DOCSLIB.ORG

88 High Fidelity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
88 High Fidelity 88 HIGH FIDELITY Symphony. American Composers O, MUMFORD: String Quartet No. 3. N.Y. Qt. Eugene Rousseau and Dennis Bamber, saxophones. D. R. Davies. PERERA: Three Poems of Gunter Grass. Works by Cunningham, Lamb, G. CHATMAN: Hesitations. Loban, violin; Chat - ROSENMAN: Duo for Two Pianos; Lorca Poems Smith. man, celeste. Whisper Baby. U.B.C. (6). Melvin Warner, clarinet. Works by Martino, Chamber Singers, Hultberg. On the SCOTT: Music Three for Bowed Strings. Penderecki, Stravinsky, Weber. Contrary. Eastman Musica Nova, Hod- SPIES: Sonnet Settings (5); Songs (3). Crystal Records, 2235 Willida Lane, Sedro kinson. MASLANKA: Pieces for Clarinet STARER: work(s) to be determined. Woolley, Wash. 98284. and Piano (3). Rehfeldt, Childs. SUBOTNICK: work(s) to be determined. CHIHARA: Ave Maria. U.C.L.A. Men's Glee THOME, D.: Anais. Finckel, cello; tape. CRYSTAL CLEAR Club, Weiss. Magnificat; Missa Carmi- WELLS: Electronic Music 1972. DIRECT -TO -DISC RECORDINGS: num. New England Conservatory Ch, YANNAY: At the End of the Parade. Weller (t); Atlanta Brass Ensemble, Morris: Sonic Fireworks I. De Varon. CURTIS-SMITH: Masquer- Philadelphia Composers Forum, J. Works by R. Strauss, Widor, Dupré, ades. Albright, organ. Thome. Mouret, Couperin, Stanley. CRAWFORD-SEEGER: Diaphonic Suite No. 1. YTTREHUS: Quintet. Speculum Musicae. Atlanta Brass Ensemble, Morris: Sonic Fireworks JULIAN: Wave Cannon. ROCHBERG: Composers Recordings, Inc., 170 W. 74th St., II. Works by Copland, Bliss, Brahms, La Boca; della verita. SCHULLER: Trio. New York, N.Y. 10023. Bach, Gigout. SHAPEY: Rhapsody. SINGER: Work. Phillips and Renzulli: Reminiscences. Four Ostryniec, oboe. -hand CONNOISSEUR SOCIETY piano works by Liszt, Scriabin, EATON: Danton and Robespierre (complete op- Brahms. era). Bloomington (Indiana) produc- For release information see In Sync Labora- Fernando Valenti: Classical Harpsichord. tion, Baldner (3). tories. Connoisseur Society, 390 West FRANK: Sonata da camera. Dunkel, flute; End Ave., New York, N.Y. 10024. Crystal Clear Records, 648 Mission St., San Quan, violin; Miller, piano. Arcadia. Francisco, Calif. 94105. Miller. OLAN: Composition for Clarinet CP' DELOS and Tape. Flax. Sonata. violin; Shulte, CAGE: Chorales; Cheap Imitation for Violin Solo. Miller. Zukofsky. BRITTEN: String Quartet No. 2. SCHUMANN: MAYER: Dream's End. the Quartet 3. STOKES: On Bad- FELDMAN: Spring of Chosroes. SCHNABEL: No. Sequoia Qt. lands-Parables. St. Paul CO, D. R. Violin Sonata. Zukofsky, Oppens (in KRAFT: Double Trio; Encounters I and V for Davies. the Schnabel). Percussion. NIKOLAIS: Dance Music (electronic; 2). MAMIYA: String Quartet No. 1. MCKINLEY: Released PICKER: Rhapsody; Romances; Sextet No. 3; When by Musical Observations, Inc., Box Quartet. Sequoia Qt. 97, Soft Voices Die. Speculum Musicae. Port Jefferson, N.Y. 11777. RIES: Clarinet Trio, Op. 36. EBERL: Trio, Op. RUDHYAR: String Quartet "Advent"; New 28. Montagnana Trio. CRYSTAL String