T H E Sudbury S E N I O R Scene June
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A.D. Players Presents a Compelling Guess Who's Coming to Dinner
Houston's independent source of local news and culture Playing A decision that affects two families and tests their real belief systems. Photo by Joey Watkins Photography A.D. Players Presents a Compelling Guess Who's Coming to Dinner D. L. GROOVER | FEBRUARY 2, 2020 | 11:21AM I'm not sure I can accurately give a review of A.D. Players' Guess Who's Coming to Dinner because I'm fairly certain I didn't see all of it. I was completely dumb-struck by Kirk A. Domer's luscious – and I mean luscious – set design for the Drayton's swanky mid-century aerie home in the San Francisco hills, and I spent a great deal of time mentally rearranging my furniture from home to see where it might fit into these swell new digs. The place is stunning, and I'm moving in. If you're a fan of HGTV, you, too, will join me. An immense cantilevered skylight anchors the room, as does its opposite focal point, the stone hearth and open fireplace that separates living room from dining room. The floors are polished stonework or wood; I couldn't tell since they are covered by huge patterned rugs of artful design. The doors are paneled with horizontal panes of glass, an iron staircase winds up to the bedroom level, niches with tasteful objets d'art fill the walls, the light fixtures are those cool atomic chandeliers, classy modern art graces the walls, painted tile edges the bar counter. This place speaks power and money and class. Oh, there's a play going on inside it. -
Affirmative Action.Pdf
Critical Race and Whiteness Studies www.acrawsa.org.au/ejournal Volume 8, 2012 BOOK REVIEW Hamilton Carroll. 2011. Affirmative Reaction: New Formations of White Masculinity, Durham and London: Duke University Press. Timothy Laurie University of Sydney To borrow a phrase from a program that foreshadows much of Hamilton Carroll’s argument, Affirmative Reaction reads like a captain’s log of what stressed out, fed up, self-sacrificing white men are up to on America’s screens – and sometimes, on paper and CDs too. Drawing on films (Brokeback Mountain, Million Dollar Baby, Gran Torino, Traffic and Syriana), television programs (24, American Chopper), comics (The Call of Duty) and music (Eminem, including 8 Mile), Carroll argues that “appeals to injury... incorporate and mobilize failure as a constitutive force for the reorientation of posthegemonic forms of white masculinist privilege” (2). Rather than distancing itself from identity politics, associated here with “women’s rights, gay rights, and civil rights eras” (7), white masculinity now announces itself as a marginal identity: Clint Eastwood the reformed racist and conscientious hero in Gran Torino, Michael Douglas the troubled and transformed father in Traffic, and Eminem the ‘white trash’ upstart in 8 Mile. In other texts, notably Million Dollar Baby and a series of comics based on September 11 fire-fighters, the special status afforded to white ethnicity also serves as an alibi for familiar clichés of white male heroism. The title of this book is misleading - better would be Hamilton -
Films with 2 Or More Persons Nominated in the Same Acting Category
