The Young Victoria April
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Sherlock Holmes
sunday monday tuesday wednesday thursday friday saturday KIDS MATINEE Sun 1:00! FEB 23 (7:00 & 9:00) FEB 24 & 25 (7:00 & 9:00) FEB 26 & 27 (3:00 & 7:00 & 9:15) KIDS MATINEE Sat 1:00! UP CLOUDY WITH A CHANCE OF MEATBALLS THE HURT LOCKER THE DAMNED PRECIOUS FEB 21 (3:00 & 7:00) Director: Kathryn Bigelow (USA, 2009, 131 mins; DVD, 14A) Based on the novel ‘Push’ by Sapphire FEB 22 (7:00 only) Cast: Jeremy Renner Anthony Mackie Brian Geraghty Ralph UNITED Director: Lee Daniels Fiennes Guy Pearce . (USA, 2009, 111 min; 14A) THE IMAGINARIUM OF “AN INSTANT CLASSIC!” –Wall Street Journal Director: Tom Hooper (UK, 2009, 98 min; PG) Cast: Michael Sheen, Cast: Gabourey Sidibe, Paula Patton, Mo’Nique, Mariah Timothy Spall, Colm Meaney, Jim Broadbent, Stephen Graham, Carey, Sherri Shepherd, and Lenny Kravitz “ENTERS THE PANTEHON and Peter McDonald DOCTOR PARNASSUS OF GREAT AMERICAN WAR BEST SUPPORTING ACTRESS MO’NIQUE FILMS!” –San Francisco “ONE OF THE BEST FILMS OF THE GENRE!” –Golden Globes, Screen Actors Guild Director: Terry Gilliam (UK/Canada/France, 2009, 123 min; PG) –San Francisco Chronicle Cast: Heath Ledger, Christopher Plummer, Tom Waits, Chronicle ####! The One of the most telling moments of this shockingly beautiful Lily Cole, Johnny Depp, Colin Farrell, and Jude Law Hurt Locker is about a bomb Can viewers who don’t know or care much about soccer be convinced film comes toward the end—the heroine glances at a mirror squad in present-day Iraq, to see Damned United? Those who give it a whirl will discover a and sees herself. -
Hitman: Agent 47' Starring Rupert Friend, Hannah Ware, Zachary Quinto and Ciarán Hinds
Review: 'Hitman: Agent 47' Starring Rupert Friend, Hannah Ware, Zachary Quinto and Ciarán Hinds Kimber Myers | The Playlist August 19, 2015 at 3:48PM There should be a moratorium on writing “You and I are not so very different,” and its variants in all future screenplays. Screenwriters Skip Woods and Michael Finch didn’t get the memo when writing “Hitman: Agent 47,” treating their audience to that gem of a line as well as dozens of others that are uninspired or sound vaguely familiar if you’ve ever seen another movie. Woods and Finch have a history with franchises, separately penning the scripts for “X-Men Origins: Wolverine,” “A Good Day to Die Hard” and “Predators” with Finch slated to tackle “Hansel & Gretel: Witch Hunters 2." Even the last of those films, the sequel to the reviled "Hansel & Gretel: Witch Hunters," likely has a better script than the final product here. “Hitman: Agent 47” boasts everything from flaws in logic to a flood of lines so terrible and unoriginal that they elicited giggles from a room full of critics at the press screening. These are people who see bad movies for a living, but they were still affected enough by the bad dialogue here that they couldn’t hold it in. As for intentional laughter, the film is humorless for most of its running time, until the final act when cracks are made only to completely miss their mark. 20th Century Fox "Hitman: Agent 47" Based on the successful video game series, “Hitman: Agent 47” is a reboot of the 2007 film “Hitman,” which starred Timothy Olyphant in the title role. -
Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
Cheri-Dossier-De-Presse-Francais.Pdf
