Recreation Life the Plays On

Total Page:16

File Type:pdf, Size:1020Kb

Recreation Life the Plays On A M I A M I - D A D E P A R K S P U B L I C A T I O N at Tropical Park at Tropical Nights Tropical ParkRecreation life The Plays On... And the Band Art Through Culturaland Natural, In thisIssue: Recreational Experiences Recreational Enriching Your Life Enriching Your w w w . m i a m of i d a d Fall 2008 Fall e . g o v / p a r k s We create outstanding recreational, natural and cultural experiences to enrich you and to enhance our community for this and future generations. Carlos Alvarez, Mayor Board of County Commissioners: Bruno A. Barreiro, Chairman; Barbara J. Jordan, Vice Chairwoman Barbara J. Jordan, District 1; Dorrin D. Rolle, District 2; Audrey M. Edmonson, District 3; Sally A. Heyman, District 4; Bruno A. Barreiro, District 5; Rebeca Sosa, District 6; Carlos A. Gimenez, District 7; Katy Sorenson, District 8; Dennis C. Moss, District 9; Sen. Javier D. Souto, District 10; Joe A. Martinez, District 11; José “Pepe” Diaz, District 12; Natacha Seijas, District 13 Harvey Ruvin, Clerk of Courts; George M. Burgess, County Manager; Robert A. Cuevas Jr., County Attorney Miami-Dade Park and Recreation Department has received accreditation from the Commission for the Accreditation of Park and Recreation Agencies (CAPRA) of the National Recreation and Park Association. Call (305) 755-7848 or (305) 755-7980 (TDD) to request materials in accessible format, a sign language interpreter (seven days advance notice required) and for information on access for persons with disabilities. We are proud to print on Programme for the Endorsement of Forest Certification certified paper and with vegetable-based inks. PEFC certification ensures that the paper used contains fiber from well-managed and responsibly harvested forests that meet strict Romeo y Julieta, Tropical Park environmental and socioeconomic standards. Printed by acgraphics.com, PEFC certified Chain-of-Custody #PEFC/29-31-16 ARTMATTERS Art has a voice that speaks to each and every one Art enriches our community by providing cultural of us in very different ways. Art enriches. Art inspires. opportunities that enhance our everyday lives. AMIAMI-DADEPARKSPUBLICATION Art engages. Art connects. Fall 2008 Art inspires us to dream more, learn more, do more, Parklife For almost 60 years, the arts have had a presence give more, and become more. Publisher: Contents 4 and been a driving force in the Miami-Dade Park and Miami-Dade County Park 1 Mission and Recreation Department Recreation Department. From our stages at the Art engages us to think and see things we might Editor: not otherwise. Miami-Dade County Auditorium and Joseph Caleb 4 The Art of Recreation Doris Howe Auditorium world-class performances have been Assistant Editor: Art connects us to our community, our heritage Susana Cortázar presented for the public. At our arts education 9 Meet a Native and our culture. Content Manager: facilities, the African Heritage Cultural Arts Center Katherine MacDiarmid and Raices Hispanic Cultural Arts Center, thousands 10 I Am Miami-Dade Parks Graphic Designer: At Miami-Dade Parks, Art Matters. Ruben Perez of students have developed their artistic talents. Photographer: And, at the Women’s Park and Roxcy O’Neal 12 Where South Florida Peter Dooling Bolton Women’s History Gallery, artists, students Comes for the Arts Public Information Officer: 13 Edith Torres and seniors have exhibited their artwork for friends, 16 Tropical Nights at Tropical Park family and the community. Contributors: Gladys Adan, Kevin Asher, Lucy Binhack, 20 Parks in Focus Through our free concert series, Noches Tropicales Orlando Castellano, Cindy Castelblanco, Brian Cullen, Holly Blount, Jane Dozier, and the Neighborhood Park Concert Series, families 26 A Beauty by the Bay Cathy Ferreira, Roger Hammer, can enjoy an afternoon or evening of great music in Sandrell Rivers, Sally Timberlake, 17 Chris Rollins, Johnny Sanders, the beautiful setting at one of our parks. 30 A Cultural Jewel Lori Tompkins, Jetaun Watson With special thanks to: 32 Parks at a Glance Eric Quinn 34 And the Band Plays On... Miami-Dade County Park and Recreation Department 26 Jack Kardys, Director 36 Progress Report W. Howard Gregg, Assistant Director 34 for Planning and Development 38 Calendar of Events Frank Faragalli, Assistant Director for Operations 49 In Closing Allison Diego, Assistant Director for Administration George Parrado, Assistant Director for Recreation Parklife T (305) 755-7800 / F (305) 755-7857 www.miamidade.gov/parks front cover: Reproduction in whole/part of Parklife Painting by Ray Parris, without prior written permission is strictly Calabash Visual Arts Festival prohibited. For questions/comments about Parklife, write to Miami-Dade Parks, 275 NW 2nd Street, 3rd Floor, Miami, FL JCA Dancers 33128, phone (305) 755-7800, or email at [email protected]. decrease and prevent negative facilities dedicated to providing AHCAC was founded in 1975 to behavior by at-risk youth. quality out-of-school arts education: serve as the nesting ground for The Art of Recreation