FILMS WITH 2 OR MORE PERSONS NOMINATED IN THE SAME ACTING CATEGORY * Denotes winner [Updated thru 88th Awards (2/16)] 3 NOMINATIONS in same acting category 1935 (8th) ACTOR -- Clark Gable, Charles Laughton, Franchot Tone; Mutiny on the Bounty 1954 (27th) SUP. ACTOR -- Lee J. Cobb, Karl Malden, Rod Steiger; On the Waterfront 1963 (36th) SUP. ACTRESS -- Diane Cilento, Dame Edith Evans, Joyce Redman; Tom Jones 1972 (45th) SUP. ACTOR -- James Caan, Robert Duvall, Al Pacino; The Godfather 1974 (47th) SUP. ACTOR -- *Robert De Niro, Michael V. Gazzo, Lee Strasberg; The Godfather Part II 2 NOMINATIONS in same acting category 1939 (12th) SUP. ACTOR -- Harry Carey, Claude Rains; Mr. Smith Goes to Washington SUP. ACTRESS -- Olivia de Havilland, *Hattie McDaniel; Gone with the Wind 1941 (14th) SUP. ACTRESS -- Patricia Collinge, Teresa Wright; The Little Foxes 1942 (15th) SUP. ACTRESS -- Dame May Whitty, *Teresa Wright; Mrs. Miniver 1943 (16th) SUP. ACTRESS -- Gladys Cooper, Anne Revere; The Song of Bernadette 1944 (17th) ACTOR -- *Bing Crosby, Barry Fitzgerald; Going My Way 1945 (18th) SUP. ACTRESS -- Eve Arden, Ann Blyth; Mildred Pierce 1947 (20th) SUP. ACTRESS -- *Celeste Holm, Anne Revere; Gentleman's Agreement 1948 (21st) SUP. ACTRESS -- Barbara Bel Geddes, Ellen Corby; I Remember Mama 1949 (22nd) SUP. ACTRESS -- Ethel Barrymore, Ethel Waters; Pinky SUP. ACTRESS -- Celeste Holm, Elsa Lanchester; Come to the Stable 1950 (23rd) ACTRESS -- Anne Baxter, Bette Davis; All about Eve SUP. ACTRESS -- Celeste Holm, Thelma Ritter; All about Eve 1951 (24th) SUP. ACTOR -- Leo Genn, Peter Ustinov; Quo Vadis 1953 (26th) ACTOR -- Montgomery Clift, Burt Lancaster; From Here to Eternity SUP. -
(E)Racing the Fourth Amendment
Michigan Law Review Volume 100 Issue 5 2002 (E)racing the Fourth Amendment Devon W. Carbado UCLA School of Law Follow this and additional works at: https://repository.law.umich.edu/mlr Part of the Civil Rights and Discrimination Commons, Criminal Procedure Commons, Fourth Amendment Commons, Law and Race Commons, and the Supreme Court of the United States Commons Recommended Citation Devon W. Carbado, (E)racing the Fourth Amendment, 100 MICH. L. REV. 946 (2002). Available at: https://repository.law.umich.edu/mlr/vol100/iss5/3 This Article is brought to you for free and open access by the Michigan Law Review at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Law Review by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. (E)RACING THE FOURTH AMENDMENT Devon W. Carbado* PROLOGUE: NOTES OF A NATURALIZED SON (OR HOW I BECAME A BLACK AMERICAN) ................................................. 947 I. INTRODUCTION... .......................................................................... 964 " II. RACE AND THE "FREE TO LEAVE TEST .................................. 974 A. Introduction ........................................................................... 974 B. A Racial Re-Reading of Florida v. Bostick ........................ 975 1. The Racial Facts .............................................................. 975 2. Racial Vulnerability to Police Encounters .................... 976 C. -
View All Four Women Again, but with Another Purpose in Mind