Bill Kenwright présente Michelle Pfeiffer Rupert Friend Kathy Bates Durée : 1h30 - Format : Scope - Son : SRD SORTIE LE 8 AVRIL 2009 DISTRIBUTION PRESSE Pathé Distribution Jérôme Jouneaux, Isabelle Duvoisin & Matthieu Rey 2 rue Lamennais 10, rue d’Aumale 75008 Paris 75009 Paris Tél. : 01 71 72 30 00 Tél. : 01 53 20 01 20 Dossier de presse et photos téléchargeables sur : www.pathedistribution.com SYNOPSIS Dans le Paris du début du XXème siècle, Léa de Lonval finit une carrière heureuse de courtisane aisée en s’autorisant une liaison avec le fils d’une ancienne consoeur et rivale, le jeune Fred Peloux, surnommé Chéri. Six ans passent au cours desquels Chéri a beaucoup appris de la belle Léa, aussi Madame Peloux décrète-t-elle qu’il est grand temps de songer à l’avenir de son fils et au sien propre... Il faut absolument marier Chéri à la jeune Edmée, fille unique de la riche Marie-Laure. Alors que le moment fatidique approche, Léa et Chéri tentent de se résoudre à cette séparation imminente tout en s’apercevant qu’ils sont beaucoup plus attachés l’un à l’autre qu’ils ne voulaient bien l’admettre. LES COURTISANES Surnommées les “grandes horizontales”, les courtisanes étaient de biens. Elles ne pouvaient monnayer que leur personnalité très en vogue dans le Paris de la fin du XIXe siècle. et leur beauté et les plus perspicaces d’entre elles savaient que leur prestige ne survivrait pas à leurs charmes. Célèbres à travers le monde pour leur beauté, leur esprit, leur conversation et leur savoir-faire, ces demi-mondaines étaient Parmi les courtisanes les plus en vue de l’époque, il y eut au centre de la vie sociale et politique de Paris, divertissant les Apollonie Sabatier, qui accueillit dans son salon des hommes les plus puissants des arts, de la noblesse et de l’État intellectuels tels que Baudelaire et Flaubert, Marie Duplessis tout en restant isolées de la société dans leur monde clos. -
DVD Spring 2020 Catalog This Catalog Lists Only the Newest Acquired DVD Titles from Spring 2020
Braille and Talking Book Library P.O. Box 942837 Sacramento, CA 94237-0001 (800) 952-5666 (916) 654-1119 FAX Descriptive Video Service (DVS) DVD Spring 2020 Catalog This catalog lists only the newest acquired DVD titles from Spring 2020. This is not a complete listing of all DVD titles available. Included at the end of this catalog is a mail order form that lists these DVD titles alphabetically. You may also order DVDs by phone, fax, email, or in person. Each video in this catalog is assigned an identifying number that begins with “DVD”. For example, DVD 0525 is a DVD entitled “The Lion King”. You need a television with a DVD player or a computer with a DVD player to watch descriptive videos on DVD. When you insert a DVD into your player, you may have to locate the DVS track, usually found under Languages or Set-up Menus. Assistance from a sighted friend or family member may be helpful. Some patrons have found that for some DVDs, once the film has begun playing, pressing the "Audio" button repeatedly on their DVD player's remote control will help select the DVS track. MPAA Ratings are guidelines for suitability for certain audiences. G All ages PG Some material may not be suitable for children PG-13 Some material may be inappropriate for children under 13 R Under 17 requires accompanying adult guardian Film not suitable for MPAA rating (TV show, etc.) Some Not Rated material may not be suitable for children. Pre-Ratings Film made before MPAA ratings. Some material may not be suitable for children. -
Abecedni Izpis
COBISS Kooperativni online bibliografski sistem in servisi COBISS Abecedni izpis 1. ABBOTT, Edwin Abbott, 1838-1926 Dežela Ravnina : pripovedka o več dimenzijah z avtorjevimi ilustracijami / Edwin A. Abbott ; prevedel Sandi Kodrič. - 1. natis. - Ljubljana : UMco, 2018 ([Ljubljana] : Primitus). - 159 str. : ilustr. ; 21 cm. - (Zbirka Angažirano) Prevod dela: Flatland. - 400 izv. - Dežela Ravnina za 21. stoletje / Sandi Kodrič: str. 153-159. - O avtorju na zadnjem zavihku ov. ISBN 978-961-6954-55-6 : 16,90 EUR 821.111-313.1 COBISS.SI-ID 284055296 2. ABERCROMBIE, Joe Na vešalih : druga knjiga trilogije Prvi zakon / Joe Abercrombie ; [prevedel Sergej Hvala]. - 1. izd. - Ljubljana : Mladinska knjiga, 2018 ([Nova Gorica] : Grafika Soča). - 590 str. ; 21 cm. - (Zbirka Srednji svet) Prevod dela: Before