African Heritage Cultural Arts emerging talent in the performing Center (AHCAC) and Raices and visual arts, providing inspiration However, learning in and through Hispanic Cultural Arts Center and encouragement to young MIAMI-DADE PARKS ENCOURAGING THE BENEFITS OF AN ARTS EDUCATION the arts is not limited to the (Raices). Each facility focuses people in the community. For over confines of a classroom or the its curriculum on providing well- 30 years the AHCAC has provided By Katherine MacDiarmid school day. As schools have rounded, year-round experiences the means for youth to discover become increasingly focused on and develop their rts education plays a vital math sections of the SAT than I Four times more likely to high-stakes testing, there creative potential and role in preparing our children students with no coursework or participate in a math or has been a narrowing of Well-designed and executed art for the future. It helps them experience in the arts. science fair. artistic talents. A curriculum. In some education leads to overall improved develop skills such as reading, circumstances, the arts writing, speaking, and listening. The academic performance, builds skills Well-designed and executed art The arts also serve as a catalyst for have been ‘squeezed out’ Children ages 6 – 16 arts encourage divergent thinking necessary for workplace success, education leads to overall improved reaching and engaging of the school day. Some participate in the arts- and problem-solving skills, and academic performance, builds skills disenfranchised youth. Young organizations and service and has a positive influence based after-school and enable students to think creatively. necessary for workplace success, people who are disengaged from providers have combated on the lives of students. summer programs. They this trend by offering are taught by a dedicated and has a positive influence on the schools and other community that include the visual and high-quality arts programming staff of arts professionals and learn Current research has shown an lives of students. According to institutions are at the greatest risk performing arts. Furthermore, during non-school hours. Arts the fundamentals of creating— education in the arts plays a critical research by Professor Shirley Brice of failure or harm. The arts can these programs provide students programs that operate outside the whether painting, drawing, acting, role in a child’s academic and social Heath of Stanford University, young provide a reason, and sometimes the chance to connect to their school day can keep children and dancing, singing, or playing an development. They experience people who practice the arts are: the only reason, for being engaged heritage through the arts. greater meaning, excitement and with school or other organizations. teens engaged in constructive instrument. The goal of the AHCAC depth in what they learn, and I Four times more likely to win an Research and evaluation of learning environments. is to expand our children’s horizons go on to achieve higher levels of academic award; successful arts programs have Located in Liberty City and provide for the cultural and originally called enrichment of the community. academic success in college. demonstrated how access to and Miami-Dade Parks I Eight times more likely to receive the Model City Arts Most recently, the Voices participation in the arts helps operates two a community service award; Center, the According to a study conducted by the College Entrance Examination I Three times more likely to Board in 1995, students who win a school attendance studied the arts for more than four award; and years scored higher on the verbal and of Heritage Vocal Ensemble, a lectures, visit the latest exhibition, In May 1996, Miami-Dade Parks contemporary Hispanic dance, resident company comprised of enroll in the arts-based after-school filled the need expressed by the music and visual arts at AHCAC students, sang the National program or summer arts camp, and community for an arts education Raices. Through training and Anthem at the 2005 NASDAQ 100 utilize the facility for community facility dedicated to the promotion encouragement, Raices provides an Men’s Finals to a nationally- projects and programs. Housed on and instruction of the arts and opportunity for its students to excel televised audience. the campus of the AHCAC are the culture found in Latin America, in the arts through instruction by 300-seat Music staff of seasoned arts professionals The AHCAC also serves as a Hall and practice in the summer and after-school resource to the rooms, the 250- The goal of the programs. Throughout the year, surrounding area. seat Wendel A. African Heritage Cultural Arts Raices hosts open houses that Throughout the Narcisse Black Center is to expand our offer parents and grandparents year, community Box Theater, the the chance to see what their childrenʼs horizons and provide for AFRICAN HERITAGE members Amadlozi Visual children are learning during their the cultural enrichment of CULTURAL ARTS CENTER attend theater Arts Gallery, the time in the arts program.