Quartet. Kronos Qt. SOR, TÁRREGA: Guitar Works. C. Romero. SIEGMEISTER: Madam to You; The Face of ERB: Trio for Violin, Keyboards, and Percussion. Z W ILICH: String Quartet; Violin Sonata; Piece for War. Hinds (s), Mandel. String Quartet RODBY: Septet. Chamber ensemble, D. Four Trumpets; Symposium for Orchestra. No. 3. Primavera Qt. Lewis, cond. DMS (DIGITAL MASTER SERIES): THOMSON: Symphony No. 3. New Hampshire Miles Anderson, trombone. Works by Salzedo, HAYDN, HUMMEL: Trumpet Concertos. SO. HELPS: Symphony No. 1. Columbia Chaynes, Defayne, et al. Schwarz; Y Chamber O of New York. SO, Rozsnyai (U from CBS). Baroque Consort (Hickman, trumpet; Neil, or- RAVEL: String Quartet. BARTóK: Quartet No. WEISGALL: The Golden Peacock; Translations. gan). Works by Bach, Albinoni, Tele- 3. Sequoia Qt. Raskin (s), Ritt. mann, Gounod. TCHAIKOVSKY: Piano Concerto No. 7. Brown- ZUPKO: Fluxus II. Stokman, piano. Masques. Roger Bobo, tuba. Works by Kellaway, Tackett. ing; St. Louis SO, Slatkin. Rappeport, piano; Western Brass Claremont Quintet (with S. Smith, piano). American Brass Quintet: Renaissance, Elizabethan, Quintet. Nocturnes. Abraham and Ar- Works by Beall, Roussel, Riegger, and Baroque Music. lene Stokman, pianos. Fran4aix. David Britton: Baroque Virtuoso, Vol. 1. Organ Cleveland Composers Guild, Vol. 3. Works to be toccatas from Buxtehude to Bruhns COUPLINGS TO BE DETERMINED: chosen by committee audition. and Bach. ADLER: String Quartet No. 6. Fine Arts Qt. David Craighead, organ. Works by Persichetti, Susann McDonald: World of the Harp. Virtuoso ALBERT: To Wake the Dead. Allen (s); Pro et al. pieces using Paraguayan, Irish, and Musica Moderna of U Mass. Robert Davine, accordion. Works by Lang, Ef- concert harp. BAUR: The Moon and the Yew Tree. Anderson finger, Lockwood, Gart, Pino, Dia- Carol Rosenberger: Water Music of the Impression- (s); Baur, flute; Burton, cello; Weirich, mond, Seiber. ists. By Ravel, Debussy, Griffes. piano. Toby Hanks: Tuba Sampler. Works by Tele- Sound of Trumpets (works by Altenburg, Biber, FINE, I.: String Trio. Quan, Martin, Finckel. mann, Hindemith, Stevens, Tomasi, Vivaldi, Torelli, Telemann). N.Y. FINE, V.: work(s) to be determined. Reck, Clarke. Trumpet Ensemble, Y Chamber O of FINNEY: Trio. Jellinek Trio. Los Angeles Baroque Players. Works by Stamitz, New York, Schwarz. HARBISON: Wind Quintet. Aulos Quintet. Bach, Fasch. HUDSON: Fantasy-Refrain. Quan, violin; Gra- Brian Minor, saxophone. Works by L. Stein, Delos Records, 855 Via de la Paz, Pacific Pali- ham, viola; Emelianoff, cello. Lunde, Persichetti. sades, Calif. 90272. JOHNSON, H.: Piano Sonata. Mikhashoff. New York Brass Quintet. Works by Jan Bach, DENON MA~GREGOR: Intrusion of the Hunter. New Jer- Persichetti, Leclerc. PCM DIGITAL RECORDINGS: sey Percussion Ensemble, Des Roches. Byron Pearson and Arthur Vidrich: Music for MORGAN: Trio. C. Morgan, flute; Haffner, Trumpet and Organ. By Schilling, Hov- BIZET: Carmen, L'Arlfsienne Suites. Yomiuri cello; Orkis, harpsichord. haness, Nuckolls, et al. Nippon SO, Miedeo. Circle 56 on Page 125 .
