George Jones & Melba Montgomery

Total Page：16

File Type：pdf, Size：1020Kb

George Jones & Melba Montgomery Close Together mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Close Together Country: US Released: 1966 Style: Country MP3 version RAR size: 1704 mb FLAC version RAR size: 1638 mb WMA version RAR size: 1640 mb Rating: 4.6 Votes: 712 Other Formats: VOC AUD VQF FLAC MP2 DXD AUD Tracklist Hide Credits Close Together As You And Me A1 –George Jones & Melba Montgomery 2:15 Written-By – E. Montgomery* From Here To The Door A2 –George Jones 2:34 Written-By – D. Chapel* Living On Easy Street A3 –George Jones & Melba Montgomery 2:00 Written-By – E. Montgomery*, M. Montgomery* As Of Now A4 –Melba Montgomery 2:18 Written-By – E. Montgomery*, M. Montgomery* Feudin' And Fightin' A5 –George Jones & Melba Montgomery 2:04 Written-By – L. Brittain* Long As We're Dreaming B1 –George Jones & Melba Montgomery 2:43 Written-By – E. Montgomery* Developing My Pictures B2 –George Jones 2:15 Written-By – E. Montgomery* Let's Both Have A Cry B3 –George Jones & Melba Montgomery 2:31 Written-By – A. L. Owens*, D. Frazier* Heartaches For A Day B4 –Melba Montgomery 2:28 Written-By – C. Montgomery*, M. Montgomery* Simply Divine B5 –George Jones & Melba Montgomery 2:28 Written-By – M. Montgomery* Credits Accompanied By – The Jordanaires Coordinator – Bob Scerbo Liner Notes – Ron Grevatt Producer – Pappy Daily Other versions Category Artist Title (Format) Label Category Country Year Musicor George Jones & Close Together MM2109, MM Records, MM2109, MM Melba (LP, Album, US 1966 2109 Musicor 2109 Montgomery Mono) Records Related Music albums to Close Together by George Jones & Melba Montgomery George Jones And Melba Montgomery - Singing What's In Our Heart George Jones & Melba Montgomery - Blue Moon Of Kentucky George Jones - Walk Through This World With Me Melba Montgomery - Love Was The Wind George Jones & Melba Montgomery - Until Then George Jones & Melba Montgomery - Let's Get Together Wes Montgomery - The Best Of Wes Montgomery George Jones - "And Friends".

Copy Link

Recommended publications

(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
[Show full text]
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
[Show full text]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] KÜNSTLER George Jones TITEL A Good Year For The Roses The Complete Musicor Recordings 1965-1971 (Part 2) LABEL Bear Family Records KATALOG # BCD 16929 PREIS-CODE DI EAN-CODE ÆxAKABMRy169297z ISBN-CODE 978-3-89916-465-7 FORMAT 4 CD-Box mit 52-seitigem Buch GENRE Country ANZAHL TITEL 131 SPIELDAUER 341:00 G Wegen eines Rechtsstreits waren die Musicor-Aufnahmen von George Jones jahrelang nicht erhältlich. G Jones' Musicor-Einspielungen werden jetzt erstmalig systematisch sortiert veröffentlicht! G Nie zuvor hat es sie in so erstklassiger Klangqualität gegeben! G Im Set enthalten: 20 nie zuvor veröffentlichte Aufnahmen. G Mit den Jones-Klassikern When The Grass Grows Over Me, I'll Share My World With You, As Long As I Live und einem der größten Country-Klassiker aller Zeiten, AGood Year For The Roses !Hinzu kommen die frü- hen Duette mit Tammy Wynette! G Dies ist zweite Jones-Box. Beide zusammen enthalten alle Musicor-Aufnahmen – mit Ausnahme der Duette mit Gene Pitney, die es aber bereits auf einer anderen Bear-Family-Veröffentlichung gibt! INFORMATIONEN Es waren die wirklich klassischen Jahre des George Jones! Nach über einem Jahrzehnt als Country-Superstar unterstützten eine wiedererlangte Seriosität und Lebensfreude den Mann, der ohnehin schon immer zu den ganz großen Vertretern der Country- Music gehört hatte. Die sechs Jahre von 1965 bis 1971, in denen Jones für Musicor aufnahm, waren gekennzeichnet von per- sönlichen Turbulenzen aber auch von beispiellosen Erfolgen – und Jones ließ wie selbstverständlich einen Country-Klassiker nach dem anderen von der Leine.
