Thanks for Coming: Four Archival Collections and the Counterculture
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download (2399Kb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
Newsletter No. 679 a Quick Trip to Ljubljana Thursday, 15Th
Newsletter No. 679 A Quick Trip to Ljubljana Thursday, 15th: A shuttle picks me up and we ride one minute up the street and parks in front of Paul & Carol Roussopoulos’s home in the Villa Seurat. A fellow comes out and gets into our small van. His name is Olivier and we drive him to a suburb in the south east of Paris. When he leaves us, we speed to CdG 1. After clearing passport and security control, I continue to the Adria Airways gate area. There I learn that the flight will be late departing. Settle down to reading that summer in paris. A woman named Anna Mortley is supposed to be flying with me to our IETM conference. But there are so many people waiting to board aircraft that it is impossible to know who it might be. Jim Haynes © Roman Sipic Then the flight is called. I sit behind a woman who is alone and ask her if she might be Anna, but she is not. Nevertheless give her an invitation to the Sunday night dinner. She thanks me and says that she would like to attend. Read today’s Le Monde and there is a special supplement about the Cannes Film Festival. There is also a front page item about the death of Robert Rauschenberg. He and I were once models together for a fashion show in Paris. Dinner is served and it’s delicious. The flight attendants could all be supermodels. Very tall attractive women. And then we are landing. It is after 23.00 hours. -
Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Summer 2011 Issue 36
Express Summer 2011 Issue 36 Portrait of a Survivor by Thomas Ország-Land John Sinclair by Dave Russell Four Poems from Debjani Chatterjee MBE Per Ardua Ad Astra by Angela Morkos Featured Artist Lorraine Nicholson, Broadsheet and Reviews Our lastest launch: www.survivorspoetry.org ©Lorraine Nicolson promoting poetry, prose, plays, art and music by survivors of mental distress www.survivorspoetry.org Announcing our latest launch Survivors’ Poetry website is viewable now! Our new Survivors’ Poetry {SP} webite boasts many new features for survivor poets to enjoy such as; the new videos featuring regular performers at our London events, mentees, old and new talent; Poem of the Month, have your say feedback comments for every feature; an incorporated bookshop: www.survivorspoetry.org/ bookshop; easy sign up for Poetry Express and much more! We want you to tell us what you think? We hope that you will enjoy our new vibrant place for survivor poets and that you enjoy what you experience. www.survivorspoetry.org has been developed with the kind support of all the staff, board of trustess and volunteers. We are particularly grateful to Judith Graham, SP trustee for managing the project, Dave Russell for his development input and Jonathan C. Jones of www.luminial.net whom built the website using Wordpress, and has worked tirelessly to deliver a unique bespoke project, thank you. Poetry Express Survivors’ Poetry is a unique national charity which promotes the writing of survivors of mental 2 – Dave Russell distress. Please visit www.survivorspoetry. com for more information or write to us. A Survivor may be a person with a current or 3 – Simon Jenner past experience of psychiatric hospitals, ECT, tranquillisers or other medication, a user of counselling services, a survivor of sexual abuse, 4 – Roy Birch child abuse and any other person who has empathy with the experiences of survivors. -
Eric Siegel Woody Vasulka Videofreex, Inc. Videographics, Inc. Video Van Tvx Stan Vanderbeek
ERIC SIEGEL WOODY VASULKA Einstein 5 min . Video exploration into the inner essence Fillmore East (with Jon Blom) Jan-Feb 1970 PART II : of the mind of Einstein. To music of Jethro Tull 1 hr POLITICAL Rimsky Korsakoff . Color . Jimi Hendrix & Band of Gypsies 1 hr Washington, D .C . Symphony of 12 min . Cosmic flight into the macrocosm and Voices of East Harlem 1 hr New Haven, Conn . Planets microcosm and finally life . To music of Ten Years After 1 hr Blood, Sweat and Bullshit Tschaikovsky . Zephyr 1 hr Anti Blood Sweat and Tears Demonstration Doug Kershaw 1 hr Hard Hat Demonstration Tommaro Never 2y/ min . Video abstract trip to the music of the Bonnie, Delany & Friends 20 min Save Sunfish Pond Demonstration Knows Beatles' song of the same name . Panther Chants WBAI Free Music Store Jan •M ay 1970 Psychelevision I I 27 min . A program expressing the Karma of 1968 Richard Nixon ending war Peloponnesian War-Daniel Nagrin 2 hrs through psychedelic abstractions tom U .N . 25th Anniversary Cop Banter Archie Shepp 1 hr biped with outside reality . Featuring : High School Confidential Susan Berge, dance ; Peter Sorensen ; Evening of Black Contemporary Music 40 min Music Columbia SDS and music of the Beatles, Hank Johnson & Steve Chambers Stones, Cream, Korsakoff, and Procol Wind Ensemble Workshop 40 min Jerome Rothenberg Harum . Portions in Color. Bartok Trio 20 min American Indian Poetry Manhattan Center Concert-Rock Music Off Broadway Theaters May-June 1970 Nineteenth Nervous 2 mm . Eric Siegel mouthing Stones song of same N .Y . Pop Festival - Randall's Island Femme Fatale - Jackie Curtis 1 hr 10 min Breakdown name . -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
