Newsletter Working for Archives

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter Working for Archives Newsletter Working for Archives Autumn 2019 Series 5, Number 2 A chance to visit BURLINGTON HOUSE Living on the edge A round-up of this year’s BRA conference How to archive the counterculture 150 years of the Historical Manuscripts Commission Tax incentives for preserving archives A glimpse of Southill’s treasures ➥NEXT Newsletter Autumn 2019 Series 5, Number 2 Contents [Click on the headline to jump to the page] News The Society of Antiquaries London Message from the Chair 3 Patron Vice-Chair of Council HMC’s anniversary symposium 3 The Marquess of Penelope Baker Salisbury, PC, DL Records at Risk: latest developments 4 Treasurer Obituary: Rosemary Keen 4 Cover picture: © Cover picture: President Janet Foster Master of the Rolls, BRA visits 5 Editor of Archives Sir Terence Etherton Archives: an update 10 Dr Ruth Paley Books, grants and news 11 Vice-Presidents Honorary Secretary Events 12 Dr David Robinson Victoria Northwood David Prior Features Membership Chair of Council Secretary Living on the edge: a round-up Julia Sheppard Elizabeth Stazicker of this year’s BRA conference 6 Tax incentives for archives 8 Archiving the counterculture 9 British Records Association Newsletter Editor: Sarah Hart c/o 70 Cowcross Street, Sub-Editor/Designer: Jeffery Pike London EC1M 6EJ Consultant Editor: Janet Foster Tel: 07946 624713 To contribute to the Newsletter, please email Charity number 227464 [email protected] Archives Archives is the peer-reviewed journal of the British Records Association, whose aims and objectives it seeks to promote. Published twice-yearly by Liverpool University Press, Archives contains essays, case studies and reports on all aspects of archives. It also includes short edited documents as well as reviews of recent publications, websites and archival exhibits, physical or virtual. The next issue will be mailed to members in late autumn, and back issues of Archives from the journal’s beginnings in 1949 are now available in digital format via the Liverpool University Press website. ✦ We welcome submissions, and are always keen to receive work by early-career scholars. ✦ There is no upper limit on length of submissions, but 8,000 words including notes is suggested. ✦ Submissions must be the original work of the author(s) and must not have been published previously, or be about to be. For more information, please contact Dr Ruth Paley: [email protected]. BACK ➦ ➥NEXT BRA Newsletter Autumn 2019 3 Message from the Chair ur latest Newsletter contains the journal now all available online, the usual interesting mix of an improved Newsletter, and Oarticles and news, and we developments in working with The are indebted to Sarah Hart and National Archives and other bodies Jeffery Pike for their editorial work. on records at risk. All very positive You should have heard from our achievements for a small charity Secretary Victoria Northwood that which continues to have a key role Penny Baker and I wish to hand over on the archive and research scene, the reins of Vice-Chair and Chair at thanks in no small measure to the the forthcoming AGM. By then we hard work and dedication of our the BRA’s membership and will have done the job for four years, volunteers and Council members. subscription lists. We are working and feel it is time to let others take In addition, in November we will to resolve some teething problems, the BRA forward. At the same time be holding the first of what may so please bear with us and renew Victoria, who has also done a good become an Annual BRA Forum on a your subscription if you find it is no stint as Secretary, wishes to change topic of importance to the archival longer valid. Your membership is her role and stand for the Vice-Chair and research communities. This will very important and we do not wish post. All three positions will be voted bring together about 20 invited to lose you! on at the AGM. participants to discuss a topical issue: The AGM, followed by the I am delighted to be able to step ‘Archives and Records in a Post- annual Bond Lecture, will take down as Chair knowing that the Truth World’, investigating if there place on 13 November at the Paul Association is now in a much are any ways in which, together or Mellon Centre in Bedford Square – happier place than it was a few years individually, it is desirable or possible a highly appropriate venue given ago. Quite apart from being more to counter the atmosphere of that next year’s April Conference financially stable, we have been mistrust in some of the evidence- will be on the subject of Art active on many fronts with a new based material (analogue and digital) Archives. I look forward to seeing constitution, a reshaped Council, a for which we are responsible. some