Biblical References in Twenty One Pilots Songs
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Chapter I Introduction
CHAPTER I INTRODUCTION This chapter deals with the topics of background of study, statement of problems, purpose of study, scope and limitation, significance of study, and definition of key terms. 1.1. Background of Study Language as a tool of communication is really important in human life; it has strong influence to the society relationship. Anggraini and Sudiran (2014:2), people use language to have relationship in the society; without language, people cannot interact and communicate to other. Language provides arbitrary signals, such as voice sounds, gestures, or written symbols which have the same roles to express human’s feelings, emotions and ideas. Therefore, literature that provides pleasure cannot be separated from language. Literature is basically divided into some types or genres. Turco (1999:9- 10) points out the types that are also called as genres that can be found in literature: Fiction, drama, poetry, and nonfiction. Each category consists of subgenres, such as novel, novella, novelette (long story), short story, short - short story (very short story), episode (one incident or even; in a longer work of fiction), and anecdote (a short account often of humorous interest) that belong to fiction; the tragedy, comedy, tragicomedy, and skit (a short dramatic presentation of a humorous or satiric turn) that belong to drama; the autobiography, biography, essay and discourse that belong to nonfiction; lyric, verse narrative, and verse drama that belong to poetry. 1 In making a literary work, the creative writers are not primarily concerning with the actual truth of particular events but also their imagination. Afterward, literature is a term used to describe written or spoken material into more technical works. -
Twenty Øne Piløts Inside Infø and Jøkes: a Clique Møm Tutrøial
twenty øne piløts Inside Infø and Jøkes: A Clique Møm Tutrøial By Julie Cøøper-Førtin Are you just joining this amazing phenomenon but want to be able to keep up with all the little references and jokes the clique keeps referring to? Here's your chance! What You're What It Means Relevant Links Hearing About Their Stories/ This is best explained in video form. https://www.youtube.com Band History Check out this excellent link. /watch?v=fiYb4I-8ggw Skeleton Clique Fans of twenty one pilots. Widely At 0:40 aka “The Clique” considered “all-inclusive” and https://www.youtube.com supportive of other fans and their /watch?v=YfBD_gxc8YA struggles. The fan base is called the Skeleton Clique because of this quote by Tyler: "Under clothes, under skin, underneath we're all the same. For when you remove the tricky tricks, only skeleton bones remain." This goes along with how they say "we are twenty one pilots and so are you" and how they and the clique refer to members as "friends". Everyone is united. Power To The Local Phrase Tyler used in their video, https://www.youtube.com Dreamer “Signing To Fueled By Ramen,” which /watch?v=7gtbKNrJ7es&t= has been accepted as one of the band’s 3s main mottos. How did they get the Tyler was in theatre class & studied a play called At 2:50 name twenty one pilots? "All My Sons" written by Arthur Miller in the 40's. https://www.youtube.com It was about a father who ran a company that /watch?v=fiYb4I-8ggw provided parts for planes used in WWII. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Cougar Chronicle: Spring 2017: Page 1
