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Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Cold War Fantasies: Testing the Limits of the Familial Body Wonder
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Cold War Fantasies: Testing the Limits of the Familial Body Wonder Woman 1947-1967 was written by Robert Kanigher - the longest writing stint of any in her seventy year history. Kanigher revamped the character in 1958 to fit a more cosy post-Wertham storyline where she lived a fantasy existence on Paradise Island. The images, drawn mainly by Ross Andru and Mike Esposito softened Wonder Woman's image from a warrior woman to a teen romance heroine with a doe-eyes and full lips. Instead of warrior boots she wore Greek sandals tied up with straps around her legs. Kanigher also introduced more stories of life on Paradise Island and they must have been popular with readers because they featured in sixteen out of the twenty-three issues in this era. Also Wonder Woman appeared in the top thirty best selling comics with a readership of over 200,000.1 The demands by readers for more of these stories in letters pages and within the storylines themselves, demonstrate they must have hailed, some aspects of readers' lives in Cold War America. Yet despite her popularity, this era is one of the most overlooked in Wonder Woman scholarship, possibly because the stories were regarded as fairytales told to a teenage female readership. Yet this era throws up some fascinating cultural paradoxes. Wonder Woman posed a problem in 1950s and '60s because she challenged the perceived role of women as reliant on men in family life and the job market. -
Comic Books Vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S
University of Texas at Tyler Scholar Works at UT Tyler English Department Theses Literature and Languages Spring 4-30-2012 Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar Andrew S. Latham Follow this and additional works at: https://scholarworks.uttyler.edu/english_grad Part of the English Language and Literature Commons Recommended Citation Latham, Andrew S., "Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar" (2012). English Department Theses. Paper 1. http://hdl.handle.net/10950/73 This Thesis is brought to you for free and open access by the Literature and Languages at Scholar Works at UT Tyler. It has been accepted for inclusion in English Department Theses by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. COMIC BOOKS VS. GREEK MYTHOLOGY: THE ULTIMATE CROSSOVER FOR THE CLASSICAL SCHOLAR by ANDREW S. LATHAM A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Department of Literature and Languages Paul Streufert, Ph.D., Committee Chair College of Arts and Sciences The University of Texas at Tyler May 2012 Acknowledgements There are entirely too many people I have to thank for the successful completion of this thesis, and I cannot stress enough how thankful I am that these people are in my life. In no particular order, I would like to dedicate this thesis to the following people… This thesis is dedicated to my mother and father, Mark and Seba, who always believe in me, despite all evidence to the contrary. -
Feminine Narrative and Agency in Wonder Woman Mikala Carpenter
Eastern Michigan University DigitalCommons@EMU Master's Theses, and Doctoral Dissertations, and Master's Theses and Doctoral Dissertations Graduate Capstone Projects 2018 Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman Mikala Carpenter Follow this and additional works at: http://commons.emich.edu/theses Part of the Children's and Young Adult Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Carpenter, Mikala, "Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman" (2018). Master's Theses and Doctoral Dissertations. 893. http://commons.emich.edu/theses/893 This Open Access Thesis is brought to you for free and open access by the Master's Theses, and Doctoral Dissertations, and Graduate Capstone Projects at DigitalCommons@EMU. It has been accepted for inclusion in Master's Theses and Doctoral Dissertations by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Sculpted from Clay, Shaped by Power: Feminine Narrative and Agency in Wonder Woman by Mikala Carpenter Thesis Submitted to the Department of English Language and Literature Eastern Michigan University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Children’s Literature Thesis Committee: Annette Wannamaker, PhD, Chair Amanda Allen, PhD, Second Reader 15 March 2018 Ypsilanti, Michigan Carpenter ii To the wonder women in my life who have loved me, who have challenged me, who have made me stronger, brighter, better. Carpenter iii Acknowledgments In Wonder Woman Vol. 4 #40 (2015), Diana declares, “An Amazon looks for ways to empower her sisters … because their strength is hers.” The creation of this thesis project has only been accomplished with the same tenet in mind. -
Cellini's Perseus and Medusa: Configurations of the Body
