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BATMAN Vs SUPERMAN What Would Superman Drive, What Should Batman Drive and Where Could Wonder Woman Store Her Outfit?
WIN A PULSAR BRUCE WAYNE’S JEEP WATCH PEUGEOT ADD FUEL OFFERS WORTH DUCHESS OF CAMBRIDGE PLAYS TENNIS £145 SHORTLISTED FOR NEWSPRESS MAGAZINE OF THE YEAR BATMAN vs SUPERMAN What would Superman drive, what should Batman drive and where could Wonder Woman store her outfit? Your magazine featuring the stars, their cars and more... freecarmag.co.uk 1 FUELLED BY FUN This ISSUEweek 30 / 2016 Batman vs Superman: Dawn of Justice. We don’t understand why there are a couple of superheroes slugging it out like a wrestling bout, with Wonder Woman watching disapprovingly. However, we are looking forward to making sense of it all very soon at the local multiplex. We’ve got a superhero of our own Free Car Mag, or possibly Margaret, but we are too frightened to call her that. Well she’s more than qualified to tell other superheroes and even super villains what to drive. There is still time to win yourself a brilliant Pulsar watch. All you have to do is sign up to get notification of the latest issue. If you have already signed up, then you are already in with a chance. Tell all your friends and family, because we don’t spam you with nonsense, or pass your details on. We are good like that. 4 News Events Celebs – Made in Chelsea We are also doing very well at the moment. Shortlisted as and Duchess of Cambridge Consumer Magazine and Editor of the Year in the Newspress 6 Batman vs Superman Awards after only being around for a year, it has taken a real 8 Supercars for Superheroes superhuman effort I can tell you. -
Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson
7ALT7HITMAN 7HERETHE&UTURE "ECOMES0RESENT the iowa whitman series Ed Folsom, series editor WALTWHITMAN WHERETHEFUTURE BECOMESPRESENT EDITEDBYDAVIDHAVENBLAKE ANDMICHAELROBERTSON VOJWFSTJUZPGJPXBQSFTTJPXBDJUZ University of Iowa Press, Iowa City 52242 Copyright © 2008 by the University of Iowa Press www.uiowapress.org All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper issn: 1556–5610 lccn: 2007936977 isbn-13: 978-1-58729–638-3 (cloth) isbn-10: 1-58729–638-1 (cloth) 08 09 10 11 12 c 5 4 3 2 1 Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet .... he says to the past, Rise and walk before me that I may realize you. He learns the lesson .... he places himself where the future becomes present. walt whitman Preface to the 1855 Leaves of Grass { contents } Acknowledgments, ix David Haven Blake and Michael Robertson Introduction: Loos’d of Limits and Imaginary Lines, 1 David Lehman The Visionary Whitman, 8 Wai Chee Dimock Epic and Lyric: The Aegean, the Nile, and Whitman, 17 Meredith L. -
Wonder Woman & Associates
ICONS © 2010, 2014 Steve Kenson; "1 used without permission Wonder Woman & Associates Here are some canonical Wonder Woman characters in ICONS. Conversation welcome, though I don’t promise to follow your suggestions. This is the Troia version of Donna Troy; goodness knows there have been others.! Bracers are done as Damage Resistance rather than Reflection because the latter requires a roll and they rarely miss with the bracers. More obscure abilities (like talking to animals) are left as stunts.! Wonder Woman, Donna Troy, Ares, and Giganta are good candidates for Innate Resistance as outlined in ICONS A-Z.! Acknowledgements All of these characters were created using the DC Adventures books as guides and sometimes I took the complications and turned them into qualities. My thanks to you people. I do not have permission to use these characters, but I acknowledge Warner Brothers/ DC as the owners of the copyright, and do not intend to infringe. ! Artwork is used without permission. I will give attribution if possible. Email corrections to [email protected].! • Wonder Woman is from Francis Bernardo’s DeviantArt page (http://kyomusha.deviantart.com).! • Wonder Girl is from the character sheet for Young Justice, so I believe it’s owned by Warner Brothers. ! • Troia is from Return of Donna Troy #4, drawn by Phil Jimenez, so owned by Warner Brothers/DC.! • Ares is by an unknown artist, but it looks like it might have been taken from the comic.! • Cheetah is in the style of Justice League Unlimited, so it might be owned by Warner Brothers. ! • Circe is drawn by Brian Hollingsworth on DeviantArt (http://beeboynyc.deviantart.com) but coloured by Dev20W (http:// dev20w.deviantart.com)! • I got Doctor Psycho from the Villains Wikia, but I don’t know who drew it. -
A Batalha Do Labirinto
