Read the VT on TV Timeline
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tools(6120).Pdf
CTL Electronics was founded four years ago in New York City by C .T . Lui . Lui had previously worked in the design of video systems, and had extensive experience in electronic component, circuit and systems design . Not only does Lui set high standards for servicing equipment, but he also designed and produced a series of new video designs . Among the designs are the CTL Colorizer, Gen Lock, Wireless Camera, and Keying System . New video designs are under development . A Publi- cations Group has been established to print new information about the rapidly expanding video tech- nology . "Video Tools" is our first publication . The Egg Store is a production and editing facility developed by CTL Electronics and Frank Cavestani . It offers an environment for experimenting in the , arts and technology of video production . CTL has , also opened a branch in Washington, D . C . It is a credit to Lui that this publication was produced . It was a learning experience for all of us . Clockwise from top left : C .T . Lui ; Howard Mandel ;, Frank Cavestani ; Nancy Levco ; John Brumage; Lui i Cyril Griffin ; Aramis Fernandez ; Rodger Janpol ; Su'qui Verde ; Vilai Chuarphanich ; Frank ; Paula Jaffe i; Lynda Rodol i tz ; Jagat Ramdi n ; Janet Gri ff Ln i; Jimi Griffin (drawing) ; Shridhar Bapat ; Raphael Garcia ; Lynda ; Paula (Arline Dreiblatt in back) ; Cy ; Captain Lui . mark brownstone john brumage Closed Circuit Systems arline dreiblatt Cameras Janet griffin Monitors jim griffin Pierre jouchmans Tape Systems c :t . lui VTRs 1yn -4a rodal1tz Editing Standardization Cartridge Systems , _ , New Panasonic Systems ., : y . Sony Cassette {'Vl'dea Tools" 1$ a publication of =CTL Electronics, Inc . -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
This Summer, American Public Television and WORLD Channel Transport Audiences to an African National Park That Is Saving Endange
This Summer, American Public Television and WORLD Channel Transport Audiences to an African National Park that is Saving Endangered Animals while Lifting Communities out of Poverty “Our Gorongosa” shares the stories of the women who are transforming conservation and development in Gorongosa National Park and providing the next generation of girls with opportunities for empowered futures Chevy Chase, MD (July 26, 2021) – “Our Gorongosa,” the inspirational film by Tangled Bank Studios and Gorongosa Media is debuting on public television stations across the country this summer and nationally on WORLD Channel, produced by GBH in partnership with the WNET Group in New York and distributed by American Public Television. Close to 90% of U.S. households will now be able to see the film on their local public television station (check local listings for eXact dates and airtimes). “Our Gorongosa” features Dominique Gonçalves, a vibrant Mozambican ecologist who runs the Gorongosa elephant ecology project as she shares the myriad ways Gorongosa is redefining the identity and purpose of an African national park. From her own work mitigating human/elephant conflict; to community clubs and school programs that empower girls to avoid teen marriage and pregnancy; to health clinics and nutrition training for eXpectant mothers and families; Dominique transforms viewers’ understanding of what a national park can be. The commitment of the remarkable women who run these programs—and the resilience of the mothers and girls who are benefiting from them—tell an inspiring story of strength and hope. “Our Gorongosa” has captivated film festival audiences since its debut at the Smithsonian’s National Museum of African American History and Culture and its festival premiere in 2019 at the Wild and Scenic Film Festival. -
Comcast Channel Lineup
• Basi.c Service , $ 14.99 Equipment and Options (prices per month) The minimum level of service available and is required before you HOTV Equipment Charge~ ... .., ...............•.........$ 7.00 can subscribe to additional services, HO OVR Service .................•........................$ 15.95 SO DVR Service ..................................•........$ 8.95 Starter Cable , $ 55.99 Digital/Analog Converter . .. .....................•........$ 3.20 Includes Starter Cable channels plus OCT & Remote. Analog Converter for Basic Service Only ......•............ " .$ 1.00 Digital/Analog Remote Control . .•.......•.. ,... .$ 0.20 Digital Preferred ,,,,, $ 16.95 This package can be added to Starter Cable and includes the Installation and Service' channels in Digital Classic. Home Installation (Wired) ......., .......•........ , .$ 23.99 Home InstaiJation (Unwired) ............................•... .$ 33.99 Digital Preferred Plus Package , $ 107.99 Additional Connection at Time of Imliallnstall , $ 12.99 Includes the channels in Starter Cable. Digital Classic, and HBO Additional Connection Requiring Separate Trip ..........•.....$ 20.99 and STARZl. Move Outlet ........................................•. , ..$ 16.99 Upgrade of Services _.......•.. , ..$ 14.99 Digital Premier Package , ,.