of you there and raising a new home, an events programme, Our journal Archives (see page glass (or two) to the continued the Harley Prize, a new look for our 10) is now published by Liverpool success of the BRA. journal Archives, back numbers of University Press, who also manage Julia Sheppard, BRA Chair Marking the HMC’s 150th anniversary A free symposium organised by The National Archives to mark the 150th anniversary of the Historical Manuscripts Commission (HMC) is taking place at its Kew headquarters on Monday, 14 October. The event replaces the cancelled HMC 150th Conference originally planned for 12 June, and is open to all, particularly academics, archivists, researchers and those interested in the history of archives. The HMC was first appointed by Royal Warrant in 1869, and various events have been held this year to mark the anniversary, including a reception at the House of Lords in July hosted by Lord Cormack, who served as Commissioner for 22 years. The HMC was first formed to document the location of records and papers in private hands and until 2003 (when it was merged with the Public Records Office to form TNA), the HMC’s findings were published as reports and calendars and were essential to researchers who could not gain access to original records in private ownership. Many of HMC’s functions continue today, including maintaining information about archives and their collections in TNA’s catalogue Discovery, monitoring the sale and export of archival material, running the Archive Service Accreditation scheme and securing significant archives from the risk of dispersal and neglect. For further information on the symposium, and to book a place, visit www.eventbrite.co.uk/e/hmc-150- symposium-tickets-67967038241. An HMC Royal warrant dating from 1882 BACK ➦ ➥NEXT BRA Newsletter Autumn 2019 4 BRA news Records at Risk: latest developments HE BRA COUNCIL is setting up collections to ensure that Ta small group of BRA members irreplaceable documents remain to help deliver its records preserv - accessible for years to come. The ation objectives. We would like to seminar is jointly sponsored by the encourage input from our Records at Risk Steering Group institutional members, as they are and the Higher Education Archive the key to establishing a robust Programme. system for saving vulnerable The fifth meeting of the Records archives. The Council group will at Risk Steering Group was held at support our work in the national Cowcross Street on 19 September. (England and Wales) advisory The BRA website will be hosting a Records at Risk steering group. page about the group’s activities RIP Bury FC: recent efforts Sadly, over the summer, the and work is going ahead to have involved rescuing records main focus of records preservation organise a fund, to be held by the from businesses that have has been rescuing records from BRA, that will provide support for gone into administration businesses that have gone into the rescue of vulnerable records, administration, such as Bury especially those unprotected by broadened the concept of ‘legal’ Football Club and Spudulike. legislation, such as charity and records beyond court records and Archives are rarely a priority when private records. This represents a deeds, and outlines a strategy for businesses and organisations are big step up for the BRA, but will their rescue, which could be wound up (a room of archive bring us back towards the reach applied nationally to other private material gathered for the centenary and ambition of the founders of sector records. It is available to anniversary of British Homes Stores our association to promote records download at humanities-digital- disappeared when the firm folded). preservation on a national basis. library.org/index.php/hdl/catalog The Crisis Manage ment Team, A final report on the Legal /book/lrar. The author of the organised by TNA, has been co- Records at Risk project has just report, Clare Cowling, is director ordinating this work. been published. Legal Records at of LRAR, was on the BRA Council There is a seminar at The Risk: a Strategy for Safeguarding 2015-2018 and is a member of the National Archives on 15 October our Legal Heritage summarises the Records at Risk Steering Group. on mitigating risks to archival work of the project, which Penny Baker, BRA Vice-Chair Lambeth degree by George Carey, Obituary then Archbishop of Canterbury. Rosemary Keen She maintained her interest and Rosemary, who was archivist at involvement in archives long after the Church Mission Society (CMS) retirement, helping with some of for over 30 years, died in Novem - the more detailed CMS enquiries at ber 2018 at the age of 85. Birmingham and volunteering at the She was born in Newbury, where Merton Heritage and Local Studies she attended the local Girls’ Centre near her home.