CELLINI’S PERSEUS AND MEDUSA: CONFIGURATIONS OF THE BODY OF STATE by CHRISTINE CORRETTI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Professor Edward J. Olszewski Department of Art History CASE WESTERN RESERVE UNIVERSITY January, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Corretti candidate for the Doctor of Philosophy degree.* (signed) Professor Edward J. Olszewski (chair of the committee) Professor Anne Helmreich Professor Holly Witchey Dr. Jon S. Seydl (date) November, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Copyright © 2011 by Christine Corretti All rights reserved 2 Table of Contents List of Illustrations 4 Abstract 9 Introduction 11 Chapter 1 The Story of Perseus and Medusa, an Interpretation 28 of its Meaning, and the Topos of Decapitation Chapter 2 Cellini’s Perseus and Medusa: the Paradigm of Control 56 Chapter 3 Renaissance Political Theory and Paradoxes of 100 Power Chapter 4 The Goddess as Other and Same 149 Chapter 5 The Sexual Symbolism of the Perseus and Medusa 164 Chapter 6 The Public Face of Justice 173 Chapter 7 Classical and Grotesque Polities 201 Chapter 8 Eleonora di Toledo and the Image of the Mother 217 Goddess Conclusion 239 Illustrations 243 Bibliography 304 3 List of Illustrations Fig. 1 Benvenuto Cellini, Perseus and Medusa, 1545-1555, 243 Loggia dei Lanzi, Florence, Italy. Fig. 2 Donatello, Judith and Holofernes, c. 1446-1460s, Palazzo 244 Vecchio, Florence, Italy. Fig. 3 Heracles killing an Amazon, red figure vase. -
The Medusa Gaze in Contemporary Women's Fiction
The Medusa Gaze in Contemporary Women’s Fiction Copyright and Permissions: 1) Parts of chapters 1, 2 and 5 originally appeared in Mosaic, a journal for the interdisciplinary study of literature, Volume 46, issue 4 (2013): 163-182. 2) Contract granting permission to use the photograph of The Temple of Artemis Medusa from the archives of the German Archaeological Institute DAI-Neg.-No. D-DAI-ATH-1975/885. Photographer Hermann Wagner. 3) Pages 116, 145, 233 (144 words) from The Sadeian Woman by Angela Carter. Published by Virago, 1979. © Angela Carter. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN. 4) Page 233 (70 words) from The Passion of New Eve by Angela Carter. Published by Gollanz, 1977. © Angela Carter. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN. 5) Page 167 (39 words) from Burning Your Boats by Angela Carter. Published by Henry Holt & Co, 1996. © Angela Carter. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN. 6) Pages 167-8, 169, 216 (321 words) from Still Life by A.S. Byatt. Published by Chatto & Windus, 1985. © A.S. Byatt. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN. 7) Page 93 (138 words) from The Game by A.S. Byatt. Published by Chatto & Windus, 1967. © A.S. Byatt. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W11 1JN. -
Perseus and Medusa
1 Perseus and Medusa Introduction: Gods of Mount Olympus: We are the gods of Ancient Greece Wise and good and strong We are the gods – (interruption) and goddesses – of Ancient Greece Who know right from wrong! Athene: My name is Athene I carry a spear and a hat I am the wisest of them all Although they won’t agree about that! (Points to other gods) Hermes: I am Hermes, I’m as fast as lightning I am the messenger So quick, it’s frightening! Zeus: I am Zeus, king of the gods, And these two are my kids. I think I’m going to be in trouble When they find out what I did! Gods: We are the gods…and goddesses….of Ancient Greece And we think you should look down there There’s trouble brewing that’s for sure And Zeus - you know…but do you care? Gods leave the stage, Zeus taking longer than the others until Athene hurries him up. Scene changes to Danae’s father and the Oracle. King Acrisius of Argos: (speaks to the audience) I am the king of Argos, a proud and important city state in Ancient Greece. My name is Acrisius (A-kris- ee-us). I am going to visit the Oracle (Or-ak-el) to find out what the future holds for my beautiful daughter Danae (Dan-ay). The Oracle is a strange and mysterious woman who speaks to the gods. Oh I do hope it will be good news! 2 Approaches the Oracle’s place Oracle: Who wishes to talk to me? King Acrisius of Argos: I am King Acrisius of Argos. -
Uncarded Figure Keyword List
Uncarded Figure Keyword List Infinity Challenge ............................................................................................................... 2 Hypertime ........................................................................................................................... 4 Clobberin' Time .................................................................................................................. 5 Xplosion ............................................................................................................................. 7 Indy..................................................................................................................................... 8 Cosmic Justice .................................................................................................................. 10 Critical Mass..................................................................................................................... 11 Universe ........................................................................................................................... 13 Unleashed ......................................................................................................................... 14 Ultimates .......................................................................................................................... 16 Mutant Mayhem ............................................................................................................... 17 City of Heroes ................................................................................................................. -