Details of Files for This Subgroup
Fonds UNHCR Fonds 11 Records of the Central Registry Series Series 2 Classified Subject Files 1971-1984 Subgroup Non-Governmental Organisations Registry Code 400.GEN – 430.SSF Scope This subgroup documents the UNHCR’s relations with Non-Governmental Organisations. It contains information relating to operational cooperation and financial interaction with national and international NGOs, including correspondence, bills, budgets, reports prepared by NGOs. Details of Files for this Subgroup Registry Code Title Dates Box ID 400.ANG Non-Governmental Organisations - Angola 1975/1975 11.02.BOX.0634 400.ARE Non-Governmental Organisations - Arab Republic of Egypt 1972/1984 11.02.BOX.0634 400.ARG Non-Governmental Organisations - Argentina 1977/1984 11.02.BOX.0634 400.AUL Non-Governmental Organisations - Australia [Volume 1] 1973/1983 11.02.BOX.0634 400.AUL Non-Governmental Organisations - Australia [Volume 2] 1983/1985 11.02.BOX.0635 400.AUS Non-Governmental Organisations - Austria [Volume 1] 1972/1981 11.02.BOX.0635 400.AUS Non-Governmental Organisations - Austria [Volume 2] 1981/1984 11.02.BOX.0635 400.BEL Non-Governmental Organisations - Belgium [Volume 1] 1973/1978 11.02.BOX.0635 400.BEL Non-Governmental Organisations - Belgium [Volume 2] 1979/1982 11.02.BOX.0635 400.BEL Non-Governmental Organisations - Belgium [Volume 3] 1982/1983 11.02.BOX.0636 400.BEL Non-Governmental Organisations - Belgium [Volume 4] 1983/1984 11.02.BOX.0636 400.BEL Non-Governmental Organisations - Belgium [Volume 5] 1984/1984 11.02.BOX.0636 400.BOT Non-Governmental Organisations -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
OZ 17 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 12-1968 OZ 17 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1968), OZ 17, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 17 Description Editor: Richard Neville. Design: Jon Goodchild. Writers: Andrew Fisher, Ray Durgnat, David Widgery, Angelo Quattrocchi, Ian Stocks. Artists: Martin Sharp, John Hurford, Phillipe von Mora. Photography: Keith Morris Advertising: Felix Dennis, REN 1330. Typesetting: Jacky Ephgrave, courtesy Thom Keyes. Pushers: Louise Ferrier, Felix Dennis, Anou. This issue produced by Andrew Fisher. Content: Louise Ferrier colour back issue/subscription page. Anti-war montage. ‘Counter-Authority’ by Peter Buckman. ‘The alH f Remarkable Question’ - Incredible String Band lyric and 2p illustration by Johnny Hurford. Martin Sharp graphics. Flypower. Poverty Cooking by Felix and Anson. ‘The eY ar of the Frog’ by Jule Sachon. ‘Guru to the World’ - John Wilcock in India. ‘We do everything for them…’ - Rupert Anderson on homelessness. Dr Hipocrates (including ‘inflation’ letter featured in Playpower). Homosexuality & the law. David Ramsay Steele on the abolition of Money. ‘Over and Under’ by David Widgery – meditations on cultural politics and Jeff uttN all’s Bomb Culture. A Black bill of rights – LONG LIVE THE EAGLES! ‘Ho! Ho! Ho Chi Mall’ - the ethos of the ICA. Graphic from Nottingham University. Greek Gaols. Ads for Time Out and John & Yoko’s Two Virgins. -
Past Present Future
Tomorrow never knows or the thousand dreams of Stella Brennan, as observed by Andrew Paul Wood. 104 urbis I SUMMER 2004 ince at least the 1936 film version of H.G. Wells’ The Shape of Things to Come, science fiction has depicted future interior design as a series of minimalist white interiors of Sthe Walter Gropius/Mies van der Rohe pattern. After Stanley Kubrick’s 1968 film, 2001: A Space Odyssey, the form became set, complete with 1960s biomorphic furniture. This in turn influenced interior design of the time. The trend has more-or-less continued to this day, a notable example being Andrew Niccol’s 1997 film GATTACA with its stylised retro-modernist 1940s decor. But is this really what the future looks like, or just what the movies tell us it should look like? It all looks a bit retro now, a bit kitsch – but if imaginary futuristic interiors aren’t informing contemporary design, they are informing contemporary art. Take the work of Stella Brennan (left), for instance, and her impressive portfolio of recent works. The Auckland-based artist, writer and curator’s 2003 project, Dirty Pixels, toured Auckland, Wellington, Dunedin and Hamilton. Another installation, Theme for Great Cities, showed at Ramp Gallery at Wintec in Hamilton. Her work also featured in Everyday Minimalism at the Auckland Art Gallery. Her installation, Tomorrow Never Knows, showed at Auckland’s Starkwhite gallery in April 2004, and Christchurch’s Physics Room in May 2004. Tomorrow Never Knows is based on J.G. Ballard’s collection of short stories, Vermilion Sands (1971), a future sprawling resort-cum- artists’ colony sandwiched between a vast desert and a barren coast. -
OZ 35 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964