Load more

Recommended publications
  • NABMSA Reviews a Publication of the North American British Music Studies Association
    NABMSA Reviews A Publication of the North American British Music Studies Association Vol. 5, No. 2 (Fall 2018) Ryan Ross, Editor In this issue: Ita Beausang and Séamas de Barra, Ina Boyle (1889–1967): A Composer’s Life • Michael Allis, ed., Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’ • Stephen Connock, Toward the Rising Sun: Ralph Vaughan Williams Remembered • James Cook, Alexander Kolassa, and Adam Whittaker, eds., Recomposing the Past: Representations of Early Music on Stage and Screen • Martin V. Clarke, British Methodist Hymnody: Theology, Heritage, and Experience • David Charlton, ed., The Music of Simon Holt • Sam Kinchin-Smith, Benjamin Britten and Montagu Slater’s “Peter Grimes” • Luca Lévi Sala and Rohan Stewart-MacDonald, eds., Muzio Clementi and British Musical Culture • Christopher Redwood, William Hurlstone: Croydon’s Forgotten Genius Ita Beausang and Séamas de Barra. Ina Boyle (1889-1967): A Composer’s Life. Cork, Ireland: Cork University Press, 2018. 192 pp. ISBN 9781782052647 (hardback). Ina Boyle inhabits a unique space in twentieth-century music in Ireland as the first resident Irishwoman to write a symphony. If her name conjures any recollection at all to scholars of British music, it is most likely in connection to Vaughan Williams, whom she studied with privately, or in relation to some of her friends and close acquaintances such as Elizabeth Maconchy, Grace Williams, and Anne Macnaghten. While the appearance of a biography may seem somewhat surprising at first glance, for those more aware of the growing interest in Boyle’s music in recent years, it was only a matter of time for her life and music to receive a more detailed and thorough examination.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • A Study of Tyzen Hsiao's Piano Concerto, Op. 53
    A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist.
    [Show full text]
  • Production Database Updated As of 25Nov2020
    American Composers Orchestra Works Performed Workshopped from 1977-2020 firstname middlename lastname Date eventype venue work title suffix premiere commission year written Michael Abene 4/25/04 Concert LGCH Improv ACO 2004 Muhal Richard Abrams 1/6/00 Concert JOESP Piano Improv Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Violin & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Double Bass & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/9/00 Concert CH Tomorrow's Song, as Yesterday Sings Today World 2000 Ricardo Lorenz Abreu 12/4/94 Concert CH Concierto para orquesta U.S. 1900 John Adams 4/25/83 Concert TULLY Shaker Loops World 1978 John Adams 1/11/87 Concert CH Chairman Dances, The New York ACO-Goelet 1985 John Adams 1/28/90 Concert CH Short Ride in a Fast Machine Albany Symphony 1986 John Adams 12/5/93 Concert CH El Dorado New York Fromm 1991 John Adams 5/17/94 Concert CH Tromba Lontana strings; 3 perc; hp; 2hn; 2tbn; saxophone1900 quartet John Adams 10/8/03 Concert CH Christian Zeal and Activity ACO 1973 John Adams 4/27/07 Concert CH The Wound-Dresser 1988 John Adams 4/27/07 Concert CH My Father Knew Charles Ives ACO 2003 John Adams 4/27/07 Concert CH Violin Concerto 1993 John Luther Adams 10/15/10 Concert ZANKL The Light Within World 2010 Victor Adan 10/16/11 Concert MILLR Tractus World 0 Judah Adashi 10/23/15 Concert ZANKL Sestina World 2015 Julia Adolphe 6/3/14 Reading FISHE Dark Sand, Sifting Light 2014 Kati Agocs 2/20/09 Concert ZANKL Pearls World 2008 Kati Agocs 2/22/09 Concert IHOUS
    [Show full text]
  • Classics 1 Program Notes
    Classics 1: Program Notes The Sights and Sounds of Stockton: Cityscape John Wineglass and San Joaquin Delta College media students In accordance with its mission to inspire joy and build community through music—and with the aim of generating community pride and awareness through art—the Stockton Symphony teamed up with award-winning composer John Wineglass and San Joaquin Delta College media students under the direction of Adriana Brogger and Kirstyn Russell to create a project titled The Sights and Sounds of Stockton. The Delta College media students, all of whom are from the area and live in the various quadrants of our city, fanned out into the community to gather pictures and videos of their daily environment. They brought the raw footage to class and collaborated to edit the “sights” of Stockton into a feature approximately ten to twelve minutes long. Wineglass visited Stockton several times to get a feel for the area, and he worked with the students on the overall scope of the project as well as details of compilation to achieve a compelling outcome. He then composed the accompanying symphonic score for tonight’s live performance with the Stockton Symphony. This week he has also been meeting with composition students to discuss the composition process and how a composer works with visual components, and he engaged in a public forum with students and members of our community to discuss his work on this project. Winner of three Daytime Emmy Awards and recipient of four additional Emmy nominations, John Wineglass has performed on five continents, before five U.S.