$ 127,99 Downgrade of Services ,... .. , ..........•.........•....$ 10.95 Includes the channels in Starter Cable, Digital Classic, Sports Change of Service or Equipment Activation ........•......•.....$ 1.99 Entertainment Tier, HBO, Showtime, Cinemax and Starzl. Connect VCR at Time of InitiallnstaiJ $ 5.99 Connect VCR Requiring Separate Trip .................•......$ 12.99 Digital Premium Services. ,,,,, $ 19.99 Hourly Service Charge. .........,.. $ 30.99 Premium services can be added to any Digital package, Select Service Call Trip Charge ........ $ 27.20 from HBO, Showtime, Cinemax, The Movie Channel, STARZI Administrative Fee for Delinquent Accounts at 30 Days $ 5.95 or E(1core. Administrative Fee for Delinquent Accounts at 60 Days ,$ 5.95 Additional Late Fee Every 30 Days After. -
Federal Register / Vol. 62, No. 97 / Tuesday, May 20, 1997 / Notices
27662 Federal Register / Vol. 62, No. 97 / Tuesday, May 20, 1997 / Notices DEPARTMENT OF COMMERCE applicant. Comments must be sent to Ch. 7, Anchorage, AK, and provides the PTFP at the following address: NTIA/ only public television service to over National Telecommunications and PTFP, Room 4625, 1401 Constitution 300,000 residents of south central Information Administration Ave., N.W., Washington, D.C. 20230. Alaska. The purchase of a new earth [Docket Number: 960205021±7110±04] The Agency will incorporate all station has been necessitated by the comments from the public and any failure of the Telstar 401 satellite and RIN 0660±ZA01 replies from the applicant in the the subsequent move of Public applicant's official file. Broadcasting Service programming Public Telecommunications Facilities Alaska distribution to the Telstar 402R satellite. Program (PTFP) Because of topographical File No. 97001CRB Silakkuagvik AGENCY: National Telecommunications considerations, the latter satellite cannot Communications, Inc., KBRW±AM Post and Information Administration, be viewed from the site of Station's Office Box 109 1696 Okpik Street Commerce. KAKM±TV's present earth station. Thus, Barrow, AK 99723. Contact: Mr. a new receive site must be installed ACTION: Notice of applications received. Donovan J. Rinker, VP & General away from the station's studio location SUMMARY: The National Manager. Funds Requested: $78,262. in order for full PBS service to be Telecommunications and Information Total Project Cost: $104,500. On an restored. Administration (NTIA) previously emergency basis, to replace a transmitter File No. 97205CRB Kotzebue announced the solicitation of grant and a transmitter-return-link and to Broadcasting Inc., 396 Lagoon Drive applications for the Public purchase an automated fire suppression P.O. -
Color Handout
Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape and Optical Media Identification and Preservation Webinar October 23, 2013 Linda Tadic Audiovisual Archive Network [email protected] 1 What Will be Covered Physical properties of media Preservation issues Formats and identification 2 Heritage Preservation: Caring for Yesterday's Treasures--Today 1 Caring for Audiovisual Material: Webinar 10/23/13 3 What Will Not be Covered Digitization (that’s the webinar on October 30) Cataloging and metadata 3 Additional Resources Bibliography of web-based readings Archival video preservation labs vendor list (USA) List of current video formats 4 Heritage Preservation: Caring for Yesterday's Treasures--Today 2 Caring for Audiovisual Material: Webinar 10/23/13 3 VIDEO 5 Videotape in Brief If it has sprockets, it’s film – not video. 6 Heritage Preservation: Caring for Yesterday's Treasures--Today 3 Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape in Brief Like audiotape, videotape is magnetic media. Video can come in reel or cassette form – like audiotape. It can carry both analog and digital signals – like audiotape. 7 Primary Concerns Multitude of formats (identification can be difficult) Format obsolescence Short Life Expectancy (LE) Environmental, organic, and human factors contributing to signal degradation 8 Heritage Preservation: Caring for Yesterday's Treasures--Today 4 Caring for Audiovisual Material: Webinar 10/23/13 3 How Videotape Started Thank Bing Crosby. First funded development of audiotape. In 1950 gave $50,000 to a start-up called Ampex to develop magnetic videotape. 9 How Videotape Started Original market/users: broadcasting Like other time-based media, formats for the consumer market quickly followed. -
Film: Descriptionand Comparison with a Vi- To''their Application in Audio-Visual Programs in Bangladesh