they are hanged. - 700 izv. ISBN 978-961-01-5204-0 : 39,99 EUR 821.111-312.9 COBISS.SI-ID 295996928 3. ACCENTUS Sephardic romances [Zvočni posnetek] : traditional Jewish music from Spain / Ensemble Accentus ; director Thomas Wimmer. - Munich : MVD music and video distribution GmbH, p 1995, cop. 1996. - 1 CD (59 min, 15 sek) : stereo ; 12 cm + spremno besedilo ([20] str.). - (Early music = Alte Musik) Posneto v W*A*R Studio pri Lutheran Stadtpfarrkirche A.B. na Dunaju, 17., 18. in 20. septembra 1995. - Iz vsebine: Avrix mi galanica = Let me in, my love ; La Serena = Calm ; Sa'dâwî ; Partos trocados = Babes exchanged 8.553617 783(086.76) COBISS.SI-ID 14626361 4. ADAMS, Taylor Brez izhoda / Taylor Adams ; [prevedla Maja Lihtenvalner]. - 1. izd. - Tržič : Učila International, 2018 (natisnjeno v EU). - 313 str. ; 20 cm Prevod dela: No exit. - Tiskano po naročilu. -
Genevieve O'reilly
Genevieve O'Reilly Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Sophie Austin Assistant [email protected] Emma Collier [email protected] Roles Film Production Character Director Company THE DRY Gretchen Robert Connolly Pacific Standard TOLKIEN Mrs Smith Dome Karukoski Fox Searchlight Pictures THE SNOWMAN Birte Becker Tomas Alfredson Drapsmann Films ROGUE ONE: A STAR WARS Mon Mothma Gareth Edwards Lucasfilms STORY THE LEGEND OF TARZAN Tarzan's Mother David Yates Dark Horse Entertainment FORGET ME NOT Eve Lance Roehrig and Quicksilver Films Alex Holt United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SURVIVOR Lisa James McTeigue Nu Image / Millennium Films THE YOUNG VICTORIA Lady Flora Jean-Marc Vallée JK Films Hastings RIGHT HERE, RIGHT NOW Matthew Newton STAR WARS EPISODE III Mon Mothma George Lucas Jak Australia THE MATRIX REVOLUNTIONS Officer Wirtz Andy and Larry The Burly Man Wachowski Productions THE MATRIX RELOADED Officer Wirtz Andy and Larry The Burly Man Wachowski Productions AVATAR Dash Jian Hong Kuo Exile Productions Television Production Character Director Company TIN STAR S.1, S.2 & S.3 Angela Worth Various Kudos for Amazon THE FALL - S3 Joan Kinkhead Various BBC THE SECRET Hazel Nick Murphy Hat Trick/ ITV ENDEAVOUR Annette Bryn Higgins ITV Richardson GLITCH Elishia -
Downloaded from Manchesterhive.Com at 10/02/2021 09:03:16PM Via Free Access Andrew Higson
1 5 From political power to the power of the image: contemporary ‘British’ cinema and the nation’s monarchs Andrew Higson INTRODUCTION: THE HERITAGE OF MONARCHY AND THE ROYALS ON FILM From Kenneth Branagh’s Henry V Shakespeare adaptation in 1989 to the story of the fi nal years of the former Princess of Wales, inDiana in 2013, at least twenty-six English-language feature fi lms dealt in some way with the British monarchy. 1 All of these fi lms (the dates and directors of which will be indi- cated below) retell more or less familiar stories about past and present kings and queens, princes and princesses. This is just one indication that the institution of monarchy remains one of the most enduring aspects of the British national heritage: these stories and characters, their iconic settings and their splendid mise-en-scène still play a vital role in the historical and contemporary experience and projection of British national identity and ideas of nationhood. These stories and characters are also of course endlessly recycled in the pre- sent period in other media as well as through the heritage industry. The mon- archy, its history and its present manifestation, is clearly highly marketable, whether in terms of tourism, the trade in royal memorabilia or artefacts, or images of the monarchy – in paintings, prints, fi lms, books, magazines, televi- sion programmes, on the Internet and so on. The public image of the monarchy is not consistent across the period being explored here, however, and it is worth noting that there was a waning of support for the contemporary royal family in the 1990s, not least because of how it was perceived to have treated Diana. -