A Batalha do Labirinto AGRADECIMENTOS...................................................................................................................6 OS VOLUNTÁRIOS......................................................................................................................7 UM EU ENFRENTO LÍDERES DE TORCIDA ............................................................................8 DOIS O MUNDO INFERIOR ME PASSA UM TROTE ...............................................................16 TRÊS BRINCAMOS DE PEGA-PEGA COM ESCORPIÕES ......................................................28 QUATRO ANNABETH QUEBRA AS REGRAS ..................................................................................38 CINCO NICO COMPRA MC LANCHE FELIZ PARA OS MORTOS ..........................................47 SEIS NÓS ENCONTRAMOS O DEUS DE DUAS CARAS .......................................................53 SETE TYSON LIDERA UMA FUGA DE PRESOS ......................................................................60 OITO NÓS VISITAMOS O CARA DEMÔNIO DO RANCHO ..................................................67 NOVE EU RECOLHO COCÔ .............................................................................................................80 DEZ NÓS JOGAMOS O DAME SHOW DA MORTE ................................................................87 ONZE EU ATEIO FOGO EM MIM MESMO ..................................................................................98 DOZE GANHO FÉRIAS PERMANENTES ...................................................................................107 -
Damien Rivera ([email protected]) Transaction: 22572 Dragon Companion Handbook
Damien Rivera ([email protected]) Transaction: 22572 Dragon Companion Handbook Author: Alexander Augunas Cover Design: Alexander Augunas Cover Art: Jacob Blackmon Interior Art: Jacob Blackmon DESIGNATION OF PRODUCT IDENTITY All company names, logos, and artwork, images, graphics, illustrations, trade dress, and graphic design elements and proper names are designated as Product Identity. Any rules, mechanics, illustrations, or other items previously designat- ed as Open Game Content elsewhere or which are in the public domain are not included in this declaration DECLARATION OF OPEN GAME CONTENT All content not designated as Product Identity is declared Open Game Content as described in Section 1(d) of the Open Game License Version 1.0a. Compatibility with the PATHFINDER ROLEPLAYING GAME requires the PATHFINDER ROLEPLAY- ING GAME from Paizo Inc.. See http://paizo.com/pathfinderRPG for more information on the Pathfinder Roleplaying Game. Paizo Inc. does not guarantee compatibility, and does not endorse this product. Pathfinder is a registered trademark of Paizo Inc., and the PATHFINDER ROLEPLAYING GAME and the Pathfinder Roleplaying Game Compatibility Logo are trademarks of Paizo Inc., and are used under the Pathfinder Roleplaying Game Compat- ibility License. See http://paizo.com/pathfinderRPG/compatibility for more information on the compatibility license. Draconic Companion Handbook © 2014 by Everyman Gaming, LLC. About the Author Alexander Augunas has been a freelance writer for various PATHFINDER ROLEPLAYING GAME compatible products since 2012. Alex is best known as the writer of Know Direction’s tri-weekly blog, Guidance, as well as the PACT MAGIC UNBOUND series by Radiance House. In addition to writing for Everyman Gaming, LLC, Know Direction, and Radance House, Alex has worked with companies such as Raging Swan Press, Loius Porter Jr. -
Silvae III 1: HERCULES SURRENTINUS POLLI! FELLCLS
Silvae III 1: HERCULES SURRENTINUS POLLI! FELLCLS BIBLIOGRAFÍA Silv. ni 1: Hardie, Stat. & Silv. 125-28. Newland.s, The iocus amoenus' \52-(~ÌQ. Newmyer, Silv. of Stat. 100-5. Vollmer 384-93. Descripciones de villae en las Silvas: Pavlov.slcis, Artificial Landscape ì-2\ (Silv. Ili 1 en 12-13). Van Dam 187-93. La villa de Polio Félix y sus inmediaciones: Argeni(5, «Villa Surrent.» (sobre II 2 y la villa de Polio), d' Arms, Romans on the Bay of Naples. Beloch, Campanien 269-74. Buchner, «Fonti-. Cancik, «11 2- (.sobre II 2 y la villa de Polio). Nisbet, .II 2» (.solare II 2 y la villa de Polio). Pugliese, «Napoli». Rostagni, «Cultura di Napoli-. CONTENIDO Y ESTRUCTURA La Silva se inicia con un proemio de Estacio (1-22), en el que alude al año de interrupción del culto de Hércules, cau.sado por la reconstrucción de .su templo (1-4). Tras ponderar la belleza de la nueva construcción (5-7), inci• de en el contra.ste entre el antiguo edificio y el nuevo (8-11), la velocidad de las obras (12-15a) y la intervención del propio Hércules (15b-22). Pronuncia a continuación un himno clético a Hércules (23-48). Tras men• cionar paraderos akernativos del dios (23-27) lo invoca formalmente (28). Ha• ce una apología de la piedad de la familia de Polio (29-33) y pide al dios una actitud propicia (34-6) y festiva (40-43a), aduciendo los argumentos del lujo del templo (37-38), los Juegos atléticos que acompañarán la dedicación (43b- 118 COMENTARIO 45) y el dato sentimental de que el «sacerdote» oficiante es el propio nieto de Polio (46-48). -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