    [Show full text]
  • 2019 CCPA Solo Competition: Approved Repertoire List FLUTE
    2019 CCPA Solo Competition: Approved Repertoire List Please submit additional repertoire, including concertante pieces, to both Dr. Andrizzi and to your respective Department Head for consideration before the application deadline. FLUTE Arnold, Malcolm: Concerto for flute and strings, Op. 45 strings Arnold, Malcolm: Concerto No 2, Op. 111 orchestra Bach, Johann Sebastian: Suite in B Minor BWV1067, Orchestra Suite No. 2, strings Bach, Carl Philipp Emanuel: Concerto in D Minor Wq. 22, strings Berio, Luciano: Serenata for flute and 14 instruments Bozza, Eugene: Agrestide Op. 44 (1942) orchestra Bernstein, Leonard: Halil, nocturne (1981) strings, percussion Bloch, Ernest: Suite Modale (1957) strings Bloch, Ernest: "TWo Last Poems... maybe" (1958) orchestra Borne, Francois: Fantaisie Brillante on Bizet’s Carmen orchestra Casella, Alfredo: Sicilienne et Burlesque (1914-17) orchestra Chaminade, Cecile: Concertino, Op. 107 (1902) orchestra Chen-Yi: The Golden Flute (1997) orchestra Corigliano, John: Voyage (1971, arr. 1988) strings Corigliano, John: Pied Piper Fantasy (1981) orchestra Devienne, Francois: Concerto No. 7 in E Minor, orchestra Devienne, Francois: Concerto No. 10 in D Major, orchestra Devienne, Francois: Concerto in D Major, orchestra Doppler, Franz: Hungarian Pastoral Fantasy, Op. 26, orchestra Feld, Heinrich: Fantaisie Concertante (1980) strings, percussion Foss, Lucas: Renaissance Concerto (1985) orchestra Godard, Benjamin: Suite Op. 116; Allegretto, Idylle, Valse (1889) orchestra Haydn, Joseph: Concerto in D Major, H. VII f, D1 Hindemith, Paul: Piece for flute and strings (1932) Hoover, Katherine: Medieval Suite (1983) orchestra Hovhaness, Alan: Elibris (name of the DaWn God of Urardu) Op. 50, (1944) Hue, Georges: Fantaisie (1913) orchestra Ibert, Jaques: Concerto (1933) orchestra Jacob, Gordon: Concerto No.
    [Show full text]
  • World Premieres Composer Work Date Conductor Loder Concert Overture, Marmion 17-Jan 1846 Loder Bristow Concert Overture, Op
    World Premieres Composer Work Date Conductor Loder Concert Overture, Marmion 17-Jan 1846 Loder Bristow Concert Overture, Op. 3 9-Jan 1847 Timm Bristow Symphony No. 4, Arcadian 14-Feb 1874 Bergmann Liszt Symphonic Poem No. 2, Tasso: 24-Mar 1877 L.Damrosch lamento e trionfo Tchaikovsky Piano Concerto No. 2 12-Nov 1881 Thomas R. Strauss Symphony in F minor, Op. 12 13-Dec 1884 Thomas *Lalo Arlequin 28-Nov 1892 W. Damrosch Beach Scena and Aria from Mary Stuart 2-Dec 1892 W.Damrosch Dvořák Symphony No. 9, From the New 16-Dec 1893 Seidl World (formerly No. 5) Herbert Cello Concerto No. 2 9-Mar 1894 Seidl Hadley Symphony No. 2, The Four Seasons 21-Dec 1901 Paur Burmeister Dramatic Tone Poem, The Sisters 10-Jan 1902 Paur Rezniček Donna Dianna 23-Nov 1907 W. Damrosch Lyapunov Concerto for Piano and Orchestra 7-Dec 1907 W. Damrosch Hofmann Concerto for Pianoforte No. 3 28-Feb 1908 Safonoff *Rachmaninoff Piano Concerto No. 3 28-Nov 1909 W.Damrosch *W. Damrosch Excerpt from Canterbury Pilgrims 20-Feb 1910 W.Damrosch *Wallace Symphonic Poem, François Villon 6-Nov 1910 W.Damrosch Busoni Berceuse élégiaque 21-Feb 1911 Mahler *Kolar Symphonic Poem, Hiawatha 12-Mar 1911 Damrosch Laucella Symphonic Poem, Consalvo 26-Nov 1911 Stransky Van der Pals Two Symphonic Pieces 17-Dec 1911 Stransky *W. Damrosch Ballad, The Looking Glass 31-Dec 1911 W.Damrosch *W. Damrosch Juanita's Song from Dove of Peace 31-Dec 1911 W.Damrosch *Wolf "Fairy Song" from A Midsummer 2-Feb 1912 Harris Night's Dream Stahlberg Two Symphonic Sketches from Im 4-Feb 1912 W.Damrosch Hochland *Wolf-Ferrari Two Intermezzi from Jewels of 11-Feb 1912 W.Damrosch Madonna *Handel/Reger Concerto Grosso No.
