Richard Curtis HLPF Speech Final Draft
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Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
Enjoy Campari Responsibly ABOUT CAMPARI Campari Is a Contemporary and Charismatic Classic. the Secret Recipe, Which Has Remained
ABOUT CAMPARI Campari is a contemporary and charismatic classic. The secret recipe, which has remained unchanged, originated in Novara in 1860 and is the base for some of the most famous cocktails around the world. Campari is an alcoholic spirit obtained from the infusion of bitter herbs, aromatic plants and fruit in alcohol and water. With its vibrant red colour, intense aroma and inspiring flavour, Campari has always been a symbol of intrigue and pleasure, which unfurls itself into a captivating drinking experience. These are the values that have made the Campari brand famous throughout the world as an icon of passionate Italian style and excellence. ABOUT CAMPARI GROUP Campari Group is a major player in the global spirits industry, with a portfolio of over 50 premium and super premium brands, spreading across Global, Regional and Local priorities. Global Priorities, the Group’s key focus, include Aperol, Appleton Estate, Campari, SKYY, Wild Turkey and Grand Marnier. The Group was founded in 1860 and today is the sixth-largest player worldwide in the premium spirits industry. It has a global distribution reach, trading in over 190 nations around the world with leading positions in Europe and the Americas. Campari Group’s growth strategy aims to combine organic growth through strong brand building and external growth via selective acquisitions of brands and businesses. Headquartered in Milan, Italy, Campari Group owns 18 plants worldwide and has its own distribution network in 20 countries. Campari Group employs approximately 4,000 people. The shares of the parent company Davide Campari-Milano S.p.A. (Reuters CPRI.MI - Bloomberg CPR IM) have been listed on the Italian Stock Exchange since 2001. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
Reel 13 Feb 2015 V3
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Lindsey Bernstein, WNET 212-560-6609 or [email protected] Press materials: thirteen.org/pressroom Web site: www.thirteen.org/sites/reel13 Twitter: @Reel13 Classic Love Stories Featured on Reel 13 in February February’s slate of classic films on Reel 13 features three critically acclaimed love stories – all great box office winners in their day – and distinctly emblematic of their respective decades. Casablanca , one of the most seminal films of our time, and making its Reel 13 debut, leads the charge. Based on Murray Burnett and Joan Alison’s unproduced stage play “Everybody Comes to Rick’s,” the classic World War II-era film focuses on an American expatriate who must choose between his love for a woman and helping her Czech Resistance leader husband escape the Vichy-controlled city of Casablanca to continue his fight against the Nazis. The Humphrey Bogart , Ingrid Bergman , and Paul Henreid starrer was recognized with three Academy Awards including “Best Picture,” “Best Director,” and “Best Screenplay.” The lead characters, memorable lines and theme song (“As Time Goes By”) have become iconic and the film continuously tops the lists of the greatest films of all time. The romantic comedy Broadcast News , written, produced and directed by James L. Brooks, centers around a television news producer with daily emotional breakdowns, a prickly reporter, and the producer’s charismatic but far less seasoned rival. The film was nominated for seven Academy Awards including “Best Picture,” “Best Actor,” “Best Actress” and “Best Supporting Actor.” . The romantic comedy Four Weddings and a Funeral rounds out the month’s love story offerings. -
When Did You Last See Your Father?