[Show full text]
J2P and P2J Ver 1
} Paid Circulation This Issue 21,812, Including 1,900 Oversee .1 July 3, 1961 4.1 .50 CZ Cia c.? itt tai . CL w - ái J _J Ñt VtCs Q G 1 m B LLB DARE z r 4 'MUSIC WEEIc Music -Phonograph Merchandising Radio -Tv Programming Coin Machine Operating Seeburg Spikes Rumors on Cap to Issue Albums European Production Base On New Weekly Basis By OMER ANDERSON production facilities in West Ger- Olas partly front imported and many. Canteen acquired the Tono - partly front domestic components. To Release 3 or 4 COLOGNE -Seeburg will not Only Pop LP's at Time; mat Company of Nett Isenberg, But Gilbert voiced the strongest establish a European production near Frankfurt, where it is assem- skepticism about the advantages of Permits Pushing Artists base within the foreseeable future and Catalog Waxings bling the AMI. Wurlitzer is con- European production of juke boxes. despite the activity of other Amer- structing a factory at Huellhorst, in The Seeburg export chief conceded HOLLYWOOD Capitol Rec- monthly avalanche of product. ican coin machine manufacturers in - Northern Germany, to produce the foreign production and assembly of ords will start issuing LP's on a With fewer LP's to handle at a this direction. Lyric, a compact version of the U. S. products might be feasible weekly basis, abandoning the tra- time, Capitol's sales and promo- In an interview here, George L. Wurlitzer standard box. in the case of certain products, but ditional mass monthly album re- tional corps will be able to devote H. Gilbert. vice -president of See- not juke boxes.
[Show full text]
\\Dc3\Vol1\WISEMAN\Memos and Orders\King Records Memop Msjs Ctt.Wpd
IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE NASHVILLE DIVISION KING RECORDS, INC., et al., ) ) Plaintiffs, ) ) v. ) Case No. 3:03cv1130 ) DONALD M. DAILY, et al., ) Judge Thomas A. Wiseman, Jr. ) Defendants. ) MEMORANDUM OPINION Before the Court is Plaintiffs’ motion for summary judgment (Doc. No. 304). Specifically, Plaintiffs seek summary judgment on the following grounds: (1) That Defendants have received “all associated rights and obligations” to which they are entitled in the George Jones Musicor master recordings that were to be transferred to Defendants pursuant to the August 30, 2003 letter agreement (“Settlement Agreement”); (2) That Defendants have received all the George Jones Musicor master recordings as well as all “DATs, multitrack and mixed-down tapes” that they are entitled to receive pursuant to the Settlement Agreement; and (3) That the only sales by Plaintiffs of product manufactured from the George Jones Musicor master recordings after the expiration of the time period provided in the Settlement Agreement for Plaintiffs to sell off existing inventory were sales by Plaintiff International Marketing Group (“IMG”) of 1,359 units to Music net, Inc. (See Doc. No. 304, at 1–2.) Defendants oppose Plaintiffs’ motion on the basis that material issues of disputed fact render summary judgment inappropriate. For the reasons and on the grounds discussed in greater detail below, the Court finds that material issues of disputed fact preclude summary judgment on the issues of (1) whether Plaintiffs conveyed all the multitrack Musicor recordings in their possession that they were required to convey and (2) whether the recordings to which the parties refer as the “Mike Stone Tapes” are “mixed-down tapes” that Plaintiffs were required to convey to Defendants in accordance with the Settlement Agreement.
[Show full text]
The Journal of Texas Music History Vol. 10 (2010) Reviews
et al.: Reviews REVIEWS House of Hits: The Story of Houston’s Gold Star/SugarHill Recording Studios by Andy Bradley and Roger Wood (Austin: University of Texas Press, 2010) $34.95, 352 pp., cloth. ISBN 978-0-292-71919-4 Chroniclers of Houston often invoke its no-zoning policy as any category.” Many hits followed over a major structural flaw in the morphology of the city. This flaw, the decades, including George Jones’s as the story commonly goes, exposes the compromised scaffold- “Why Baby Why,” Johnny Preston’s ing of the city: civic narrow-mindedness, economic imperti- “Running Bear,” Bobby Bland’s nence, and aesthetic mélange. Andy Bradley and Roger Wood, “This Time I’m Gone For Sure,” in their ethnographic history of Houston’s Gold Star/SugarHill Asleep at the Wheel’s “Miles and recording studios, take a contrasting, more generous approach Miles of Texas,” Destiny’s Child’s to Houston’s zoning-free notoriety. For Bradley and Wood, the “Survivor,” and Clay Walker’s esteemed Houston studios owe their existence and sustained album A Few Questions, among success to the very spirit of accommodation and possibility many, many others. Bradley and symbolized by the city’s attitude toward zoning. From their be- Wood provide cogent insight ginnings in a modest home to their longstanding tradition of into the pivotal and amusing producing and promoting a wide range of musical genres, the moments in the process of the studios mimic Houston’s commitment to free-enterprise and major studio re- cultural diversity, functioning in symbiotic relation to the ca- cordings.