Recommended publications
  • Newsletter No. 679 a Quick Trip to Ljubljana Thursday, 15Th
    Newsletter No. 679 A Quick Trip to Ljubljana Thursday, 15th: A shuttle picks me up and we ride one minute up the street and parks in front of Paul & Carol Roussopoulos’s home in the Villa Seurat. A fellow comes out and gets into our small van. His name is Olivier and we drive him to a suburb in the south east of Paris. When he leaves us, we speed to CdG 1. After clearing passport and security control, I continue to the Adria Airways gate area. There I learn that the flight will be late departing. Settle down to reading that summer in paris. A woman named Anna Mortley is supposed to be flying with me to our IETM conference. But there are so many people waiting to board aircraft that it is impossible to know who it might be. Jim Haynes © Roman Sipic Then the flight is called. I sit behind a woman who is alone and ask her if she might be Anna, but she is not. Nevertheless give her an invitation to the Sunday night dinner. She thanks me and says that she would like to attend. Read today’s Le Monde and there is a special supplement about the Cannes Film Festival. There is also a front page item about the death of Robert Rauschenberg. He and I were once models together for a fashion show in Paris. Dinner is served and it’s delicious. The flight attendants could all be supermodels. Very tall attractive women. And then we are landing. It is after 23.00 hours.
    [Show full text]
  • OZ 35 Richard Neville Editor
    University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD.
    [Show full text]
  • Revue Française De Civilisation Britannique, XXII- Hors Série | 2017 the British Women’S Liberation Movement in the 1970S: Redefining the Personal
    Revue Française de Civilisation Britannique French Journal of British Studies XXII- Hors série | 2017 The United Kingdom and the Crisis in the 1970s The British Women’s Liberation Movement in the 1970s: Redefining the Personal and the Political Le mouvement britannique pour la libération des femmes dans les années 1970: Redéfinir le personnel et le politique Florence Binard Electronic version URL: http://journals.openedition.org/rfcb/1688 DOI: 10.4000/rfcb.1688 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Florence Binard, « The British Women’s Liberation Movement in the 1970s: Redefining the Personal and the Political », Revue Française de Civilisation Britannique [Online], XXII- Hors série | 2017, Online since 30 December 2017, connection on 30 April 2019. URL : http://journals.openedition.org/ rfcb/1688 ; DOI : 10.4000/rfcb.1688 This text was automatically generated on 30 April 2019. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. The British Women’s Liberation Movement in the 1970s: Redefining the Personal... 1 The British Women’s Liberation Movement in the 1970s: Redefining the Personal and the Political Le mouvement britannique pour la libération des femmes dans les années 1970: Redéfinir le personnel et le politique Florence Binard 1 Historians and founders of the British Women’s Liberation Movement (BWLM) consider that the year 1970 marked the start of the movement (Sally Alexander, Françoise Barret- Ducroq, Barbara Caine, Martin Pugh, Lynne Segal, Sheila Rowbotham). They mention two major events that took place that year: the first BWLM Conference in Oxford from 27 February to 1 March which gathered between 500 and 600 participants, many more than expected, and the protest against a Miss World beauty competition held in London on 20 November which brought the attention of the movement into the public and media arena.
    [Show full text]
  • Hippie Hippie Shake by Richard Neville Pete Steedman [email protected]
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online Counterculture Studies Volume 1 | Issue 1 Article 9 2018 [Review] Hippie Hippie Shake by Richard Neville Pete Steedman [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Steedman, Pete, [Review] Hippie Hippie Shake by Richard Neville, Counterculture Studies, 1(1), 2018, 98-116. doi:10.14453/ ccs.v1.i1.9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] [Review] Hippie Hippie Shake by Richard Neville Abstract The 60s, ew are constantly told, were a time of rebellion, a time of change, a time of hope, or just a self- indulgent game of the "me" generation, depending on point of view. The 60s ra e currently decried by a younger generation, jealous of the alleged freedoms and actions of the baby boomers who have supposedly left them nothing to inherit but the wind. Revisionist writers go to extraordinary lengths to debunk the mythology of the 60s, but in essence they mainly rail against the late 60s early 70s. In their attacks on the baby boomers they conveniently forget that the oldest of this demographic grouping was only 14 in 1960, and the vast majority of them were not even teenagers! Keywords hippies, counterculture, OZ Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution 4.0 License. Attribution 4.0 License This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol1/iss1/9 Richard Neville, Hippie Hippie Shake: The Dreams, The Trips, The Trials, The Screw Ups, The Love Ins, The Sixties, Heinemann, London, 1995, 384p.