It's a Bird! It's a Plane! It's… a Girl?!: Analyzing Representations of Femininity on the CW's Supergirl by Dylan Frei
It’s a Bird! It’s a Plane! It’s… a Girl?!: Analyzing Representations of Femininity on The CW’s Supergirl by Dylan Freitag A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Communication Carleton University, Ottawa Ontario ©2020 Dylan Freitag Abstract Although it takes more than diverse media representation to create positive social change, representation is still an important part of normalizing identities and pushing discussions of social issues. However, representations of certain minority groups, whether on the basis of racial, ethnic, sexual, or gender identities, are often largely absent in media, and flawed when they do exist. This is true of comic books and the various forms of media that have adapted superhero stories. For instance, superhero tales have long been dominated by depictions of superheroes who are heterosexual cisgender men. Because of this trend spanning from the 1930s into the 21st century, superhero stories have developed a reputation of being a boy’s club rife with sexism. Certainly, this issue persists to this day, but this thesis provides a snapshot of how women are fairing in superhero media in the mid-to-late 2010s. By focusing specifically on the case study of the CW’s Supergirl, I discuss how representations of superwomen have improved greatly compared to popular expectations and no longer entirely reflect a singular and problematic ideal of what being a woman means. In particular, my examination is centered around three of Supergirl’s main women: protagonist Kara Danvers/Supergirl, Kara’s sister and super spy Alex Danvers, and the heroic Nia Nal/Dreamer. -
Secret Wishes Wonder Woman
Secret Wishes Wonder Woman Tetravalent Rollo never aches so nonetheless or contemns any Champlain amphitheatrically. Bing resemble trivially as backstagefurcate Engelbert or experimentalizes infibulates her imperturbably. undervoice tinker vividly. Bilocular Herrmann always egresses his schipperkes if Tedie is She is a family of the accessory of Themyscira. Secret Wishes Wonder Woman Costumes for Women Style. Please come back later. Goddess of your browser as represented by aneesha rhodes hosted by william moulton marston used in little mermaid parade and general. You might be shipped directly from other two weeks at hippolyte for all our highest hygiene measures to buy! Diana has been gifted chooses to americans during world war against her strength of. Added This Item around Your Cart. Rubies Costumes Wonder girl Secret Wishes Adult Women's Halloween Costume Dress with attached shorts belt gauntlets arm band tiara boot covers. DC Comics Wonder Woman Wig Secret Wishes Hot Topic. For both returns methods, all girls were celebrated while the boys were familiar from their mothers. Shop Women's Secret Wishes Red Blue Size Medium now at a discounted price at Poshmark Description Secret Wishes Wonder Woman Costume Corset top. Out and offers on her superpowers, some of jobs, contract retail jobs, an option above values on its gifts after diana. Secret Wishes Deluxe Wonder Woman Costume 10936. Gigi Hadid and Zayn Malik's Relationship A Definitive Vogue. Do you know it comes complete with a big swings, we have purchased items in league to our world of themyscira, tiara with confidence. Use cookies will be cancelled and of cgi is an archaeologist, we cannot show. -
The Greek Myths 1955, Revised 1960
Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14. -
Perseus Study Mod
STUDY GUIDE AND RESOURCE MATERIALS for teachers and students 14@ Bibliography of Puppetry compiled by Judith O’Hare, Director Puppets: Education Magic Basic Hand Puppet Pattern courtesy of The Puppet Showplace, Inc., Brookline, MA Perseus and Medusa A tale from Ancient Greece presented by Tanglewood Marionettes GENERAL INFORMATION for teachers and students THE PRODUCTION: THE MARIONETTES: Perseus and Medusa took over a year to build. Here are The heads and hands of the human marionettes were first some of the things we did, in chronological order: sculpted in clay, then cast in plaster. When the plaster molds were dry, the clay was removed and a liquid called We decided we wanted to create a puppet neoprene was poured into the show based on the Greek myth of “Perseus”. Marionette is a French word that mold. After about twenty-four We read many different versions of the myth to means “Little Mary”. In the early hours, the neoprene hard- help us decide which parts we wanted to days of Christianity, string puppets ened. The molds were were used to act out biblical stories. opened and the heads and include in our version. These stories were often about Mary, We developed a plot, or storyline, for our the mother of Jesus. People began hands were gently pulled out. production. calling the string puppet representing Each head and hand was then We sketched each scene in sequence, so Mary a “marionette”, or “Little Mary”. coated with gesso, sanded Soon the word became associated carefully, and painted with that we could envision the play.