison, Moses John Jr. («Mose») 33, 43, 122, 220, 247, 342, 361, 396, 428, 443, 451, 462, 562, 597, 685, 786, 788, 799, 825, 903, 1056, 1146, 1187, 1219, 1267, 1307, 1394, 1430 Allman, Duane 796 Allouche, Joël 33, 174 Allred, Bill 1496 Allyn, David 511 Allyson, Karrin 95 Almeida, Laurindo 23, 34, 153, 171, 239, 342, 384, 429, 666, 754, 784, 798, 988, 1021, 1098, 1181, 1197, 1442 Almost Big Band 1213, 1346, 1483 Alperin, Mikhail 208, 1213 Alpert, Herb 207, 398, 769, 814, 991, 1021, 1344, 1394 Alphonso, Jorge 596 Alphornquartett 688 Alpine Experience 658, 665 Alpine Jazz Herd 665, 1258, 1296 Altarass, Adriana 934 Alten, Brüning von 1167, 1358 Altena, Maarten 35, 181, 199, 238, 613, 721, 740, 771, 788 Altenfelder, Andreas 77, 1180, 1504 Altheimer, Joshua 149 Altier, Danny 1263, 1268 Altman, Robert 499, 784, 936, 995, 1040, 1050, 1066, 1118, 1536 Alto Madness 224 Alto Music 1356 Altschul, Barry 35, 40, 77, 116, 122, 137, 140, 157, 241, 258, 266, 367, 424, 433, 536, 571, 605, 752, 761, 919, 996, 1062, 1092, 1139, 1162, 1168, 1203, 1221, 1438 Alvarez, Fernando 1042 Alvarez, Red Chico 666 Alvarez, Sergio 1152 AM4 1200 Amalgam 475, 1137, 1449 Ambitious Lovers 762 Ambrose, Bert 1188 Ambrosetti, Flavio 16, 32, 36, 363, 466, 1232 6 Ambrosetti, Franco 36, 84, 139, 211, 259, 313, 381, 391, 407, 439, 466, 466, 535, 571, 585, 622, 658, 678, 735, 757, 874, 894, 900, 919, 973, 1086, 1167, 1168, 1171, 1178, 1182, 1187, 1195, 1257, 1296, 1398, 1422, 1429, 1454, 1488, 1514 Ambush 804 Ambush, Scott 1266 Ameen, Robert 1088 Amendola, Frederico 992 American Ballett Theater Orchestra 1458 American Breed 669 American Composers´ Orchestra 118, 502, 1458 American Diary 786 American Folk Blues Festival 630 American Jazz Orchestra 685, 753, 756, 783, 925, 943, 1046, 1268, 1502 American Jazz Quartet 443, 904, 1068 American Jazz Quintet 106, 809 American Saxophon Quartet 867 American Standards 786 Amis, Kingley 1132 Ammons, Albert C.
Recommended publications
  • Former Saturday Night Live Band Leader G.E. Smith to Rock the Stockton PAC Performance Set for Feb
    Former Saturday Night Live Band Leader G.E. Smith to Rock the Stockton PAC Performance Set for Feb. 8 For Immediate Release Wednesday, January 8, 2014 Contact: Suzé DiPietro Stockton PAC Galloway Township, NJ 08205 [email protected] (609) 652-4927 Galloway Township, NJ- One of the most in demand blues/rock guitarists in the world is a mysterious character who goes by the name of G.E. Smith. Millions of TV viewers know his face- and the shock of an unruly blond ponytail that was always falling across it - from his tenure fronting the Saturday Night Live Band. G.E. Smith will rock the house at The Richard Stockton College of New Jersey’s Performing Arts Center on Saturday, Feb. 8, 2014. Show time is 7:30 p.m. Tickets are $32 and may be ordered online at www.stockton.edu/pac or by calling the Box Office at (609) 652-9000. The Box Office is open Monday through Friday from 9 a.m. to 3 p.m. and 90 minutes before the performance. For group sales, call (609) 652-4786. For G.E. (George Edward) Smith, a soulful guitarist, composer, singer, and bandleader, it all began in rural Stroudsburg, PA, where he was just about born with a guitar in his hand. “I started playing around the age of 4, and started getting good at 7,” Smith says. “Eventually, the girlfriend of one of my uncles bought me a Martin, a real good guitar, in 1959.” On his 11th birthday, Smith’s mother bought him his first electric guitar, a Fender Telecaster, a model that to dated his birth year- 1952.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1992