DEMYSTIFYING THE NOTION, “THE WEST IS BETTER”: A GERMAN ORAL HISTORY PROJECT Jennifer Stanek A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements of the degree of MASTER OF ARTS May 2011 Committee: Dr. Christina Guenther, Advisor Dr. Kristie Foell ii ABSTRACT Dr. Christina Guenther, Advisor I began my project in 2004 as an oral history project, involving four German women, with the purpose of finding out what motivated them either to flee East Germany before the construction of the Berlin Wall or stay. Five years later I wished to revive my project and interview all four women again, but with another purpose in mind. What had started out as a desire to understand my own family’s past turned into a desire to gain a better idea of the complexity of the notion, “the West is better,” and, therefore, an even better understanding of what moved a people across dangerous borders. In this thesis I examine what the idea, “the West is better,” meant to real individuals, who chose a life in the West either before the construction of the Wall on August 13, 1961 or in the 1980s before the fall of the Wall. I examine how this notion applied to their experiences specifically, the GDR-refugees’ contribution to the creation and perpetuation of this idea, and how this concept has affected the German people since 1949. The notion, “the West is better,” assumed much mythical character during the existence of the GDR, which it largely has not shed. -
SCHEDULE the Oscars from a to Z
2021 SCHEDULE The Oscars from A to Z Thursday, April 1 6:00 AM Adam's Rib (1969) 8:00 AM The Adventures of Robin Hood (1938) 10:00 AM After The Thin Man (1936) 12:00 PM Agnes of God (1985) 2:00 PM Air Force (1943) 4:15 PM Algiers (1938) 6:00 PM Alice Adams (1935) 8:00 PM All the King's Men (1949) 10:00 PM Almost Famous (2000) 12:15 AM An American in Paris (1951) 2:15 AM Anatomy of a Murder (1959) 5:15 AM Anna Christie (1930) Friday, April 2 6:45 AM Around the World in 80 Days (1956) 10:00 AM Au Revoir Les Enfants (1987) 12:00 PM The Awful Truth (1937) 1:45 PM Baby Doll (1956) 3:45 PM The Band Wagon (1953) 5:45 PM Being There (1979) 8:00 PM Ben-Hur (1959) 12:00 AM The Best Man (1964) 2:00 AM The Big Chill (1983) 4:00 AM The Birds (1963) 2021 SCHEDULE Saturday, April 3 6:00 AM Blithe Spirit (1945) 7:45 AM Block-Heads (1938) 9:00 AM Born Yesterday (1950) 11:00 AM Bridge on the River Kwai (1957) 2:00 PM Bullitt (1968) 4:15 PM Caged (1950) 6:00 PM Calamity Jane (1953) 8:00 PM Carefree (1938) 9:45 PM Carol (2015) 12:00 AM Cat on a Hot Tin Roof (1958) 2:00 AM Charade (1967) 4:15 AM The Circus (1928) Sunday, April 4 6:00 AM Citizen Kane (1941) 8:00 AM The Corn is Green (1945) 10:00 AM Dark Victory (1939) 12:00 PM Days of Wine and Roses (1962) 2:15 PM The Defiant Ones (1958) 4:00 PM Destination Moon (1950) 5:45 PM East of Eden (1955) 8:00 PM Easter Parade (1948) 10:00 PM The Egg and I (1947) 12:00 AM The Enchanted Cottage (1945) 2:00 AM The End of the Affair (1999) 4:00 AM The Entertainer (1960) 2021 SCHEDULE Monday, April 5 6:00 AM Eskimo (1933) 8:00 AM Executive Suite (1954) 10:00 AM Experiment Perilous (1944) 11:45 AM The Facts of Life (1960) 1:30 PM The Fallen Idol (1948) 3:15 PM Far from the Madding Crowd (1962) 6:15 PM A Farewell to Arms (1932) 8:00 PM Father of the Bride (1950) 10:00 PM Five Easy Pieces (1970) 12:00 AM The 5,000 Fingers of Dr. -
Best Movies in Every Genre