The Young Victoria Production Notes
THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street. -
STARRED up Directed by David Mackenzie Written by Jonathan Asser
Tribeca Film presents a Film4 presentation in association with CREATIVE SCOTLAND QUICKFIRE FILMS NORTHERN IRELAND SCREEN AND LIPSYNC PRODUCTIONS a SIGMA FILMS Production a DAVID MACKENZIE film STARRED UP Directed by David Mackenzie Written by Jonathan Asser Theatrical release beginning August 29, VOD beginning August 26 Run Time: 106 minutes Rating: Not Rated Press Materials: http://tribecafilm.com/press-center/tribeca-film/films/5318ed3fa32a618693000001 Nominated for 6 British Independent Film Awards Winner: British Independent Film Award for Best Supporting Actor for Ben Mendelsohn TRIBECA FILM: ID PR Brandon Rohwer [email protected] [email protected] [email protected] Introduction Starred Up is the story of a young man prematurely transferred from a young offenders’ institution to adult jail for being too violent. The film is directed by award-winning UK filmmaker David Mackenzie (Young Adam, Hallam Foe, Perfect Sense) from a screenplay written by first-time scriptwriter Jonathan Asser, who has a background in the prison system working as an innovative therapist. The title comes from the process of prematurely upgrading a teenager from a Young Offenders’ Institution to Adult Prison. Starred Up stars Jack O’Connell (Unbroken, “Skins”, Eden Lake), Ben Mendelsohn (The Dark Knight Rises, Animal Kingdom, Killing Them Softly) and Rupert Friend (Pride and Prejudice, The Boy in The Striped Pajamas, “Homeland”). The crew includes director of photography Michael McDonough, ASC (Winter’s Bone, New York – I Love You, Albert Nobbs, 13), and production designer Tom McCullagh (Hunger, Wilderness, Killing Bono) and Producer Gillian Berrie (Red Road, Hallam Foe, Perfect Sense). Film4 financed the project in association with Creative Scotland, Quickfire Films, Lipsync productions and Northern Ireland Screen. -
The Historiography of Queen Victoria: on the Threshold of Private Psychoanalysis and Public Feminism by Rebecca Willis
The Historiography of Queen Victoria: On the Threshold of Private Psychoanalysis and Public Feminism By Rebecca Willis Queen Victoria was one of the longest rulers in history, and one of the few British women to carry a nation from near revolution to empire in the course of her lifetime. With such an impressive longevity, the Queen saw many events pass by, and experienced many important landmarks in her own life as well. Living through so much rich history, she was one of the most documented monarchs. In this paper, I will critique the historiography of Queen Victoria’s life. Too many historians use the psychohistorical method to describe her life; a feminist method is necessary for a new and more accurate historiography. Commentary, however biased or politicized, was essential to the historicizing of Queen Victoria’s life. Most biographers from the 20th and 21st centuries tend to cover her life from a psychoanalytic approach.1 Her childhood, mar- riage, children, and relationship to men are all key factors of her life. Published newspaper articles, political cartoons, portraits, and children’s books during her reign in the 19th and early 20th century depict her as a political puppet, as a stubborn, crotchety old woman, as a naive ingénue, as an attractive bride, 1 Lytton Strachey, An Eminent Illustrated Biography: Queen Victoria (London: Harcourt Brace, 1921); John Raymond, ed. Queen Victoria’s Early Letters (New York, Macmillan, 1963); Philip Guedalla, The Queen and Mr. Gladstone (New York: Doubleday, 1969); Cecil Woodham-Smith, Queen Victoria: From her Birth to the Death of the Prince Consort (New York, Alfred A.