    [Show full text]
  • Jaap Van Zweden Conductor David Mcgill Bassoon Stucky Rhapsodies
    Program ONe HuNDReD TWeNTy-FiRST SeASON Chicago Symphony orchestra riccardo muti Music Director Pierre Boulez Helen Regenstein Conductor emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, December 1, 2011, at 8:00 Friday, December 2, 2011, at 8:00 Saturday, December 3, 2011, at 8:00 Jaap van Zweden conductor David mcgill bassoon Stucky Rhapsodies for Orchestra First Chicago Symphony Orchestra performances mozart Bassoon Concerto in B-flat Major, K. 191 Allegro Andante ma adagio Rondo: Tempo di menuetto DAviD McGill IntermISSIon mahler Symphony No. 1 in D Major Slow. Dragging. like a sound of nature—At the beginning, very leisurely With strong movement, but not too fast Solemn and measured, without dragging Stormily Performed to commemorate the centenary of Mahler’s death in 1911 This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommentS By PHilliP HuSCHeR Steven Stucky Born November 7, 1949, Hutchinson, Kansas. rhapsodies for orchestra n September 18, 2008, the as the author of a program note Oday Rhapsodies for Orchestra on the Piano Concerto by Witold was performed for the first time Lutosławski, the late Polish com- in this country, Steven Stucky was poser whose music Stucky has stud- in Dallas for the world premiere ied, with the rigor of a true scholar, of another new work, his concert throughout his career. (Stucky’s drama, August 4, 1964. Such popu- 1981 book, Witold Lutosławski and larity is rare for a composer at any His Music, won the ASCAP Deems time, but Stucky has always been Taylor Prize; Stucky was given a highly regarded, frequently com- the Lutosławski Society medal in missioned—he wrote his Picturas de 2005.) Not surprisingly, Stucky has Tamayo for the Chicago Symphony named Lutosławski, along with in 1995—and often honored figure.
    [Show full text]
  • Oboe Audition Repertoire and Orchestral Excerpts Master of Music (Orchestral Performance)
    oboe audition repertoire and orchestral excerpts Master of Music (Orchestral Performance) Audition work Mozart: Oboe Concerto in C major, K. 314, first movement with cadenza Composer Work Page bartok Concerto for Orchestra Excerpt 1 3 brahms Variations on a theme of Haydn Excerpt 1 4 dvořák Cello Concerto Excerpt 1 5 dvořák Symphony no. 7 Excerpt 1 5 mussorgsky/ravel Pictures at an Exhibition Excerpt 1 6 ravel Daphnis and Chloé Excerpt 1 7 Excerpt 2 8 Excerpt 3 9 rossini La Scala di Seta: Overture Excerpt 1 10 smetana The Bartered Bride: Overture Excerpt 1 11 tchaikovsky Romeo and Juliet: Fantasy Overture Excerpt 1 12 Cor anglais excerpts*: dvořák Symphony no. 9 Excerpt 1 13 ravel Piano Concerto in G major Excerpt 1 14 rossini William Tell: Overture Excerpt 1 15 * Cor anglais excerpts are not compulsory. However, candidates may opt to strengthen their application by performing all of the excerpts associated with a secondary instrument. Page intentionally blank 2 bartók Concerto for Orchestra Second Movement (Presentando le coppie) excerpt 1 AlleGretto scherzando (q = 74) 3 brahms Variations on a Theme by Haydn, op. 56a Theme excerpt 1 Andante ( q = 56) 4 dvořák Cello Concerto in B minor, op. 104 Second movement excerpt 1 AdaGio ma non troppo (e = 108) dvořák Symphony no. 7 in D minor, op. 70 Oboe 2 Second movement excerpt 1 Poco adaGio (q = 52) 5 mussorgsky/ravel Pictures at an Exhibition Oboe 2 V. Ballet des Poussins dans leurs Coques excerpt 1 Scherzino, vivo leGGiero (h = 92) ☞ ] 6 ravel Daphnis and Chloé Oboe 2 excerpt 1: q = 200 ☞ [ 7 excerpt 2: q = 160 ☞ 8 excerpt 3: h = 144 ☞ ] ☞ ] 9 rossini La Scala di Seta: Overture excerpt 1 AlleGro vivace h = 138 [ ] [ ] 10 smetana The Bartered Bride: Overture excerpt 1 h = 152 [ ] [ ] [ ] [ ] 11 tchaikovsky Romeo and Juliet Fantasy Overture excerpt 1 h = 60 12 dvořák Symphony no.