    Kattl hlCL^WOOD I ? 7 2 W Toofc ofExcellence In every discipline, outstanding performance springs from the combination of skill, - vision and commitment. As a technology leader, GE Plastics is dedicated to the development of advanced materials: engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics -> Jazz At Tanglewood WM Friday, Saturday, and Sunday August 28, 29, and 30, 1992 Tanglewood, Lenox, Massachusetts '-•' Friday, August 28, at 7:30 p.m. THE MODERN JAZZ QUARTET RAY CHARLES Koussevitzky Music Shed Saturday, August 29 at 4 :30 p.m. CHRISTOPHER HOLLYDAY QUARTET REBECCA PARRIS and the GEORGE MASTERHAZY QUARTET Theatre-Concert Hall at 7:30 p.m. MAUREEN McGOVERN and MEL TORME with the HERB POMEROY BIG BAND Koussevitzky Music Shed Sunday, August 30 at 4 :30 p.m. GARY BURTON AND EDDIE DANIELS Theatre-Concert Hall at 7:30 p.m. DAVE BRUBECK QUARTET WYNTON MARSALIS Koussevitzky Music Shed ARTISTS The Modern Jazz Quartet Gibbs in the Woody Herman Second Herd. The following year he rejoined the Gillespie band, eventually becoming a founding member of the Modern Jazz Quartet. Among the many compositions Mr. Jackson contributed to the group, "Bags' Groove" has become a classic. During the members' annual vacation from the MJQ, Milt Jack- son assembles various groups of musicians to record albums under his own name and to play occasional engagements. Recently he returned to his bebop roots for an album aptly entitled Be Bop. Bass player Percy Heath was born in Making a return Tanglewood appearance, Wilmington, North Carolina, and grew up the Modern Jazz Quartet has a unique in Philadelphia.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Broadway Christian Church •Columbia,Missouri the Worship Of
    BROADWAY CHRISTIAN CHURCH • COLUMBIA, MISSOURI THE WORSHIP OF GOD • APRIL 18, 2021 The Scripture Psalm 4 Answer me when I call, O God of my right! You gave me room when I was in distress. Be gracious to me, and hear my prayer. How long, you people, shall my honor suffer shame? How long will you love vain words, and seek after lies? Selah But know that the LORD has set apart the faithful for himself; the LORD hears when I call to him. When you are disturbed, do not sin; ponder it on your beds, and be silent. Selah Offer right sacrifices, and put your trust in the LORD. There are many who say, “O that we might see some good! Let the light of your face shine on us, O LORD!” You have put gladness in my heart more than when their grain and wine abound. I will both lie down and sleep in peace; for you alone, O LORD, make me lie down in safety. The Message What the World Needs Clear Minds Mark Briley Jack Handey was a comedian and writer for Saturday Night Live for a number of years. He is most known for a segment of short quips that would appear on the show just before going to commercial break. You’d hear the voiceover coming as a scene of a 1 gentle stream flowed through a meadow or something like that. The voice would say, “And now, deep thoughts, by Jack Handey.”1 They would be random like, “Do you know what happens when you slice a golf ball in half? Someone gets mad at you.
    [Show full text]
  • 22Nd Annual ISU Jazz Festival
    Illinois State University ISU ReD: Research and eData School of Music Programs Music Spring 4-13-2018 22nd Annual ISU Jazz Festival School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation School of Music, "22nd Annual ISU Jazz Festival" (2018). School of Music Programs. 4034. https://ir.library.illinoisstate.edu/somp/4034 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois Slate Universttv Illinois State University School of Music would like to extend our sincere thanks College of Fine Ans and appreciation to our 2018 Jazz Festival sponsors: School of Music • •Presents ! PR·,i=s"ouND ' 22°d Al0 ! ------c E N 7- E Fl ' . Illinois State 1540 l College Ave. Honnal, IL 309-452-1436 Jazzfes iv featuring Dennis ackr • • With ISi azz Ensemble I ISO Center for lhe PerformingI ns April 13 and 14, 2018 This Is the one hundred and fiflJ-lirst program or the 2017-2018 season. 22nd Annual ISU Jazz Festival Tentative Schedule Dennis Mackrel (please confirm times with the FINAL SCHEDULE upon arrival) FRIDAY.April 13,ISU CPA ConeertHall I 0:55AM Orchard Farm High School Big Band St. Charles, MO 11 :20 Orchard Farm High School Combo St. Charles, MO 11 :45 Mattoon High School Mattoon, IL 12:10PM Pekin High School Pekin, IL 12:35 Argo Community J:Iigh School Big Band Summit, IL I :00 Argo Community High School Combo Summit, IL • • 1:25 Paxton/Buckley/Loda Jr.