DOCUMENT RESUME ED 124 111 IR 003, 480 TITLE Video Tape. Record Film: Descriptionand Comparison with a Vi- to''Their Application in Audio-Visual Programs in Bangladesh.. INSTITUTION -Asia Foundation, New York, N.Y. PUB DATE Jun 75 NOTE 48p. -4113s PRICE EF-$0.83 HC-$2.06 Plus Postage.° DESCRIPTORS Climatic Factors; Comparative Anialysis; Costs; Developing Nations; *Equipment Standards; *Films; Humidity; Instructional Films; *Physical Environment ;. Temperature; *Video Tape Recordings IDENTIFIERS° Bangladesh; Sixteen Millimeter Films; Super 8 Films ,ABSTRACT . This monograph compares the advantages, limitations; and liabilities, of videotape recording, 16mm, and 8 systems with IspAcial consideration to their deployment in the tropical conditions that prevail in Bangladesh. The. first part of the text is a compariSon.of the three systets. Both video and film systems are discussed. in :terms of their technical .operation and precautions. necessary Winsure,their 'proper functioning. The appendixes provide cost estimates on media equipment, a list of media equipment:repair facilities in Bangladesh, band a liSt of information sources on media. (EMR) ********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from othet sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, iteis of. marginal * * reproducibiliety are often encountered and this affedts the quality * * -of the microfiche and hardcopy reproductions ERIC makes available * * via .the ERIC Document Reproduction Service (EDRS) . EDRS is not * * responsible for the quality of the original document. Reproductions * * supplied by EDRS are the best that can be made from the original. ********************************************************************* VIDEO TAPE RECORDING AND FILM: DESCRIPTION AND COMPARISON WITH A VIEW TO THEIR APPLICATION IN AUDIO-VISUAL PROGRAMS IN BANGLADESH 0 Prepared for o- w The ;Isla Foundation, Bangladesh U S OEPARTMENT OF HEALTH. -
Federal Register/Vol. 86, No. 91/Thursday, May 13, 2021/Proposed Rules
26262 Federal Register / Vol. 86, No. 91 / Thursday, May 13, 2021 / Proposed Rules FEDERAL COMMUNICATIONS BCPI, Inc., 45 L Street NE, Washington, shown or given to Commission staff COMMISSION DC 20554. Customers may contact BCPI, during ex parte meetings are deemed to Inc. via their website, http:// be written ex parte presentations and 47 CFR Part 1 www.bcpi.com, or call 1–800–378–3160. must be filed consistent with section [MD Docket Nos. 20–105; MD Docket Nos. This document is available in 1.1206(b) of the Commission’s rules. In 21–190; FCC 21–49; FRS 26021] alternative formats (computer diskette, proceedings governed by section 1.49(f) large print, audio record, and braille). of the Commission’s rules or for which Assessment and Collection of Persons with disabilities who need the Commission has made available a Regulatory Fees for Fiscal Year 2021 documents in these formats may contact method of electronic filing, written ex the FCC by email: [email protected] or parte presentations and memoranda AGENCY: Federal Communications phone: 202–418–0530 or TTY: 202–418– summarizing oral ex parte Commission. 0432. Effective March 19, 2020, and presentations, and all attachments ACTION: Notice of proposed rulemaking. until further notice, the Commission no thereto, must be filed through the longer accepts any hand or messenger electronic comment filing system SUMMARY: In this document, the Federal delivered filings. This is a temporary available for that proceeding, and must Communications Commission measure taken to help protect the health be filed in their native format (e.g., .doc, (Commission) seeks comment on and safety of individuals, and to .xml, .ppt, searchable .pdf). -
06 F Facilitator Guide
who is my child? understanding children’s temperaments A Guide for Workshop Facilitators Ready for Life credits Principal Writer Sharon Hirschy, C.F.L.E. Ready for Life Manager Lisa Ogden Bracken, M.S. Ready for Life Senior Outreach Mary Greene Ready for Life Outreach Coordinator Paige Griffin, M.A. Contributors Patricia Chappell Liesl Gray Logan Arminta Jacobson, Ph.D., C.F.L.E., C.F.C.S. Rebecca Edwards, M.S. Spanish Translation Susana Torres Celina Abeyta-Barry Evaluation Margaret Caughy, Sc.D. Joanna Gentsch, M.S. Pilot Testing Linda Schmid, KLRU Austin, TX Chris Hobbs, KTXT Lubbock, TX Nan Holmes, KWBU Waco, TX Ann Crider, KUHT Houston, TX Vice President of Education, KERA Diana Braiden Radspinner, M.A. Art Director and Ready for Life Logos Charlla Feller Davis Video Director/Producer Ginny Martin Programmer Lea Baker Illustrations Pierre Pratt The development of Who Is My Child? has been made possible in part by The Meadows Foundation, Houston Endowment, Inc., Ed Haggar Family Foundation and an anonymous funder. Who Is My Child? was developed by and is the property of KERA. All rights reserved. Unless otherwise stated, no part of this curriculum kit may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, for any purpose without the express written permission of KERA, 3000 Harry Hines Boulevard, Dallas, Texas 75201. 2 Copyright 2006 KERA. getting started using this curriculum module Since the Texas debut of the documentary Ready for Life, KERA has received numerous requests for short video segments of the intimate family scenes shown in Ready for Life that could be used by parent educators and others who work directly with families and caregivers. -
OH-275 NARRATOR: Bob Ellis INTERVIEWER: Aaron Monson DATE: June 24, 2008