Recommended publications
  • THE MAN WHO INVENTED CHRISTMAS By
    THE MAN WHO INVENTED CHRISTMAS by Susan Coyne (Based on the book: The Man Who Invented Christmas By Les Standiford) December 1, 2016 Shooting Script December 16, 2016 Blue Revisions January 5, 2017 Pink Revisions January 8, 2017 Yellow Revisions Producers: Robert Mickelson Mystic Point Productions 310-450-1435 Vadim Jean, Ian Sharples The Mob Film Co Tel: +44 (0) 20 3535 8969 Paula Mazur, Mitchell Kaplan Mazur/Kaplan Company 310-450-5838 The Man Who Invented Christmas Yellow Revisions January 8, 2016 1 THE MAN WHO INVENTED CHRISTMAS FADE IN: 1 CARD: NEW YORK CITY. JUNE. 1841 1 In darkness we hear: DICKENS (V.O.) Dear Forster... How can I give you the faintest notion of my reception here in America? 2 OMIT 2 3 OMIT 3 4 INT. DRESSING ROOM - CONTINUOUS 4 A STAGE MANAGER knocks and calls out in a Brooklyn accent: STAGE MANAGER (O.S.) Five minutes...five minutes Ink stained fingers fumble with silver CUFF LINKS. A pair of BOOTS is smartly buffed. A brightly coloured SILK SCARF is adjusted. DICKENS (V.O.) Of the crowds that pour in and out the whole day; of the people that line the streets when I go out... In the mirror, the writer (CHARLES DICKENS) looking like an English rock star in his prime (silk blouse, tight trousers, velvet jacket), fusses with the locks on his forehead, then steps back and regards himself critically. DICKENS (V.O.) ....of the balls, dinners, speeches, parties, assemblies without end. There never was a king or Emperor upon the Earth, so cheered.
    [Show full text]
  • Emma Donoghue the San Miguel Mystery: the Documents Spoiler
    Emma Donoghue The San Miguel Mystery: The Documents Spoiler alert! This is for those who’ve read the novel and care to learn which bits are hard fact, educated guesswork or pure speculation. For decades after the murder of Jeanne (‘Jenny’) Bonnet at San Miguel Station, San Francisco, on 14 September 1876, people continued to mull over what was generally called the San Miguel Mystery. Almost no work has been done on Bonnet - Clare Sears’s excellent essay (see below, 2006) is the only piece of scholarly research with footnotes - and what floats around online about her is mostly recycled rumour. So what I want to offer here are the key documents about the case that I drew on to write my novel Frog Music, arranged in chronological order, with comments. Note: I found many of these sources on ancestry.com, familysearch.org, genealogy.com, footnote.com, the California Digital Newspaper Collection at http://cdnc.ucr.edu/cgi-bin/cdnc, Chronicling America: Historic American Newspapers at http://chroniclingamerica.loc.gov/chronicling america, or in the California Historical Society’s clippings files; some of the rarer newspaper articles were graciously supplied by Clare Sears. Record of Marriage between Sosthène Bonnet and Désirée Leau, Seine Department (Paris), France, 25 April 1850. (The first of their two daughters, Jeanne Bonnet, seems to have been born pre-maritally, around 1849. Both parents were performing at Dumas’s struggling Theatre Historique, which would close in October 1851.) Record of Birth of Adèle Louise Beunon, 9 April 1852, to Marie Thérese Martin and Francois Denis Beunon, at St-Louis-en-l’Ile, Paris.