    [Show full text]
  • Chicago Jazz Orchestra Brings Sarah Vaughan Tribute to Symphony Center Presents Jazz Series
    FOR IMMEDIATE RELEASE: Press Contacts: April 29, 2016 Eileen Chambers/CSO 312.294.3092 MaryJane Maharry/Brava PR 773.490.6046 Photos Available By Request [email protected] CHICAGO JAZZ ORCHESTRA BRINGS SARAH VAUGHAN TRIBUTE TO SYMPHONY CENTER PRESENTS JAZZ SERIES Vocalists Dee Alexander, Ann Hampton Callaway and René Marie featured in Program that Highlights Classic Sarah Vaughan Hits Friday, May 20, at 8:00 p.m. CHICAGO— The Symphony Center Presents (SCP) Jazz series continues with “A Tribute to Sarah Vaughan” featuring The Chicago Jazz Orchestra (CJO) on Friday, May 20, at 8:00 p.m. CJO Conductor and Artistic Director Jeff Lindberg leads his big band with strings and an all-star roster of talented vocalists including Chicago’s own Dee Alexander and Ann Hampton Callaway, as well as GrammyⓇ-nominee René Marie in transcriptions of some of Vaughan’s signature standards. This new, original program is a world premiere presentation that was created in collaboration with the CJO specifically for the Symphony Center Presents Jazz series. The program honors the legacy of the incomparable Sarah Vaughan, a GrammyⓇ award winner, NEA Jazz Master award recipient and one of the most unforgettable voices in jazz. At the concert, Vaughan’s contributions to jazz are also recognized with a special onstage unveiling of the newly issued Sarah Vaughan Forever Stamp by special guest Tangela Bush, Postmaster, Chicago District. Alexander, Callaway and Marie perform some of Vaughan’s most memorable songs including "Misty", "Tenderly", "Key Largo", "How High The Moon, "I Hadn't Anyone 'Til You" and "Until I Met You" among others.
    [Show full text]
  • Jazz Is a Somewhat Moribund Art Form That Had Its Heyday Before Rock Music Came of Age
    JAZZ. For some people the word calls to mind a 1950’s film noir soundtrack or the cool sound of a sexy late-night radio program. For others, jazz is a somewhat moribund art form that had its heyday before rock music came of age. But look around the city of Bloomington and you’ll see how America’s most original musical treasure is flourishing in the 21st century. jazz is hot again by David Brent Johnson photography by Cliff Doerzbacher Bloom | August/September 2006 44 JAZZ. For some people the word calls to mind a 1950’s film noir soundtrack or the cool sound of a sexy late-night radio program. For others, jazz is a somewhat moribund art form that had its heyday before rock music came of age. But look around the city of Bloomington and you’ll see how America’s most original musical treasure is flourishing in the 21st century. 45 August/September 2006 | Bloom jazz is hot again by David Brent Johnson photography by Cliff Doerzbacher night he wrote the song. Mythical or not (Carmichael biographer Richard Sudhalter says the song was composed over the course of several different sittings), the creation of “Stardust” is a key early chapter in the story of Bloomington jazz. That story dates back at least to the spring of 1924, when a man who would become one of jazz’s most mythical figures came to town. Jazz in Bloomington is the Stardusters He was just 21, a cornet player with a penchant Orchestra swinging everything from the clas- for bootleg liquor and an unvarnished ability sics to 1970’s disco while dancers take to the to shape sounds of beauty with his horn.
    [Show full text]
  • Drummerissue
    APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step.