Cougar Chronicle: Spring 2017: Page 1 Cougar Chronicle: Spring 2017: Page 2 Cougar Credits Spring 2017 Each issue of the Cougar Chronicle, Carl Sandburg Middle School’s newspaper, has been conceptualized, developed, and created top to bottom by students in Grades 6-8. We are proud to bring you current events in our school community and are eager for you to read. Chronicle Crew Staff: Grade Students 6 Allison Altman, Malina Alwis, Sindhu Balakavi, Anthony Barge, Shreya Chintawar, Debosree Datta, Ryan Ferraro, Jasmine Foo, Isabella Florio, Jennasis Guth-Spitzer, Madison Hessler, Angelica Ho, Julie Khourshed, Ethan Kraja, Frederick Kusi, Jacob Nieves, Farah Omeed, Jenna Ortiz, Preston Peng, Gianna Porcelli, Jennifer Rojas, Ryan Santiago, Ameer Sheikh, Antonio Somma, Mikayla Stepper, Mariah Turpin, & Shaye Walker 7 Rishabh Jain, Isabelle Padilla, Felicia Padin, Samar Raju, Shilpi Shah, Carel Soney, Mason Stepper, & Avani Trivedi 8 Vaishnavi Adusumilli, Gina Battaglia, Carolena Lodzinski & William Tsang Advisor Mr. Burica Teachers: Interested in contributing an article? Students: Want to share an event, artwork, or writing? Please contact Mr. Burica at [email protected]. *Cover Artwork designed by Mason Stepper* Stories Prowling Inside: Cougar Chronicle: Spring 2017: Page 3 James & The PEER Day: 8th Grade Ellis Volleyball Giant Peach Jr. Island Trip: Tournament: Coverage: Pages 4-11 Pages 12-14 Pages 15-16 Page 17 World Down Autism ESL Spotlight: Podiatrist Syndrome Day: Awareness: Interview: Page 18 Page 19 Pages 20-21 Pages 22-23 Percy Jackson -
Economics in Music in the Pop Culture Era
Perspectives on Economic Education Research, 2018, 11(1) 41-57 Journal homepage: cobhomepages.cob.isu.edu/peer/ From The Beatles to Twenty One Pilots: Economics in Music in the Pop Culture Era Brian O’Roarka, Kim Holderb, G. Dirk Mateerc1 aSocial Sciences Department, Robert Morris University, United States bUWG Center for Economic Education & Financial Literacy, Department of Economics, University of West Georgia, United States cDepartment of Economics, University of Arizona, United States, [email protected] Abstract Economists have explored methods of using media in the classroom for decades. One of the most common forms of media used is music. This paper adds to ongoing efforts in economics to link music directly to course content by creating a database of each year’s best song since 1964. The database provides an historical timeline to help instructors connect economic events from the past with the music of that time-period. For each song selected, key economics concepts are highlighted and a sample of the relevant lyrics are provided. Key Words: economic education, economic history, music, economics of culture JEL Codes: A10, A22, E20, N00, Z11 1 Corresponding author. O’Roark, Holder, Mateer/Perspectives on Economic Education Research, 2018, 11(1) 41-57 1. Introduction Learning about economics is understandably difficult for students. One of the primary issues they face is their lack of familiarity with the material. Elasticity, utility, subjective value, business cycles and many other terms are akin to a foreign language for most students. In addition, a general shortage of real world experience makes connecting students to the economic lexicon even more trying. -
Innovators: Songwriters
NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers. -
U2 Metallica Red Hot Chili Peppers Eric Church Garth Brooks
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 118.1 U2 119.12 61,973 991,565 7,382,401 16/19 Live Nation Global Touring 2 68.7 Metallica 101.08 52,251 679,266 5,281,339 13/15 Artist Group International 3 60.5 Red Hot Chili Peppers 84.96 14,533 712,099 1,234,694 49/55 WME 4 54.5 Eric Church 60.90 14,671 894,909 893,443 61/63 WME 5 48.0 Garth Brooks 65.02 61,588 739,056 4,004,674 12/48 WME 6 39.1 Bon Jovi 84.86 16,456 460,758 1,396,429 28/30 Creative Artists Agency 7 36.3 Tim McGraw / Faith Hill 86.92 12,656 417,633 1,100,000 33/36 Creative Artists Agency 8 35.1 The Weeknd 93.75 15,585 374,040 1,461,061 