    [Show full text]
  • Triller Network Acquires Verzuz: Exclusive
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app.
    [Show full text]
  • Broderick Park, Buffalo, Ny
    APPLICATION TO NATIONAL PARK SERVICE NATIONAL UNDERGROUND RAILROAD NETWORK TO FREEDOM FOR BRODERICK PARK, BUFFALO, NY by Nathan Montague, M.A. OMB Control No. 1024-0232 Expires 5/31/2013 NATIONAL PARK SERVICE NATIONAL UNDERGROUND RAILROAD NETWORK TO FREEDOM GENERAL INFORMATION Type (pick one): _X__ Site ___ Facility ___ Program Name (of what you are nominating): Broderick Park Address: 1170 Niagara Street City, State, Zip: Buffalo, NY 14213 County: Erie County Congressional District: 26th District of New York Physical Location of Site/facility (if different): (same) ___ Address not for publication? Date Submitted: Summary: Tell us in 200 words or less what is being nominated and how it is connected to the Underground Railroad. Broderick Park was the location of the Black Rock ferry, a major transportation link across the Niagara River between Buffalo, New York and Fort Erie, Canada. The ferry operated continuously from the Broderick Park location from 1825 until the service was discontinued in the middle of the 20th century. Buffalo’s destiny as important national transportation hub was sealed when it was chosen for the terminus of the Erie Canal in the 1820s. Through the 19th century Buffalo grew to become a busy inland port and a railroad center. The area around Black Rock ferry contained the busy Erie Canal, Black Rock Harbor, and other waterfront activities. The dock where the ferry landed and departed for nearby Canada was used as an Underground Railroad station from at least the 1830s until the Civil War. Fugitive slaves took the ferry and other boats from the Broderick Park location across the river to Canada and freedom.
    [Show full text]
  • The Musicrow Weekly Friday, December 18, 2020
    December 18, 2020 The MusicRow Weekly Friday, December 18, 2020 Charley Pride: The Loss of A Legend SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Charley Pride: The Loss of A Legend Chris Lane’s “Big, Big Plans” Tops The Charts 2021 New Faces Show Lineup Revealed Photo: Joseph Llanes Sony Music Nashville Promotes Paige Altone And Liz Cost By: Robert K. Oermann Show Dog Nashville One of the greatest country stars of all time has fallen victim to the COVID 19 Promotes Rick Moxley, Adds pandemic. Teddi Bonadies Country Music Hall of Fame member Charley Pride, 86, died in Dallas on Saturday Rissi Palmer Creates Color (Dec. 12) as a result of complications from the disease. The Grand Ole Opry star was honored last month in Nashville with a Lifetime Achievement Award from the Me Country Artist Fund CMA. TriScore Music Inks Deal During his six-decade career, Pride placed 67 titles on the country charts, including With Tim Mcgraw’s TMP, 52 top-10 hits and 29 No. 1 Billboard successes. His standards include “Kiss an Signs Rob Williford Angel Good Morning,” “All I Have to Offer You Is Me,” “Is Anybody Goin’ to San Antone,” “Mountain of Love” and “We Could.” He holds 12 Gold Record awards. United Talent Agency He will forever be remembered as country’s first Black superstar, dubbed “the Launches Heartland Initiative Jackie Robinson of country music.” As a former baseball player, himself, he was honored by the comparison with the man who broke the color barrier in major- Americana Music Award league baseball.