WHEN DID YOU LAST SEE YOUR FATHER? Directed by Anand Tucker Starring Colin Firth Jim Broadbent Juliet Stevenson Official Selection 2007 Toronto International Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Block Korenbrot Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Leila Guenancia 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 212-247-2948 fax 323-634-7030 fax 212-833-8844 fax Visit the website at: www.whendidyoulastseeyourfathermovie.com Short Synopsis When Did You Last See Your Father? is an unflinching exploration of a father/son relationship, as Blake Morrison deals with his father Arthur’s terminal illness and imminent death. Blake’s memories of everything funny, embarrassing and upsetting about his childhood and teens are interspersed with tender and heart- rending scenes in the present, as he struggles to come to terms with his father, and their history of conflict, and learns to accept that one’s parents are not always accountable to their children. Directed by Anand Tucker (Hilary and Jackie), from a screenplay by David Nicholls, adapted from Blake Morrison’s novel of the same name, the film stars Colin Firth, Jim Broadbent, Juliet Stevenson, Gina McKee, Claire Skinner, and Matthew Beard. Long Synopsis Arthur Morrison (Jim Broadbent), and his wife Kim (Juliet Stevenson), are doctors in the same medical practice in the heart of the Yorkshire Dales, England. They have two children, Gillian (Claire Skinner), and her older brother Blake (Colin Firth)Blake is a forty - year-old established author, married with two children and confronted with the fact that his father is terminally ill. -
UNDER EMBARGO UNTIL March 14 at 3Pm ET/12Pm PT Images/Video
UNDER EMBARGO UNTIL March 14 at 3pm ET/12pm PT Images/Video: https://www.dropbox.com/sh/3uol0ajltadpdyq/AAC2Gw5jxUcPbpjXZYyP7sTCa?dl=0 TRIBECA FILM FESTIVAL® TO CLOSE WITH WORLD PREMIERE OF DANNY BOYLE’S YESTERDAY; GALAS TO INCLUDE SPECIAL SCREENINGS HONORING THE 40th ANNIVERSARY OF APOCALYPSE NOW AND THE 30 YEARS SINCE SAY ANYTHING… BECAME A CULT CLASSIC Galas Include World Premiere of ‘Between Me and My Mind’ featuring Phish’s Trey Anastasio with special music performance; Tribeca/ESPN Sports Film Festival World Premiere of ‘The Good, The Bad, The Hungry’ NEW YORK, NY – March 14, 2019 – The Tribeca Film Festival, presented by AT&T, announced today that Oscar-winning director Danny Boyle’s Yesterday, from Universal Pictures and Working Title, will world premiere as the closing night selection of the Festival’s 18th edition. Tribeca also announced this year’s Gala Anniversaries, including a never-before- seen restored version of Francis Ford Coppola’s cinematic masterpiece, Apocalypse Now, and the 30th anniversary and cast reunion of the iconic ‘80s coming-of-age film Say Anything… There will be additional Galas with the world premiere of Between Me and My Mind about Phish lead singer Trey Anastasio, followed by a special musical performance by the Trey Anastasio Band at the Beacon Theatre, as well as Tribeca/ESPN Sports Film Festival opener The Good, The Bad, The Hungry. Tickets for events at the Beacon Theatre go on sale March 19 at 11:00AM ET; Single tickets for all other Festival events go on sale March 26 at 11:00AM ET. The Tribeca Film Festival takes place from April 24 - May 5, 2019. -
British Art Cinema
Introduction: British art cinema 1 Introduction – British art cinema: creativity, experimentation and innovation Paul Newland and Brian Hoyle What is art cinema? Definitions of art cinema have long been contested, but the generic term ‘art cinema’ has generally come to stand for feature-length narrative films that are situated at the margins of mainstream cinema, located some- where between overtly experimental films and more obviously commercial product. Whether it is through a modernist, drifting, episodic approach to storytelling; a complex engagement with high culture; the foregrounding of a distinct authorial voice; or a simple refusal to bow to normal commercial considerations, at its heart the term ‘art cinema’ has come to represent film- making which is distinct from – and often in direct opposition to – popular narrative film. But for Steve Neale, writing in a seminal article published in the journal Screen in 1981, the term ‘art cinema’ applies not just to individ- ual films and film histories but also to patterns of distribution, exhibition, reception and audience engagement.1 Moreover, art cinema, in its cultural and aesthetic aspirations but also its audience, relies heavily upon an appeal to ‘universal’ values of culture and art. This is reflected in the existence of international festivals, where distribution is sought for these films, and where their status as ‘art’ – and as films ‘to be taken seriously’ – is confirmed and re-stated through prizes and awards. Writing in 2013, David Andrews argued that art cinema should -
The Artist This February 'Love Is in the Air' in the Library. What Better Way To