Superman's Ancestors - Beowulf, Odysseus and Roy Hobbs: Application and Analysis of Joseph Campbell's Monomyth Theory Michael Kealy Governors State University
Governors State University OPUS Open Portal to University Scholarship All Student Theses Student Theses Summer 2011 Superman's Ancestors - Beowulf, Odysseus and Roy Hobbs: Application and Analysis of Joseph Campbell's Monomyth Theory Michael Kealy Governors State University Follow this and additional works at: http://opus.govst.edu/theses Part of the Comparative Literature Commons Recommended Citation Kealy, Michael, "Superman's Ancestors - Beowulf, Odysseus and Roy Hobbs: Application and Analysis of Joseph Campbell's Monomyth Theory" (2011). All Student Theses. 16. http://opus.govst.edu/theses/16 For more information about the academic degree, extended learning, and certificate programs of Governors State University, go to http://www.govst.edu/Academics/Degree_Programs_and_Certifications/ Visit the Governors State English Department This Thesis is brought to you for free and open access by the Student Theses at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in All Student Theses by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. SUPERMAN’S ANCESTORS-BEOWULF, ODYSSEUS AND ROY HOBBS: APPLICATION AND ANALYSIS OF JOSEPH CAMPBELL’S MONOMYTH THEORY By Michael Kealy B.A. Augustana College, 2001 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English at Governors State University August 2011 Table of Contents Abstract……………………………………………………………………………4 Chapter I: Introduction……………………………………………………………5 Chapter II: Departure…………………………………………………………….12 Chapter III: Initiation…………………………………………………………….33 Chapter IV: Return……………………………………………………………….55 Chapter V: Where is Wonder Woman?.....………………………………………60 Chapter VI: Conclusion………………………………………………………….62 Works Cited Abstract Heroes have been with us since the beginning of time with some becoming more well known than others. -
An Education Program for Improving Knowledge of Experienced and Aspiring Mentors Joy-Marie Quiambao Calunsag Walden University
Walden University ScholarWorks Walden Dissertations and Doctoral Studies Walden Dissertations and Doctoral Studies Collection 2019 An Education Program for Improving Knowledge of Experienced and Aspiring Mentors Joy-Marie Quiambao Calunsag Walden University Follow this and additional works at: https://scholarworks.waldenu.edu/dissertations Part of the Nursing Commons This Dissertation is brought to you for free and open access by the Walden Dissertations and Doctoral Studies Collection at ScholarWorks. It has been accepted for inclusion in Walden Dissertations and Doctoral Studies by an authorized administrator of ScholarWorks. For more information, please contact [email protected]. Walden University College of Health Sciences This is to certify that the doctoral study by Joy-Marie Calunsag has been found to be complete and satisfactory in all respects, and that any and all revisions required by the review committee have been made. Review Committee Dr. Edna Hull, Committee Chairperson, Nursing Faculty Dr. Barbara Gross, Committee Member, Nursing Faculty Dr. Tracy Wright, University Reviewer, Nursing Faculty The Office of the Provost Walden University 2019 Abstract An Education Program for Improving Knowledge of Experienced and Aspiring Mentors by Joy-Marie Q. Calunsag MA, Angeles University Foundation, Philippines, 1996 BS, Angeles University Foundation, Philippines, 1994 Project Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Nursing Practice Walden University August 2019 Abstract Using a staff development approach, this doctor of nursing practice project addressed the preparation of nurses who serve in the role of mentors. Developed and carried out in an American Nurses Credentialing Center Magnet-designated hospital, the primary aim of the project was to develop and implement a staff education program for mentors focusing on best-practice strategies for mentoring new nurses.