    [Show full text]
  • Oral History Interview with Adele Brandeis, 1965 June 1
    Oral History interview with Adele Brandeis, 1965 June 1 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview AB: ADELE BRANDEIS HP: HARLAN PHILLIPS HP: By way of departure, I think you ought to fence in the story of how you became involved in the WPA, what the situation was like in Kentucky, what you had to do with and what you went about. AB: That's kind of difficult. I don't really know what the situation was in Kentucky. I got involved through knowing Constance Rourke and her interest in the Audubon and her interest in the Shakers. When Constance Rourke told me that they were going to start on the Index of American Design, I instantly decided that somebody ought to record what the Shakers had done in Kentucky. It seemed a very mild beginning, and I suddenly realized that I had no idea how it was to be recorded. I couldn't record it, and I found they wouldn't use photographs. So, I did know through being on the board of the Art Center School here -- I've been on the Board ever since it started -- that there were a great many young struggling artists who had been working in the Art Center School and had no idea of ever being able to make a living in depression days. It occurred to me that if they could possibly be taught how to do this interesting and meticulous work for the Index, that maybe it would somehow serve a purpose later on and at least [it would] pay them a little something and tide them over and keep them from being quite so discouraged.
    [Show full text]
  • Failures of Chivalry and Love in Chretien De Troyes
    Colby College Digital Commons @ Colby Honors Theses Student Research 2014 Failures of Chivalry and Love in Chretien de Troyes Adele Priestley Colby College Follow this and additional works at: https://digitalcommons.colby.edu/honorstheses Part of the Other English Language and Literature Commons Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Priestley, Adele, "Failures of Chivalry and Love in Chretien de Troyes" (2014). Honors Theses. Paper 717. https://digitalcommons.colby.edu/honorstheses/717 This Honors Thesis (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Colby. Failures of Chivalry and Love in Chrétien de Troyes Adele Priestley Honors Thesis Fall 2013 Advisor: Megan Cook Second Reader: James Kriesel Table of Contents Introduction ………………………………………………………………… 1-18 Erec and Enide …………………………………………………………….. 19-25 Cliges ……………………………………………………………………….. 26-34 The Knight of the Cart …………………………………………………….. 35-45 The Knight with the Lion ……………………………………………….…. 46-54 The Story of the Grail …………………………………………………….. 55-63 Conclusion …………………………………………………………………. 64-67 Works Cited ……………………………………………………………….. 68-70 1 Introduction: Chrétien’s Chivalry and Courtly Love Although there are many authors to consider in the eleventh and twelfth centuries, Chrétien de Troyes stands out as a forerunner in early romances. It is commonly accepted that he wrote his stories between 1160 and 1191, which was a time period marked by a new movement of romantic literature.
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • OTTO LAPORTE July 23,1902-March 28,1971
    NATIONAL ACADEMY OF SCIENCES O T T O L APORTE 1902—1971 A Biographical Memoir by H. R. CR A N E A N D D. M . D ENNISON Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1979 NATIONAL ACADEMY OF SCIENCES WASHINGTON D.C. OTTO LAPORTE July 23,1902-March 28,1971 BY H. R. CRANE AND D. M. DENNISON* TTO LAPORTE was a member of the small group of brilliant O young theoretical physicists who received their training during the middle 1920s under the guidance of Arnold Sommer- feld in Munich. Otto Laporte was born in Mainz, Germany. His ancestral lineage came from French Huguenot families who fled from France to Switzerland during the period of intense religious persecution in the late seventeenth century. They were later allowed by Frederick the Great to move to Prussia, where they and their descendants became, for the most part, civil servants in the Prussian State. It appears that Otto was the first member of his family to devote himself to science or any other scholarly career. His father was a career officer in the Imperial German Army, and his specialty was heavy artillery. During the years before World War I, Colonel Laporte was successively stationed in the heavily fortified cities of Mainz, Cologne, and Metz, and it was in these cities that young Otto Laporte received his early schooling. After the war broke out, the family was evacuated from Metz and returned to Mainz, where Otto's mother's family lived.