Best Movies in Every Genre WTOP Film Critic Jason Fraley Action 25. The Fast and the Furious (2001) - Rob Cohen 24. Drive (2011) - Nichols Winding Refn 23. Predator (1987) - John McTiernan 22. First Blood (1982) - Ted Kotcheff 21. Armageddon (1998) - Michael Bay 20. The Avengers (2012) - Joss Whedon 19. Spider-Man (2002) – Sam Raimi 18. Batman (1989) - Tim Burton 17. Enter the Dragon (1973) - Robert Clouse 16. Crouching Tiger, Hidden Dragon (2000) – Ang Lee 15. Inception (2010) - Christopher Nolan 14. Lethal Weapon (1987) – Richard Donner 13. Yojimbo (1961) - Akira Kurosawa 12. Superman (1978) - Richard Donner 11. Wonder Woman (2017) - Patty Jenkins 10. Black Panther (2018) - Ryan Coogler 9. Mad Max (1979-2014) - George Miller 8. Top Gun (1986) - Tony Scott 7. Mission: Impossible (1996) - Brian DePalma 6. The Bourne Trilogy (2002-2007) - Paul Greengrass 5. Goldfinger (1964) - Guy Hamilton 4. The Terminator (1984-1991) - James Cameron 3. The Dark Knight (2008) - Christopher Nolan 2. The Matrix (1999) - The Wachowskis 1. Die Hard (1988) - John McTiernan Adventure 25. The Goonies (1985) - Richard Donner 24. Gunga Din (1939) - George Stevens 23. Road to Morocco (1942) - David Butler 22. The Poseidon Adventure (1972) - Ronald Neame 21. Fitzcarraldo (1982) - Werner Herzog 20. Cast Away (2000) - Robert Zemeckis 19. Life of Pi (2012) - Ang Lee 18. The Revenant (2015) - Alejandro G. Inarritu 17. Aguirre, Wrath of God (1972) - Werner Herzog 16. Mutiny on the Bounty (1935) - Frank Lloyd 15. Pirates of the Caribbean (2003) - Gore Verbinski 14. The Adventures of Robin Hood (1938) - Michael Curtiz 13. The African Queen (1951) - John Huston 12. To Have and Have Not (1944) - Howard Hawks 11. -
February 2019
February 2019 SATURDAY, FEBRUARY 2 9:40 AM ET/6:40 AM PT 3:00 PM ET/12:00 PM PT 12:15 AM ET/9:15 PM PT 8:40 AM CT/7:40 AM MT 2:00 PM CT/1:00 PM MT 11:15 PM CT/10:15 PM MT Letters From Iwo Jima In The Heat Of The Night The Right Stuff 12:05 PM ET/9:05 AM PT 5:00 PM ET/2:00 PM PT FRIDAY, FEBRUARY 1 3:30 AM ET/12:30 AM PT 11:05 AM CT/10:05 AM MT 4:00 PM CT/3:00 PM MT 1:15 AM ET/10:15 PM PT 2:30 AM CT/1:30 AM MT A Funny Thing Happened on the Brokeback Mountain 12:15 AM CT/11:15 PM MT Irma La Douce Way to the Forum 7:20 PM ET/4:20 PM PT Cleaner 6:00 AM ET/3:00 AM PT 1:45 PM ET/10:45 AM PT 6:20 PM CT/5:20 PM MT 2:45 AM ET/11:45 PM PT 5:00 AM CT/4:00 AM MT 12:45 PM CT/11:45 AM MT The Cove 1:45 AM CT/12:45 AM MT The Trailer Show Schindler’s List 9:00 PM ET/6:00 PM PT Hatfields and McCoys: Bad Blood 6:30 AM ET/3:30 AM PT 5:05 PM ET/2:05 PM PT 8:00 PM CT/7:00 PM MT 4:10 AM ET/1:10 AM PT 5:30 AM CT/4:30 AM MT 4:05 PM CT/3:05 PM MT Woodstock - 3 Days of Peace & 3:10 AM CT/2:10 AM MT The Greatest Show on Earth Children Of A Lesser God Music: The Director’s Cut Will Penny 9:05 AM ET/6:05 AM PT 7:10 PM ET/4:10 PM PT 6:00 AM ET/3:00 AM PT 8:05 AM CT/7:05 AM MT 6:10 PM CT/5:10 PM MT TUESDAY, FEBRUARY 5 5:00 AM CT/4:00 AM MT Hugo The Miracle Worker 12:50 AM ET/9:50 PM PT Love Story 11:15 AM ET/8:15 AM PT 9:00 PM ET/6:00 PM PT 11:50 PM CT/10:50 PM MT 7:45 AM ET/4:45 AM PT 10:15 AM CT/9:15 AM MT 8:00 PM CT/7:00 PM MT The Buddy Holly Story 6:45 AM CT/5:45 AM MT Gandhi Platoon 2:50 AM ET/11:50 PM PT The Bishop’s Wife 2:25 PM ET/11:25 AM PT 11:05 PM ET/8:05 -
Cinema and Media Studies (CIMS) 1