24/27 WME 9 31.2 Cirque du Soleil - "Kurios" 88.73 15,273 351,282 1,355,247 23/182 Cirque du Soleil 10 31.0 Dead & Company 75.27 27,457 411,850 2,066,667 15/19 Creative Artists Agency 11 30.6 Tom Petty & The Heartbreakers 86.61 14,721 353,307 1,275,000 24/25 WME 12 29.9 Ariana Grande 76.08 10,930 393,475 831,532 36/37 Creative Artists Agency 13 29.7 Neil Diamond 93.59 12,710 317,739 1,189,498 25/26 WME 14 28.6 Def Leppard 73.96 11,733 387,192 867,759 33/33 Artist Group International 15 26.8 Celine Dion 168.29 4,087 159,409 687,890 1/39 ICM Partners 16 25.5 Cirque du Soleil - "Lúzia" 91.31 16,432 279,349 1,500,511 17/145 Cirque du Soleil 17 24.7 The Chainsmokers 59.40 12,230 415,824 726,471 34/36 Creative Artists Agency 18 24.6 Roger Waters 124.12 14,134 197,878 1,754,393 14/16 WME 19 24.4 Billy Joel 113.05 26,979 215,833 3,050,000 8/13 Artist Group International 20 23.0 -
Connotative and Denotative Meaning of Emotion Words
CONNOTATIVE AND DENOTATIVE MEANING OF EMOTION WORDS IN TWENTY ONE PILOTS’ BLURRYFACE ALBUM A THESIS Submitted to Letters and Humanities Faculty in Partial Fulfillment of the Requirements for Strata One (S1) Degree in English Letters Department REYUNA LARASATIKA 1112026000107 ENGLISH LANGUAGE AND LITERATURE DEPARTMENT FACULTY OF LETTERS AND HUMANITIES SYARIF HIDAYATULLAH STATE ISLAMIC UNIVERSITY JAKARTA 2017 ABSTRACT REYUNA LARASATIKA, Connotative and Denotative Meaning of Emotion Words in Twenty One Pilots’ Blurryface Album. Thesis. Jakarta: English Language and Literature Department, Letters and Humanities Faculty, State Islamic University (UIN) Syarif Hidayatullah, May 2017. This research is discussing connotative and denotative meaning consisting in emotion words in the lyrics of Twenty One Pilots’ songs in Blurryface album. The songs are Heavydirtysoul, Stressed Out, Ride, Fairly Local, Tear In My Heart, Lane Boy, The Judge, Doubt, Polarize, We Don’t Belive What’s On TV, Message Man, Hometown, Not Today and Goner. The meaning of emotion words in those song imply the songwriter’s background. The emotion words are classified based on Robert Plutchik and Henry Kellerman’s book titled Emotion: Theory, Research, and Experiment. Then, those emotion words are analysed using semantics theory to find the meaning and how the songwriter’s background is implied. The method which is used in this research is qualitative method because the research is describing verbal data which is the words in the song lyrics. Keywords: emotion words, semantics, connotative meaning, denotative meaning, Twenty One Pilots i DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Guns N' Roses U2 Justin Bieber Metallica Depeche Mode Red Hot
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 151.5 Guns N' Roses 108.96 51,496 1,390,396 5,611,111 27/30 International Talent Booking 2 118.1 U2 119.12 61,973 991,565 7,382,401 16/19 Live Nation Global Touring 3 93.2 Justin Bieber 93.60 38,297 995,726 3,584,615 26/29 Creative Artists Agency 4 88.0 Metallica 127.74 36,258 688,909 4,631,579 19/25 Artist Group International / K2 Agency 5 68.2 Depeche Mode 75.79 39,106 899,447 2,963,772 23/24 WME 6 60.5 Red Hot Chili Peppers 84.96 14,533 712,099 1,234,694 49/55 WME 7 59.0 Adele 98.33 100,000 600,000 9,833,333 6/11 International Talent Booking 8 57.2 Ed Sheeran 101.24 15,270 564,994 1,545,946 37/49 Paradigm Talent Agency / Creative Artists Agency 9 54.5 Eric Church 60.90 14,671 894,909 893,443 61/63 WME 10 52.7 Bruno Mars 77.63 19,407 679,246 1,506,526 35/46 WME 11 49.4 The Weeknd 80.95 15,648 610,253 1,266,667 39/43 WME 12 48.0 Garth Brooks 65.02 61,588 739,056 4,004,674 12/48 WME 13 44.6 Take That 93.20 39,878 478,540 3,716,667 12/30 CODA 14 44.1 Celine Dion 153.17 6,402 288,116 980,000 7/46 ICM Partners 15 43.6 Drake 90.23 21,964 483,209 1,981,818 22/36 WME 16 41.4 Ariana Grande 71.75 11,546 577,304 828,445 50/52 Creative Artists Agency 17 39.1 Bon Jovi 84.86 16,456 460,758 1,396,429 28/30 Creative Artists Agency 18 38.1 Bruce Springsteen & The E Street Band 146.05 29,020 261,184 4,238,418 9/14 BPB Consulting / Creative Artists Agency 19 38.1 Green Day 61.15 11,126 623,058 680,357 56/61 Creative Artists Agency / X-ray -