[Show full text]
George Jones and Melba Montgomery Singing What's in Our Heart Mp3, Flac, Wma
George Jones And Melba Montgomery Singing What's In Our Heart mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Singing What's In Our Heart Country: US Released: 1963 Style: Country MP3 version RAR size: 1955 mb FLAC version RAR size: 1720 mb WMA version RAR size: 1241 mb Rating: 4.4 Votes: 837 Other Formats: APE MP2 AHX ADX AU AA XM Tracklist A1 Let's Invite Them Over 2:08 A2 We Must Have Been Out Of Our Minds 2:36 A3 Suppose Tonight Would Be Our Last 2:33 A4 I Let You Go 2:34 A5 Multiply The Heartaches 2:21 A6 She's My Mother 2:38 B1 What's In Our Heart 2:36 B2 Until Then 2:33 B3 Don't Go 2:19 B4 Now Tell Me 2:40 B5 There's A Friend In The Way 2:05 B6 Flame In My Heart 2:27 Credits Producer – Pappy Daily Notes Side 2 Matrix has dash at end with no corresponding follow-up character, as noted. Barcode and Other Identifiers Matrix / Runout (Side 1): UA 3301A-CLB-1 Matrix / Runout (Side 2): UA 3301B-CLB-1- Other versions Category Artist Title (Format) Label Category Country Year Singing What's In United George Jones And UAS 6301 Our Hearts (LP, Artists UAS 6301 US 1963 Melba Montgomery* Album) Records Singing What's In United George Jones & Melba UAL 3301 Our Hearts (LP, Artists UAL 3301 Canada 1963 Montgomery Album, Mono) Records Singing What's In United George Jones And UAL 3301 Our Heart (LP, Artists UAL 3301 US Unknown Melba Montgomery* Album, Mono) Records United George Jones And Singing What's In UAS 6301 Artists UAS 6301 Canada 1963 Melba Montgomery* Our Hearts (LP) Records Singing What's In George Jones And LN-10169 Our Heart (LP, Liberty LN-10169 US 1982 Melba Montgomery* Album, RE) Related Music albums to Singing What's In Our Heart by George Jones And Melba Montgomery George Jones & Melba Montgomery - Blue Moon Of Kentucky George Jones - Walk Through This World With Me Melba Montgomery - Love Was The Wind George Jones & Melba Montgomery - Until Then George Jones & Melba Montgomery - Let's Get Together George Jones & Melba Montgomery - Close Together Melba Montgomery - Hallelujah Road George Jones - "And Friends".
[Show full text]
MUSIC WEEK AUGUST 23, 1975 U D IV George Jones' 20 Years of Hits Till7
MUSIC WEEK AUGUST 23, 1975 D u IV PERFORMANCE |\/|ore U.S. BCtS in DURING THE past few years George Jones' there's been a notable upsurge in the number of U.S. country performers undertaking tours in the United Kingdom, although the Storey Agency tours majority have kept to theatrical acts" commented Mike Storey, 20 years of hits dates. A more recent development, THE MIKE and Margaret Storey "and the country music clubs, however, is the rapidly increasing Entertainment Agency, currently where the majority of our acts 7 promoting the tour ol U.S. artists Till , 'LONG staying-power of the he would be in a position to amount of Stateside acts who have Gus & Jo Ann Thomas, has work, have become a most country music entertainer is record duels with Tammy Wyncttc found that substantial audiences announced a number ot other valuable market." proved convincingly with the case who, up until the beginning of this exist in the larger country music tours scheduled to take place in of George Jones, lie scored his year, was his stage partner as well clubs and, currently, the Mike & the Autumn and early 1976. These The Agency, which currently first success back in 1955 with as his wife. Margaret Storey Entertainment include visits by U.S. artists Patsy represents over 250 local country Why Baby Why - a chart-topper "There were other reasons as Agency has the husband and wife Montana and Judy Rose, Doc & acts, have recently moved into with his initial release - and, 20 well" explained Jones. "The team of Gus and Jo Ann Thomas Chickie Williams, Eddie Noack and larger premises with Look Records years Hater, has remained the association with 'Pappy' Daily, appearing at such venues: Canadian singer/songwriter Dick and will be co-operating on a consistent hit-maker as well as which lasted around 15 years, was The Thomases who hail from Damron.