    [Show full text]
  • Punk · Film RARE PERIODICALS RARE
    We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly.
    [Show full text]
  • Thanks for Coming: Four Archival Collections and the Counterculture
    Thanks for Coming: Four Archival Collections and the Counterculture Introduction Douglas Field, Senior Lecturer in Twentieth Century American Literature, University of Manchester, UK. Email: [email protected] According to Richard Neville, founder of OZ, the most notorious magazine of the 1960s, “That unpopular label, Underground, embraces hippies, beats, mystics, madness, freaks, Yippies, crazies, crackpots, communards and anyone who rejects rigid political ideology.”1 And while the Beat Generation had challenged mainstream 1950s US culture and consciousness, the moniker Underground emerged in the early 1960s, followed by the term “counter culture” towards the end of the decade.2 According to the British polymath Jeff Nuttall, “duplicated magazines and home movies” defined the Underground, which began, he claims, in New York around 1964.3 1 Richard Neville, Play Power: Exploring the International Underground (New York: Random House, 1970), 18. 2 Theodore Roszak, The Making of a Counter Culture: Reflections on the Technocratic Society & Its Youthful Opposition (New York: Anchor Books, 1969). 3 Jeff Nuttall, Bomb Culture, ed. and introd. Douglas Field and Jay Jones (London: Strange Attractor, 2018), 174. Counterculture Studies 3(1) 2020 1 During the 1960s, British and North American counter-cultural activists forged extensive national and global networks through the publication of Underground newspapers, beginning with Village Voice, which was co-founded by Normal Mailer in 1955. Notable Underground newspapers included Los Angeles Free Press (1964) and International Times (IT), a London-based publication that became Europe’s first underground newspaper in 1966. The Underground Press Syndicate (UPS), later known as the Alternative Press Syndicate (APS) was also formed that year, encouraging wider distribution of articles by enabling participating members to freely reprint content.
    [Show full text]
  • Hippie Hippie Shake by Richard Neville Pete Steedman [email protected]
    Counterculture Studies Volume 1 | Issue 1 Article 9 2018 [Review] Hippie Hippie Shake by Richard Neville Pete Steedman [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Steedman, Pete, [Review] Hippie Hippie Shake by Richard Neville, Counterculture Studies, 1(1), 2018, 98-116. doi:10.14453/ ccs.v1.i1.9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] [Review] Hippie Hippie Shake by Richard Neville Abstract The 60s, ew are constantly told, were a time of rebellion, a time of change, a time of hope, or just a self- indulgent game of the "me" generation, depending on point of view. The 60s ra e currently decried by a younger generation, jealous of the alleged freedoms and actions of the baby boomers who have supposedly left them nothing to inherit but the wind. Revisionist writers go to extraordinary lengths to debunk the mythology of the 60s, but in essence they mainly rail against the late 60s early 70s. In their attacks on the baby boomers they conveniently forget that the oldest of this demographic grouping was only 14 in 1960, and the vast majority of them were not even teenagers! Keywords hippies, counterculture, OZ Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution 4.0 License. Attribution 4.0 License This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol1/iss1/9 Richard Neville, Hippie Hippie Shake: The Dreams, The Trips, The Trials, The Screw Ups, The Love Ins, The Sixties, Heinemann, London, 1995, 384p.