TWENTY ONE PILOTS with ECHOSMITH
TWENTY ONE PILOTS with ECHOSMITH OCTOBER 1 | South Side Ballroom *** Tickets on sale Friday, May 22 at 10am *** TWENTY ONE PILOTS RELEASE HIGHLY ANTICIPATED SOPHOMORE STUDIO ALBUM BLURRYFACE Currently at #1 on the iTunes Album Chart DUO WILL KICK OFF RELEASE WEEK WITH iHEARTRADIO LIVE PERFORMANCE MAY 19th AND JIMMY KIMMEL LIVE! ON MAY 22nd HEADLINING BLURRYFACE WORLD TOUR THIS FALL MAINSTAGE FESTIVAL APPEARANCES AT BONNAROO AND LOLLAPALOOZA THIS SUMMER NEW SHOW DATES ANNOUNCED DALLAS, TX, (May 19, 2015) – After multiple Top 5 charting singles, sold out tour dates months out, the album pre-order being a fixture in the Top 10 and currently sitting at #1 on the iTunes Album Chart, Twenty One Pilots, one of the most buzzed about bands of 2014, have released their highly anticipated sophomore album, Blurryface, available at music retailers worldwide today: http://smarturl.it/blurryface. Since announcing the album’s imminent release in March via the Twenty One Pilots Twitter account, their dedicated fan base created a social media frenzy, leading Twenty One Pilots to trend worldwide on Twitter and Tumblr. Fans have been clamoring to hear the new record, and singles teasing the album’s release have been giving listeners a taste of what Tyler Joseph (lead vocals, piano, and the band’s songwriter) and Josh Dun (drums) have in store. Blurryface takes Twenty One Pilots’ explosive mix of hip-hop, indie rock and punk to the next level, with soaring pop melodies and eclectic sonic landscapes. The fan track, “Fairly Local,” reached #1 on iTunes’ Alternative Chart, and top 5 on Billboard’s Twitter Chart. -
Billboard Magazine
Pop's princess takes country's newbie under her wing as part of this season's live music mash -up, May 31, 2014 1billboard.com a girl -powered punch completewith talk of, yep, who gets to wear the transparent skirt So 99U 8.99C,, UK £5.50 SAMSUNG THE NEXT BIG THING IN MUSIC 200+ Ad Free* Customized MINI I LK Stations Radio For You Powered by: Q SLACKER With more than 200 stations and a catalog of over 13 million songs, listen to your favorite songs with no interruption from ads. GET IT ON 0)*.Google play *For a limited time 2014 Samsung Telecommunications America, LLC. Samsung and Milk Music are both trademarks of Samsung Electronics Co. Ltd. Appearance of device may vary. Device screen imagessimulated. Other company names, product names and marks mentioned herein are the property of their respective owners and may be trademarks or registered trademarks. Contents ON THE COVER Katy Perry and Kacey Musgraves photographed by Lauren Dukoff on April 17 at Sony Pictures in Culver City. For an exclusive interview and behind-the-scenes video, go to Billboard.com or Billboard.com/ipad. THIS WEEK Special Double Issue Volume 126 / No. 18 TO OUR READERS Billboard will publish its next issue on June 7. Please check Billboard.biz for 24-7 business coverage. Kesha photographed by Austin Hargrave on May 18 at the MGM Grand Garden Arena in Las Vegas. FEATURES TOPLINE MUSIC 30 Kacey Musgraves and Katy 5 Can anything stop the rise of 47 Robyn and Royksopp, Perry What’s expected when Spotify? (Yes, actually.) Christina Perri, Deniro Farrar 16 a country ingenue and a Chart Movers Latin’s 50 Reviews Coldplay, pop superstar meet up on pop trouble, Disclosure John Fullbright, Quirke 40 “ getting ready for tour? Fun and profits.