Cinema and Media Studies (CIMS) 1 CIMS 016 Freshman Seminar in Cinema and Media Studies CINEMA AND MEDIA STUDIES The primary goal of the freshman seminar program is to provide every freshman the opportunity for a direct personal encounter with a faculty (CIMS) member in a small sitting devoted to a significant intellectual endeavor. Specific topics be posted at the beginning of each academic year. Please CIMS 005 In Dark Times: The Dystopian Imagination in Literature and see the College Freshman seminar website for information on current Film course offerings https://www.college.upenn.edu/node/403. This CWiC course will offer a guided introduction to the one of the most One-term course offered either term resilient genres of the human imagination: dystopian and apocalyptic Also Offered As: ARTH 100, ENGL 017, URBS 106 fiction. Like a group of survivors huddled around a campfire, we will Activity: Seminar turn to literature and cinema to debate some of the big questions 1.0 Course Unit about the future of science, technology, religion, and capitalism. This CIMS 024 Introduction to American and British Film and Media course is designed as a Critical Speaking Seminar, and the majority of This topic course explores multiple and different aspects of Cinema class assignments will be devoted to oral presentations: including a Studies. Specific course topics vary from year to year. See the Cinema Parliamentary-style debate and a video essay. We will begin by reading Studies website at cinemastudies.sas.upenn.edu/courses for a some of the early, influential works in the dystopian genre by authors description of the current offerings. -
Stanley Kramer Papers, 1945-1984
http://oac.cdlib.org/findaid/ark:/13030/ft2x0nb09b No online items Finding Aid for the Stanley Kramer papers, 1945-1984 Processed by Charlotte Payne; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 1999 The Regents of the University of California. All rights reserved. Finding Aid for the Stanley 161 1 Kramer papers, 1945-1984 Finding Aid for the Stanley Kramer Papers, 1945-1984 Collection number: 161 UCLA Library, Department of Special Collections Manuscripts Division Los Angeles, CA Contact Information Manuscripts Division UCLA Library, Department of Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Telephone: 310/825-4988 (10:00 a.m. - 4:45 p.m., Pacific Time) Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ Processed by: Charlotte Payne, October 1974 Encoded by: Caroline Cubé Online finding aid edited by: Josh Fiala, July 2002 Text converted and initial container list EAD tagging by: Apex Data Services © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Stanley Kramer Papers, Date (inclusive): 1945-1984 Collection number: 161 Creator: Kramer, Stanley Extent: 316 boxes (158 linear ft.)37 cartons (37 linear ft.)28 oversize boxes 2 oversize Folders Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Abstract: Stanley Kramer (1913- ) was born in New York City. -
A Guide to the Filmscripts in the Lilly Library Book Department