    [Show full text]
  • Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
    October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • John Eckert Musician
    John Eckert Musician John Eckert is one of the busiest freelance trumpet players on the East Coast. He can play it all: jazz, latin, pop, classical, even opera. John juggles his engagements, often working one or two recording or rehearsal sessions during a day followed by a bebop big-band gig or an evening at the Carlyle with Bobby Short later that same night. John has played on concert stages worldwide as well as in orchestra pits of operas and Broadway shows. He is equally comfortable in the lead trumpet chair of a big band or small jazz ensemble, and enjoys playing all types of music with all kinds of musicians. "The variety just presents itself," says John, explaining how he can play Benny Goodman or Stan Kenton arrangements one day, then work with the Simon & Garfunkle Reunion Band, the Smithsonian Jazz Orchestra, Deodato's 2001 Orchestra, or the Metropolitan Opera Orchestra the next. "1 remember liking music at an early age, maybe 3 or 4," John recalls. A child ofthe 1940s, he grew up in New Jersey. "We had a piano and my mother played a little, but I was always whistling and singing songs 1 heard on the radio." At the age often John began studying trumpet and playing in the grade school band. A few years later when his sister, influenced by her trumpet-playing boyfriend, began bringing home jazz records, the sounds ofChet Baker, Shorty Rogers, and other proponents of the West Coast jazz sound caught his attention. By his second year in high school, he and some friends had formed a small jazz ensemble and began playing weddings and other parties.
    [Show full text]
  • Making America's Music: Jazz History and the Jazz Preservation
    Making America’s Music: Jazz History and the Jazz Preservation Act Jeff Farley Department of American Studies University of Glasgow A thesis submitted for the degree of Doctor of Philosophy July 2, 2008 c Jeff Farley 2008 Abstract The aim of this thesis is to investigate some significant examples of the process by which jazz has been shaped by the music industry and government and their ideas of the place of jazz within American culture and society. The examples demonstrate that the history and traditions of jazz are not fixed entities, but rather constructions used to understand and utilise issues of race, national identity, cultural value, and musical authenticity and innovation. Engagement with such issues has been central to identifying jazz as America’s music, as it earned this status from its worldwide popularity and its identity as an inno- vative black American art form. Recognition for jazz as American music, in conjunction with its improvisational nature, consequently led to the identification of jazz as ‘demo- cratic’ music through its role in racial integration in America and in its representation of American democracy in government propaganda programmes. The different histories of jazz and its status as democratic, American music have all been especially important to the development of House Concurrent Resolution 57 in 1987, referred to as the Jazz Preservation Act (JPA). Authored by Congressman John Conyers, Jr. of Michigan, the JPA defined jazz as a ‘national treasure’ that deserved public support and inclusion in the education system. Few in the industry have criticised the recognition and public subsidy of jazz, but many have found fault with the JPA’s definitions of jazz and its history that have dictated this support.
    [Show full text]
  • Chicago Jazz Orchestra Biography
    Composed of Chicago’s top “It was Jeff Lindberg’s con- musicians, the Chicago ducting of the CJO that made Jazz Orchestra is Chicago’s this a solid interpretation oldest professional jazz (“Porgy and Bess”). The orchestra in continuous orchestra was commendable in operation and one of the performing the sudden jump oldest jazz repertory cuts and unorthodox arrangements that took (Miles) orchestras in the country. Davis and (Bill) Evans a few days to piece together. Quick Conductor and Artistic shifts from (Roy) Hargrove, to a Director Jeff Lindberg is one woodwind section, and then of the foremost transcribers French horns, couldn’t be easy in jazz. As a result, the and here they were seamless.” Orchestra’s repertoire Aaron Cohen draws upon his vast library, Chicago Tribune which includes the works of Duke Ellington, Count Basie, Dizzy Gillespie, “It takes pinpoint precision to Lionel Hampton, Benny Carter, Oliver Nelson, Ray Charles, and many others. make such writing sing, and conductor Lindberg made it The CJO is recognized internationally, having been the resident orchestra for happen. When the band The Kennedy Center Honors for the past sixteen years. The orchestra has focused on a unison long note, toured Europe twice, including performances in Italy, Spain, Denmark, and the sound shot from the stage Sweden. The CJO's 2006 performances included a sold-out Spoleto Festival like a laser. This is what USA performance with singer Kurt Elling, an electrifying "Tribute to Artie Shaw" repertory jazz should be: not a at the Ravinia Festival, and a blockbuster "Battle of the Bands" with the Count tepid re-creation of work, but a Basie Orchestra at the Pritzker Pavilion in Millennium Park, Chicago.
    [Show full text]