This February ‘love is in the air’ in the library. What better way to enjoy Valentine’s Day than curled up on your couch watching a movie? From modern favourites to timeless classics, there are countless movies in the romance genre, so here at the Learning Curve we’re here to help you narrow them down. Get ready to laugh, cry, swoon, and everything in between with your favourite hunks, lovers, and heroines. Whether you're taking some ‘me time’ or cuddled up with that special someone, here at the library we have a great selection of DVDs. These can all be found on popular streaming services or borrowed from the library using our Click & Collect Service once lockdown is over. Be sure to have popcorn and tissues at the ready! The Artist Director: Michel Hazanavicius Actors: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller The Artist is a love letter and homage to classic black-and-white silent films. The film is enormously likable and is anchored by a charming performance from Jean Dujardin, as silent movie star George Valentin. In late-1920s Hollywood, as Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he makes an intense connection with Peppy Miller, a young dancer set for a big break. As one career declines, another flourishes, and by channelling elements of A Star Is Born and Singing in the Rain, The Artist tells the engaging story with humour, melodrama, romance, and--most importantly--silence. As wonderful as the performances by Dujardin and Bérénice Bejo (Miller) are, the real star of The Artist is cinematographer Guillaume Schiffman. -
Multiculturalism Must Come to a Truce: Hollywood and the Perpetual Browning of the Nation Belle Harrell
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Multiculturalism Must Come to a Truce: Hollywood and the Perpetual Browning of the Nation Belle Harrell Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES MULTICULTURALISM MUST COME TO A TRUCE: HOLLYWOOD AND THE PERPETUAL BROWNING OF THE NATION By BELLE HARRELL A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2006 The members of the Committee approve the Dissertation of Belle Harrell defended on April 5, 2006. Maxine D. Jones Professor Directing Dissertation R. B. Bickley Outside Committee Member Neil Jumonville Committee Member Maricarmen Martínez Committee Member Approved: David F. Johnson, Director, Interdisciplinary Program in the Humanities Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my sister and my best friend – Heidi Harrell. Janie is fortunate to have her as a mother. iii ACKNOWLEDGEMENTS I would like to acknowledge those professors whose influence is reflected in this work: Dr. Bruce Bickley, Dr. V.J. Conner, Dr. Eugene Crook, Dr. Maxine D. Jones, Dr. Neil Jumonville, and Dr. Maricarmen Martínez. Not only have you made me a better student and a better teacher, but a better person. iv TABLE OF CONTENTS ABSTRACT ...................................................................................................... vi MULITICULTURALISM IN REVIEW ............................................................ 1 THE HUMAN STAIN IS MOST CERTAINLY HATRED: AN ANALYSIS OF THE HUMAN CONDITION……. -
Love Actually (2003) Major Credits: Director: Richard
Love Actually (2003) Major Credits: Director: Richard Curtis Screenplay: Richard Curtis Cinematography: Michael Coulter Editor: Nick Moore Cast: Bill Nighy (Billy Mack), Gregor Fisher (Joe), Hugh Grant (The Prime Minister), Martine McCutcheon (Natalie), Colin Firth (Jamie), Lúcia Moniz (Aurelia), Emma Thompson (Karen), Alan Rickman (Harry), Liam Neeson (Daniel), Thomas Brodie-Sangster (Sam), Kris Marshall (Colin), Chiwetel Ejiofor (Peter), Andrew Lincoln (Mark), Keira Knightly (Juliet), Laura Linney (Sarah), Rodrigo Santoro (Karl), Martin Freeman (John), Joanna Page (Judy), Billy Bob Thornton (US President), Heike Makatsch (Mia), Claudia Schiffer (Carol) Production Background: Richard Curtis had previously written the very successful Four Weddings and a Funeral (1994), Notting Hill (1999), and Bridget Jones’s Diary (2001); Love Actually was the first film he directed from his own screenplay. A paradigmatic ensemble piece, Love Actually incorporates at least twenty significant parts to tell nine—count ‘em!—integrated (if somewhat contrived) stories about the permutations of Love. Note how often the characters speak the word “actually.” Contemporary audiences familiar with Love Actually as a Christmas classic—in the UK as much as in America—may be surprised to learn the film received largely mixed reviews when it first appeared (a mediocre 55 on Metacritic). Critics generally descried its sentimentality and the profusion of plots, which tested credibility and dampened sustained involvement in any one of the stories. Even those who went along with the film’s “unrelenting schmaltz,” labeled it “Fluff, Glorious Fluff” (Ella Taylor, LA Weekly). Today Love Actually has become, for many, a beloved holiday tradition, a status that may obscure its artistic achievements.