From Abbott and Costello in the Foreign Legion to Zorro Rides Again: A Guide to the Filmscripts in the Lilly Library Book Department There are presently over nine hundred scripts in the Lilly Li brary Book department. The movies represented range from the silent version of Ben Hur to Breaking Away. The collection's scope is broad; one can find scripts for great film classics, musicals, mys teries, adventures, shorts, westerns, comedies, and science fiction movies. Many types of filmscripts make up the collection-drafts, cutting continuities, preliminary editions, shooting finals. Gener ally the scripts are accompanied by publicity photos. Although the majority of filmscripts in the collection are for talkies, several scripts are for silent films. The text of a silent film script is devoted primarily to directions for camera shots and de scriptions of the action, and provides title captions instead of dia logue. The earliest script in the collection is for The Four Horsemen of the Apocalypse (released in 1921), the film that gave Rudolph Valentino his first starring role. The Big Parade (1925), King Vidor's popular film about an average man's experiences at war, estab lished John Gilbert as a top star. The Jazz Singer (1927) was the first full length feature with both singing and talking, starring AI }olson in his first movie role. Wings (1928), considered to be the last of the silent spectaculars, was the first movie to receive an Academy Award. Clara Bow and Charles Rogers starred in this tale of World War I flyers. One of the most lavish films of the silent era was the the 1926 MGM version of Ben Hur, starring Ramon Novarro, directed by William Wellman. -
1 It's a Wonderful Life 1946 2 to Kill a Mockingbird 1962 3 Schindler's List 1993 4 Rocky 1976 5 Mr
1 IT'S A WONDERFUL LIFE 1946 2 TO KILL A MOCKINGBIRD 1962 3 SCHINDLER'S LIST 1993 4 ROCKY 1976 5 MR. SMITH GOES TO WASHINGTON 1939 6 E.T. THE EXTRA-TERRESTRIAL 1982 7 THE GRAPES OF WRATH 1940 8 BREAKING AWAY 1979 9 MIRACLE ON 34TH STREET 1947 10 SAVING PRIVATE RYAN 1998 11 THE BEST YEARS OF OUR LIVES 1946 12 APOLLO 13 1995 13 HOOSIERS 1986 14 THE BRIDGE ON THE RIVER KWAI 1957 15 THE MIRACLE WORKER 1962 16 NORMA RAE 1979 17 ONE FLEW OVER THE CUCKOO'S NEST 1975 18 THE DIARY OF ANNE FRANK 1959 19 THE RIGHT STUFF 1983 20 PHILADELPHIA 1993 21 IN THE HEAT OF THE NIGHT 1967 22 THE PRIDE OF THE YANKEES 1942 23 THE SHAWSHANK REDEMPTION 1994 24 NATIONAL VELVET 1944 25 SULLIVAN'S TRAVELS 1941 26 THE WIZARD OF OZ 1939 27 HIGH NOON 1952 28 FIELD OF DREAMS 1989 29 GANDHI 1982 30 LAWRENCE OF ARABIA 1962 31 GLORY 1989 32 CASABLANCA 1942 33 CITY LIGHTS 1931 34 ALL THE PRESIDENT'S MEN 1976 35 GUESS WHO'S COMING TO DINNER 1967 AFI is a trademark of the American Film Institute. Copyright 2005 American Film Institute. All Rights Reserved. 36 ON THE WATERFRONT 1954 37 FORREST GUMP 1994 38 PINOCCHIO 1940 39 STAR WARS 1977 40 MRS. MINIVER 1942 41 THE SOUND OF MUSIC 1965 42 12 ANGRY MEN 1957 43 GONE WITH THE WIND 1939 44 SPARTACUS 1960 45 ON GOLDEN POND 1981 46 LILIES OF THE FIELD 1963 47 2001: A SPACE ODYSSEY 1968 48 THE AFRICAN QUEEN 1951 49 MEET JOHN DOE 1941 50 SEABISCUIT 2003 51 THE COLOR PURPLE 1985 52 DEAD POETS SOCIETY 1989 53 SHANE 1953 54 RUDY 1993 55 THE DEFIANT ONES 1958 56 BEN-HUR 1959 57 SERGEANT YORK 1941 58 CLOSE ENCOUNTERS OF THE THIRD 1977 KIND 59 DANCES WITH WOLVES 1990 60 THE KILLING FIELDS 1984 61 SOUNDER 1972 62 BRAVEHEART 1995 63 RAIN MAN 1988 64 THE BLACK STALLION 1979 65 A RAISIN IN THE SUN 1961 66 SILKWOOD 1983 67 THE DAY THE EARTH STOOD STILL 1951 68 AN OFFICER AND A GENTLEMAN 1982 69 THE SPIRIT OF ST.