TEMPE HISTORICAL MUSEUM ORAL HISTORY PROJECT INTERVIEW #: OH-275 NARRATOR: Bob Ellis INTERVIEWER: Aaron Monson DATE: June 24, 2008 BE = Bob Ellis INT = Interviewer _______ = Unintelligible (Italics) = Transcriber’s notes Side A INT: Interview for the Tempe Historical Museum on June 24, 2008. I’m here with Bob Ellis, former station manager for ASU Channel 8 KAET. Let’s begin. Can you tell me, when did you first come to ASU, and what made you choose ASU as an employer? BE: I came to ASC, Arizona State College, in 1947. I was in the service—got an honorable discharge, by the way—and came out to Tempe and Phoenix to visit my sister, who had married a native of this area. And while I was here, a friend that I went to high school with was in the Papago Veterans Hospital with rheumatic fever, and he told me he was going to take advantage of the G.I. Bill and go to Arizona State College. And that was something that I was interested in doing, but not here; I was from Ohio. But anyway, I went over and enrolled, and I loved it. It was a small school, there were about 2,500 students, half of us were veterans. And if you wanted to be in the debate team or the choir, even if you wanted to play football or basketball, you probably would get a shot at it. So I was able to do nearly everything I wanted to do at Arizona State College. I was on the debate team, I was in the choir, I also was vice president of the student body. -
PARTNERSHIPS for FREE CHOICE LEARNING Public Libraries, Museums, and Public Broadcasters Working Together
PARTNERSHIPS FOR FREE CHOICE LEARNING Public Libraries, Museums, and Public Broadcasters Working Together Chris Walker Carlos A. Manjarrez The Urban Institute Urban Libraries Council II Partnerships for Free Choice Learning About This Report In the summer of 2000, the Institute for Museum and Library Services (IMLS), under the acting direction of Beverly Shepherd, awarded a grant to the Urban Libraries Council to conduct a research project to explore partnerships among cultural and educational institutions engaged in informal lifelong learning. This research was carried out in support of a new direction for IMLS, which, in addition to supporting partnerships among its traditional museum and library constituents, invited public television and public radio to join in collaborative efforts to expand lifelong learning opportunities. These efforts have included research and demonstration projects as well as several convocations of researchers, funders, and executives and staff of museums, libraries, and public radio and public television stations. This report is part of the broadening national dialogue around informal lifelong learning, which we refer to as "free choice" learning. The report is based on the results of survey and field research into partnerships among libraries, museums, and public broadcasters. It also draws on the growing body of published case material describing the activities and outcomes of such partnerships. Its core value is use of a conceptual framework that explores, for the four institutions that are our focus—public libraries, museums, public radio, and public television—the contributions, benefits, and risks of partnering across different types of activities. We build on the extensive case research done before us, and take a further look at a wide variety of activities carried out in practice. -
Datacasting As a Complement to Firstnet
Capabilities Statement – Datacasting as a Complement to FirstNet Public television operates a nationwide network of high-power broadcast television stations that cover 97% of the U.S. population, including territories. Datacasting is a technology that enables this existing broadcast infrastructure to deliver encrypted and targetable IP data along with its television programming. The combination allows for a nationwide wireless IP delivery network that is natively multicast, just like the TV signals it rides on. SpectraRep LLC, a Washington, DC-based technology company, has pioneered datacasting and developed tools and technology to allow public safety communications and can merge LTE and datacasting, creating a new capability that conserves LTE bandwidth by seamlessly moving content destined for multiple recipients onto the more spectrally-efficient multicast path. SpectraRep has also created a content dashboard that allows public safety users to manage content, share and view video with and from other agencies. The SpectraRep technology has been deployed in multiple successful pilots, including projects in Houston and Chicago funded by DHS and vetted by the Johns Hopkins University Applied Physics Laboratory (“JHU/APL”). America’s Public Television Stations (“APTS”) and its membership, collectively operating approximately 200 stations in all 50 States and the territories and serving nearly all of the American people, has committed in principle to designate 1 Mbps of its channel capacity to provide a nationwide communications network as a component of the FirstNet public safety initiative. It is possible to send high quality video and large files within this allocation. APTS makes this commitment in association with SpectraRep, who has been its partner for public safety communications in a number of markets.