    [Show full text]
  • Home International: the Compass of Scottish Theatre Criticism
    Home International: the Compass of Scottish Theatre Criticism Randall Stevenson An International Journal of Scottish Theatre, eh? Might not there be something faintly contradictory, even self-congratulatory, in that title, presuming an international interest in something of concern mostly locally? Any small nation might ask itself questions of this kind. For Scottish theatre, the answers have been reassuring recently, as the first numbers of IJOST helped confirm. Articles were sometimes international in subject – including analyses of theatrical translations into Scots – and also in origin, with studies of Scottish theatre by a number of critics working outside the country. With a growing number of Centres of Scottish Studies in France, Canada, the USA, Germany, Russia, Romania, and elsewhere around the globe – no doubt all happily accessing IJOST on the web – criticism of Scottish literature is now conducted thoroughly internationally, with drama, alongside poetry and the novel, increasingly taking its due share of this attention. Further evidence of this appeared in Scottish Theatre since the Seventies (1996), its contributors including critics of German, Greek, Nigerian and Irish origin, alongside, more predictably, commentators from England and from Scotland itself. Significantly, too, the most recent substantial study of Scottish theatre was edited and published in Italy. 1 So if Scottish drama is now regularly admired, studied, criticised – as well as often performed – beyond Scotland as well as within it, and now has its own International Journal, what more could we ask? Perhaps that this expanding critical readership should be more ready to locate drama genuinely internationally: to read Scottish plays more regularly within the wider context of world drama; of movements in the European theatre; of international models and influences.
    [Show full text]
  • The British Underground Press, 1965-1974: the London Provincial Relationship, and Representations of the Urban and the Rural
    THE BRITISH UNDERGROUND PRESS, 1965-1974: THE LONDON­ PROVINCIAL RELATIONSHIP, AND REPRESENTATIONS OF THE URBAN AND THE RURAL. Rich�d Deakin r Presented as part of the requirement forthe award of the MA Degree in Cultural, Literary, andHistorical Studies within the Postgraduate Modular Scheme at Cheltenham and Gloucester College of Higher Education June 1999 11 DECLARATIONS This.Dissertation is the product of my own work and is. not the result of anything done in collaboration. I agreethat this. Dissertationmay be available forreference and photocopying,. at the discretion of the College. Richard Deakin 111 ABSTRACT Whateverperspective one takes, contradictions in the relationship between the capital and the provinces have always been evident to some extent, and the British undergroundpress of the late 1960s and early 1970s is no exception. The introductoryfirst chapter will definethe meaning of the term 'underground' in this context, and outline some of thesources used and the methodologies employed. Chapter Two will show how the British underground press developed froman alternative coterie of writers, poets, and artists - often sympathisers of the Campaign forNuclear Disarmament movement. It will also show how having developed from roots that were arguably provincial the undergroundadopted London as its base. The third chapter will take a more detailed look at the background of some London and provincial underground publications andwill attempt to see what extent the London undergroundpress portrayed the provinces, and vice-versa. In Chapter Four actual aspects of lifein urbanand rural settings, such as communes, squats, and pop festivals,will be examined in relation to the adoption of these lifestylesby the wider counterculture and how they were adapted to particular environments as part of an envisioned alternativesociety.
    [Show full text]
  • Cl) -A Alasdair Gray-The ·-En Glaswegian Novelist C All the Sports News -I and What's on 2 the STUDENT Thursday, 9Th February 1984
    20p Thomas Dolby live I at the Queen's Hall Cl) -a Alasdair Gray-the ·-en Glaswegian novelist C All the sports news -I and What's On 2 THE STUDENT Thursday, 9th February 1984 News. • • News . ; . News ... News. • • News ... New NEWS IN BRIEF Moonie Rumours RUMOURS ABOUND THAT the Moonles visited KB last week to Fowler to cut medics Nirvana closer hand out leaflets and tout for converts. Bearing In mind their THE SETTING UP of a Social reputation, had the Students' A Department of Health Science Students' Council should Association found out about their working party has recom­ make it easier, in theory, for visit they would undoubtedly have mended to Mr Norman students in that faculty tc had them removed from the participate in the run~ing of their campus. Fowler that the number of own affairs. Last week the medical students in Council's laws and bye-laws were Keeping warm University be reduced. approved by · the SRC thus bringing the day of nirvana for The city's poorest families could The party, which has social science students ever. be in line for help with their winter been in operation for a closer. fuel bills if a block claim to the year, feels that the level of More greens, DHSS by Edinburgh District unemployment among Council is successful. Special payments of about £3.70 a week doctors may reach an please would be made available for low intolerable level unless EU VEGETARIAN SOCIETY is at income tenants living in homes student numbers are present conducting a survey officially classified as "hard to among students about the quality heat" reduced.