[Show full text]
“Blue Moon of Kentucky”—Bill Monroe and His Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D
“Blue Moon of Kentucky”—Bill Monroe and his Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D. Smith (guest post)* Bill Monroe Illuminating a major juncture in American popular music history--the crossroads of country music and rock 'n’ roll–is the “Blue Moon of Kentucky.” Originally composed as a lonesome but lovely waltz by Bill Monroe (1911-1996)--the innovative Rosine, Kentucky-born singer/bandleader/mandolinist who became a pillar of the Grand Ole Opry, was a major figure in the Folk Music Revival and is renowned as “The Father of Bluegrass”--it was later covered by the young Elvis Presley during his first commercial recording sessions. Indeed, it is musically and culturally significant that Presley's first single consisted of his crooning and insinuating version of Delta blues singer/guitarist Arthur Crudup's “That's All Right” on one side and a rollicking rockabilly arrangement (in 4/4 time) of Monroe's waltz on the other. The roots of rock in African American music are well known, but the parallel influence of white country music deserves greater understanding. The story of “Blue Moon of Kentucky” provides this. Bill Monroe’s earliest-known performance of “Blue Moon of Kentucky” was on the Grand Ole Opry on August 25, 1945. Monroe recorded it during his first session for Columbia Records (having previously been on RCA Victor Bluebirds) on September 16, 1946. The session was historic, both for its material and Monroe’s sidemen in the Blue Grass Boys. Participating in their first recordings with Monroe were superb lead vocalist/guitarist/songwriter Lester Flatt and the brilliant and seminal three-finger-style banjo picker Earl Scruggs.
[Show full text]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST George Jones TITLE Heartbreak Hotel Gonna Shake This Shack Tonight LABEL Bear Family Records CATALOG # BCD 16858 PRICE-CODE AH EAN-CODE ÆxAKABMRy168580z ISBN-CODE 978-3-89916-634-7 FORMAT 1 CD digipac with 48-page booklet GENRE Country / Rockabilly TRACKS 35 PLAYING TIME 82:37 G The greatest singer in country music history is renowned for ballads, but throughout his early career, he recorded rockin' songs... even a little rockabilly! G This is the first anthology of Jones' rocking side! G Includes extremely rare recordings, unreissued on CD or LP! G Also includes the #1 country hits Why Baby Why and White Lightnin’! INFORMATION At 81, George Jones has enjoyed the status of world's greatest living country singer for more than half-century. Much of that re- putation is rooted in raw, emotional ballads, such as He Stopped Loving Here Today, The Grand Tour, Walk Through This World With Me, She Thinks I Still Care, and Tender Years. But that's only one part of the story. Jones was no less masterful on hotter material starting with his first hit, Why Baby Why. This collection includes that first hit as well as rarities, obscurities, and shoulda-been-hits like No Money In This Deal, Too Much Water, Tall Tall Trees (written by Roger Miller and later a #1 hit for Alan Jackson), Nothing Can Stop Me and That's The Way I Feel, Revenooer Man (written by Donny Young, aka Johnny Paycheck), Who Shot Sam, and Sparkling Brown Eyes.
[Show full text]
George Jones Cup of Loneliness Mp3, Flac, Wma
George Jones Cup Of Loneliness mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Cup Of Loneliness Country: US Released: 1967 Style: Country MP3 version RAR size: 1874 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1775 mb Rating: 4.2 Votes: 972 Other Formats: TTA AA APE VQF AC3 XM AUD Tracklist A1 Cup Of Loneliness 2:22 A2 The Unclouded Day 2:45 A3 Small Time Laboring Man 2:34 A4 Wandering Soul 2:30 A5 Give Me Just One Day Lord 2:10 B1 Take The World But Give Me Jesus 2:37 B2 Taggin' Along 2:47 B3 The Good Old Bible 2:22 B4 Bringin' It Home 2:31 B5 Family Bible 3:10 Credits Vocals – George Jones Notes Produced By: "Pappy" Daily Vocal Accompaniment: The Jordanaires Album Coordinator: Bob Scerbo Other versions Category Artist Title (Format) Label Category Country Year Cup Of Loneliness (LP, Musicor MS 3124 George Jones MS 3124 US Unknown Album) Records Cup Of Loneliness (LP, Musicor MM 2124 George Jones MM 2124 US 1967 Album, Mono, Promo) Records Cup Of Loneliness (LP, Musicor MM 2124 George Jones MM 2124 US 1967 Album, Mono) Records Comments about Cup Of Loneliness - George Jones HeonIc The orange with black writing Musicor label (pictured) first came into use in 1970. The original copies of this lp would've been on the Black Musicor label. Related Music albums to Cup Of Loneliness by George Jones George Jones - Love Bug / Things Have Gone To Pieces George Jones - The Best of George Jones George Hamilton IV - Loneliness All Around Me / Before This Day Ends George Jones - Double Gold - The Best of George Jones George Jones - Country Heart George Jones & Gene Pitney - George Jones & Gene Pitney George Jones - I'll Share My World With You George Jones - The George Jones Story George Jones & Melba Montgomery - Close Together (As You And Me) George Jones - Mr.
[Show full text]
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
[Show full text]