    [Show full text]
  • An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria Von Weber
    An Analysis of Sonata Form in Clarinet Concertos by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2012 by Wen-Mi Chen B.M., Peabody Conservatory of Music of The Johns Hopkins University, 2000 M.M., Peabody Conservatory of Music of The Johns Hopkins University, 2003 Committee Chair: Steven Cahn, Ph.D. Committee Member: Ronald Aufmann, Professor Committee Member: Samuel Ng, Ph.D. Abstract Sonata Theory recognizes five types of sonatas based on their rotational designs. The first movement of most eighteenth-century concertos is classified as a Type 5 sonata (concerto movement) and is the most complicated sonata design due to the great variation that exists among individual Type 5 movements. This document contains a brief introduction to Hepokoski and Darcy’s Sonata Theory and a summary of the Type 5 sonata. Chapters two, three, and four are extensive studies and analyses of the clarinet concertos composed by Wolfgang Amadeus Mozart, Louis Spohr, and Carl Maria von Weber. Comprehensive comparisons of these concertos are provided at the end of chapters three and four. Diagrams 2, 3, and 4 are the result of examining these concerto movements. They indicate the sections, zones, and modules of a sonata form in the movements. Appendix A is a list of terms and abbreviations that are used in the analyses. In addition, Hepokoski and Darcy’s Type 5 sonata default settings and options are included in Appendix B.
    [Show full text]
  • UPDATED August 9, 2021 Updates Are Bold CHRONOLOGICAL
    UPDATED August 9, 2021 Updates Are Bold CHRONOLOGICAL LISTING 2021–22 SEASON JAAP VAN ZWEDEN CONDUCTS: OPENING CONCERT WITH DANIIL TRIFONOV Alice Tully Hall at Lincoln Center Friday, September 17, 2021, 8:00 p.m. Saturday, September 18, 2021, 8:00 p.m. Sunday, September 19, 2021, 2:00 p.m. Jaap van Zweden, conductor Daniil Trifonov, piano Ryan Roberts*, English horn Christopher Martin, trumpet Anna CLYNE Within Her Arms COPLAND Quiet City WALKER Antifonys for Chamber Orchestra BEETHOVEN Piano Concerto No. 4 JAAP VAN ZWEDEN CONDUCTS: NY PREMIERE BY HANNAH KENDALL, HAYDN, AND BEETHOVEN WITH YEFIM BRONFMAN Rose Theater at Jazz at Lincoln Center Thursday, September 23, 2021, 7:30 p.m. Friday, September 24, 2021, 8:00 p.m. Saturday, September 25, 2021, 8:00 p.m. Jaap van Zweden, conductor Yefim Bronfman, piano Hannah KENDALL Kanashibari (New York Premiere) BEETHOVEN Piano Concerto No. 3 HAYDN Symphony No. 92, Oxford * New York Philharmonic debut 2 JAAP VAN ZWEDEN CONDUCTS: LEIF OVE ANDSNES IN SCHUMANN Rose Theater at Jazz at Lincoln Center Thursday, October 14, 2021, 7:30 p.m. Friday, October 15, 2021, 8:00 p.m. Saturday, October 16, 2021, 8:00 p.m. Jaap van Zweden, conductor Leif Ove Andsnes, piano C. SCHUMANN Romance in A minor, for solo piano R. SCHUMANN Piano Concerto BRAHMS Serenade No. 2 DALIA STASEVSKA CONDUCTS ANTHONY MCGILL IN ANTHONY DAVIS’S YOU HAVE THE RIGHT TO REMAIN SILENT Alice Tully Hall at Lincoln Center Wednesday, October 20, 2021, 7:30 p.m. Thursday, October 21, 2021, 7:30 p.m.
    [Show full text]