    [Show full text]
  • Lynne Tillman and the Contributors to Suck Magazine Revisit Their Experiment in Radical Feminist Pornography
    Type: Read time: Tex t: Photography: Article 12 minutes Alison M. Gingeras Joanna McClure Lynne Tillman and the contributors to Suck magazine revisit their experiment in radical feminist pornography 212 There were “men’s magazines,” and then there was Suck, “The real provocativeness and importance of endeav- an experimental amalgam of sexual liberation, feminist ors like Suck,” Kraus continued, was that the magazine ferment, alternative visual culture, and literary ambition, “not only demystified the sex acts themselves but translated into eight crazy issues of newsprint. Founded undermined any mythologizing of the individual speak- in London in 1969 and published irregularly until 1974, ers.… Suck’s authors viewed disclosure not as personal Suck offered a radically different vision of avant-pornog- narcissism but as a means of escaping the limits of ‘self.’” raphy—no small feat in an era that produced a plethora Unlike run-of-the-mill “jerk-off” magazines, Suck of explicit and transgressive printed matter. The self- boasted some sky-high (if erotic) culture, such as W.H. styled “European sexpaper,” Suck decisively contested the Auden’s little-known “The Gobble Poem,” which pruriently formulaic conventions of straight porn mags. detailed the poet’s lusty affair with a male lover, and a With Germaine Greer as one of its star ambassadors, translated excerpt of Guillaume Apollinaire’s X-rated Suck blurred many boundaries in an attempt to forge, novel The Debauched Hospodar. Through the quality of its as Greer told the academic journal Women’s Studies writing and accompanying visuals, Suck put its anarcho- International Forum, “a new kind of erotic art, away from intelligentsia stamp on prosaic magazine fodder with the tits ’n’ ass and the peep-show syndrome.” Suck was eroticized horoscopes, interactive features (the “Feminine premised on the notion that explicit erotica was more Fuckablity Test” of Suck No.
    [Show full text]
  • Richard Demarco Biography
    INTRODUCTION Richard Demarco Selected CV Traverse Theatre and Traverse Gallery Richard Demarco Gallery Demarco European Art Foundation Edinburgh Arts Richard Demarco was born in 1930 into a Scottish-Italian family in the west end of Edinburgh, growing up in Portobello on the Firth of Forth. He attended Holy Cross Academy, Leith, and from 1949 to 1953 studied book illustration, typography, printmaking and mural painting at Edinburgh College of Art. In 1950 he visited Rome and in 1949 and 1952, Paris. In 1953-54 he trained as a teacher at Moray House Teacher Training College, Edinburgh. After completing his National Service he was appointed art master at Duns Scotus Academy, Edinburgh in 1957 and taught there until 1967. In 1957 he married Anne Muckle, also a graduate of Edinburgh College of Art. As Secretary of the Edinburgh College of Art Sketch Club in 1951-53, he gained his first experience of organising exhibitions. In 1961 he exhibited drawings and watercolours at the Society of Scottish Artists and in 1962 he had his first one-person exhibition at the Douglas and Foulis Gallery in Edinburgh. He has continued to exhibit his work in Britain, Ireland, Italy, Poland, Malta and the USA. Demarco’s international outlook on the arts was nourished by the Edinburgh International Festivals, which he attended without exception from their foundation in 1947. The Demarcos were part of an international social circle with a shared interest in art, literature, music and theatre, and an aspiration to enrich the cultural life of Edinburgh outwith the period of the annual Festival. The group included the publisher John Calder (who was already running the Ledlanet Nights seasons of opera, music, drama and exhibitions at his estate in Kinross), Tom Mitchell (who was to provide the building for the Traverse Theatre) and the graphic designer John Martin who, with Douglas Soeder, founded Forth Studios which was to give the Traverse Theatre and Traverse Gallery and the Richard Demarco Gallery their graphic identities.
    [Show full text]