    [Show full text]
  • The Fugitive Slave Law of 1850 in Indiana by CHARLESH
    The Fugitive Slave Law of 1850 In Indiana By CHARLESH. MONEY, A.M. When the constitution was being formulated by the con- vention at Philadelphia in 1787, one of the problems that came up for solution was the reclamation of fugitives. Among all the colonies it had become a custom, or rather a matter of inter-colonial comity, if a slave ran away from his master into another state or a fugitive was fleeing from justice he should be returned to the state from which he fled. Thus, the custom had grown up among the colonies before the Revolutionary war and still continued to be their custom in reclaiming chat- tel property or bringing about justice. In the constitutional convention all the states seemed to agree on the subject of slavery except North and South Carolina and Georgia. At this time these states deemed slavery necessary to their pros- perity. To make sure that they would not lose their slaves, by their running away, they forced into the constitution the pro- vision for a general fugitive slave law. Another clause pro- vided for fugitives from justice. The clause relative to service is as follows : “No person held to service or labor in one state under the laws thereof escaping into another, shall, in conse- quence of any law or regulation therein be discharged from such service or labor, but shall be delivered up on claim of the party to whom such service or labor may be due.” This clause was carried out by an act of congress passed February 12, 1793, and signed by President Washington.
    [Show full text]
  • Travis Edward Pike's Official Homepage
    Click on the poster above to see the FEELIN’ GOOD music Sequences on Youtube. introduction to this little-known music maverick, but left Travis Edward Pike me wanting more about FEELIN’ GOOD. A Contemporary Renaissance HK: Before we get into FEELIN’ GOOD, I’ve got to ask you 50 Years in the Making what you think about your coverage in the Winter issue of by Harvey Kubernik UGLY THINGS? Singer, songwriter, storyteller, screenwriter and filmmaker Travis Edward Pike is a Los Angeles-based TP: I’m feeling great. I love the review of my book, TRAVIS veteran music-maker, performer, and conceptualist EDWARD PIKE’S ODD TALES AND WONDERS: 1964 who has just released a slew of new and back catalog - 1974 A DECADE OF PERFORMANCE. I’m already audio products. I have now interviewed him several considering pulling quotes from that review for future press times, and we have discussed his development, releases, like “Pike is an engaging storyteller with a sharp production and publishing company, Otherworld memory for details.” I have to admit my sharp memory for Cottage Industries; his music publishing company, details owes a lot to my wife, Judy, and her scrapbooks, Morningstone Music; and his ongoing series of albums but UGLY THINGS goes beyond the book to introduce the of songs he wrote and performed in the sixties, and has several albums I’ve released in the last three years, including recorded in collaboration with his youngest brother, the remastered re-release of the critically acclaimed multi-instrumentalist, audio engineer and co-producer, GRUMPUSS in the 15th Anniversay Audio Theater Edition Adam Pike.
    [Show full text]
  • Lulu Has Done Since the Early SevenEs
    “The first *me I heard her sing, I knew we were born in the same pond” James Brown The Sunday Times “Amid the blues-rock power chords there’s an echo of Amy Winehouse, a hint of Rod Stewart, but the dominant presence is the lady herself, sounding every bit as revved up as she did in the 1960’s. An impressive return” The Sunday Telegraph “Making Life Rhyme is the best thing Lulu has done since the early Seven*es. Before Amy Winehouse, before Adele there was Lulu. It is a very fine album, perhaps the best she has ever made” The Daily Mail “Shout it loud... Lulu's made a humdinger: Making Life Rhyme is late-career renaissance” The Observer “The 11 mainly self-penned songs here showcase her s*ll powerful voice, spread across a surprisingly wide range of genres. A solidly enjoyable collec*on” The Mail On Sunday “Lulu’s voice, already raspy at 15, rasps s*ll, but it retains an impressive purity too” The Times “A tasteful collec*on of bluesy riffs and Motown-*nged melodies” “Making Life Rhyme is a dignified showcase for her talents” Daily Star “This self-penned set shows what a soulful singer she can be. Classy tunes to have you shou*ng with delight” The Daily Telegraph “They are songs with emo*onal substance, a life*me of hurt and wisdom in the life- affirming lyrics and raspy singing” The Sun “Lulu s*ll has something to SHOUT about at 66 and aXer 51 years in music” Lulu Coverage date: 10 April 2015 Circulation: 2125292 Page: 51 Shout it loud .
    [Show full text]